Composed by Genaro Codina (1852-1901). Arranged by Alfred Roth. This edition: Kalmus Orchestra Library. Full Orchestra; Performance Music Ensemble; Single Titles. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A827490. Published by LudwigMasters Publications

Orchestra (Study Score)

SKU: HL.49010354

Two Suites from the Opera. Composed by Henry Purcell. Edited by William Leonard Reed. Arranged by William Leonard Reed. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 20 pages. Duration 15'. Eulenburg Edition #ETP891. Published by Eulenburg Edition (HL.49010354).

ISBN 9790200207613. UPC: 073999921113. 5.25x7.5x0.075 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Orchestra (Study Score)

SKU: HL.51489071

Study Score. Composed by Franz Joseph Haydn. Henle Music Folios. Classical. Softcover. G. Henle #HN9071. Published by G. Henle (HL.51489071).

UPC: 840126989397. 6.75x9.5x0.268 inches.

The twelve “London Symphonies” comprise the sublime final statement of Haydn's symphonic oeuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The E-flat-major Symphony no. 103 was composed in 1795 as the penultimate of the London Symphonies. It owes its epithet to its unique beginning; a solo drumroll in the timpani ushers in the slow introduction. This opening bar, marked with Haydn's heading “Intrada” and a pause, even inspires many a performer to venture a short timpani improvisation. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
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By Andrew Lloyd Webber, Tim Rice. Full Orchestra. Size 8.5x11 inches. Published by Hal Leonard.

Overture. By Ludwig van Beethoven. Arranged by Max Unger. (Study Score). Schott. 46 pages. Published by Eulenburg.

Study Score. By Carl Orff. Arranged by Werner Thomas. (Study Score). Schott. Book only. Size 7.5x10.5 inches. 170 pages. Published by Eulenburg (Schott).

((Value Pak - 37 Part Books/Conductor/CD)). Kit of score and part books. Essential Elements Band Folios. Grade 2

Chamber Orchestra; Orchestra; String Orchestra (Study Score)

SKU: HL.48024880

Study Score. Composed by James Macmillan. Boosey & Hawkes Scores/Books. Classical. Softcover. 80 pages. Duration 900 seconds. Boosey & Hawkes #M060136009. Published by Boosey & Hawkes (HL.48024880).

ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches.

This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various.

(Orchestra)

SKU: BA.BA11903

Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Score. Opus 84. Baerenreiter Verlag #BA11903_00. Published by Baerenreiter Verlag (BA.BA11903).

ISBN 9790006573783. 32.5 x 25.5 cm inches.

Beethovenâ €™s incidental music op. 84 was written in 1809 for a performance of Goethe’s drama “Egmont” at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe’s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage.

For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra (picc.2.2.2.2. - 4.2.3.1. - timp.perc - hp - str(vc divided))

SKU: BR.EOS-20472-00

No. 2 from the Symphonic Poem My Fatherland. Composed by Bedrich Smetana. Edited by Milan Pospisil. Softbound. Eulenburg Orchestral Series.

Today, it is hard to believe that Bedrich Smetana kept receiving rejections when he tried to get his enormously popular Moldau printed.

Symphonic poem; Romantic. Full score. 84 pages. Duration 13'. Breitkopf and Haertel #EOS 20472-00. Published by Breitkopf and Haertel (BR.EOS-20472-00).

ISBN 9790004780008. 10 x 12.5 inches.

What is also amazing is that the first text-critical edition prepared by the Czech Smetana expert Milan Pospisil in 1999, which had entailed an exhaustive evaluation of the sources and been given a full text-critical editorial treatment as a Eulenburg study score, had no resonance of any kind among performers since no performance material had been published. After 15 years, Pospisils edition is finally being completed in a manner suitable for practice: with a conducting score and orchestral parts which will ensure that all future performances are based on a musical text that is as reliable as can be.

The work depicts the course of the river Vltava, beginning with its first two sources, the cold and warm Vltava, and the confluence of the two streams that join to form a single river; then the course of the Vltava through forests and meadows, and through open countryside where a peasant wedding is being celebrated; water-sprites dance by the light of the moon; on the nearby cliffs castles, mansions and ruins rise proudly into the air; the Vltava eddies in the St John's Rapids, then flows in a broad stream as it continues its course towards Prague, where the Vysehrad appears, before the river finally disappears into the distance as it flows majestically into the Elbe.

Vltava (The Moldau), Smetana's best-known and most frequently performed orchestral work, was written between 19 November and 8 December 1874, at a time when Smetana was already completely deaf. The world premiere took place in Prague on 4 April 1875, but the score was not published until 1880.

Orchestra - Grade 3.5

SKU: AP.45884

Dies Irae from Requiem. Composed by Giuseppe Verdi. Arranged by Deborah Baker Monday. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Masterwork Arrangement; Romantic; Sacred; Video Game. Score and Part(s). 126 pages. Duration 2:05. Highland/Etling #00-45884. Published by Highland/Etling (AP.45884).

UPC: 038081524481. English.

Day of Wrath (translated from the Latin Dies Irae), with its dramatic extremes of emotion, is the perfect choice for any concert or festival. Students may recognize it from the video game Mobile Strike! This setting by Verdi in his Requiem Mass was first performed in 1874 and now has been arranged by Deborah Baker Monday. Repeated sixteenth notes are used extensively along with divided parts to create a full, sonorous effect with huge dynamic contrasts from the fortissimo opening to the morendo ending. (2:05).

Orchestra

SKU: BR.EOS-1527

Score with basso continuo. Composed by William Boyce. Orchestra; Softbound. Eulenburg Orchestral Series.

Symphony; Baroque. Score with continuo realization. 172 pages. Breitkopf and Haertel #EOS 1527. Published by Breitkopf and Haertel (BR.EOS-1527).

ISBN 9790004786475. 8.5 x 11.5 inches.

No. 1 in B major 8
2.2.0.0. 0.0.0.0. str bc(hps)

No. 2 in A major 5
0.2.0.0. 0.0.0.0. str bc(hps)

No. 3 in C major 5
0.2.0.2. 0.0.0.0. str bc(hps)

No. 4 in F major 7
0.2.0.2. 2.0.0.0. str bc(hps)

No. 5 in D major 8
0.2.0.0. 0.2.0.0. timp str bc(hps)

No. 6 in F major 7
0.2.0.0. 0.0.0.0. str bc(hps)

No. 7 in B major 9
2.2.0.0. 0.0.0.0. str bc(hps)

No. 8 in D minor 11
2.2.0.0. 0.0.0.0. str bc(hps)

Die einzige bekannte Quelle befindet sich in Heft 66 von Band 25 der Meslanges-Autographen die an die Bibliotheque Royale (heute Bibliotheque Nationale) Paris verkauft wurde. Das Manuskript ist sehr sorgfaltig geschrieben. Alle Zusatze des Herausgebers stehen in eckigen Klammern.
(Jean-Paul Montagnier)
(Jean-Paul Montagnier)
The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected.
(Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden.

Suite for Orchestra. Composed by Gabriel Faure (1845-1924). Edited by Robin Tait. This edition: urtext edition. Stapled. Barenreiter Urtext. Score. Opus 112. Baerenreiter Verlag #BA07894. Published by Baerenreiter Verlag (BA.BA07894).

Orchestra (picc.2.2.cor ang.2.B-clar.2.dble bsn - 4.3.3.1. - timp.perc(3) - hp - cel - str)

SKU: BR.PB-5105-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Bremen, February 1, 1982

Symphony; Music post-1945. Study Score. Composed 1981. 68 pages. Duration 17'. Breitkopf and Haertel #PB 5105-07. Published by Breitkopf and Haertel (BR.PB-5105-07).

ISBN 9790004208557. 9 x 12 inches.

Gesualdo, Don Carlo, Furst von Venosa (1560-1613) gehort zu den eigenwilligsten italienischen Madrigal-Komponisten der Spatrenaissance. Seine ungewohnlich kuhne, selbst fur heutige Ohren modern klingende Harmonik, seine chromatischen Stimmfortschreitungen, seine ubersteigerte expressive Tonsprache regten mich schon vor Jahren zu einer grosseren Orgelkomposition an und inspirierten mich 1981 zu den >>Sinfonischen Metamorphosen<<. Dieses Werk ist eine vielgestaltige weitausgesponnene Fantasie. Sieben choralartige typische Klangbeispiele aus Gesualdos spaten funfstimmigen Madrigalen (4., 5. u. 6. Band) werden teils streng, teils frei zitiert und von Holz- oder Blechblasern intoniert. Diese Zitate gliedern, als formale und inhaltliche Schwer- und Ruhepunkte, den Verlauf des gesamten Werks. Jedes Zitat steht zu Beginn eines neuen Satzabschnitts; die darauffolgenden >>Metamorphosen<< entwickeln sich als rhapsodische kontrastreiche Charakterstucke. Im >>Preludio<< werden aus den vertonbaren Buchstaben vom Namen >>Gesualdo<< (G - E - Es - A - D) schwebende Klangflachen, rezitativische Gedanken und ein pragnantes rhythmisches Paukenthema gebildet. Diese ,,Grundelemente (Grundstrukturen) tauchen im Verlauf des Stucks immer wieder leitmotivisch auf. Im zweiten Abschnitt stehen sich lineare Streicher-Episoden und dichte Blaser-Klangballungen kontrastierend gegenuber. Der dritte Teil lauft als Passacaglia (Thema ist der Bass eines Gesualdo-Zitats) in mehreren Variationen ab. Im vierten Abschnitt dominiert lebhafte Streicherbewegung, kontrapunktiert von tiefen Blaser-Signalen. Der funfte Teil steigert sich- nach kantablem Beginn- zum ekstatischen Trauermarsch. Abschnitt sechs stellt sich als >>Rondello<< dar, mit um sich selbst kreisenden Klangfiguren (in verschiedenen Tongruppen (zwei, drei, funf). Im siebten und letzten Teil wird die verhalten-resignierende Stimmung des Anfangs beschworen, ehe eine knappe Stretta in den hymnischen Schluss mundet. In den Textender ausgewahlten Zitatstellen geht es meist um Todessehnsucht, Liebesqual und Verzweiflung. z. B. 1. und 2. Zitat: Moro lasso, al mio duolo (Ich sterbe, matt, an meiner Qual) (6. Buch) 3. Zitat: Gia piansi nel dolore; o dolorosa Sorte (Schon weinte ich in Schmerzen, oh schmerzliches Geschick) (6. Buch) 4. Zitat: Ahi gia mi discolero (Ach schon entfarbte ich mich) (Wehe, der Tod kommt) (4. Buch) 5. Zitat: Dolcissima mia vita (Mein allerliebstes Leben) (Dich zu lieben oder zu sterben) (5. Buch) 6. Zitat: lo moro (Ich sterbe) (5. Buch) Dem Werk liegen zwar eine Reihe von dodekaphonischen Strukturen zugrunde (die teilweise von Gesualdos Klangzitaten abgeleitet wurden), doch sind die einzelnen Abschnitte auf,,tonale Pfeiler (G - E - A - D) gegrundet; das Stuck beginnt in G und endet aufD, ist also ubergeordnet tonal konzipiert, - der Versuch einer Synthese moderner Ausdrucksmittel von Vergangenheit und Gegenwart. Die >>Metamorphosen<< sind ein Stuck Bekenntnismusik - Bekenntnis zum Leben und Schaffen Gesualdos, eines Mannes, der vom Schicksal gezeichnet war, denn der Chronik Neapels bekannt war durch die Ermordung seiner ersten Frau und ihres Liebhabers. Dieser eminente Musiker war zugleich ein Mensch von ubertriebener Sensibilitat und wilder ekstatischer Heftigkeit: ,,Er wurde von einer Horde von Damonen heimgesucht, die ihm keine Ruhe gaben, heisst es in einem zeitgenossischen Bericht. Seine Kunst und sein Leben stand unter dem Gesetz der inneren Zerrissenheit, zwischen Auflehnung und Resignation (Verzweiflung und Hoffnung), zwischen Zartheit und Leidenschaft. Davon will meine Musik etwas aussagen. (Jurg Baur)CD:Sinfonieorchester des Westdeutschen Rundfunks, cond. Rudolf BarschaiCD Thorofon CTH 2270Bibliography:Abels, Robert: Studien zur Gesualdo-Rezeption durch Komponisten des 20. Jahrhunderts (= Studien zur Musik 20), Leiden u. a.: Wilhelm Fink 2017, pp. 277-345, 485-489.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) - Grade 2.5

SKU: KN.8938

(from Rhapsody In B Minor, Op. 79, No. 1). Composed by Johannes Brahms. Arranged by Deborah Baker Monday. Voyager String Orchestra. Score and set of parts. Duration 3 minutes. Kendor Music Inc #8938. Published by Kendor Music Inc (KN.8938).

UPC: 822795089387.

Young string players do not get the opportunity to play Brahms often because much of his greatest music is written for piano and other works are too complex. But embedded in the fiery Rhapsody In B Minor (Op. 79, No. 1) is a beautiful interlude which takes on a form of its own. Simple melodies are passed among all instruments and harmonized in parallel 3rds and 6ths. Simple repeated 8th-note patterns with some ties create the undulating current in the accompaniment which drives the piece to its dynamic extremes. Duration 3:00. Available in SmartMusic.

Cantique de Noel. Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 266 pages. Duration 6:09. Published by Alfred Publishing.

Cantique de Noel. Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orchestra. Full Orchestra. Belwin Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score. 20 pages. Published by Alfred Publishing.

Composed by Richard Wagner (1813-1883). Edited by Ulrich Konrad. This edition: facsimile. Half-leather binding. Documenta musicologica II/56 / Barenreiter Facsimile. Facsimile. Baerenreiter Verlag #BVK02418. Published by Baerenreiter Verlag

By Leroy Anderson. By Leroy Anderson. For Full Orchestra. Full Orchestra. Concert Full Orchestra. Conductor Score and Parts. 100 pages. Duration 2:55. Published by Alfred Publishing.
Level: 3.5 (grade 3.5).