Composed by Alfred Reed (1921-2005). Arranged by Michael Story. Full Orchestra; Part(s); Score. Belwin Intermediate String/Full Orchestra. Christmas; Sacred; Winter. 244 pages. Published by Belwin Music

Orchestra

SKU: SS.50000391

Composed by John Ashton. Study Score. Published by Seesaw Music Corp (SS.50000391).

By Thor Johnson. For Full Orchestra. String Tracks. Intermediate Level piece for the School Full Orchestra with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Grade 4. Score and parts

Composed by Traditional. Edited by J. Cameron Law. Arranged by David Bobrowitz. For string orchestra. Grade 2+. Score and set of parts. Duration 3 minutes. Published by Grand Mesa Music

For Small Orchestra. Composed by Carl Davis (1935-). Full Orchestra; Larger Works; Score. Faber Edition. TV. Published by Faber Music (AP.12-0571535984).

Orchestra

SKU: SS.50010940

Composed by Wayne Fritchie. Study Score. Published by Seesaw Music Corp (SS.50010940).

Copyright 1978.

Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo)

SKU: BA.BA08811

Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811).

ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.

A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor ” whilst Antonio Salieri’s “Prima la musica e poi le parole” was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodrammaâ� � in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino” in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccio”.< br>
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editions”. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino” have also been incorporated.

â� �¢ Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions” edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).
• Original Italian libretto with singable German translation
• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.
• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino”
• Idiomatic piano reduction

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Konzert fur Violoncello und Orchester. Composed by Carl Stamitz (1745-1801). Edited by Walter Upmeyer. Stapled. Hortus Musicus. Score. Published by Hortus Musicus (BA.HM105).

Conducting the Music, Not the Musicians by Henry Nowak Jerry Nowak. For Textbook. Textbook. Teacher's book. Standard notation. 459 pages. Published by Carl Fischer

Selections from American Suite by Antonin Dvorák. Arranged by Brendan Mcbrien. Orchestra. Full Orchestra. Full Orchestra. Form: Transcription. Romantic. Grade 4. Conductor Score and Parts. 200 pages. Published by Alfred Music Publishing (

(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). By Bob Phillips, Peter Boonshaft, and Robert Sheldon. Orchestra. For Conductor's Score. Method/Instruction; Score; String Orchestra Method/Supplement. Sound Innovations. 208 pages. Published by Alfred Music Publishing

Orchestra

SKU: BT.EMBZ10012

Composed by Rudolf Maros. Book Only. Composed 1968. 56 pages. Editio Musica Budapest #EMBZ10012. Published by Editio Musica Budapest (BT.EMBZ10012).

Cinque studi per orchestra (1959?60) clearly documents the process by which Maros - starting from Bartók's expressionist works written during the 1920s, especially The Miraculous Mandarin and The Night's Music -escaped from the earlier tonal, classicizing realm of music. The composition takes the form of a suite, with alternating notturno and scherzo movements. Decisive to the character of both are percussion instruments hitherto used solo only rarely in Hungarian orchestral practice. (Anna Dalos).

Orchestra

SKU: BT.EMBZ14966

En hommage a Pierre Boulez 90. By Gyorgy Kurtag. EMB Chamber Music Series. Contemporary Music. Score Only. Composed 2016. 16 pages. Editio Musica Budapest #EMBZ14966. Published by Editio Musica Budapest (BT.EMBZ14966).

Kurtág s newest orchestral work was commissioned by the Lucerne Festival on the occasion of Pierre Boulez s 90th birthday. It was first performed on 23 August 2015 by the Lucerne Festival Academy Orchestra under the direction of Matthias .

Kurtágs neuestes Orchesterwerk wurde vom Lucerne Festival anlässlich des 90. Geburtstags von Pierre Boulez in Auftrag gegeben. Es wurde am 23. August 2015 vom Lucerne Festival Academy Orchestra unter der Leitung von Matthias Pintscher uraufgeführt.

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Orchestra (Study Score)

SKU: HL.50510086

Score. Composed by Bela Bartok. 20th Century. EMB. Pocket score. 26 pages. Duration 5'. Editio Musica Budapest #Z40071. Published by Editio Musica Budapest (HL.50510086).

ISBN 9790080400715. UPC: 073999621211. 5.5x8.0x0.091 inches. Hungarian, English, German. Bela Bartok.

'Dances of Transylvania is the orchestral version of 'Sonatina' (1915). In Sonatina, Bartok had arranged Romanian instrumental (chiefly bagpipe) music. The three movements of the work, 'Bagpipers', 'Bear Dance' and 'Finale' comprise five melodies. Bartok explained that each of the two melodies of the first movement had been played by two pipers, the second by a peasant violinist using the lower strings of the instrument to reproduce the sounds of a bear, and the two melodies of the 'Finale' again by two violinists. In the orchestral version Bartok was out to reproduce the original sonority created by the peasants.' (HCD 32505 Bartok New Series Vol. 5, Virag Buky).

Orchestra

SKU: BT.EMBZ40071

Composed by Bela Bartok. EMB Study Scores. Book Only. Composed 1985. 28 pages. Editio Musica Budapest #EMBZ40071. Published by Editio Musica Budapest (BT.EMBZ40071).

English-German-Hungari an.

'Dances of Transylvania is the orchestral version of 'Sonatina' (1915). In Sonatina, Bartók had arranged Romanian instrumental (chiefly bagpipe) music. The three movements of the work, 'Bagpipers', 'Bear Dance' and 'Finale' comprise five melodies. Bartók explained that each of the two melodies of the first movement had been played by two pipers, the second by a peasant violinist using the lower strings of the instrument to reproduce the sounds of a bear, and the two melodies of the 'Finale' again by two violinists. In the orchestral version Bartók was out to reproduce the original sonority created by the peasants.' (HCD 32505 Bartók New Series Vol. 5, Virág Büky).

Orchestra (Score)

SKU: HL.50600624

For Orchestra (Score only). By Gyorgy Kurtag. By Gyorgy Kurtag. Contemporary Music. EMB. Contemporary Hungarian Works. Softcover. Composed 2016. 16 pages. Duration 7'30''. Editio Musica Budapest #Z14966. Published by Editio Musica Budapest (HL.50600624).

ISBN 9790080149669. 9.0x12.0x0.075 inches. Gyorgy Kurtag.

Kurtag-s newest orchestral work was commissioned by the Lucerne Festival on the occasion of Pierre Boulez-s 90th birthday. It was first performed on 23 August 2015 by the Lucerne Festival Academy Orchestra under the direction of Matthias .

Orchestra

SKU: SU.91580100

For Orchestra. Composed by Steven Mercurio. Vocal/Choral, Opera. CD (Audio). Subito Music Corporation #91580100. Published by Subito Music Corporation (SU.91580100).

A Grateful Tail - Movement by Movement Siriusly, Dog Star Sirius, the brightest star in the night sky, has been used by travelers and navigators for thousands of years as a guiding star and so it is here as the opening movement for the symphony. Sirius, the cornerstone to the constellation Canis Maggiore or Big Dog sits at the foot of Orion, the hunter, leading the way. Highly cinematic, the movement evokes both a musical and visual sense of the mythological and mysterious elements of Sirius and its Dog Godstar secrets. From the clarion call of the opening, Sirius theme, the sound is buoyant and frisky emulating the nature of doggy playtime. Puppy pleasures abound as a doggy four-step, my turn on the traditional American two-step dance, is introduced. The movement transforms into an actual orchestrated frolic of small, large and medium dog barks beginning with the winds (smaller dogs) and ultimately, the big dog, brass. The movement climaxes with the coda or, Dog Park, where the winds and the brass bark and play together over the, doggy ostinato four-step rhythm, culminating with the final call of the Sirius theme. Let Sleeping Dogs Lie, Peacefully It's all in a dog's day and life. Tranquility presides over this supremely gentle, intermezzo-like movement. After a day of play, every dog needs rest. Let Sleeping Dogs Lie, is a lyrical andante inspired by the profound serenity and beauty of a dog at rest. The Last Will and Testament of Silverdene Emblem O'Neill Based on a powerful piece of prose written by the American playwright, Eugene O'Neill this text was intended as a consolation piece for Carlotta, his wife, who had become grief-stricken over the loss of their beloved dog, the Dalmatian known as Blemie.Written for a singing actor who personifies the role of Blemie, a dog at the end of his life, the movement plays like a one act, musical drama as we follow Blemie through a wonderfully three-dimensional, emotional and psychological journey writing his Last Will and Testament, for those who have loved him. Wagging the Tail: Ossia Fido's Lament A life-affirming rumba/samba using Blemie's final words from O'Neill's text, this final movement employs the most unique American musical invention, the gospel choir. In order to make the dances come alive, this movement also calls upon the colors of a rhythm section. Creating the spirit of an Irish Funeral, the movement is a joyful and revival-like celebration of a dog's life as its spirit lives on forever in the hearts and minds of dog lovers everywhere. Remember Me, remember me! My spirit is wagging a grateful tail. Published by: Subito Music Publishing Release Date: July 9, 2013.

Orchestra

SKU: BT.EMBZ14815

Composed by Ferenc Javori. EMB Contemporary Music. Folk Klezmer. Score Only. Composed 2013. 152 pages. Editio Musica Budapest #EMBZ14815. Published by Editio Musica Budapest (BT.EMBZ14815).

In the past decade the Budapest Klezmer Band and the Ferenc Liszt Chamber Orchestra have proved in their joint concerts that the melodic world of the instrumental music of the Ashkenazic Jews of Eastern Europe and an ensemble consisting of the clarinet, piano, accordion, trombone, violin, double bass and percussion can be successfully combined with the sound of the classical orchestra. Ferenc Jávori's Klezmer Suite has become part of the repertoire of both ensembles, and has scored notable success both in Hungary and abroad. The printed edition made the work accessible for other ensembles as well. The movements can also be performed separately.

Orchestra

SKU: SU.28120100

For Orchestra. Composed by Alla Pavlova. Orchestra. Study Score. Subito Music Corporation #28120100. Published by Subito Music Corporation (SU.28120100).

Orchestra [2,1 2 2 0; 4000; timp, perc, hp; stgs] Duration: 48' Composed: 2006 Published by: Alla Pavlova MusicRecording: Naxos, 21-st Century Classics, 2007, Ref.: 8.570369 Performance materials available on rental only:.

Orchestra

SKU: HL.14045412

Composed by Walter Piston. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #MK16252. Published by Real Musical (HL.14045412).

ISBN 9788438700990. UPC: 888680964771. 5.5x8.0x1.341 inches. Spanish.

Orchestra

SKU: HL.14045755

Composed by Hans Swarowsky. CARISCH - MUSIC SALES. Theory. General Merchandise. Real Musical #MK16935. Published by Real Musical (HL.14045755).

ISBN 9788438703090. Spanish.

By Johann Strauss. Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks; Part(s); Score; SmartMusic. Highland First Philharmonic. Form: Overture; Transcription. Masterwork Arrangement; Romantic. Grade 2. 216 pages. Published by Alfred Music (

(Score and Sound Masterworks). By Antonin Dvorak (1841-1904). Study Score. Study Score with CD. Softcover with CD. 88 pages. Published by Hal Leonard . Sheet music CD.