By Alan Jay Lerner, music by Frederick Loewe. Arranged by John Whitney. Lyrics b...(+)
By Alan Jay Lerner, music
by Frederick Loewe.
Arranged by John Whitney.
Lyrics by Alan Jay
Lerner, music by
Frederick Loewe / arr.
John Whitney. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level:
grade III-IV. Conductor
Score. 36 pages.
Published by Alfred
Publishing.
(As featured on Glee). Arranged by Patrick Roszell. Orchestra. Full Orche...(+)
(As featured on
Glee). Arranged by
Patrick Roszell.
Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Broadway;
Swing; TV. Grade 3. 210
pages. Published by
Alfred Music
Rain Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: Raindrops Keep Fallin' on My Head / Come Rain or Come Shine / Singin'...(+)
Featuring: Raindrops Keep
Fallin' on My Head / Come
Rain or Come Shine /
Singin' in the Rain.
Arranged by Jack Bullock.
For Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Level: 3
(grade 3). Conductor
Score and Parts. 250
pages. Published by
Alfred Publishing.
The Doors on Tour Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(Featuring: Light My Fire / People Are Strange / Hello, I Love You). Composed by...(+)
(Featuring: Light My Fire
/ People Are Strange /
Hello, I Love You).
Composed by The Doors.
Arranged by Patrick
Roszell. Orchestra. Full
Orchestra; Part(s);
Score. Pop Concert Full
Orchestra. Form: Medley.
Rock. Grade 3. 226 pages.
Published by Alfred Music
Orchestra - Grade 2.5 SKU: AP.45880 In the Window. Arranged by Bre...(+)
Orchestra - Grade 2.5
SKU: AP.45880
In the Window.
Arranged by Brendan
Mcbrien. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Chanukah;
Jewish Heritage;
Multicultural;
Traditional; Winter.
Score and Part(s). 118
pages. Duration 3:00.
Highland/Etling
#00-45880. Published by
Highland/Etling
(AP.45880).
UPC:
038081523835. English.
Traditional
Hanukkah.
This
traditional Hanukkah
song, My Candles
(sometimes known as In
the Window), is a lovely
and haunting melody
written in strophic form.
Strophic music is a song
that has only one phrase
of melodic material with
changing text to give
variation. Now combined
by arranger Brendan
McBrien with an original
melody that appears
between verses, this
piece is a beautiful
addition to the holiday
repertoire! (3:00).
(from Titanic). By James Horner. Arranged by Robert Longfield. Essential Element...(+)
(from Titanic). By James
Horner. Arranged by
Robert Longfield.
Essential Elements String
Orchestra Series - Artist
Level. Size 9x12 inches.
Published by Hal Leonard.
By Fred Ebb And John Kander. Arranged by Victor Lopez. Words and music by Fred E...(+)
By Fred Ebb And John
Kander. Arranged by
Victor Lopez. Words and
music by Fred Ebb and
John Kander / arr. Victor
Lopez. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Conductor
Score and Parts. 142
pages. Duration 4:04.
Published by Alfred
Publishing. Level:
3.5 (grade 3.5).
My Candles Orchestre [Conducteur] - Facile Highland/Etling
Orchestra - Grade 2.5 SKU: AP.45880S In the Window. Arranged by Br...(+)
Orchestra - Grade 2.5
SKU: AP.45880S
In the Window.
Arranged by Brendan
Mcbrien. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Chanukah;
Jewish Heritage;
Multicultural;
Traditional; Winter.
Score. 12 pages. Duration
3:00. Highland/Etling
#00-45880S. Published by
Highland/Etling
(AP.45880S).
UPC:
038081523842. English.
Traditional
Hanukkah.
This
traditional Hanukkah
song, My Candles
(sometimes known as In
the Window), is a lovely
and haunting melody
written in strophic form.
Strophic music is a song
that has only one phrase
of melodic material with
changing text to give
variation. Now combined
by arranger Brendan
McBrien with an original
melody that appears
between verses, this
piece is a beautiful
addition to the holiday
repertoire! (3:00).
Arranged by Bob Cerulli. For Full Orchestra. Full Orchestra. Pop Intermediate Fu...(+)
Arranged by Bob Cerulli.
For Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Movie.
Conductor Score & Parts.
208 pages. Published by
Alfred Publishing.
Level: 3 (grade 3).
Composed by Lorenz Hart.
Arranged by Calvin
Custer. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Broadway;
Great American Songbook.
Score and Part(s). 63
pages. Duration 4:31.
Belwin Music
#00-WBSO9403. Published
by Belwin Music
(AP.WBSO9403).
UPC:
029156111699.
English.
You will
achieve brilliance from
the strings and with an
added rhythm section
(piano, bass, drums, and
guitar) you'll have a
modern, contemporary
piece that is most
appealing. Read the
lyrics to the players,
add the beautiful melody,
and listen to some
inspired playing.
(4:31).
(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last /...(+)
(Featuring: Look to the
Stars / DNA / Goodbye My
Son / Launch / Krypton's
Last / If You Love These
People / Flight / What
Are You Going to Do When
You Are Not Saving the
World?). Composed by Hans
Zimmer (1957-). Arranged
by Ralph Ford. Concert
Band. Concert Band;
Score; SmartMusic. Pop
Concert Band. Form:
Medley; Suite. Movie.
Grade 3.5. 56 pages.
Published by Alfred Music
Fiesta Tropicale Orchestre [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Featuring: El Juego Chirimbolo / Quando, Quando, Quando / Beautiful Maria of My ...(+)
Featuring: El Juego
Chirimbolo / Quando,
Quando, Quando /
Beautiful Maria of My
Soul / La Bamba. Arranged
by Victor Lopez. For Full
Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Latin. Level:
3 (grade 3). Conductor
Score and Parts. 258
pages. Published by
Alfred Publishing.
My Funny Valentine Orchestre [Conducteur et Parties séparées] - Facile Alfred Publishing
Composed by Lorenz Hart, music by Richard Rodgers. Arranged by Jerry Brubaker. O...(+)
Composed by Lorenz Hart,
music by Richard Rodgers.
Arranged by Jerry
Brubaker. Orchestra. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full
Orchestra. Broadway. 2.5
(grade 2.5). Conductor
Score and Parts.
Published by Alfred Music
By Fred Ebb And John Kander. Arranged by Victor Lopez. Words and music by Fred E...(+)
By Fred Ebb And John
Kander. Arranged by
Victor Lopez. Words and
music by Fred Ebb and
John Kander / arr. Victor
Lopez. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Conductor
Score. 28 pages.
Published by Alfred
Publishing. Level:
3.5 (grade 3.5).
Orchestra full (bells, sus cymbal/snare drum, bass drum (opt drumset), tamb/wind...(+)
Orchestra full (bells,
sus cymbal/snare drum,
bass drum (opt drumset),
tamb/wind chimes, opt
pno, vln3) - Grade 3
SKU: AP.36007
Composed by Akon, Claude
Kelly, and Giorgio
Tuinfort. Arranged by
Michael Story. Full
Orchestra; Performance
Music Ensemble; Single
Titles. Pop Intermediate
Full Orchestra. Form:
Ballade. Light Concert;
Pop. Score and Part(s).
122 pages. Alfred Music
#00-36007. Published by
Alfred Music (AP.36007).
UPC: 038081420431.
English.
This
beautiful ballad
featuring Michael Jackson
and Akon that was
released in late 2010 is
sure to have a special
place in your
programming. Timely and
timeless.
(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last /...(+)
(Featuring: Look to the
Stars / DNA / Goodbye My
Son / Launch / Krypton's
Last / If You Love These
People / Flight / What
Are You Going to Do When
You Are Not Saving the
World?). By Hans Zimmer
(1957-). Arranged by
Ralph Ford. Orchestra.
Full Orchestra; P
(Featuring: Look to the Stars / DNA / Goodbye My Son / Launch / Krypton's Last /...(+)
(Featuring: Look to the
Stars / DNA / Goodbye My
Son / Launch / Krypton's
Last / If You Love These
People / Flight / What
Are You Going to Do When
You Are Not Saving the
World?). Composed by Hans
Zimmer (1957-). Arranged
by Ralph Ford. Orchestra.
Full Orchestra; Score;
SmartMusic. Pop Concert
Full Orchestra. Form:
Medley. Movie. Grade 3.5.
48 pages. Published by
Alfred Music
By Alan Jay Lerner, music by Frederick Loewe. Arranged by John Whitney. Lyrics b...(+)
By Alan Jay Lerner, music
by Frederick Loewe.
Arranged by John Whitney.
Lyrics by Alan Jay
Lerner, music by
Frederick Loewe / arr.
John Whitney. For Full
Orchestra. Full
Orchestra. Pop Concert
Full Orchestra. Level:
Medium Easy to Medium
(grade III-IV). Conductor
Score and Parts. 296
pages. Published by
Alfred Publishing.
Orchestra (3333-4331-14-1-strings) SKU: GH.CG-6132P Four Symphonic Myt...(+)
Orchestra
(3333-4331-14-1-strings)
SKU: GH.CG-6132P
Four Symphonic
Mythes. Composed by
Erland Von Koch. Score.
Duration 25 minutes.
Gehrmans Musikforlag #CG
6132P. Published by
Gehrmans Musikforlag
(GH.CG-6132P).
Themyscira Orchestre - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49010 From the Wonder Woman 1984 Soundtr...(+)
Orchestra - Grade 3.5
SKU: AP.49010
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Movie. Score and Part(s).
133 pages. Duration 4:00.
Alfred Music #00-49010.
Published by Alfred Music
(AP.49010).
ISBN
9781470646875. UPC:
038081566108.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island. (4:00)
This title is available
in MakeMusic Cloud.
Enemy Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49915S From the series Arcane League of ...(+)
Orchestra - Grade 2.5
SKU: AP.49915S
From the series Arcane
League of Legends.
Composed by Various.
Arranged by Chris M.
Bernotas. Performance
Music Ensemble; Single
Titles; String Orchestra.
Pop Intermediate String
Orchestra. Pop; Pop/Rock;
TV. Score. Duration 2:15.
Alfred Music #00-49915S.
Published by Alfred Music
(AP.49915S).
ISBN
9781470656546. UPC:
038081575292.
English.
Enemy by
Imagine Dragons and J.I.D
is featured in the
Netflix animated series
Arcane League of Legends.
It has a pulse-pounding
rhythm and an intense
chorus that will draw you
in. This chart-topping
song will make your
ensemble shine.
(2:15).
Themyscira Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3.5 SKU: AP.49010S From the Wonder Woman 1984 Soundt...(+)
Orchestra - Grade 3.5
SKU: AP.49010S
From the Wonder Woman
1984 Soundtrack.
Composed by Hans Zimmer.
Arranged by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Movie. Score. 20 pages.
Duration 4:00. Alfred
Music #00-49010S.
Published by Alfred Music
(AP.49010S).
ISBN
9781470646882. UPC:
038081566115.
English.
The
exciting main theme from
Wonder Woman 1984
arranged by Victor
López captures the
essence of the original
soundtrack. The
impassioned melody and
explosive rhythmic
sections are evident from
beginning to end. Take
your audience and
students on an
exploratory trip to
Themyscira, and let them
experience Wonder Woman's
paradise island. (4:00)
This title available in
MakeMusic Cloud.
Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099).
ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German.
On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009.
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
(Note-for-Note Transcriptions of the Brass, Woodwind, Strings and More). By The ...(+)
(Note-for-Note
Transcriptions of the
Brass, Woodwind, Strings
and More). By The
Beatles. For Orchestra.
Transcribed. Softcover.
192 pages. Published by
Hal Leonard
Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..