Orchestra - early intermediate

SKU: KJ.120VA

Composed by Jeremy Woolstenhulme. Orchestra method/study. String Basics. Music book. Neil A. Kjos Music Company #120VA. Published by Neil A. Kjos Music Company (KJ.120VA).

ISBN 9780849735516.

Orchestra - early intermediate

SKU: KJ.120CO

Composed by Jeremy Woolstenhulme. Orchestra method/study. String Basics. Music book. Neil A. Kjos Music Company #120CO. Published by Neil A. Kjos Music Company (KJ.120CO).

ISBN 9780849735523.

Orchestra - early intermediate

SKU: KJ.120F

Composed by Jeremy Woolstenhulme. Orchestra method/study. Music book. Neil A. Kjos Music Company #120F. Published by Neil A. Kjos Music Company (KJ.120F).

ISBN 9780849735554.

Orchestra - early intermediate

SKU: KJ.120PA

Composed by Jeremy Woolstenhulme. Orchestra method/study. String Basics. Music book. Neil A. Kjos Music Company #120PA. Published by Neil A. Kjos Music Company (KJ.120PA).

ISBN 9780849735547.

Orchestra (2 Soprano Voice Solo, 2 Bass Voice Solo, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 2 V, Va, Basso, Continuo)

SKU: BA.BA08811

Divertimento teatrale in one act. Operetta for four voices. Composed by Antonio Salieri. Edited by Adrian La Salvia and Thomas Betzwieser. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 1. Edition of selected works, Score, Critical commentary, USB flash drive. Duration 1 hour, 15 minutes. Baerenreiter Verlag #BA08811_00. Published by Baerenreiter Verlag (BA.BA08811).

ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.

A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor ” whilst Antonio Salieri’s “Prima la musica e poi le parole” was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodrammaâ� � in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino” in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccio”.< br>
The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editions”. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino” have also been incorporated.

â� �¢ Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions” edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).
• Original Italian libretto with singable German translation
• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.
• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabino”
• Idiomatic piano reduction

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(A Revolutionary Method for Early-Intermediate Musicians (Conductor's Score)). By Bob Phillips, Peter Boonshaft, and Robert Sheldon. Orchestra. For Conductor's Score. Method/Instruction; Score; String Orchestra Method/Supplement. Sound Innovations. 208 pages. Published by Alfred Music Publishing

Orchestra

SKU: SU.94010400

For Orchestra. Composed by James Lee III. Orchestra. Study Score. Subito Music Corporation #94010400. Published by Subito Music Corporation (SU.94010400).

2,1 2,1 2,1 2,1; 4331; timp, perc(3), cel, hp; stgs Duration: 11' Composed: 2013 Published by: Subito Music Publishing Performance materials available on rental: Alas! Babylon’s Final Sunset is another installment in my series of works that musically comment on the biblical books of Daniel and Revelation. The principal source of inspiration for this works comes from the 18th chapter of the book of Revelation. This chapter states that the career of Babylon the Great is finally coming to an end. The music begins with a mysterious pianissimo tremolo accompanied by tam-tam and bass drum. The initial flourishes in the oboes and English horn serve as the principal motive of warning. As the music continues, there are varying degrees of agitation among the strings and woodwinds. Throughout the work there are rhythmic motives in the brass, percussion, and various woodwind instruments that sing and speak Babylon is Fallen in triple meter. As the tutti ensemble arrives at a climax, the orchestral texture becomes thinner and slightly transparent. As the music continues, the opening motive returns in the oboes, however the counterpoint produces a series of solo laments. These passages are intended to provide picturesque images of these words: And the voice of harpers, and musicians, and of pipers, and trumpeters, shall be heard no more at all in thee; and no craftsman, of whatsoever craft he be, shall be found any more in thee; and the sound of a millstone shall be heard no more at all in thee; And the light of a candle shall shine no more at all in thee. and the voice of the bridegroom and of the bride shall be heard no more at all in thee: for thy merchants were the great men of the earth; for by thy sorceries were all nations deceived. And in her was found the blood of prophets, and of saints, and of all that were slain upon the earth. Rev. 18:22-24 The following passages musically comment on the historical career of Babylon with a sense of her impending destruction. The series of laments transforms into the more emphatic rhythmic motive Babylon is Fallen. The orchestral texture begins to become more condense, once again, with the initial flourishes of, but with notable variations. Finally, the celesta, harp, oboes, English horn, and strings sing profundities that are finally transformed into a minor mode tonality that fades away with the ringing of the tam-tam. Babylon has finally seen her last sunset.

Orchestra

SKU: PE.EP68746

For 16 Players. Composed by George Lewis. Edition Peters. Book. 78 pages. Edition Peters #98-EP68746. Published by Edition Peters (PE.EP68746).

ISBN 9790300762128. English.

Inspire d by Jeff Donaldson's dizzyingly complex painting JamPact JelliTite (for Jamila), George Lewis's Flux for 16 players was written during the composer's residency at Oberlin Conservatory, where the work was composed in 2014 and premiered that year by the Contemporary Music Ensemble. Dedicated to the memory of Wendell Logan, the composer who founded Oberlin's jazz program in the late 20^th century, the score is also inscribed with gratitude to the students and faculty of Oberlin, in particular Timothy Weiss, conductor of the Oberlin CME.

The wild, 12-minute score leaps unexpectedly between musical ideas and calls for a wide range of extended performance techniques: quarter tones, multiphonics and percussive effects in the winds, glissandi on the piano strings, exotic bowing techiques, and more. The score includes full performance notes and is available for purchase as part of the Peters Contemporary Library. Performance materials are available on hire.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra

SKU: SU.80119016

For Orchestra. Composed by Meyer Kupferman. Orchestra. Score. Subito Music Corporation #80119016. Published by Subito Music Corporation (SU.80119016).

A Crucible for the Moon (1986) for high soprano, alto saxophone, and percussion ensemble (7 players) is a cantata set to an original text by the composer. This work has been recorded by Anne Tedards, soprano; David Matthew, saxophone; The University of Oregon Percussion Ensemble; Charles Dowd, conductor, on Soundspells Productions CD129: Moon Music 2000. Published by: Soundspells Productions This full performance set includes two scores (conductor and soprano) and a set of performance parts for saxophonist and the seven percussionists.

Orchestra

SKU: BT.EMBZ14815

Composed by Ferenc Javori. EMB Contemporary Music. Folk Klezmer. Score Only. Composed 2013. 152 pages. Editio Musica Budapest #EMBZ14815. Published by Editio Musica Budapest (BT.EMBZ14815).

In the past decade the Budapest Klezmer Band and the Ferenc Liszt Chamber Orchestra have proved in their joint concerts that the melodic world of the instrumental music of the Ashkenazic Jews of Eastern Europe and an ensemble consisting of the clarinet, piano, accordion, trombone, violin, double bass and percussion can be successfully combined with the sound of the classical orchestra. Ferenc Jávori's Klezmer Suite has become part of the repertoire of both ensembles, and has scored notable success both in Hungary and abroad. The printed edition made the work accessible for other ensembles as well. The movements can also be performed separately.

Orchestra

SKU: BT.MUSM570203376

Composed by Jo Kondo. Classical. Score Only. 64 pages. University of York Music Press #MUSM570203376. Published by University of York Music Press (BT.MUSM570203376).

English.

For Flute, Oboe, Clarinet, Banjo, Horn, Trumpet, 2 Trombone, Piano, 2 Violin, Vla, Cello, Double Bass First performance: Tokyo, 1984, Ryoichi Kawai (cond), Musica Practica Ensemble.

Orchestra

SKU: BT.MUSM570203413

Composed by Jo Kondo. Score Only. 48 pages. University of York Music Press #MUSM570203413. Published by University of York Music Press (BT.MUSM570203413).

English.

Flute, Oboe, Clarinet, Contrabass Clarinet or Double Bass, Bassoon, Horn, Trumpet, Trombone, 2 Violins, Viola, Cello, Percussion First performance: Tokyo, 1981, Jo Kondo (cond), Musica Practica Ensemble.

Orchestra

SKU: BT.MUSM570202997

Composed by George Nicholson. Score Only. 154 pages. University of York Music Press #MUSM570202997. Published by University of York Music Press (BT.MUSM570202997).

English.

For Soprano and Large Ensemble. Published 1986-7. 2(both+picc).2(1st+ob d'amr).3(all+bcl, 2nd+asax, 3rd+tsax).1(+cbn) / 2.0.1.0 / 2perc.pf(+cel).hp / 1.1.1.1.1 Commissioned by Paul Webster for the Orpheus Ensemble with funds made available by the Arts Council of Great Britain. First performance: Jane Ginsborg and the Orpheus Ensemble, conducted by Paul Webster, Almeida Festival, 27th June 1987. Score.

Second Edition. Composed by Danny Elfman. This edition: Paperback/Softcover. Sheet music. Study score. Composed 1989. 392 pages. Omni Music Publishing #OMNI 50797. Published by Omni Music Publishing

Orchestra

SKU: BT.MUSM570203239

Composed by Jo Kondo. Score Only. 66 pages. University of York Music Press #MUSM570203239. Published by University of York Music Press (BT.MUSM570203239).

English.

Orchest ra (double winds). Published 1995 Commissioned by Hiroyuki Iwaki and Orchestra Ensemble Kanazawa. First performance: Kanazawa, Japan, 1995, Hiroyuki Iwaki (cond), Orchestra Ensemble Kanazawa.

Orchestra (Orchestra Parts)

SKU: HL.14043666

Composed by Hilda Paredes. Music Sales America. Softcover. Hal Leonard #M570209910. Published by Hal Leonard (HL.14043666).

For Sinfonietta. Published in 2001. Commissioned by the City of Frankfurt as part of the millenium programme 'Frankfurt am Main 2000' and Ensemble Modern. First performed by Ensemble Modern, conducted by Stefan Asbury. Mozart Saal, Alte Oper, Frankfurt, 19th May 2001. For Sinfonietta. Published in 2001.

Commissioned by the City of Frankfurt as part of the millenium programme 'Frankfurt am Main 2000' and Ensemble Modern.

First performed by Ensemble Modern, conducted by StefanAsbury. Mozart Saal, Alte Oper, Frankfurt, 19th May 2001.

Orchestra (Full Score)

SKU: HL.212972

Full Score. Composed by Steven Winteregg. LKM Music. Classical. Softcover. Lauren Keiser Music Publishing #X077591. Published by Lauren Keiser Music Publishing (HL.212972).

UPC: 888680663100. 9.25x12.0x0.423 inches.

Danzas is a suite inspired by the music of Latin America. It is a great choice for a Pops or an outdoor concert, and is playable by amateur and student ensembles, as well as professional orchestras. The work consists of three movements, each devoted to the musicalculture of a different country: 1. Argentina 2. Brazil 3. Cuba. It may be performed as a whole, or individual movements may be played instead as an opener/ closer.

Orchestra

SKU: BT.MUSM570203253

Composed by Jo Kondo. Classical. Score Only. 88 pages. University of York Music Press #MUSM570203253. Published by University of York Music Press (BT.MUSM570203253).

English.

For chamber or small orchestra. Published 1979 Commissioned by Festival Nieuwe Muziek, Middelburg, the Netherlands. First performance: Chamber Version: Middelburg (Nieuwe Muziek), 1979, Xenakis Ensemble, Maki Ishii (cond). Small Orchestra Version: London (Ring of Fire Festival), 1989, London Chamber Symphony Odaline de la Martinez (cond).

Orchestra

SKU: BT.MUSM570204809

Composed by Elisabeth Lutyens. Score Only. 49 pages. University of York Music Press #MUSM570204809. Published by University of York Music Press (BT.MUSM570204809).

English.

Publish ed 1975. Orchestra (single winds) First performance: Twentieth-Century Ensemble of London, conducted by Edwin Roxburgh, Nottingham, 24th February 1975.

Composed by Eileen Fraedrich. Music Education. 106 pages. GIA Publications #317091. Published by GIA Publications

Full Score. By Pietro A. Yon. Arranged by Roy Phillippe. String orchestra. Carl Fischer Performance Series for String Orchestra - Concert String Orchestra, Medium Easy/Medium. Full Score - Large. 12 pages. Published by Carl Fischer.

An English Carol, "Humility," for String Orchestra. Composed by Edward Caswall. Score; String Orchestra. Belwin Concert String Orchestra. Christmas; Light Concert; Winter. 12 pages. Published by Belwin Music

Orchestra

SKU: SU.24200220

For Orchestra. Composed by Max A. Friedman. Orchestra. Study Score. Subito Music Corporation #24200220. Published by Subito Music Corporation (SU.24200220).

Short, overture-style piece for intermediate to advanced ensembles.1,1 222; 4231; timp, perc, hp; stgs Duration: 5' Composed: 2017 Published by: Asher Rose Music Performance materials available on rental only:.