Orchestra (solo: T - choir: SATB - picc.2.2.2.2 - 6(davon 2 hinter der Buhne ad ...(+)
Orchestra (solo: T -
choir: SATB -
picc.2.2.2.2 - 6(davon 2
hinter der Buhne ad
lib).2.3.0 - timp - str)
SKU: BR.PB-5092-07
Fragment of an
Opera. Composed by
Robert Schumann. Edited
by Joachim Draheim.
Softcover.
Partitur-Bibliothek
(Score Library). Opera;
Music theatre; Romantic.
Study Score. 40 pages.
Duration 7'. Breitkopf
and Haertel #PB 5092-07.
Published by Breitkopf
and Haertel
(BR.PB-5092-07).
ISBN
9790004208434. 5.5 x 7.5
inches.
Die
Aufzahlung von Schumanns
Opernplanen gleicht einem
abenteuerlichen Streifzug
quer durch die
Literaturgeschichte.
Seinem ,,Haushaltbuch II,
einer Art Tagebuch,
konnen wir entnehmen,
dass er sich am 28.Juni
1844 plotzlichmit dem
,,Corsar von Byron
befasste. Schumann war
zunachst von dem Stoff so
begeistert, dass er
sofort mit der
Komposition begann, noch
ehe der Plan wirklich
ausgereift war, aber
schon einen Monat spater
wandte er sich einer
anderen Arbeit zu,
namlich den Faust-Szenen,
die ihn bis 1853
beschaftigen sollten.Von
einer Ouverture ist
nichts bekannt, ein
einleitender ,,Chor der
Corsaren, in dem diese -
mit ihren Frauen, denn es
ist ein gemischter Chor!
- in enger textlicher
Anlehnung an den Anfang
des Byronschen Versepos
ihr wildes, ungebundenes
Leben auf dem Meer
besingen, wurde in
vollstandiger Partitur
niedergeschrieben. Ihm
schliesst sich, ebenfalls
vollstandig
instrumentiert, ein
Nachspiel an, das durch
seine zauberhafte
romantische Stimmung
gefangennimmt. Ein
c-uroll Akkord schlagt
die harmonische Brucke
zur Nr. 2 (Arie des
Conrad), die in B-dur
steht und mit den fur
Schumann so typischen
punktierten Figuren den
Titelhelden als
Kampfernatur zu
charakterisieren sucht.
Doch schon nach 5 Takten
bricht die Partitur ab,
von der Singstimme sind
noch weitere 6 Takte, am
Schluss ohne Text,
niedergeschrieben.Die
Urauffuhrung fand am 25.
April 1981 im Rahmen
eines konzertanten
Opernabends mit dem Titel
,,Opernfragmente der
Romantik im Badischen
Staatstheater Karlsruhe
statt.
Waldweben (zum
Konzertvortrag).
Composed by Richard
Wagner. Arranged by
Hermann Zumpe. Sheet
music. Edition Schott.
Classical. Individual
part. 6 pages. Schott
Music #BSS 22401-13.
Published by Schott Music
(HL.49000814).
Vocal and Orchestra SKU: BT.BH6400592 By Sir Thomas Beecham. By Frederick...(+)
Vocal and Orchestra
SKU: BT.BH6400592
By Sir Thomas Beecham. By
Frederick Delius.
Arranged by Robert
Threlfall. Score Only. 92
pages. Boosey & Hawkes
#BH6400592. Published by
Boosey & Hawkes
(BT.BH6400592).
German-English.
Contents: Silken Shoes
· Irmelin · The
Seraglio Garden · The
Violet · Cynara · A
Late Lark ·
Sakuntala.
Concert
Band, Grade 4, 13:30
Score. Composed by
Gauthier Dupertuis. FC
Music Publishing. Concert
Band. Softcover. Duration
810 seconds. Hal Leonard
#FCMP002-SC. Published by
Hal Leonard (HL.4008703).
UPC:
196288190837.
Strat
oscape, by Swiss composer
Gauthier Dupertuis, is a
colorful and contrasting
work for wind orchestra,
depicting the view of our
earth as seen from the
stratosphere. This voyage
into the sky is pictural,
but also metaphorical, as
it is also about
distancing from our
world. The work is
divided into five
sections: I Ignition!, II
Broadness & The Big
Blue, III Stars Shining
from Down to Above, IV
Destructive Forces, V One
and Only Home Five
contrasting movements,
starting with Ignition in
which Gauthier Dupertuis
tries to musically convey
the majesty of our planet
seeing if from the
atmosphere, ending with
One and Only Hope, as the
title say, a message of
hope. In between three
movements that depict the
broadness of the
landscapes of our planet
(second movement), the
fragility of our earth at
night with only the stars
shining (third movement).
But also sheer reality in
the fourth movement when
the composer translates
into music the damage
caused toour planet by us
human beings.
Stratoscape: a fantastic
view of Planet Earth!
(Overture).
Composed by Wolfgang
Amadeus Mozart. Arranged
by Andy Masters. Solo or
Ensemble. Voyager String
Orchestra. Score and set
of parts. Kendor Music
Inc #36010. Published by
Kendor Music Inc
(KN.36010).
UPC:
822795360103.
Exper
ience the thrill of
playing an authentic
Mozart opera overture
while developing spiccato
bowing technique and left
hand extensions through
multiple key centers. At
a lightning-fast tempo,
students will feel the
accomplishment of their
hard work. Duration
2:35.
Orchestra SKU: HL.49013502 Der Ritt der Walkuren zum Konzert-Vortrag(+)
Orchestra
SKU:
HL.49013502
Der
Ritt der Walkuren zum
Konzert-Vortrag.
Composed by Richard
Wagner. Sheet music.
Edition Schott.
Classical. Separate part,
Violin I. 8 pages. Schott
Music #BSS22139-11.
Published by Schott Music
(HL.49013502).
Orchestra SKU: HL.51484332 Beethoven Complete Edition, Series IX, Vol....(+)
Orchestra
SKU:
HL.51484332
Beethoven Complete
Edition, Series IX, Vol.
1 Clothbound Score.
Composed by Ludwig van
Beethoven. Edited by
Helga Luhning. Complete
Edition. Clothbound.
Henle Complete Edition.
Classical, German
Edition. Hardcover. 204
pages. G. Henle #HN4332.
Published by G. Henle
(HL.51484332).
ISBN
9790201843322. UPC:
888680733247. 10x12.5
inches.
Beethovens
einzige Oper 'Fidelio'
(1814) ist die zweite
Umarbeitung seiner Oper
'Leonore'. Der Band
enthalt die 3 Leonoren
Ouverturen, die jeweils
fur eigene Auffuhrungen
der Oper Leonore
vorgesehen waren, 1805
'Leonore II', 1806
'Leonore III' und
zusatzlich fur eine nicht
zustande gekommene
Auffuhrung in Prag
'Leonore I'.
Waldweben (zum
Konzertvortrag).
Composed by Richard
Wagner. Arranged by
Hermann Zumpe. Sheet
music. Edition Schott.
Classical. Individual
part. 8 pages. Schott
Music #BSS 22401-12.
Published by Schott Music
(HL.49013509).
Orchestra SKU: HL.49013500 Der Ritt der Walkuren zum Konzert-Vortrag(+)
Orchestra
SKU:
HL.49013500
Der
Ritt der Walkuren zum
Konzert-Vortrag.
Composed by Richard
Wagner. Sheet music.
Edition Schott.
Classical. Score. 48
pages. Schott Music
#BSS22139. Published by
Schott Music
(HL.49013500).
SKU: BA.BVK00401 Gesamtausgabe: Texte, Kommentare und Register. Die ko...(+)
SKU: BA.BVK00401
Gesamtausgabe: Texte,
Kommentare und Register.
Die komplette
Briefausgabe zeichnet ein
prägnantes und
fesselndes Bild von
Mozarts Leben. Kommentare
und Register machen den
einzelnen Brief zu einem
lebendigen Zeugnis und
ermöglichen
Querverweise.
Composed by Wolfgang
Amadeus Mozart. Edited by
Internationale Stiftung
Mozarteum Salzburg.
Linen. Briefe (Letters).
Book. Baerenreiter Verlag
#BVK00401_00. Published
by Baerenreiter Verlag
(BA.BVK00401).
ISBN
9790006304028. 23.5 x
16.8 cm
inches.
Gesamtausga
be: Texte, Kommentare und
Register. Die komplette
Briefausgabe zeichnet ein
pragnantes und fesselndes
Bild von Mozarts Leben.
Kommentare und Register
machen den einzelnen
Brief zu einem lebendigen
Zeugnis und ermoglichen
Querverweise.
Orchestra SKU: BR.SON-506 Kammersymphonie op.69. Composed by Hanns...(+)
Orchestra
SKU:
BR.SON-506
Kammersymphonie
op.69. Composed by
Hanns Eisler. Edited by
Tobias Fasshauer.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 148 pages.
Breitkopf and Haertel
#SON 506. Published by
Breitkopf and Haertel
(BR.SON-506).
ISBN
9790004802779. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Orchestra - Grade 1.5 SKU: AP.38400S Song of Love. Composed by Tim...(+)
Orchestra - Grade 1.5
SKU: AP.38400S
Song of Love.
Composed by Tim
McCarrick. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Beginning String
Orchestra. Latin; Light
Concert. Score. 12 pages.
Belwin Music #00-38400S.
Published by Belwin Music
(AP.38400S).
UPC:
038081433639.
English.
An
original tune in the
style of Mexico,
celebrating true love,
and very easy---what's
not to like? Optional,
very simple guitar,
piano, and percussion
parts are included. This
one will be fun for all
and is a great way to
include those garage band
players in your school.
This title is available
in MakeMusic Cloud.
Orchestra SKU: BR.SON-508 Filmmusik zu The Grapes of Wrath/Hangmen Als...(+)
Orchestra
SKU:
BR.SON-508
Filmmusik zu The
Grapes of Wrath/Hangmen
Also Die. Composed by
Hanns Eisler. Edited by
Johannes C. Gall.
Hardback. Complete Works.
Early modern; Music
post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 508. Published by
Breitkopf and Haertel
(BR.SON-508).
ISBN
9790004803301. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
Tragédie in one prologue and five acts. Composed by Jean- Philippe Rameau (168...(+)
Tragédie in one prologue
and
five acts. Composed by
Jean-
Philippe Rameau
(1683-1764).
Edited by Denis Herlin.
This
edition: urtext edition.
Paperback. Symphonies /
Versions from 1737 and
1754.
Score. Baerenreiter
Verlag
#BA07562_00. Published by
Baerenreiter Verlag
Orchestra (Full Score) SKU: HL.290086 For Orchestra. Composed by M...(+)
Orchestra (Full Score)
SKU: HL.290086
For Orchestra.
Composed by Maja S. K.
Ratkje. Classical.
Softcover. 32 pages.
Duration 420 seconds.
Edition Wilhelm Hansen
#WH33144. Published by
Edition Wilhelm Hansen
(HL.290086).
ISBN
9788759841358. UPC:
888680922078.
Commi
ssioned for the 200 year
anniversary for the
Norwegian constitution by
the symphonic orchestras
of Norway. Released on
the record Variations
over Variations in
2017.
Composed
by Thomas Gabriel. This
edition: Saddle
stitching. Sheet music.
Choral. Softcover.
Composed 2012. 104 pages.
Schott Music #ED21791-01.
Published by Schott Music
(HL.49044055).
ISBN
9790001196819. Latin -
German.
Die 'Missa
juvenalis' entstand als
Auftragskompostion der
Chore an St. Georg in
Bensheim. Sie ist eine
moderne Orchestermesse
fur zweistimmigen
Jugendchor und
vierstimmigen
Erwachsenenchor,
Orchester, Sopransolo und
zwei Perkussionisten. Die
ca. 30minutige Messe
vereint den klassischen,
lateinischen Messtext mit
deutschen Erganzungen von
Dag Hammarskjold und
Meister Eckhart. In
'Kyrie' und 'Agnus De'i
eingeschoben, geben Sie
dem zeitlosen Messtext
eine beruckende
Aktualitat. Die Messe
bewegt sich stilistisch
zwischen klassischen
Modellen, Musical und
Jazz. Entsprechend uppig
ist die notwendige
Ausstattung an
Schlagwerk, das zu den
Streichern und
Holzblasern
hinzutritt.
Orchestra SKU: BR.SON-509 Filmmusik zu Nuit et brouillard. Compose...(+)
Orchestra
SKU:
BR.SON-509
Filmmusik zu Nuit et
brouillard. Composed
by Hanns Eisler. Edited
by Knud Breyer and Oliver
Dahin. Hardback. Complete
Works. Early modern;
Music post-1945. Complete
Works. 156 pages.
Breitkopf and Haertel
#SON 509. Published by
Breitkopf and Haertel
(BR.SON-509).
ISBN
9790004803318. 10 x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
By Georges Bizet (1838-1875). Arranged by Richard Meyer. Orchestra. Full Orchest...(+)
By Georges Bizet
(1838-1875). Arranged by
Richard Meyer. Orchestra.
Full Orchestra;
Masterworks; Score.
Highland First
Philharmonic. Form:
Dance; Transcription.
Latin; Masterwork
Arrangement; Romantic.
Grade 2. 24 pages.
Published by Alfred Music
Publishing
Composed
by Karl Amadeus Hartmann.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Conductor's/study score.
Composed 1940-1943. 124
pages. Duration 25'.
Schott Music #ED 7790.
Published by Schott Music
(HL.49007524).
Sarabande Orchestre [Conducteur] De Haske Publications
Orchestra SKU: BT.DHP-1135517-180 Suite for Group and Orchestra (1975)...(+)
Orchestra
SKU:
BT.DHP-1135517-180
Suite for Group and
Orchestra (1975). By
Paul Mann. By Jon Lord.
Score Only. Composed
2014. De Haske
Publications #DHP
1135517-180. Published by
De Haske Publications
(BT.DHP-1135517-180).
English.
Full
Score and Study Score of
this work are available
for sale. A set of
individual parts are for
rental only, not for
sale. Prices and
conditions are available
on request. Please
contact: Hal Leonard
Europe BV
-Rentaldepartment E-Ma
il: rental@hall
eonardeurope.nl Jon Lord’s
Sarabande was
composed during 1975 and
released as a solo album
the following year. This
newrevised edition of the
composer’s2010
concert version
represents the first
appearance of the work in
print in any form. Lord
intended it for his own
use in live performance,
as a companion to his
celebrated Concerto
for Groupand
Orchestra. It is a
brilliant showpiece for
thecombined forces of
rock band and orchestra,
taking inspiration from
the keyboard suites of
J.S. Bach. This new full
score is edited by Jon
Lord’s long-time
musicalcollaborator, the
conductor Paul Mann, and
makes use of many
previously
unavailablesources
including the
manuscriptscores of the
original version and a
copy of the score
corrected in consultation
with the composer
following the2010
premiere. It can
therefore be said to
represent as closely as
possible Jon
Lord’s final
thoughts onthe work.
Partitur und
Klavierauszug der
Sarabande können
käuflich erworben
werden. Das
Einzelstimmen-Set ist
ausschließlich
Leihmaterial. Auskunft
über Leih-Bedingungen
und Preise erhalten Sie
auf Nachfrage. Bitte
kontaktierenSie:
HalLeonard Europe BV -
Rental
department E-Mail: rental@hall
eonardeurope.nl Jon Lords
Sarabande entstand
1975 und wurde im
darauffolgenden Jahr
alsSoloalbum
veröffentlicht.
Dieüberarbeitete
Ausgabe der
Konzertversion des
Komponisten aus dem Jahr
2010 erscheint hiermit
zum ersten Mal in
gedruckter Form. Lord
hatte diese Version
für seine eigenen
Live-Auftritte gedacht,
alseine Art Ergänzung
zu seinem berühmten
Concertofor Group and
Orchestra. Das Werk
ist ein brillantes
Paradebeispiel für die
vereinte Kraft von
Rockband und Orchester
und wurde von den Suiten
J. S. Bachs inspiriert.
Dieseneue Ausgabe der
Partitur wurde von Paul
Mann, Jon Lords
langjährigemmusikalisc
hem Freund,
herausgegeben. Sie
basiert auf zahlreichen
bisher nicht
zugänglichen Quellen
wie dem Manuskript der
Originalversion und einer
Kopie der inAbsprache mit
dem Komponisten
korrigierten Partitur
nach der Aufführung im
Jahr 2010. Eswerden somit
Jon Lords letzte Gedanken
zu diesem Werk so genau
wie möglich
dargestellt.