Junior orcestra - Grade 1

SKU: RM.BROU02445-CO

Composed by Jean Brouquieres. Winds and strings or solo winds. Orchestra. Conductor's score. Editions Robert Martin #BROU02445-CO. Published by Editions Robert Martin (RM.BROU02445-CO).

Junior orcestra - Grade 2

SKU: RM.MULL03871-CO

Composed by Thierry Muller. Solo woodwinds. Orchestra. Conductor's score. Duration 2 minutes, 13 seconds. Editions Robert Martin #MULL03871-CO. Published by Editions Robert Martin (RM.MULL03871-CO).

Junior orcestra - Grade 1

SKU: RM.CEUL02812-BA

Composed by Jan Ceulemans. Solo woodwinds. Orchestra. Full set. Editions Robert Martin #CEUL02812-BA. Published by Editions Robert Martin (RM.CEUL02812-BA).

ISBN 9790231028126.

Junior orcestra - Grade 2

SKU: RM.MULL03871-BA

Composed by Thierry Muller. Solo woodwinds. Orchestra. Full set. Duration 2 minutes, 13 seconds. Editions Robert Martin #MULL03871-BA. Published by Editions Robert Martin (RM.MULL03871-BA).

ISBN 9790231038712.

Junior orcestra - Grade 2

SKU: RM.PURC02547-CO

Composed by Henry Purcell. Arranged by Jacques Devogel. Winds and strings or solo winds. Orchestra. Conductor's score. Duration 2 minutes, 55 seconds. Editions Robert Martin #PURC02547-CO. Published by Editions Robert Martin (RM.PURC02547-CO).

Junior orcestra - Grade 1

SKU: RM.DEVO02169-CO

Composed by Jacques Devogel. Winds and strings or solo winds. Orchestra. Conductor's score. Duration 3 minutes, 40 seconds. Editions Robert Martin #DEVO02169-CO. Published by Editions Robert Martin (RM.DEVO02169-CO).

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162248

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Solo Violoncello. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A162248. Published by LudwigMasters Publications (AP.36-A162248).

ISBN 9798892700863. UPC: 659359562518. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162202

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A162202. Published by LudwigMasters Publications (AP.36-A162202).

UPC: 659359719493. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set

SKU: AP.36-A162201

Composed by Edouard Lalo. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A162201. Published by LudwigMasters Publications (AP.36-A162201).

ISBN 9798892700856. UPC: 659359871832. English.

Édouar d Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by George Benjamin. This edition: For Countertenor, Women�s Voices and Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. 20th Century; Masterwork. Published by Faber Music (AP.12-0571538878).

Orchestra

SKU: PR.11641867L

Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L).

UPC: 680160683215.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

Orchestra

SKU: PR.11641867S

Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S).

UPC: 680160683208.

Conte xtures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death.

I Went This Morning Over the Field. Composed by Gustav Mahler (1860-1911). Full Orchestra; Masterworks; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Part(s); Score. 206 pages. Belwin Music #00-38453. Published by Belwin Music (AP.38453).

By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: Easy to Medium Easy (grade II-III). Conductor Score & Parts. 142 pages. Published by Alfred Publishing.

Double Bass; Orchestra (STUDY SCORE)

SKU: HL.51487451

Study Score. Composed by Serge Koussevitzky. Edited by Tobias Glö and ckler. Henle Study Scores. Classical. Softcover. 92 pages. G. Henle #HN7451. Published by G. Henle (HL.51487451).

UPC: 196288158110. 6.75x9.5x0.294 inches.

Thanks to its skilful combination of Romantic melody and sparkling virtuosity, Koussevitzky’s Double Bass Concerto op. 3 has been one of the most popular works of its genre since its Moscow premiere in 1905. No wonder, for the virtuoso double bass player Koussevitzky had composed it for his very own instrument. As early as 1906/07 a first piano reduction was published in Moscow, followed by a second in 1910 in Leipzig. However, both contain so many mistakes in the solo part that there is still uncertainty about the correct musical text in many passages to this day. The double bass player Tobias Glöckler has therefore prepared his Urtext edition using several sources: as well as the manuscript performance material and the piano reductions published during the composer's lifetime, he has also studied recordings with Koussevitzky as soloist - thereby finally producing a thoroughly-researchedUrte xt edition of the orchestral score and piano reduction of this classic of the double bass literature. As with all double bass concertos published by Henle Publishers, this edition also contains the piano reduction by Christoph Sobanski in two keys (E minor and F sharp minor) for performance with solo or orchestral tuning.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra

SKU: PE.EP68781

For Violin and Orchestra. Composed by Tyshawn Sorey. Edition Peters. Book. 28 pages. Edition Peters #98-EP68781. Published by Edition Peters (PE.EP68781).

ISBN 9790300762272. English.

Tyshawn Sorey describes his piece For Marcos Balter for violin and orchestra as a non-certo, a single-movement work that rejects the conventionally heroic and virtuosic role of the concerto soloist in favor of a more continuous, yet less dominant presence alongside the ensemble. A tribute to the Sorey's friend and colleague Marcos Balter, the US-based Brazilian composer, the 38-minute piece was commissioned jointly by the Detroit Symphony Orchestra and the New Jersey Symphony Orchestra with assistance from the ARCO Collaborative. For Marcos Balter received its world premiere from the Detroit Symphony and soloist Jennifer Koh in November 2020, with Xian Zhang conducting.

This full score is available for purchase as part of the Peters Contemporary Library and features extensive performance notes, with solo and orchestral parts available on hire.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano

SKU: AP.36-A128148

Composed by Ludwig van Beethoven. Full Orchestra, Solo Keyboard with Ensemble, Solo Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A128148. Published by LudwigMasters Publications (AP.36-A128148).

ISBN 9798892702294. UPC: 659359602160. English.

Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 3 in C minor in 1803, not long after writing the famous letter to his brothers, the Heiligenstadt Testament, in which he lamented his increasing deafness. He gave the first performance of the piece, as soloist, on April 5 in a public benefit concert at the Theater an der Wien in Vienna. The opening melody in the first movement bears striking similarity to the first theme heard in Mozart's 24th piano concerto. As a whole, the piece provides an essential link between the Mozartean charm of the two earlier concertos and the more idiosyncratic work found in his middle period. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra - Grade 2.5

SKU: AP.23379

Arranged by Andrew H. Dabczynski. String Orchestra. Highland/Etling String Alternatives. Traditional. Score and Part(s). 128 pages. Highland/Etling #00-23379. Published by Highland/Etling (AP.23379).

UPC: 038081258843. English. Traditional.

In this fresh arrangement of a traditional, old-time fiddle favorite, every member of the orchestra gets lots of chances to play the up-beat tune. The straight-forward melody is approachable by all, and the authentic-sounding variations and key changes will challenge even advanced players. A series of soloistic breaks can be performed by individuals or entire sections, and the inclusion of optional chord symbols provide opportunities for improvisation. This creative setting of Old Molly Hare will provide motivating learning experiences for students, and will add invigorating old-time style and drive to any concert program.

Orchestra (Score) - intermediate

SKU: HL.49001983

Full Score. Composed by Joseph Bodin de Boismortier. Edited by Hugo Ruf. This edition: Saddle stitching. Sheet music. Concertino (Chamber Orchestra). Classical. Score. Op. 34/6. 24 pages. Duration 6'. Schott Music #CON 31. Published by Schott Music (HL.49001983).

ISBN 9790001021531. UPC: 073999567076. 9.0x12.0x0.119 inches.

Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.

Orchestra (1.2.0.1/2.0.0.0,str,clar inet solo)

SKU: TM.01657SC

Composed by Gioachino Rossini. Edited by Cerasa. Score. Lucks Music Library #A1950. Published by Lucks Music Library (TM.01657SC).

Revised by A. Cerasa; Several Editions Available Check the Soloist's Edition; Transposed: Cl solo, Hn 1+2; solo in set. See #13610 for Introduction, Theme, and Variations for Clarinet and Orchestra (14 min).

Orchestra (1.2.0.1/2.0.0.0,str,clar inet solo)

SKU: TM.01657SET

Composed by Gioachino Rossini. Edited by Cerasa. Set Type: D. Set of parts. Lucks Music Library #A1950. Published by Lucks Music Library (TM.01657SET).

Revised by A. Cerasa; Several Editions Available Check the Soloist's Edition; Transposed: Cl solo, Hn 1+2; solo in set. See #13610 for Introduction, Theme, and Variations for Clarinet and Orchestra (14 min).

Orchestra 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano

SKU: AP.36-A128101

Composed by Ludwig van Beethoven. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A128101. Published by LudwigMasters Publications (AP.36-A128101).

ISBN 9798892701303. UPC: 659359867675. English.

Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 3 in C minor in 1803, not long after writing the famous letter to his brothers, the Heiligenstadt Testament, in which he lamented his increasing deafness. He gave the first performance of the piece, as soloist, on April 5 in a public benefit concert at the Theater an der Wien in Vienna. The opening melody in the first movement bears striking similarity to the first theme heard in Mozart's 24th piano concerto. As a whole, the piece provides an essential link between the Mozartean charm of the two earlier concertos and the more idiosyncratic work found in his middle period. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set): Solo Piano.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra (2.2.2.2/4.2.0.0,timp,str ,soli violin & cello,pf solo)

SKU: TM.00079SC

Composed by Peter Illich Tschaikowsky. Score. Lucks Music Library #A4247. Published by Lucks Music Library (TM.00079SC).

Siloti Revised version (solo). Piano Solo/piano reduction. Violin and Cello soli in second movement (separate parts from the standard violin I and Cello parts). Violin and Cello solos in set; Piano solo sold separately.

Orchestra (2.0.2.2/2.0.0.0,str,2 violin soli)

SKU: TM.01663SET

Composed by Louis Spohr. Set Type: D. Set of parts. Lucks Music Library #A2068. Published by Lucks Music Library (TM.01663SET).

Solos sold individually. Solo I = Solo Violin I; Solo II = Solo Violin II. P/C is not a pf reduction/accompaniment.< /p>