The Florentiner March Orchestre [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
Composed by Julius FucÃ?Âk. Arranged by R. J. Hume. Orchestra. Full Orchestr...(+)
Composed by Julius
FucÃ?Âk. Arranged by
R. J. Hume. Orchestra.
Full Orchestra; Part(s);
Score. Highland Full
Orchestra. Form: March;
Transcription. Grade 3.
200 pages. Published by
Highland/Etling
By Igor Stravinsky. For Full Orchestra. Full Orchestra (Miniature Score). Kalmus...(+)
By Igor Stravinsky. For
Full Orchestra. Full
Orchestra (Miniature
Score). Kalmus Edition.
Masterwork. Miniature
Score. 140 pages.
Published by Alfred
Publishing.
Orchestra SKU: BT.MUSM570209385 Composed by Thomas Simaku. Score Only. 46...(+)
Orchestra
SKU:
BT.MUSM570209385
Composed by Thomas
Simaku. Score Only. 46
pages. University of York
Music Press
#MUSM570209385. Published
by University of York
Music Press
(BT.MUSM570209385).
English.
For
full Orchestra. Published
1998. 3(2nd+picc,
3rd+afl).3.3(3rd+bcl).3(3
rd+cbn) / 4.3.3.1 /
pf.cel.hp.perc(4) / str
First performance:
English Northern
Philharmonia, conducted
by Elgar Howarth, Spring
Festival of Contemporary
Music, York, 30 April
1999. Score.
Orchestra - Grade 3 SKU: AP.43803S Featuring: Light My Fire / People A...(+)
Orchestra - Grade 3
SKU: AP.43803S
Featuring: Light My
Fire / People Are Strange
/ Hello, I Love You.
Composed by The Doors.
Arranged by Patrick
Roszell. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Pop Concert Full
Orchestra. Form: Medley.
Rock. Score. 24 pages.
Duration 4:30. Alfred
Music #00-43803S.
Published by Alfred Music
(AP.43803S).
UPC:
038081496856.
English.
The Doors,
a psychedelic rock group
of the 1960's, return in
this arrangement
featuring three of their
biggest and most well
known hits, Light My
Fire, People Are Strange
and Hello, I Love You. An
exciting closer for your
pop program or spring
concert. (4:30).
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra (Orchestra) SKU: HL.14008415 Composed by Sir Peter Maxwell Davi...(+)
Orchestra (Orchestra)
SKU: HL.14008415
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Post-1900.
Sheet Music, Miniature
Score. With Text
language: English. 110
pages. Chester Music
#CH55687. Published by
Chester Music
(HL.14008415).
UPC:
884088808242.
8.5x11.0x0.261
inches.
This work,
written by Maxwell Davies
in 1983 for chamber
orchestra, was
commissioned to celebrate
the quartercentenary of
Edinburgh University. The
first performance was
given by the Scottish
Chamber Orchestra
conducted by Edward
Harper in October 1983.
Duration c. 29mins. This
work was thought through
in outline following a
visit to the ruined
pre-Reformation church of
Hoy in Orkney, on a fine
Spring afternoon after
Maxwell Davies had played
the harmonium for the
tiny congregation in its
large bleak Victorian
replacement. The old
church was surrounded by
the graves of centuries,
the more recent ones with
familiar names, largely
of people who lived in
houses now ruinous -
crofters, fishermen,
clerics, sea-captains.
Next to it stood the
chief farmhouse, the Bu,
going back to Viking
times. He thought of the
lives and deaths
encompassed there,
expressed through
hundreds of years of
music in the church, and
in the big barn of the
farm. The plainsongs
'Dies Irae' and 'Victimae
Paschali Laudes' are used
throughout the work - the
first concerning the Day
of Judgement, from the
Mass for the Dead, the
second particular to
Easter Sunday and the
Resurrection. These are
subject to constant
transformation - the
intervallic contour
slowly changes from one
into the other, and their
notes are made to dance
through Renaissance
astrological 'magic
square' patterns. The
orchestra consists of
double woodwind, two
horns, two trumpets and
strings.
Tatarian Dances Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
Arranged by Elena Roussanova Lucas. Traditional. For Full Orchestra. Full Orches...(+)
Arranged by Elena
Roussanova Lucas.
Traditional. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level: 5
(grade 5). Conductor
Score and Parts. 324
pages. Published by
Alfred Publishing.
Danzas Cubanas Orchestre [Conducteur] - Intermédiaire Alfred Publishing
By Robert Sheldon. Orchestra. Full Orchestra; Score. Belwin Concert Full Orchest...(+)
By Robert Sheldon.
Orchestra. Full
Orchestra; Score. Belwin
Concert Full Orchestra.
Latin; Light Concert;
Spring; World. Grade 4.5.
40 pages. Published by
Alfred Music Publishing
Spring's Awakening Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0173-00 Romance. Composed by E. Bach. Arranged by Alle...(+)
SKU:
CL.016-0173-00
Romance. Composed
by E. Bach. Arranged by
Allen. Orchestra. Score
and set of parts.
Composed 1911. C.L.
Barnhouse #016-0173-00.
Published by C.L.
Barnhouse
(CL.016-0173-00).
Voices of Spring Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0193-00 Valse Intermezzo. Composed by Barnard. Orchest...(+)
SKU:
CL.016-0193-00
Valse Intermezzo.
Composed by Barnard.
Orchestra. Score and set
of parts. Composed 1915.
C.L. Barnhouse
#016-0193-00. Published
by C.L. Barnhouse
(CL.016-0193-00).
Composed by Gregory Aldae
Hein, Michael Pollack,
and Miley Cyrus. Arranged
by Patrick Roszell.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Pop/Rock; Radio.
Score and Part(s).
Duration 2:30. Alfred
Music #00-49914.
Published by Alfred Music
(AP.49914).
ISBN
9781470663698. UPC:
038081580739.
English.
Perfect
for your spring concert,
Miley Cyrus's massive
number-one hit on the
Billboard Hot 100
Flowers, arranged by
Patrick Roszell, comes to
your string orchestra.
(2:30).
Orchestra - Grade 3 SKU: AP.33678S Composed by Johannes Brahms. Arranged ...(+)
Orchestra - Grade 3
SKU: AP.33678S
Composed by Johannes
Brahms. Arranged by Jack
Bullock. Full Orchestra;
Performance Music
Ensemble; Single Titles.
Belwin Intermediate
String/Full Orchestra.
All Saints Day;
Ascension; Benediction;
Fall; Funeral; Masterwork
Arrangement; Romantic;
Sacred; Spring. Score. 8
pages. Belwin Music
#00-33678S. Published by
Belwin Music (AP.33678S).
UPC: 038081376806.
English.
A musical
treasure for young
players. This enchanting
work for chorus and
orchestra is transcribed
for full or string
orchestra.
By Robert W. Smith. By Robert W. Smith. For Full Orchestra. Full Orchestra. Belw...(+)
By Robert W. Smith. By
Robert W. Smith. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: Easy to
Medium Easy (grade
II-III). Conductor Score
& Parts. 142 pages.
Published by Alfred
Publishing.
Composed by Claude Debussy (1862-1918). Orchestra. For orchestra. Full Orchestra...(+)
Composed by Claude
Debussy (1862-1918).
Orchestra. For orchestra.
Full Orchestra (Full
Score); Larger Works;
Masterworks; Score. Dover
Edition. Impressionistic;
Masterwork. Full score.
224 pages. Published by
Dover Publications
Greeting of Spring Orchestre [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.016-0407-00 Waltzes. Composed by Russell. Orchestra. Score...(+)
SKU:
CL.016-0407-00
Waltzes. Composed
by Russell. Orchestra.
Score and set of parts.
Composed 1927. C.L.
Barnhouse #016-0407-00.
Published by C.L.
Barnhouse
(CL.016-0407-00).
Orchestra SKU: FG.042-08465-6 Composed by Erik Valdemar Bergman. Score. P...(+)
Orchestra
SKU:
FG.042-08465-6
Composed by Erik Valdemar
Bergman. Score. Published
by Fennica Gehrman
(FG.042-08465-6).
ISBN
979-0-042-08465-6.
In Poseidon, commissioned
by the National Symphony
Orchestra of Washington
and Mstislav
Rostropovich, Bergman
turns to the Greek god of
the sea and lord of the
earthquake as a symbol
for primaeval power and
the wellspring of
creativity. In the ocean
depths - the subconscious
- power stirs and rises
to the threshold of
consciousness. It
projects itself into the
second movement's
eruption of energy, after
which follows recovery
and calm. Composed in
1992.
Composed by Luís Tinoco.
Score Only. 31 pages.
University of York Music
Press #MUSM570208074.
Published by University
of York Music Press
(BT.MUSM570208074).
English.
For
Orchestra (double winds).
Published in 2005.
2(1st+picc).2.2.2(2nd+cbn
) / 2.2.1(B).0 /
hp.cel.2perc / str
Commissioned by the
Albany Symphony
Orchestra, NY. First
performance: Albany
Symphony Orchestra
conducted by David Alan
Miller, Canfield Casino,
Saratoga Springs, New
York, 17th February 2005.
Score.
Country Song Orchestre [Conducteur] - Intermédiaire Highland/Etling
Orchestra - Grade 4 SKU: AP.41265S From Two Songs Without Words, Op...(+)
Orchestra - Grade 4
SKU: AP.41265S
From Two Songs
Without Words, Op. 22,
No. 1. Composed
by Gustav Holst. Arranged
by Robert Sieving.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. 20th
Century; Folk; Masterwork
Arrangement; Romantic.
Score. 16 pages.
Highland/Etling
#00-41265S. Published by
Highland/Etling
(AP.41265S).
UPC:
038081480800.
English.
This
beautiful folk melody
will capture the hearts
of students and
audiences. Originally
scored for large
orchestra, this string
arrangement captures the
essential qualities often
heard in the English
style of chamber music
for strings from the late
nineteenth and early
twentieth centuries.
Holst's melody, with its
simple pentatonic
folksong theme, receives
the kind of mystical
transformation we often
associate with British
composers' treatments of
their indigenous
wellspring---the
folksong. All sections
share in the melodic
themes while passages for
a quartet of soloists add
textural interest. This
title is available in
MakeMusic Cloud.
Springsville Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
By Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For orchestra...(+)
By Miles Davis. Edited by
Jeffrey Sultanof.
Arranged by Gil Evans.
For orchestra (Solo
Trumpet/Flugelhorn, Alto
Saxophone, Clarinet, 2
Bass Clarinets, 5
Trumpets (6 total
trumpets), 2 Horns in F,
4 Trombones, Tuba, Piano,
Bass, Drums). Swing.
Advanced. Score and
parts. Published by Jazz
Lines Publications