Par HAYDN JOSEPH. According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. / Friesenhagen, Andreas / Répertoire / Orchestre

En production symphonique de Tchaïkovski, la Symphonie n o 4 était une oeuvre charnière. Il a annoncé le compositeur comme un symphoniste majeur de son temps, éclipsant ses précédents, moins-que-remarquables efforts dans ce formulaire, et ouvert la voie à ses derniers grands travaux: la hantise Cinquième Symphonie et le sixième biographique, la profonde 'Pathétique. 'Quatrième Symphonie de Tchaïkovski - écrite en 1877 à l'âge de 37 - se présente comme une déclaration très personnelle. De façon spectaculaire en forme et brillamment orchestrée, il saisit une qualité théâtrale et de la couleur orchestrale qui ont façonné le compositeur symphonique fantaisie Francesca da Rimini, écrit un an plus tôt. Le quatrième ouvre sans équivoque avec la poussée d'un fanfare de cuivres - le 'sort' motif qui est de réapparaître dans le dernier mouvement - s'écoule alors de la qualité qui caractérise effort de Tchaïkovski grands généreusement mélodieux partitions de ballet. Le second mouvement s'attarde sur l'une des mélodies les plus poignants du compositeur, et le troisième - le Scherzo - offre une fantaisie délicieuse de cette orchestrateur maître: la charmante Pizzicato ostinato, un moment unique dans toute la littérature orchestrale.La symphonie est reproduit ici de la foi Breitkopf and Härtel édition, avec des mouvements bar-numérotés et les marges larges en bas de chaque page de score pour les notes et les analyses. Idéal pour l'étude en classe, à la maison, ou dans la salle de concert, ce à prix abordable, de haute qualité, le volume de taille conventionnelle sera l'édition de choix pour les étudiants en musique et amateurs de musique.Réimpression de l'édition Breitkopf and Härtel. / Orchestre

Considéré par beaucoup comme Ives oeuvre la plus ambitieuse terminée, Symphonie n o 4 est disponible pour la première fois dans une vingtaine édition critique complète. Cette édition fait autorité magistrale des Ives plus accessible aux conducteurs, des universitaires, des bibliothécaires, et les amateurs de Ives. Comprend: une préface générale et préface de chaque billet Programme mouvement - de la Premiere 1927 partiel Remarque - Conducteur d'Ives à la Second Movement - Score édition critique complète de tous les quatre mouvements et une gravure du Manuscrit Score Mouvement Quatrième révisée - listes détaillées de - Sources Commentaire éditorial critiques - et une liste détaillée des CD-ROM Contenu.Le CD-ROM contient: fac-similés des manuscrits de Les Papiers Charles Ives (courtoisie de la Bibliothèque Irving S. Gilmore Musique de l'Université de Yale) - Pages de l'édition critique de l'étude à un plus fort grossissement - Analyse et devis code couleur mettant en valeur la comédie musicale 'emprunts 'des airs de Symphonie n o 4. / Orchestre

Voici la célèbre marche de Symphonie #2 Tchaïkovski habilement arrangé pour les jeunes joueurs. Ouverture et de fermeture avec un solo timbales, cet arrangement fournit un large éventail de contrastes dynamiques et de variété dans la notation. Des passages délicats de bois aux souches de puissants ensemble complet, celui-ci fonctionne très bien ! Dur : 02:45 / Scores

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Par CHOSTAKOVITCH DIMITRI. Shostakovich’s fifteenth symphony differs substantially in many ways from his other late symphonies. The eleventh (1957), subtitled The Year 1905, and the twelfth (1960), subtitled The Year 1917, are both programmatic symphonies, relating to political and historical events within the year of which they are subtitled. The next two symphonies are sung texts, with vocal and/or choral parts: thirteenth (1962) and fourteenth (1969) symphonies. With the Symphony No. 15 In A Op. 141, Shostakovich’s last foray in the genre, the composer returned to a purely instrumental and non-programmatic composition, which inhabits a purely emotional andintellectual plane, quite removed from the world of politics and history. Available here is the pocket or study score of Shostakovich’s last symphony, the Symphony No. 15 in A Op. 141. This is an excellent Sikorski edition score, and is ideal for study and perusal purposes./ Répertoire / Orchestre

La Passione . Par JOSEF STOIBER FRANZ. Haydn’s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia Symphony (No. 48, BA 10972), but also gems such as La passione (No. 49). The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. La passione is based onthe Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format./ Répertoire / Orchestre

Par SPOLIANSKY MISCHA. Spoliansky worked on Symphony over the course of three decades, from 1941 to 1969. It proves to be a very interesting historical document. Some passages are harbingers of orchestral composition techniques now well known in film music, while others evoke the music of the heyday of revue theatres. In his oeuvre Symphony counts as the only symphonic work and can be considered a programmatic symphony or, perhaps more appropriately, music for an imaginary film. / Date parution : 2022-04-05/ Répertoire / Orchestre

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du travail d'orchestre à Esterháza à la fin de la saison.La publication de Haydn 'Sturm und Drang' Symphonies - la symphonie des adieux et la Symphonie #48 (la soi-disant 'Maria Theresia' Symphony) - représente une continuation de la coopération entre Bärenreiter et la maison d'édition Henle pour les éditions des grandes oeuvres chorales , des opéras et des oeuvres symphoniques.Les publications sont basées sur le Henle 'édition complète des oeuvres de Joseph Haydn'.Les deux symphonies (BA BA 10971 et 10972) sera publiée avec une partition et les parties d'orchestre en vente dans un grand format. / Orchestre

Like its companions Nos. 90 and 91, Haydn's Symphony #92 in G major was written in 1789. All three symphonies were commissioned in 1788 by Prince Kraft Ernst von Oettingen-Wallerstein, who was to be granted exclusive ownership. However, Haydn first sold the works to the Parisian Masonic lodge Société Olympique and was thus unable to fulfil his obligation to send the autograph scores to the prince. The symphony received its nickname 'Oxford? in the 19th century, probably in connection with a performance that took place when Haydn received an honorary doctorate from Oxford University in 1791. / Orchestre

Les symphonies ainsi que le London et les symphonies de Haydn à Paris ' Sturm und Drang ' appartiennent à ses oeuvres les plus populaires aujourd'hui . Les oeuvres ' Sturm und Drang ' contiennent pas seulement des chefs-d'oeuvre tels que la déjà publié ' Farewell - Symphony ' et la symphonie ' Maria Theresia ', mais aussi des perles telles que la symphonie a récemment publié ' La Passione ' ( 2013) et maintenant la Symphonie en B majeur n o 46 .La publication de cette symphonie représente une continuation de la collaboration entre Bärenreiter et la société d'édition Henle dans les domaines de grandes compositions vocales , opéras et oeuvres symphoniques . La Symphonie en si bémol majeur est basé sur le Henle Complete Edition des ' Travaux de Joseph Haydn ' et est publié avec une partition complète et grand format matériel performant en vente .- Haydn symphonies ' Sturm und Drang ' disponible dans les éditions Urtext sur ??la base du Henle Complete Edition des ' Travaux de Joseph Haydn '- Les partitions orchestrales disponibles dans un format agrandi ( 25.5cm x 32,5 cm ) / Orchestre

Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly. Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn ”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter. Based on the Henle Complete Edition of the “Works of Joseph Haydn ” Orchestral parts in a large format (25. 5 cm x 32. 5 cm) Full score & performance material available for sale (BA10980)/ Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 76 and 77 Haydn composed Symphony No. 78 for a journey to England that never took place. Nonetheless, H. C. Robbins Landon referred to these works as the 'English Symphonies” as they are stylistically closely linked to 'the London Bach”, Johann Christian Bach. In a letter Haydn wrote to his Paris publisher Charles-Georges Boyer in 1783, he described the works as 'Leicht und nicht vil Concertirend”, meaning they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. To date, Bärenreiter has published the complete performance material for several of Haydn's 'Sturm und Drang” symphonies as well as the complete London and Paris symphonies. / Date parution : 2019-09-06/ Répertoire / Orchestre

for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre

Par DVORAK ANTONIN. Since 2019 the ?New World? Symphony, a jewel of the symphonic repertoire, has been available from Bärenreiter in a reliable scholarly edition in which the editor, Jonathan Del Mar, clarified the complexities of the work?s source transmission. He did this by consulting previously overlooked sources, including music examples in Dvorák?s hand that the composer is known to have used in a lecture he delivered at Columbia University, New York, shortly after the symphony was premièred by the New York Philharmonic under Anton Seidl. With this volume the Del Mar edition is now available in a practical study score with a new introduction by Dvorák authority Jan Smaczny. / Date parution : 2022-04-05/ Répertoire / Orchestre