Dreams Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Orchestra - Grade 3-4 SKU: AP.49879S As Performed by Van Halen. Co...(+)
Orchestra - Grade 3-4
SKU: AP.49879S
As Performed by Van
Halen. Composed by
Alex Van Halen, Eddie Van
Halen, Michael Anthony,
and Sammy Hagar. Arranged
by Mark Wood. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
String Orchestra. Mark
Wood Series. Light
Concert; Pop/Rock; Radio;
Rock. Score. Duration
4:35. Alfred Music
#00-49879S. Published by
Alfred Music (AP.49879S).
ISBN 9781470663780.
UPC: 038081580807.
English.
Dreams is
one of the great Van
Halen songs now
transcribed for string
orchestra. As a string
player, I was enamored
with Eddie Van Halen. He
was a big influence on me
while I was studying at
Juilliard. I purposely
lowered the key to A
major for better
playability. The tempo is
brisk, yet very
attainable. The upbeat
and positive posture of
this composition was a
big attraction to me as a
musician, and it was an
honor for me to show
great respect to the song
and our string world! The
play-along tracks feature
my personal band!
(4:35).
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.416415760
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760).
UPC:
680160636532. 9 x 12
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra
SKU:
PR.41641576L
For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L).
UPC:
680160636549. 11 x 17
inches.
The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams.
Full orchestra SKU: LO.30-3681MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3681MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and CD
with printable parts.
Medallion Music
#30/3681MD. Published by
Medallion Music
(LO.30-3681MD).
UPC:
000308153286.
Orche
stral Score and CD with
Printable Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Full orchestra SKU: LO.30-3680MD Composed by Jay Rouse. Choral collection...(+)
Full orchestra
SKU:
LO.30-3680MD
Composed
by Jay Rouse. Choral
collection. Sacred
Choral, Concert,
Eastertide, General.
Orchestral score and
parts. Medallion Music
#30/3680MD. Published by
Medallion Music
(LO.30-3680MD).
UPC:
000308153279.
Orche
stral Score and Parts for
55/1199MD This deeply
moving collection from
Jay Rouse includes six
songs that glory in the
cross of Christ. Highly
appropriate for use
throughout the Easter
season, it is just as
impactful year-round. It
includes the classic
Annie Herring Easter Song
in an easily learned
contemporary style; a
gospel setting of the
much-loved hymn My
Savior’s Love; two
modern worship anthems,
Broken Bread, Broken Life
and Jesus Crucified; the
beloved Dottie Rambo song
I Will Glory in the
Cross; and an elegant
setting of the timeless
hymn Beneath the Cross of
Jesus. Optional
narrations from gifted
writer Rose Aspinall will
bring the truths of
scripture to life in a
refreshing way.
There’s an eternal
mystery in the cross,
that instrument of death
and grace. Hanging there
by His own choosing, the
Son of God purchases life
for you and me..
Country Song Orchestre [Conducteur] - Intermédiaire Highland/Etling
Orchestra - Grade 4 SKU: AP.41265S From Two Songs Without Words, Op...(+)
Orchestra - Grade 4
SKU: AP.41265S
From Two Songs
Without Words, Op. 22,
No. 1. Composed
by Gustav Holst. Arranged
by Robert Sieving.
MakeMusic Cloud;
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. 20th
Century; Folk; Masterwork
Arrangement; Romantic.
Score. 16 pages.
Highland/Etling
#00-41265S. Published by
Highland/Etling
(AP.41265S).
UPC:
038081480800.
English.
This
beautiful folk melody
will capture the hearts
of students and
audiences. Originally
scored for large
orchestra, this string
arrangement captures the
essential qualities often
heard in the English
style of chamber music
for strings from the late
nineteenth and early
twentieth centuries.
Holst's melody, with its
simple pentatonic
folksong theme, receives
the kind of mystical
transformation we often
associate with British
composers' treatments of
their indigenous
wellspring---the
folksong. All sections
share in the melodic
themes while passages for
a quartet of soloists add
textural interest. This
title is available in
MakeMusic Cloud.
Orchestra SKU: HL.14025075 Composed by Richard Rodney Bennett. Music Sale...(+)
Orchestra
SKU:
HL.14025075
Composed
by Richard Rodney
Bennett. Music Sales
America. 20th Century.
Book [Softcover]. 92
pages. Music Sales
#NOV090656. Published by
Music Sales
(HL.14025075).
ISBN
9780853609421.
8.5x11.75x0.5
inches.
'I
responded to this
exciting but rather
daunting commission by
writing a very lively and
I hope very accessible
piece, which, I decided
before I started
composing, should be full
of tunes. I wrote it in
memory of my dear friend
Sheila MacCrindle, who
died in 1993... although
this partita is in her
memory, it never occurred
to me to make it gloomy
or dirge-like; that is
not how I remember her.'
Richard Rodney Bennett.
Commissioned by British
Telecommunications plc in
co-operation with the
Association of British
Orchestras 95/96 season.
Facsimile Study Score.
Duration: c.17 mins. The
full score and material
is available for hire
from Novello.
Full Orchestra (Print) Choral (Orchestra Accompaniment) SKU: HL.323200 (+)
Full Orchestra (Print)
Choral (Orchestra
Accompaniment)
SKU:
HL.323200
Lessons
for Lent. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Lent, Sacred.
Softcover. Duration 2100
seconds. Published by
Shawnee Press
(HL.323200).
ISBN
9781540070487. UPC:
888680978266.
8.5x11.0x1.334
inches.
Presented
in a new edition for the
20th anniversary of its
publication, this seminal
cantata is rich with
musical and spiritual
potential. Using simple
symbols of worship,
expressive music and a
sensitive narration by
Pamela Stewart, this work
is an unforgettable
experience for Holy Week.
A new SAB version and
special anniversary
consort orchestration
join the original
products to open the work
to groups of every size.
Only 30 minutes long, the
cantata is easily learned
and with Brant Adams'
gentle yet dramatic
orchestrations, Colors of
Grace will become a
treasured part of your
Holy Week commemoration.
Songs include: Prologue;
Take My Yoke Upon You; A
Servant's Song (The Basin
and Towel); Take My Yoke
Upon You (Lesson 1:
Service); Underscore: The
Cup; A Shadow Fell on
Sharon's Rose; Take My
Yoke Upon You (Lesson 2:
Obedience); Underscore:
The Crown of Thorns; O
Gentle Jesus; Take My
Yoke Upon You (Lesson 3:
Humility); Come to the
Cross; Epilogue. Score
and Parts for Orchestra
(fl 1-2, ob/eng hn, cl
1-2, bn, hn 1-2,
timp/bass dm, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as Printed
Edition and as a digital
download. Consort Score
and Parts (fl, cl, hn,
perc, pno, hp, vn, vc)
available as a digital
download.
Score String Orchestra (Full Score) SKU: HL.278261 For String Orchestr...(+)
Score String Orchestra
(Full Score)
SKU:
HL.278261
For
String Orchestra Full
Score. Composed by
Peter Ilyich Tchaikovsky.
Arranged by Jose
Serebrier. Peermusic
Classical. Classical.
Softcover. 8 pages.
Peermusic Classical
#70219-766. Published by
Peermusic Classical
(HL.278261).
ISBN
9781540029614. UPC:
888680752972. 9x12
inches.
Program
notes: “None But
the Lonely Heart”
is a song from
Tchaikovsky's Six
Romances, Op. 6 for
voice and piano. The song
is a setting in Russian
translation of Goethe's
poem “Nur wer die
Sehnsucht kennt,”
which has attracted many
composers, most famously
Franz Schubert. This is
my second orchestration
of music by Tchaikovsky,
the first being Andante
Cantabile from his String
Quartet No. 1. I tried to
make these transcriptions
sound as if they had been
orchestrated by the
composer himself –
as is also the case with
my transcriptions of
music by Rachmaninoff,
Janácek, Bizet,
and Revueltas. This is my
natural tendency,
following the spirit of
the music.
–José
Serebrier.
Large orchestra (Orchestra) SKU: HL.49012995 Choreographic poem. C...(+)
Large orchestra
(Orchestra)
SKU:
HL.49012995
Choreographic
poem. Composed by
Hans Werner Henze. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1949/1992. 72
pages. Duration 16'.
Schott Music #ED 8955.
Published by Schott Music
(HL.49012995).
ISBN
9790001125246.
One
of my earliest works for
orchestra, this piece was
strongly influenced by
the aural and visual
impressions left by the
London Sadler's Wells
Ballett's visit to
Hamburg in 1949.- Hans
Werner Henze.
Cello; Orchestra (Study Score) SKU: HL.280392 Cello and Orchestra Stud...(+)
Cello; Orchestra (Study
Score)
SKU:
HL.280392
Cello
and Orchestra Study
Score. Composed by
Brian Elias. Music Sales
America. Classical.
Softcover. 68 pages.
Duration 1500 seconds.
Chester Music #CH83886.
Published by Chester
Music (HL.280392).
UPC: 888680971069.
8.5x11.75x0.281
inches.
The Cello
Concerto is in four main
sections that are played
without a break. As with
most of my work, the
music throughout is
generated from the ideas
presented in the fi rst
few bars, and these ideas
and their variants appear
freely in the different
sections. Recurring
material and references
to earlier sections are
used deliberately to
create not only a sense
of unity but also an
impression of familiarity
that aspires to induce a
dream-like perception of
the passing music, a kind
of spiral. The piece
opens with a slow
introduction that
gradually quickens into
the first main section,
an allegro. The form of
the second section, which
is in a lighter mood, is
based on an early 13th
century verse form, the
Sestina, which consists
of six stanzas of
sixlines each, followed
by an envoi. The words
that end each line in the
first stanza are rotated
in a strictly prescribed
pattern* to give the
line-endings of the
remaining stanzas; in
this adaptation, each
line consists of four
bars, and the repetitions
ensue according to the
plan. The intricate
repetition inherent in
this form can also be
seen as a form of spiral.
The third section is an
extended slow movement
interrupted by a quicker
episode that refers to
the fi rst section.
Generally lighter and in
a similar vein to the
second section, the final
section includes a
reference to the slow
movement before returning
to the lighter music that
ends the piece. This work
is dedicated to Natalie
Clein.
Study Score.
Composed by James
Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 80
pages. Duration 900
seconds. Boosey & Hawkes
#M060136009. Published by
Boosey & Hawkes
(HL.48024880).
ISBN
9781784545154. UPC:
840126918670.
7.25x10.25x0.319
inches.
This
publication presents
under one cover various
short works for sundry
orchestral scorings.
Larghetto for Orchestra
is MacMillan's
orchestration (2017) of
his celebrated Miserere
for a cappella mixed
choir (2009), a setting
in Latin of Psalm 51,
'Have mercy upon me, O
God, according to thy
great mercy', the
penitential text famously
set in the 17th century
by Gregorio Allegri. The
Larghetto orchestration
was commissioned by the
Pittsburgh Symphony
Orchestra in celebration
of Manfred Honeck's 10th
Anniversary as Music
Director. Memoire
imperiale is one of a
number of variations on
General John Reids march
tune Old Gaul
commissioned from
Scottish composers to
mark the centenary in
1994 of the Faculty of
Music at Edinburgh
University. The Faculty
was established following
a bequest by General Reid
(1721-1807), a former law
student at the University
and a renowned flute
player and composer of
marches for the
BritishArmy, and he asked
that an annual concert be
organised at which one or
more of his compositions
be played. Composed in
2012 for the Britten
Sinfonia, One is a monody
in which a single line is
passed around the
instruments, painting it
with different colours as
it emerges and develops.
Lasting only a few
minutes, its singularity
is maintained until
blossoming in the lastfew
bars. For Sonny (2011,
orch 2013) and Ein
Lamplein verlosch (2018,
orch 2019) are short,
private memorial tributes
originally for string
quartet and here rescored
for string orchestra.
Hirta was composed in
2016 as part of Deccas
The Lost Songs of St
Kilda project. Nearly a
century ago, the last 36
residents were evacuated
from the most remote part
of the British Isles, St
Kilda, an isolated
archipelago off the
beautiful and rugged
western coast of
Scotland. After 86 years,
the music of St Kilda was
rediscovered, recorded in
a Scottish care home by
Trevor Morrison, an
elderly man who had been
taught piano by an
inhabitant of St Kilda.
The songs were
'reimagined' for the
Decca album by
various.
Orchestra - Grade 3 SKU: AP.44816 Including: My Old Kentucky Home / Ma...(+)
Orchestra - Grade 3
SKU: AP.44816
Including: My Old
Kentucky Home / Maryland,
My Maryland / New York,
New York. Arranged by
Dorothy A. Straub.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley.
Traditional. Score and
Part(s). 146 pages.
Duration 6:30. Alfred
Music #00-44816.
Published by Alfred Music
(AP.44816).
UPC:
038081515533.
English.
This
piece, arranged by
Dorothy Straub,
celebrates the excitement
of a very short horse
race. Using songs that
are sung before each of
the three races---songs
of Kentucky, Maryland,
and New York---the
orchestra takes on the
role of the winning
horse, with the
accelerando being the
final race to the finish
line. Though timely now
that the amazing horse,
American Pharaoh, won the
Triple Crown in June of
2015, this piece was
written prior to that
event to celebrate all
the horses that compete.
(6:30).
Orchestra - Grade 3 SKU: AP.44816S Including: My Old Kentucky Home / M...(+)
Orchestra - Grade 3
SKU: AP.44816S
Including: My Old
Kentucky Home / Maryland,
My Maryland / New York,
New York. Arranged by
Dorothy A. Straub.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Concert String Orchestra.
Form: Medley.
Traditional. Score. 16
pages. Duration 6:30.
Alfred Music #00-44816S.
Published by Alfred Music
(AP.44816S).
UPC:
038081515540.
English.
This
piece, arranged by
Dorothy Straub,
celebrates the excitement
of a very short horse
race. Using songs that
are sung before each of
the three races---songs
of Kentucky, Maryland,
and New York---the
orchestra takes on the
role of the winning
horse, with the
accelerando being the
final race to the finish
line. Though timely now
that the amazing horse,
American Pharaoh, won the
Triple Crown in June of
2015, this piece was
written prior to that
event to celebrate all
the horses that compete.
(6:30).
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales Ame...(+)
Orchestra
SKU:
HL.14014802
Composed
by Hans Werner Henze.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 80 pages. Chester
Music #CH63228. Published
by Chester Music
(HL.14014802).
ISBN
9780711992764.
9.75x13.75x0.285
inches.
Composer's
Notes: This piece,
written during the winter
months of 2000-2001,
consists of one movement,
Allegro con fuoco, in
which an old score is
revisited, raided and
ravished by its composer.
The earlier music had
been written in the
mid-fifties for a stage
work Maratona di Danza
and for its maker, the
director Luchino
Visconti. Elements from
the older piece reappear
on and off like shadows
under the surface of new
ones, like more or less
vague memories, images of
young people suffering
pain and despair in their
struggle for survival in
a barbaric, pitiless
modern world. My new
composition is a kind of
concerto for very large
symphony orchestra, an
etude on constant and
often rapid musical
changes of mood and
colours, built on a
variety of rhythmic
figures, incessantly and
brutally pushing the
music ahead. Sometimes,
it is as though voices
are weeping, sometimes
crying out loud with
pain, with anxiety, under
the cold hearted pressure
of an overwhelming
violence. Hans Werner
Henze Commissioned on the
occasion of the 50th
anniversary of das neue
werk, Hamburg. Premiered
on 29th June 2001.
Duration 15 minutes.
Full orchestra SKU: LO.30-3719MD Choral. Sacred Anthem. Orchestral score ...(+)
Full orchestra
SKU:
LO.30-3719MD
Choral.
Sacred Anthem. Orchestral
score and CD with
printable parts.
Medallion Music
#30/3719MD. Published by
Medallion Music
(LO.30-3719MD).
UPC:
000308154214.
Orche
stral Score and CD with
Printable Parts for
10/5335MD The popular
Jonas Myrin and Phil
Wickham worship anthem is
expertly arranged by Jay
Rouse. Even though this
worship song is
choir-led, it is also
ideal for congregational
worship and accessible
without sounding so.
Inspire your choir and
congregation to focus on
the goodness of God with
this praise-filled
selection.
Funeral March Orchestre [Conducteur et Parties séparées] Schirmer
For Concert Band Score and Parts. Composed by Samuel Barber (1910-1981). Edite...(+)
For Concert Band Score
and
Parts. Composed by Samuel
Barber (1910-1981).
Edited by
Peter Stanley Martin. G.
Schirmer Band/Orchestra.
Softcover. G. Schirmer
#ED4730. Published by G.
Schirmer
10,000 Hours Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.49446S As Performed by Dan + Shay and Ju...(+)
Orchestra - Grade 2.5
SKU: AP.49446S
As Performed by Dan +
Shay and Justin
Bieber. Composed by
Dan Smyers, Jason Boyd,
Jessie Jo Dillon, Jordan
Reynolds, Justin Bieber,
and Shay Mooney. Arranged
by Victor Lopez.
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop/Rock. Score. Alfred
Music #00-49446S.
Published by Alfred Music
(AP.49446S).
ISBN
9781470650438. UPC:
038081571218.
English.
Looking
for a way to musically
connect with your
students, 10,000 Hours is
a chart that will do the
trick. This Billboard No.
1 HOT 100, country pop
song, performed by Dan +
Shay and Justin Bieber,
continues to be a global
success. Written at the
young band level, this
arrangement by Victor
López will certainly
engage your students.
(3:00) This title is
available in MakeMusic
Cloud.
Orchestra (Score) SKU: HL.49005353 Study Score. Composed by Hans W...(+)
Orchestra (Score)
SKU:
HL.49005353
Study
Score. Composed by
Hans Werner Henze. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1962. 100 pages.
Duration 18'. Schott
Music #ED5029. Published
by Schott Music
(HL.49005353).
ISBN
9790001057646. UPC:
884088085544.
8.25x11.75x0.334
inches.
Like my
oratorio Novae de
infinito laudes, this
work, too, has been
influenced by the human
world and the scenery of
Rome, indeed, perhaps
even by the greater
hardness of the roman
language compared to that
of Naples. The first four
notes of the subsidiary
theme of the second
movement which appears
for the first time in bar
36 are borrowed from the
song My own, my own from
the second act of my
opera Elegy for Young
Lovers; they appear again
and again in various
forms, even in the second
and third movements.-
Hans Werner Henze.
Feel It Still Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.47443S As Recorded by Portugal. The Man<...(+)
Orchestra - Grade 2.5
SKU: AP.47443S
As Recorded by
Portugal. The Man.
Composed by Asa Taccone,
Brian Holland, Eric Howk,
Freddie Gorman, Georgia
Dobbins, Jason Sechrist,
John Gourley, John Hill,
Kyle O'Quin, Robert
Bateman, William Garrett,
and Zach Carothers.
Arranged by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Pop/Rock. Score. 8
pages. Alfred Music
#00-47443S. Published by
Alfred Music (AP.47443S).
ISBN 9781470653118.
UPC: 038081547336.
English.
This
chart-topping hit from
the group Portugal. The
Man won the GRAMMY Award
for Best Pop Duo/Group
Performance in 2018.
Utilizing parts of the
1961 hit song Please Mr.
Postman by the
Marvelettes, the song has
a unique, catchy groove
that will be a hit with
your students and
audience alike. Although
arranged by Michael Story
to be completely playable
by string orchestra
alone, there are also
easy optional parts
included for piano and
percussion.
Orchestra - Grade 3.5 SKU: AP.47474S On an American Hymn Song. Com...(+)
Orchestra - Grade 3.5
SKU: AP.47474S
On an American Hymn
Song. Composed by
Richard Meyer.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Score. 28
pages. Duration 6:09.
Highland/Etling
#00-47474S. Published by
Highland/Etling
(AP.47474S).
UPC:
038081547435.
English.
This
imaginative and dynamic
selection is based on The
Navy Hymn. Using a myriad
of time signatures, keys,
and modes, this is the
perfect teaching piece
for advanced students,
challenging them with a
variety of playing styles
and forms.
Freedom Orchestre [Conducteur] - Intermédiaire Hal Leonard
String Orchestra (Score) - Grade 3-4 SKU: HL.4492887 Pop Specials for ...(+)
String Orchestra (Score)
- Grade 3-4
SKU:
HL.4492887
Pop
Specials for Strings -
Grade 3-4. By Jon
Batiste. By Andrae
Alexander, Autumn Rowe,
Jonathan Batiste, and
Tierce Person. Arranged
by Paul Murtha. Pop
Specials for Strings.
Concert. Softcover. 12
pages. Duration 180
seconds. Published by Hal
Leonard (HL.4492887).
UPC: 196288091288.
9.0x12.0x0.028
inches.
Jonathan
Batiste's Grammy-award
winning anthem to freedom
comes to life in this
sparkling G major string
orchestra arrangement by
Paul Murtha. With all the
verve and spirit of the
original, you'll soon
have students doing
Batiste's famous dances
moves as part of the
performance!
Cantos Sagrados Orchestre [Conducteur d'étude / Miniature] Boosey and Hawkes
Choral; Orchestra (STUDY SCORE) SKU: HL.48024524 SATB and Orchestra St...(+)
Choral; Orchestra (STUDY
SCORE)
SKU:
HL.48024524
SATB
and Orchestra Study
Score. Composed by
James Macmillan. Boosey &
Hawkes Scores/Books.
Classical. Softcover. 68
pages. Duration 1320
seconds. Boosey & Hawkes
#M060132964. Published by
Boosey & Hawkes
(HL.48024524).
ISBN
9781784542566. UPC:
888680925741.
8.25x11.75x0.212
inches.
Composer's
Notes: “In writing
this work I wanted to
compose something which
was both timeless and
contemporary, both sacred
and secular. The title
(Sacred Songs) is
therefore slightly
misleading as the three
poems are concerned with
political repression in
Latin America and are
deliberately coupled with
traditional religious
texts to emphasise a
deeper solidarity with
the poor of that
sub-continent. It was my
interest in Liberation
Theology which made me
combine the poems of the
Mothers of the Plaza de
Mayo in Argentina with
the texts of the Latin
mass in Búsqueda (an
earlier music-theatre
work) and has now led me
to attempt a similar
synthesis of ideas in
Cantos Sagrados. The
voices in Ariel Dorfman's
poems belong to those who
suffer a particular type
of political repression:
the 'disappearance' of
political prisoners. Ana
Maria Mendoza's poem
about the Virgin of
Guadeloupe tackles the
same problem by asking a
more fundamental cultural
and historical
question.â€.
Orchestra (Score) SKU: HL.14005410 Composed by Geoffrey Burgon. Music Sal...(+)
Orchestra (Score)
SKU:
HL.14005410
Composed
by Geoffrey Burgon. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. Chester
Music #CH55781. Published
by Chester Music
(HL.14005410).
'Acquainted
with Night', is a cycle
of six songs, for alto
and strings, harp and
timpani. The texts are
all concerned with
different aspects of
night. The first song,
'Lullaby' to a poem by
Beaumont and Fletcher,
seeks to evoke the
'care-charming' powers of
sleep. The second, a
setting of Robert Frost's
'Acquainted with the
night', is concerned with
the lonely world of a
strange city at night and
the music is
characterised by an
insistently repeated
figure in the
accompaniment. The third
song contrasts the
calmness of the night
with the turbulence in a
lover's mind - the poem
is by the Earl of Surrey.
'Out in the dark' a poem
by Edward Thomas, is the
text of the fourth song.
It is in the form of a
scherzo and deals with
the mystery and
strangeness of night,
and, as the poet puts it,
the 'might' of night. It
is, as the poet says, a
hymn to night and the
chordal nature of the
accompaniment suggests
this quality. This song
leads directly into the
last, which is in fact a
reprise of the opening
'Lullaby' so completing
the cycle.
Orchestra (2.1.cor
ang.1.B-clar.2 - 4.3.3.0
- perc - str)
SKU:
BR.PB-5584
Lemminkainen
Tuonelassa - Urtext based
on the Complete Edition
Jean Sibelius Works
(JSW). Composed by
Jean Sibelius. Edited by
Tuija Wicklund.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphonic poem; Suite;
Early modern;
Late-romantic. Full
score. 64 pages. Duration
15'. Breitkopf and
Haertel #PB 5584.
Published by Breitkopf
and Haertel (BR.PB-5584).
ISBN 9790004213940. 10
x 12.5
inches.
Little is
known about the actual
composition process of
Lemminkainen and the
performance and
publication history is
rather complex, resulting
in a first complete
printing of all the four
movements en suite
through the complete
edition of Jean Sibelius
Works only in 2013.In
summer 1894 Sibelius went
to Central Europe,
carrying among others a
plan for an opera freely
based on the Kalevala in
his mind. But during this
trip he reassessed his
composing: I think I have
found my old self again,
musically speaking. I
think I really am a tone
painter and a poet. As a
result he abandoned his
opera plans, but musical
material may have found
its way into the
Lemminkainen pieces which
he started composing
during that time.
Lemminkainen became
popular from the
beginning and has
attained a fixed position
in the concert
repertoire.Sibelius said
about Lemminkainen in
Tuonela: The cradle song
at the end of the work is
maternal love, which
rakes the pieces of
Lemminkainen together
from the River
Tuonela..
Orchestra SKU: FG.55011-588-0 Composed by Einojuhani Rautavaara. Score. F...(+)
Orchestra
SKU:
FG.55011-588-0
Composed by Einojuhani
Rautavaara. Score.
Fennica Gehrman
#55011-588-0. Published
by Fennica Gehrman
(FG.55011-588-0).
ISBN
9790550115880.
I
wrote my First Symphony
while studying in the
United States in 1955,
but the work has since
undergone two substantial
changes. The original
four-movement structure
changed into a
two-movement structure in
1988, with an expansive,
Romantic and pathos-laden
principal movement
followed by a grotesque
and ironic scherzo. This
version seems to owe
something to Dmitri
Shostakovich, one of the
idols of 1950s Modernism
in Finland. Later I found
that the structure was
out of balance, and in
2003 I added a lyrical
slow movement (Poetico)
between the two existing
ones. In order to
preserve the 1950s spirit
of the original work, I
based the slow movement
on solo song written
around the same time
(third movement from the
song cycle Die
Liebenden).
Orchestra (Study Score) SKU: HL.50600436 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.50600436
Study Score.
Composed by Guoping Jia.
Study Score. Classical,
Contemporary. Softcover.
36 pages. Sikorski
#SIK8794. Published by
Sikorski (HL.50600436).
11.5x16.25x0.142
inches.
“'Kal
aviuka' is an incarnated
figure of the Buddha, the
head of which looks human
and the lower half like a
bird with wings. In my
work I would like to
express the unity of man
and nature, a conception
deeply rooted in
traditional Chinese art
and culture, with a
modern awareness. The
musical material derives
from traditional Chinese
instrumental works which
have birds as their
subjects. In particular,
these are passages
(neither sung nor
melodic) that imitate
birdsong or depict the
forms of birds by means
of various instruments.
These musical sections
mostly consist of a
combination of specially
selected musical
instruments with special
techniques of sound
production. My aim in
composing this piece was
to find out how these
sounds could be
transferred into an
orchestra in order to
develop a new musical
vocabulary and new means
of expression.â€
(Guoping Jia) The work
was commissioned by
Munich Biennale 2012 and
Ernst von Siemens
Musikstiftung.