Orchestra SKU: SU.91580100 For Orchestra. Composed by Steven Mercu...(+)
Orchestra
SKU:
SU.91580100
For
Orchestra. Composed
by Steven Mercurio.
Vocal/Choral, Opera. CD
(Audio). Subito Music
Corporation #91580100.
Published by Subito Music
Corporation
(SU.91580100).
A Grateful Tail
- Movement by Movement
Siriusly, Dog Star
Sirius, the brightest
star in the night sky,
has been used by
travelers and navigators
for thousands of years as
a guiding star and so it
is here as the opening
movement for the
symphony. Sirius, the
cornerstone to the
constellation Canis
Maggiore or Big Dog sits
at the foot of Orion, the
hunter, leading the way.
Highly cinematic, the
movement evokes both a
musical and visual sense
of the mythological and
mysterious elements of
Sirius and its Dog
Godstar secrets. From the
clarion call of the
opening, Sirius theme,
the sound is buoyant and
frisky emulating the
nature of doggy playtime.
Puppy pleasures abound as
a doggy four-step, my
turn on the traditional
American two-step dance,
is introduced. The
movement transforms into
an actual orchestrated
frolic of small, large
and medium dog barks
beginning with the winds
(smaller dogs) and
ultimately, the big dog,
brass. The movement
climaxes with the coda
or, Dog Park, where the
winds and the brass bark
and play together over
the, doggy ostinato
four-step rhythm,
culminating with the
final call of the Sirius
theme. Let Sleeping Dogs
Lie, Peacefully It's all
in a dog's day and life.
Tranquility presides over
this supremely gentle,
intermezzo-like movement.
After a day of play,
every dog needs rest. Let
Sleeping Dogs Lie, is a
lyrical andante inspired
by the profound serenity
and beauty of a dog at
rest. The Last Will and
Testament of Silverdene
Emblem O'Neill Based on a
powerful piece of prose
written by the American
playwright, Eugene
O'Neill this text was
intended as a consolation
piece for Carlotta, his
wife, who had become
grief-stricken over the
loss of their beloved
dog, the Dalmatian known
as Blemie.Written for a
singing actor who
personifies the role of
Blemie, a dog at the end
of his life, the movement
plays like a one act,
musical drama as we
follow Blemie through a
wonderfully
three-dimensional,
emotional and
psychological journey
writing his Last Will and
Testament, for those who
have loved him. Wagging
the Tail: Ossia Fido's
Lament A life-affirming
rumba/samba using
Blemie's final words from
O'Neill's text, this
final movement employs
the most unique American
musical invention, the
gospel choir. In order to
make the dances come
alive, this movement also
calls upon the colors of
a rhythm section.
Creating the spirit of an
Irish Funeral, the
movement is a joyful and
revival-like celebration
of a dog's life as its
spirit lives on forever
in the hearts and minds
of dog lovers everywhere.
Remember Me, remember me!
My spirit is wagging a
grateful tail. Published
by: Subito Music
Publishing Release Date:
July 9, 2013.
Composed by Bedrich
Smetana. Edited by Hugh
MacDonald. This edition:
urtext edition.
Paperback. Barenreiter
Urtext. From: Má vlast
(My Country). Score.
Baerenreiter Verlag
#BA11534_00. Published by
Baerenreiter Verlag
(BA.BA11534).
ISBN
9790260108660. 31 x 24.3
cm inches. Preface:
Mojzisova, Olga /
Macdonald, Hugh.
In
late September 1874,
shortly after losing his
hearing, Smetana started
work on
“VyÅ¡ehradâ€
, the first symphonic
poem in what would become
a six-part cycle with the
title “Má
vlast†(My
Country). It tells the
eventful history of this
fort in
Prague.
“Vy
¡ehrad†was
published by Urbánek
together with
“Vltava†(The
Moldau), the next part in
the cycle, in a version
for piano duet in
December 1879. The full
score and parts,
proofread by the
composer, followed in
February 1880. Hugh
Macdonald has corrected
many errors in this first
edition. He draws on the
autograph and first print
of the orchestral version
and also refers to the
autograph and printed
piano duet
version.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5559-07
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Study Score. 208 pages.
Duration 44'. Breitkopf
and Haertel #PB 5559-07.
Published by Breitkopf
and Haertel
(BR.PB-5559-07).
ISBN
9790004213698. 6.5 x 9
inches.
Like Hamlet
Overture, originating at
about the same time,
Tchaikovsky's 5th
symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
A Cantata for
Christmas. Composed
by Heather Sorenson.
Daybreak Christmas
Choral. Advent, Cantata,
Carol, Christmas,
Christmas/Advent Sacred,
General Worship, Sacred.
Softcover. Duration 3000
seconds. Published by
Daybreak Music
(HL.226377).
ISBN
9781495091506. UPC:
888680674618.
8.5x11.0x2.3
inches.
Composed in
both traditional and
blended choral stylings,
this cantata weaves the
historic symbolism of
both the Lion of Judah
and the Lamb of God into
the Christmas story.
Through original songs
and traditional carols,
singers and listeners are
reminded that this story
is not just an event in
history, but a living
story that still impacts
the world today.
Narration, solos,
congregational
participation and
optional children's
voices, along with
gorgeous orchestrations
by Keith Christopher, all
work together to make
this service a time of
both celebration and
worship. Songs include:
Overture/Sing Christmas!;
And So We Wait; It Came
upon a Midnight Clear;
Who's the Little Baby?;
Sleep Little Lion, Sleep
Little Lamb; Where Is
Peace Tonight?; In This
Moment; Angels from the
Realms of Glory; Carol of
the King. Score and Parts
(fl 1-2/pic, ob, cl 1-2,
bn, tpt 1-3, hn 1-2, tbn
1-2, tbn 3/tba, perc 1-2,
timp, hp, pno, rhy, vn
1-2, va, vc, db)
available as a Printed
Edition and as a digital
download.
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 52 pages. G.
Henle #HN9056. Published
by
G. Henle
Composed by Jean-Philippe Rameau (1683-1764). Edited by Graham Sadler. This edit...(+)
Composed by Jean-Philippe
Rameau (1683-1764).
Edited by Graham Sadler.
This edition: urtext
edition. Paperback.
Instrumental extracts
from the ballet heroique
in a prologue and four
acts. Score. 64 pages.
Duration 40 minutes.
Published by Baerenreiter
Verlag (BA.BA7564).
Orchestral Score. Composed by John Powell. Sheet music. Study score. Compose...(+)
Orchestral Score.
Composed by
John Powell. Sheet music.
Study score. Composed
2014
(2021). 404 pages. Omni
Music
Publishing #OMNI 50799.
Published by Omni Music
Publishing
Orchestra (3(picc)2.2.2 -
4.2.3.1 - timp.(cym ad
lib.) - str)
SKU:
BR.PB-5558
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Christoph Flamm.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Tchaikovsky's Hamburg
Symphony in the Urtext
Symphony; Romantic.
Full score. 212 pages.
Duration 44'. Breitkopf
and Haertel #PB 5558.
Published by Breitkopf
and Haertel (BR.PB-5558).
ISBN 9790004213681. 10
x 12.5 inches.
Like
Hamlet Overture,
originating at about the
same time, Tchaikovsky's
5th symphony, composed in
1888, focuses on the
human existential
question: To be or not to
be - triumph over fate or
triumph of fate? The per
aspera ad astra
dramaturgy underlying the
symphony culminates in
triumphant certainty. If
Tchaikovsky was initially
euphoric, then severe
self-doubts befell him
after he conducted the
premiere in St.
Petersburg. These doubts
demonstrably led him to
make interpretative
changes for the Hamburg
performance in 1889,
including a cut in the
finale. Only with the
extremely positive
response to this
performance did his
doubts dispel.
Nevertheless, Tchaikovsky
himself never again
conducted the 5th
symphony. It was only
posthumously established
in the repertoire through
Arthur Nikisch's
commitment. The new
edition's textual
criticism takes into
account besides the
autograph and first
edition also the first
edition's orchestral
parts, together with the
piano arrangement
produced from the
autograph by Sergei
Taneyev. In addition to
thoroughly clarifying
dynamics and
articulation, the source
comparison also corrected
many errors and solved
problematical passages,
such as, for instance,
the trombone entry in m.
372 of the finale.
Considered, moreover, for
the first time has been
the composer's doubts
about his work and its
ambiguities, frequently
successfully suppressed
in the history of its
performance and
reception. Tchaikovsky's
conductor's copy is
unfortunately lost, hence
his alterations made for
the Hamburg performance
are not precisely known.
They have survived only
indirectly through
remarks that Willem
Mengelberg left to
posterity, for which he
could draw on
Tchaikovsky's conductor's
score and oral references
by the composer's brother
Modest. So, anyone
wishing to deal seriously
with the work's
certainties will not be
able to do so in the
future without having
also to deal with its
uncertainties.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra
SKU:
PR.11641867L
Composed
by William Kraft. Spiral.
Large Score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867L. Published by
Theodore Presser Company
(PR.11641867L).
UPC:
680160683215.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
Orchestra (Score) SKU: HL.14028555 For Orchestra and Tape Score. C...(+)
Orchestra (Score)
SKU:
HL.14028555
For
Orchestra and Tape
Score. Composed by
Kaija Saariaho. Music
Sales America. Classical.
Score. 52 pages. Edition
Wilhelm Hansen #KP00106.
Published by Edition
Wilhelm Hansen
(HL.14028555).
ISBN
9788759854938.
11.75x16.5x0.403 inches.
English-Danish.
The
Full Score of Saariaho's
Verblendungen for
Orchestra and Tape. The
piece is dedicated to
Esa-Pekka Salonen, who
conducted the premiere
performance in Helsinki,
Finland with the Finnish
Radio Symphony Orchestra
in April 1984. With both
orchestra and tape
working in opposite
directions of the tonal
spectrum, this is a
fantastic and expressive
work that balances the
contrast the two
elements. Despite these
tonal differences, the
tape and orchestra join
together in an
inseparable sound world
and form a breathtaking
orchestral piece that
moves through jagged,
grainy sounds to
smoother, more reflective
moods.
Orchestra SKU: BR.PB-5719 Fantastic Variations on a Theme of Knightly ...(+)
Orchestra
SKU:
BR.PB-5719
Fantastic Variations
on a Theme of Knightly
Character - Urtext.
Composed by Richard
Strauss. Edited by Nick
Pfefferkorn. Orchestra.
Partitur-Bibliothek
(Score Library).
Symphonic poem;
Late-romantic; Early
modern. Sheet Music.
Duration 43'. Breitkopf
and Haertel #PB 5719.
Published by Breitkopf
and Haertel (BR.PB-5719).
ISBN 9790004216569. 0
x 0 inches.
Strauss
had originally intended
that Don Quixotealways be
performed, if possible,
together with
Heldenleben, since Don Q.
in particular is only
fully comprehensible
alongside Heldenleben. To
date, Strauss's wish is
rarely respected. The Don
Quixote Urtext edition
now being published by
Breitkopf & Hartel can
assist here. Once again,
the new edition is based
on Strauss's own
engraver's model, helping
to clarify numerous
misunderstandings, and
facilitating the
correction of dozens of
traditional errors.
Furthermore, the woodwind
parts, previously
available only in
manuscript form, are now
appearing completely
engraved for the first
time.This new edition is
also being augmented by a
piano reduction of the
most important orchestral
passages for facilitating
the study of the solo
cello and viola parts;
these two solo parts are
also separately included
with the purchase of the
piano
reduction.
First
Urtext edition since the
original edition;
Evaluation of all
available manuscript and
printed sources; Detailed
preface giving the
genesis and reception
history; Detailed
critical report;
Facsimile pages.
Textcritical
Edition. Composed by
Gustav Mahler. Edited by
Christian Rudolf Riedel.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
First edition based on
the copy of the score
revised by Mahler Hamburg
1893
Symphony;
Romantic; Late-romantic.
Set of parts. 192 pages.
Duration 8'. Breitkopf
and Haertel #OB 5642-60.
Published by Breitkopf
and Haertel
(BR.OB-5642-60).
ISBN
9790004343722. 10.5 x 14
inches.
The Blumine
movement included in the
original five-movement
version of Mahler's
Symphony No. 1 was long
considered lost. Composed
as early as 1884 for a
theater piece, Mahler
inserted it into the
symphony as its second
movement in 1888. After
three performances, he
turned his back on this
Love Episode, calling the
sentimental, gushing
movement a youthful
folly, and removed it.
Mahler's Hamburg
autograph score was only
rediscovered in 1966.
Benjamin Britten gave the
Blumine movement a new
hearing at the 1967
Aldeburgh Festival. The
critical new edition is
based for the first time
on the autograph score,
together with the
meanwhile rediscovered
score copy with Mahler's
last revisions.The
cloth-bound volume PB
5661 contains next to the
final version of the
four-movement Symphony,
the Blumine
movement.
First
edition based on the copy
of the score revised by
Mahler Hamburg 1893.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra
SKU:
PR.11641867S
Composed
by William Kraft. Full
score. Duration 16
minutes, 25 seconds.
Theodore Presser Company
#116-41867S. Published by
Theodore Presser Company
(PR.11641867S).
UPC:
680160683208.
Conte
xtures: Riots -Decade '60
was commissioned by Zubin
Mehta and the Southern
California Symphony
Association after the
successful premiere of
the Concerto for Four
Percussion Soloists and
Orchestra. It was written
during the spring and
summer months of 1967.
Riots stemming from
resentment against the
racial situation in the
United States and the war
in Vietnam were occurring
throughout the country
and inevitably invaded
the composer's creative
subconscious.
Contextures, as the title
implies, was intended to
exploit various and
varying textures. As the
work progressed the
correspondence between
the fabric of music and
the fabric of society
became apparent and the
allegory grew in
significance. So I found
myself translating social
aspects into musical
techniques. Social
stratification became a
polymetric situation
where disparate groups
function together. The
conflict between the
forces of expansion and
the forces of containment
is expressed through and
opposition of tonal
fluidity vs. rigidity.
This is epitomized in the
fourth movement, where
the brass is divided into
two groups - a muted
group, encircled by the
unmuted one, which does
its utmost to keep the
first group within a
restricted pitch area.
The playful jazzy bits
(one between the first
and second movements and
one at the end of the
piece) are simply saying
that somehow in this age
of turmoil and anxiety
ways of having fun are
found even though that
fun may seem
inappropriate. The piece
is in five movements,
with an interlude between
the first and second
movements. It is scored
for a large orchestra,
supplemented by six
groups of percussion,
including newly created
roto-toms (small tunable
drums) and some original
devices, such as muted
gongs and muted
vibraphone. There is also
an offstage jazz quartet:
bass, drums, soprano
saxophone and trumpet.
The first movement begins
with a solo by the first
clarinetist which is
interrupted by
intermittent heckling
from his colleagues
leading to a
configuration of large
disparate elements. The
interlude of solo violin
and snare-drum follows
without pause. The second
movement, Prestissimo, is
a display piece of
virtuosity for the entire
orchestra. The third
movement marks a period
of repose and reflection
and calls for some
expressive solos,
particularly by the horn
and alto saxophone. The
fourth movement opens
with a rather lengthy
oboe solo, which is
threatened by large
blocks of sound from the
orchestra, against an
underlying current of
agitated energy in the
piano and percussion.
This leads to a section
in which large orchestral
forces oppose one
another, ultimately
bringing the work to a
climax, if not to a
denouement. Various
thematic elements are
strewn all over the
orchestra, resulting in
the formation of a
general haze of sound. A
transition leads to the
fifth movement without
pause. The musical haze
is pierced gently by the
offstage jazz group as if
they were attempting to
ignore and even dispel
the gloom, but a legato
bell sound enters and
hovers over both the jazz
group and the orchestra,
the latter making
statements of disquieting
finality. Two films were
conceived to accompany
portions of Contextures.
The first done by Herbert
Kosowar, was a
chemography film
(painting directly into
the film using dyes and
various implements) with
fast clips of riot
photographs. The second
was a film collage made
by photographically
abstracting details from
paintings of Reginald
Pollack. The purpose was
to invoke a non-specific
response - as in music -
but at the same time to
define the subject matter
of the piece. The films
were constructed to
correspond with certain
developments in the piece
and in no way affect the
independence and musical
flow of the piece, having
been made after the piece
was completed.
Contextures: Riots -
Decade '60 is dedicated
to Mehta, the Southern
California Symphony
Association and the Los
Angeles Philharmonic
Orchestra. The news of
the assassination of Dr.
Martin Luther King came
the afternoon of the
premiere, April 4, 1968.
That evening's
performances, and also
the succeeding ones, were
dedicated to him and a
special dedication to Dr.
King has been inserted
into he score. All the
music that follows the
jazz group - beginning
with the legato bell
sound playing the first 2
notes to We shall
overcome constitutes a
new ending to commemorate
Dr. King's death.
French Horn; Orchestra (Study Score) SKU: HL.51487253 Hornkonzert Nr. ...(+)
French Horn; Orchestra
(Study Score)
SKU:
HL.51487253
Hornkonzert Nr. 1
Es-Dur Opus 11 Study
Score. Composed by
Richard Strauss. Edited
by Peter Damm. Henle
Study Scores. Classical.
Softcover. 83 pages. G.
Henle #HN7253. Published
by G. Henle
(HL.51487253).
UPC:
840126933048.
6.75x9.5x0.245
inches.
With his
first horn concerto, the
merely eighteen-year-old
Richard Strauss succeeded
in producing a
captivating masterstroke.
To this day, the concerto
is beloved throughout the
world (not only) by horn
players, and together
with Mozart's
masterworks, numbers
among the essential
pieces in the
instrument's repertoire.
Peter Damm, former
principal horn for the
Staatskapelle Dresden and
world-class soloist, has
not only performed the
concerto publicly over
170 times himself, but
has also presented
pivotal research findings
and publications on its
genesis. Prepared after
reviewing all surviving
sources, the Urtext
edition he has edited may
thus been regarded as the
edition of reference. The
orchestral score,
available in a practical
study edition, eliminates
innumerable errors from
the first edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra Study Score. Composed by Franz Joseph Haydn (1732-1809). Edited by ...(+)
Orchestra Study Score.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Andreas Friesenhagen.
Henle
Study Scores. Classical.
Softcover. 45 pages. G.
Henle #HN9057. Published
by
G. Henle
Full orchestra SKU: LO.30-3468H Composed by Mark Hayes. Major Work, Chris...(+)
Full orchestra
SKU:
LO.30-3468H
Composed
by Mark Hayes. Major
Work, Christmas, General.
Orchestral score.
Heritage Music Press
#30/3468H. Published by
Heritage Music Press
(LO.30-3468H).
UPC:
000308148558.
Inter
national Carol Suites
weaves together familiar
and lesser-known carols
in a thrilling and
multicultural celebration
of the season. Sing one
medley for a ten-minute
burst of Christmas joy,
or perform several for an
extended presentation of
carols from around the
world. This item includes
the conductor's score
only. Parts are available
separately, in print or
digital formats. (2 Fl
(Picc), Ob, Cl, Bsn, 2
Hn, Tpt, Timp, 2 Perc,
Harp, Pno, 2 Vln, Vla,
Cello, Bass, opt.
Organ).
Urtext. Composed
by Georges Bizet. Edited
by Lesley A. Wright.
Orchestra; stapled.
Eulenburg Orchestral
Series. Suite; Romantic.
Full score. 68 pages.
Duration 18'. Breitkopf
and Haertel #EOS 20829.
Published by Breitkopf
and Haertel
(BR.EOS-20829).
ISBN
9790004780275. 10 x 12.5
inches.
From Stage Flop to
Concert
Favorite
The story of Alphonse
Daudet's drama
L'Arlesienne to
which Georges Bizet
composed several pieces
in 1872 focuses on the
story of love and suicide
and was inspired by true
events. The musical drama
had flopped at its
premiere, but the suite
that Bizet arranged
shortly afterwards from
its stage music enjoys
great popularity to this
very day. After Bizet's
death, his friend Ernest
Guiraud put together four
more movements of themes
and motives by Bizet for
a second suite
establishing a musical
connection to Provence
und Arles especially in
the outer movements, the
Pastorale and the
effective Fandarole. With
this edition, Breitkopf &
Hartel continues its
successful collaboration
with Eulenburg.
Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-19...(+)
Final Version 1906 -
Textcritical Edition.
Composed by Gustav Mahler
(1860-1911). Edited by
Christian Rudolf Riedel.
Set
of parts. Breitkopf and
Haertel #OB 5633-60.
Published by Breitkopf
and
Haertel
Urtext. Composed by Ludwig van Beethoven (1770-1827). Edited by Peter Hau...(+)
Urtext. Composed
by Ludwig van Beethoven
(1770-1827). Edited by
Peter Hauschild.
Symphony.
Orchester-Bibliothek
(Orchestral Library).
This is the first new
edition of the 7th
Symphony for which all
surviving sources have
been examined. The
examination brought up a
number of text-critical
problems with respect to
divergent readings.
(Peter Hauschild).
Classical. Viola part.
Breitkopf and Haertel #OB
5237-19. Published by
Breitkopf and Haertel
(BR.OB-5237-19).
0.49
Flute and orchestra (Score) - intermediate to advanced SKU: HL.49001729 C...(+)
Flute and orchestra
(Score) - intermediate to
advanced
SKU:
HL.49001729
Composed
by Franz Anton Rö and
ssler-Rosetti. Edited by
Janos Szebenyi. This
edition: Saddle
stitching. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Score. 76 pages. Duration
19'. Schott Music #CON
125. Published by Schott
Music (HL.49001729).
ISBN 9790001117241.
9.0x12.0x0.205
inches.
F.A. Rosler
(Antonio Rosetti), a
Bohemian by birth, worked
as court music director
in
Ludwigslust/Mecklenburg.
He wrote 14 flute
concertos altogether the
most important of which
is the concerto G major,
Op. 14. The expanded head
movement combines the
sonata form with the
ritornello technique of
the concerto grosso.
Right at the beginning,
the basses of the
Mannheimer-Walzermotiv
make it clear that Rosler
knows how to use
effectively the
orchestral technique of
his time. Despite all
motivic and thematic as
well as harmonic
abundance, -Rosler
achieves in this concerto
an almost natural musical
unity.
The Snow Goose Orchestre [Conducteur] Promethean Editions
Orchestra SKU: PO.PME01S Composed by John Ritchie. Sws. Full score. Prome...(+)
Orchestra
SKU:
PO.PME01S
Composed by
John Ritchie. Sws. Full
score. Promethean
Editions #PME01S.
Published by Promethean
Editions (PO.PME01S).
ISBN
9780958242806.
Perf
ect for orchestras
wanting a delicate work
that highlights the
flute, Ritchie's The Snow
Goose (1982) is now
available. The composer
writes: This is a gentle
tribute to the goose
which, together with
Philip Rhayader and
Frith, is a central
figure in Paul Gallico's
classic story of the
Second World War, The
Snow Goose. This
feathered wanderer from
Canada, rescued from the
marshes of Essex by
Frith, tamed and
befriended by Rhayader,
follows his boat as far
as the beaches of
Dunkirk..
Orchestra - Grade 3 SKU: AP.33713S Composed by Richard Meyer. MakeMusic C...(+)
Orchestra - Grade 3
SKU: AP.33713S
Composed by Richard
Meyer. MakeMusic Cloud;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Variations. Light
Concert; Novelty. Score.
20 pages. Highland/Etling
#00-33713S. Published by
Highland/Etling
(AP.33713S).
UPC:
038081375120.
English.
You and
your students will love
putting together these
charming variations based
on Lewis Carroll's
classic book. A simple
and graceful theme,
entitled Alice, is
followed by four colorful
variations depicting the
delightfully odd
characters that inhabit
Wonderland. Each
variation is a stylistic
workshop for your
students who will learn a
myriad of techniques as
they bring to life the
Cheshire-Cat, a Mad Tea
Party, a Caterpillar, and
the King and Queen of
Hearts. This title is
available in MakeMusic
Cloud.
Orchestra (Score) SKU: HL.48022787 Score. Composed by Mikko Heini&...(+)
Orchestra (Score)
SKU:
HL.48022787
Score. Composed by
Mikko Heiniö. Boosey
& Hawkes Scores/Books.
Classical, Contemporary.
Softcover. Hal Leonard
#M550095410. Published by
Hal Leonard
(HL.48022787).
Heinios
Symphony No. 2 'Songs of
Night and Love' is
reminiscent more of a
song cycle; it has a
baritone soloist in each
of its movements. The
texts are based on
sensual poems by Lassi
Nummi. Night or love, or
both together are
fundamental themes
running throughout the
symphony. Its dream-like
landscapes are dominated
by quiet and lyrical
tones but the finale has
the heat of dark
Mediterranean nights.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Symphony; Classical. Full
score. 96 pages. Duration
35'. Breitkopf and
Haertel #PB 14610.
Published by Breitkopf
and Haertel
(BR.PB-14610).
ISBN
9790004211144. 10 x 12.5
inches.
Beethoven
did not work continuously
on this symphony and
interrupted his work a
couple of times. As the
sketches show, he
presumably wrote down
first ideas in the autumn
of 1800.No other
autograph material has
survived. As Ferdinand
Ries, a pupil of
Beethoven, bitterly
reports, Beethoven gave
him the autograph, but it
was unfortunately stolen
by a friend, out of pure
friendship. In April
1803, the composition was
premiered publicly,
together with the first
symphony and the third
piano concerto with
Beethoven himself as
soloist. Although
Beethoven's first two
symphonies are still
influenced by Haydn and
Mozart, novelties can
already be discovered.
The second symphony
starts breaking away from
traditional forms and
lets us surmise the
monumentality of
Beethoven's innovation.
The editor, Armin Raab,
critically illuminates
the transmission of the
work and its sources. He
also clears up a wide
spread belief in older
literature, that this
cheerful work might have
been composed parallel to
the Heiligenstadter
Testament. The practical
performance material by
Breitkopf & Hartel is
based on the music text
of the New Beethoven
Complete Edition and
constitutes the
authoritative reading of
Beethoven research.
It's About Time Orchestre [Conducteur] - Facile Alfred Publishing
Orchestra - Grade 3 SKU: AP.49007S Featuring: Summertime / As Time Goe...(+)
Orchestra - Grade 3
SKU: AP.49007S
Featuring: Summertime
/ As Time Goes By / Time
After Time. Composed
by Various. Arranged by
Michael Story. Full
Orchestra; Performance
Music Ensemble. Pop
Concert Full Orchestra.
Jazz; Light Concert; Pop.
Score. 24 pages. Duration
3:50. Alfred Music
#00-49007S. Published by
Alfred Music (AP.49007S).
ISBN 9781470645274.
UPC: 038081565354.
English.
It's About
Time!, a wonderful pops
arrangement by Michael
Story, contains three
timeless pops tunes that
are brilliantly put
together. Although some
of the wind parts are
independent from the
strings at times, this
arrangement is completely
playable by strings alone
or with any number of
added winds and
percussion. A great
closer to any pops
concert or season finale!
(3:50).