Composed by Sergei Rachmaninoff (1873-1943). Orchestra. Full Orchestra (Miniature Score); Larger Works; Masterworks. Dover Edition. 20th Century; Masterwork; Romantic. Miniature Score. Published by Dover Publications

(Score). By Edward William Elgar. For Orchestra (Score). Eulenburg Taschenpartituren (Pocket Scores). Study Score. 176 pages. Hal Leonard #ETP8005. Published by Hal Leonard

Marching band - Grade 3

SKU: RM.BILL04959-CO

Composed by Traditionel. Arranged by Jean Louis Billoud. Marching band. Orchestra. Conductor's score. Editions Robert Martin #BILL04959-CO. Published by Editions Robert Martin (RM.BILL04959-CO).

By Georg Philipp Telemann. Arranged by Gwilym Beechey. (Study Score). Schott. 32 pages. Published by Eulenburg.

By Girolamo Frescobaldi. Transcr. Hans Kinder. For Full Orchestra. Full Orchestra. Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 150 pages. Duration 6:21. Published by Alfred Publishing.

By Ludwig van Beethoven (1770-1827). Arranged by Vernon Leidig. Orchestra. Full Orchestra; Masterworks. Full Orchestra. Classical; Masterwork Arrangement; Romantic. Grade 3. Conductor Score and Parts. 178 pages. Published by Alfred Music Publishing

By Marsha Chusmir Shapiro. Orchestra. For full orchestra. Grade 3. Score and parts. Published by Neil A. Kjos Music Company

By Carlos Nunez. Orchestra. Music Book. Published by Neil A. Kjos Music Company.
Level: Grade 3.5.

By James Gourlay. For orchestra. Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 4593)

Study Score. By Pietro Antonio Locatelli. Misc. 92 pages. Published by Eulenburg Germany (Schott).

(A Revolutionary Method for Beginning Musicians (Bass)). By Bob Phillips, Peter Boonshaft, and Robert Sheldon. Orchestra. For Bass. This edition: Bass. Book; CD; DVD; Method/Instruction; String Orchestra Method/Supplement. 48 pages

Orchestra (2(1).2.2 - 2.2.0.0 - timpani, harpsichord; strings)

SKU: SU.90110140

For Orchestra. Composed by Michael Abels. Orchestra. Harpsichord. Study Score. Composed 1999. Duration 12'. Subito Music Corporation #90110140. Published by Subito Music Corporation (SU.90110140).

Early Baroque themes served in a late 20th-Century puree Instrumentation: 2(1) 22; 2200; timp, hpschd; str Duration: 12' Composed: 1999 Full Score & Parts: available on rental Published by: Subito Music Publishing.

Orchestra - Grade 3

SKU: AP.43840

Composed by Shirl Jae Atwell. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 124 pages. Duration 3:15. Highland/Etling #00-43840. Published by Highland/Etling (AP.43840).

UPC: 038081497280. English.

Arousing wonder and inquisitiveness---that is mystere. And this piece exemplifies, through music, the wonder and incomprehension of a mystery with melodies and counter melodies throughout. (3:15)
Concert/Contest ; Festival.

Orchestra (2.2.2.2/2.2.0.0,timp,str ,vn solo)

SKU: TM.00439SC

Composed by Johan S. Svendsen. Score. Lucks Music Library #A2151. Published by Lucks Music Library (TM.00439SC).

Vn solo = Violino principale; sol in set (no pf).

By Malcolm Arnold (1921-2006). Orchestra. Full Orchestra; Masterworks. Faber Edition. Form: Fantasia. 20th Century; Masterwork. Published by Faber Music

Orchestra - Grade 1.5

SKU: AP.47482

Composed by Susan H. Day. MakeMusic Cloud; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score and Part(s). 62 pages. Highland/Etling #00-47482. Published by Highland/Etling (AP.47482).

UPC: 038081544564. English.

Take a musical journey to the end of the rainbow in this upbeat and majestic piece by Susan H. Day, written in the key of G, featuring easy rhythms and satisfying melodies for all sections. Teaching points include dotted quarter notes, legato bowing, two-note slurs, and pizzicato. The viola part doubles the violin 2 part. Students and audience will consider this piece their own pot of gold! This title is available in MakeMusic Cloud.

Full orchestra (2 fl (II+pic), 2 ob, 2 cl, 2 bsn, 4 hn, 2 tpt, timp, glock, perc, hp, voices, str.)

SKU: OU.9780193533578

Composed by Ralph Vaughan Williams. Edited by Graham Parlett. Study score. 144 pages. Duration 45'. Oxford University Press #9780193533578. Published by Oxford University Press (OU.9780193533578).

ISBN 9780193533578. 10 x 7 inches.

For full orchestra. For this comprehensive new edition, the editor Graham Parlett has drawn on all available sources, providing an authoritative full score with critical commentary. This edition also makes available new materials for the version for string orchestra and piano, and a new vocal score.

Orchestra (2.2.2.2. - 4.3.3.0. - timp.perc - hp -str)

SKU: BR.PB-4862-07

Study score. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Hannover, March 13, 1972

Music post-1945. Study Score. Composed 1972. 82 pages. Duration 15'. Breitkopf and Haertel #PB 4862-07. Published by Breitkopf and Haertel (BR.PB-4862-07).

ISBN 9790004206591. 7 x 9.5 inches.

Variationen (Ouverture / Thema / Variation / Coda), Lyrisches Intermezzo (Sostenuto), Symphonische Nachklange (Allegro con moto).Immer wieder lassen sich Komponisten von Themen alterer oder auch zeitgenossischer Meister zu Variations-Zyklen anregen (Brahms: Handel- und Haydn-Variationen, Reger: Mozart-Variationen, Holler: Sweelinck-Variationen). Themen von Robert Schumann fanden bisher relativ selten Beachtung - (Regers Schumann-Variationen fur zwei Klaviere sind eine Ausnahme) - vielleicht, weil sie zu sehr in sich vollendet und abgeschlossen sind und deshalb kaum Moglichkeiten zur Veranderung enthalten. Dennoch beschaftigte mich schon langer die Idee, eine ,,Musik mit Schumann, Nachklange oder Erinnerungen an Schumann zu gestalten, mit der Absicht, ein heiteres, liebenswurdiges (und nachdenkliches) Werk zu schreiben, einmal ohne Experimente-, als ,,Divertimento fur den Normalhorer, gelegentlich behutsam verbunden mit modernen Techniken - nicht ohne hintergrundigen Humor. Der 1. Satz wurde inspiriert von den ,,Papillons (opus 2 fur Klavier); er gliedert sich in vier variationsahnliche Abschnitte. Die ,,Ouverture exponiert drei kurze Themen, die sich trotz ihres gegensatzlichen Charakters wie selbstverstandlich erganzen (Einleitungsgirlande und Schlussfanfare der Papillons und das bekannte Anfangsmotiv aus ,,Vogel als Prophet). Die Abschnitte ,,Thema, ,,Variationen und ,,Coda entwickeln und verandern das Hauptthema der ,,Papillons; dieses dominiert uber weite Strecken des Satzes und wird mit den Motiven der Ouverture kombiniert. Vielfaltig gegliedert ist das ,,Lyrische Intermezzo. Zu Beginn gewinnt ein Motiv aus den ,,Nachtstucken (fur Klavier) Bedeutung, taucht mehrere Male auf, von mehrtonigen b-a-c-h Clustern ,,gestort. Im Mittelpunkt stehen das Thema des 2. Satzes der g-moll Klavier-Sonate op. 22 (ein Mondnachtlied ohne Worte; Holzblaser) und ein Adagio-Gedanke aus dem Klavier-Zyklus ,,Kreisleriana (tiefe Streicher); beide Themen werden kontrapunktiert von zwolftonigen Strukturen und Klangbandern (Holzblaser). Die ,,Fruhlings-Symphonie-Fan fare eroffnet das Finale. Danach bilden sich uber rotierenden Klangflachen (Streicher) einzelne Tone und Intervalle, aleatorisch frei, verdichten sich, wie aus der Erinnerung auftauchend, zu Motiven aus Schumanns bekanntester Symphonie. Nach diesem zogernden Beginn entwickelt sich ein fast klassisch anmutender Sonaten-Durchfuhrungsteil mit mehreren melodischen Gedanken (Kopfmotiv der g-moll Klaviersonate, tanzerische und ostinate Themen aus der Fruhlings-Symphonie), die zum Teil in- und ubereinander geschichtet werden, bis auf dem Hohepunkt des Satzes das Schlussthema der Klavierfantasie op. 17, pathetisch-ironisch in den Blechblasern erklingt. Eine kurze Reprise mit dem Hauptgedanken fuhrt zur Anfangsfanfare zuruck; der Satz verklingt im pianissimo. Wollte man dem ganzen opus ein Motto voranstellen, dann die Schumann-Uberschrift (aus den Kinderszenen) : ,,Fast zu ernst - aber eben nur ,,fast. (Jurg Baur)CD:Sinfonieorchester des Bayerischen Rundfunks, cond. Hanns-Martin SchneidtCD Thorofon CTH 2270 Bibliography:Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.Nonnenmann, Rainer: Vergegenwartigungen. Umgang mit historischem Material bei Zimmermann, Baur, Killmayer, Schnebel und Zender, in: Jurg Baur, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge, Heft 184/185), Munchen: Edition Text+Kritik 2019, S. 26-46.

Study Score. By Sir Michael Tippett. Study Score. 140 pages. Published by Eulenburg London (Schott).

(Featuring: God Preserve Thy People / Marseillaise / God Save the Czar). Composed by Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Bob Cerulli. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Overture. Masterwork Arrangement; Romantic. Grade 4. 156 pages. Published by Belwin Music

Orchestra (SYMPHONIC WO)

SKU: HL.50488118

By Jeno Vecsey. By Franz Xaver Sussmayr. Classic. EMB. Score. Editio Musica Budapest #Z4098. Published by Editio Musica Budapest (HL.50488118).

ISBN 9790080040980. A/4 inches. Jeno Vecsey; Istvan Kecskemeti.

Orchestra - Grade 3

SKU: AP.45848S

Arranged by Jerry Brubaker. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Concert String Orchestra. Christmas; Sacred; Traditional; Winter. Score. 12 pages. Duration 2:45. Belwin Music #00-45848S. Published by Belwin Music (AP.45848S).

UPC: 038081529257. English. Traditional.

This beautiful, treasured carol originated as an anonymous lullaby associated with the Nativity. In this arrangement by Jerry Brubaker, the harmonies are lush with a contemporary feeling. Widely used in many different choral settings and even on several jazz albums, Appalachian Carol will be loved by all. (2:45).

Orchestra - Grade 2

SKU: AP.35972S

Composed by Christoph Willibald Von Gluck. Arranged by Mark D. Hellem. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Score. 8 pages. Highland/Etling #00-35972S. Published by Highland/Etling (AP.35972S).

UPC: 038081414799. English.

The melody of this famous aria is very simple, yet expressive and provides an easy introduction for students to the style of the Classical period, accompanied by an easy version of an Alberti bass figure or the undulating eighth note accompaniment figure. The tune is shared between all sections of the orchestra and is presented in a statement-and-response format.

By Peter Ilyich Tchaikovsky. Arranged by Merle J. Isaac. By Peter Ilyich Tchaikovsky / arr. Merle Isaac. For Full Orchestra. Full Orchestra. Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 176 pages. Duration 4:48. Published by Alfred Publishing.

SKU: CL.016-0365-00

Composed by Barnard. Orchestra. Score and set of parts. Composed 1925. C.L. Barnhouse #016-0365-00. Published by C.L. Barnhouse (CL.016-0365-00).

A Ballet - for Chorus, Solo Bass, and Piano (or Orchestra) - Score. By William Grant Still. Orchestra. For Flute I, Flute II, Piccolo I, Piccolo II, Oboe I, Oboe II, English Horn, Clarinet (in Eb), Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Tenor I, Tenor II, Tuba, Timpani, Percussion. Soft Cover. 47 pages. Published by Carl Fischer.

Orchestra - Grade 3

SKU: AP.46710S

Composed by Bob Phillips. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 12 pages. Highland/Etling #00-46710S. Published by Highland/Etling (AP.46710S).

UPC: 038081539560. English.

An elegant, beautiful, sophisticated, and lyric piece in C Major, this new work includes melodic content for all, particularly the cellos. With opportunities for practicing shifting and developing musicality, it will suit any concert and is perfect for serious settings. Moment at Angels Landing by Bob Phillips provides great practice in 2nd and 3rd positions for violins and violas as well as 3rd and 4th positions for cellos and basses. There is some upper position work for the 1st violins---presented in divisi, so it is not required of all students. All students will have opportunities to work on a sustained and legato sound with connected bow strokes and sensitive phrasing.