Combo (trumpet (or soprano saxophone), tenor saxophone, trombone, tuba, keyboard, guitar, bass, drumset)

SKU: RM.SL10505

Composed by Jean Courtioux. Combo. Orchestra. Editions Robert Martin #SL10505. Published by Editions Robert Martin (RM.SL10505).

ISBN 9790231095050.

Orchestra

SKU: LO.765762076204

Composed by Andy Park. Arranged by Ed Hogan. Allegis. Conductor's score and instrumental parts. Lillenas Publishing Company #765762076204. Published by Lillenas Publishing Company (LO.765762076204).

UPC: 765762076204.

Core Instruments: Rhythm, 2 Tpts, A or T Sax, Tbn; Optional Woodwind/F Horn Line: Fl, Ob, Cl, Hn, S Sax; Keyboard/StringPart: Kybd (Vln and Vla provided to cover the right hand); Bass Line Part: El Bass, Tbn, Tba, B Cl, B Sax, Cello, or Bass (provided in C bass clef, B-flat treble clef, and E-flat treble clef); Additional Optional Parts: Perc, Harp.

Orchestra

SKU: LO.30-3095L

Composed by Lloyd Larson. Arranged by Larry Shackley. Choral, cantatas. Eastertide, Holy Week. Instrumental parts. Lorenz Publishing Company #30/3095L. Published by Lorenz Publishing Company (LO.30-3095L).

UPC: 000308137927.

This product is the set of printed parts only for Witness, and it includes parts for 2 Flutes, Oboe, 2 Clarinets, Bassoon, (substitute Bass Clarinet), 2 Horns (substitute 2 Alto Saxophones), 3 Trumpets, 2 Trombones (substitute 2 Tenor Saxophones/Baritone TC), Tuba, 2 Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, Bass, and Keyboard String Reduction.

Orchestra - Grade 2

SKU: AP.45834S

Composed by William Byrd. Arranged by Douglas E. Wagner. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Form: Suite. Masterwork Arrangement; Renaissance. Score. 16 pages. Duration 4:25. Belwin Music #00-45834S. Published by Belwin Music (AP.45834S).

UPC: 038081526461. English.

The keyboard music of English composer William Byrd (1543--1623) has long been regarded as some of the most representative works produced during the late Renaissance period. The Fitzwilliam Virginal Book, the quintessential source of music for this idiom of the time, is also the source of the three Byrd titles included in this suite: The Bells, John, and Sellinger's Round.

The arrangements by Douglas E. Wagner are richly scored to flatter the sound of ensembles of any size. Care has been taken to eliminate technical obstacles for younger players, with musically interesting individual parts a strong consideration. (4:25).

Orchestra - Grade 1.5

SKU: AP.46681S

Composed by Michael Story. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Beginning String Orchestra. Score. 8 pages. Belwin Music #00-46681S. Published by Belwin Music (AP.46681S).

UPC: 038081535166. English.

Barnburner by Michael Story is a dynamic festival selection or concert opener or closer that will grab your audience's attention right from the start. It's full of energy, but very playable for developing ensembles. Written for beginning string orchestras, it also contains easy optional parts for piano/keyboard and percussion.

By Gerald Anderson. Edited by Robert Frost. (Afs Strg Mthd). orchestra method. Level: Elementary. Music book. Published by Neil A. Kjos Music Company

Orchestra - Grade 3

SKU: AP.45881S

From Lute Concerto RV 93. Composed by Antonio Vivaldi. Arranged by Brendan Mcbrien. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Concerto; Transcription. Baroque; Masterwork Arrangement. Score. 16 pages. Duration 3:40. Highland/Etling #00-45881S. Published by Highland/Etling (AP.45881S).

UPC: 038081523866. English.

Adapted from Vivaldi's Lute Concerto in D Major, this arrangement from Brenden McBrien for two solo violins and orchestra creates an opportunity to feature your top violinists in the opening movement of this classic work. Your musicians and audience will be charmed by this Italian masterpiece which includes passages for solo cello and optional keyboard accompaniment to lend it that authentic flavor. (3:40).

Composed by Johann Sebastian Bach (1685-1750). Orchestra. Full Orchestra (Full Score); Larger Works; Masterworks; Score. Dover Edition. Baroque; Masterwork. Published by Dover Publications

Orchestra

SKU: LO.765762135802

Composed by David Winkler. Allegis. Conductor's score and instrumental parts. Lillenas Publishing Company #765762135802. Published by Lillenas Publishing Company (LO.765762135802).

UPC: 765762135802.

Instr umentation: Flute 1/2; Oboe; Clarinet 1/2; Bassoon; Bass Clarinet (sub for Bassoon); Horn 1/2; Alto Sax 1/2 (sub for Horns); Trumpet 1-3; Trombone 1/2; Tenor Sax or TC Baritone 1/2 (sub for Trombone 1/2); Trombone 3/Tuba; Percussion; Harp; Rhythm; Violin 1/2; Viola; Clarinet 3 (sub for Viola); Cello; String Bass; Keyboard String Reduction.

Orchestra

SKU: SU.80101469

For Orchestra. Composed by Carson Cooman. Keyboard, Piano/Harpsichord. Study Score. Zimbel Press #80101469. Published by Zimbel Press (SU.80101469).

Liminal (Symphony No. 4) (2014) is scored for an orchestra of brass, two harps, and strings. It is in one movement. A recording is available on Divine Art #DDV 24161. Instrumentation: Orchestra Duration: 22' Composed: 2014 Published by: Zimbel Press Performance materials available on rental only: Subito Music Rental Library via Zinfonia.

By James Curnow. (Orchestra). PraiseSong Christmas Series. Published by Hal Leonard.

Orchestra - Grade 3

SKU: AP.4323

Composed by William Selby. Arranged by Art Sheinberg. MakeMusic Cloud; Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Fugue. Baroque; Masterwork Arrangement. Score and Part(s). 136 pages. Highland/Etling #00-4323. Published by Highland/Etling (AP.4323).

UPC: 038081026213. English.

Art Sheinberg has discovered a gem from the late English Baroque keyboard literature and expertly scored it to sound as if it were originally for strings. The violin ll and viola parts are often doubled, as are the cello and bass parts; there are essentially three parts throughout. This gives a full and balanced sound which accommodates uneven instrumentation. Violin l parts are in third position much of the time, and alternate fingerings given for the other parts will keep other advanced players busy. The piece is in D major throughout, with the exception of brief excursions into A and B minor. Full of rhythmic drive and sparkling counterpoint, the piece is a sure winner with students and an excellent vehicle to teach detached style and ensemble independence. This title is available in MakeMusic Cloud.