Pizzicato Polka (from the ballet Sylvia) by Léo Delibes. Arranged by Mark Williams. Orchestra. String Orchestra. Strictly Strings Series. Impressionistic; Romantic. Grade 2. Conductor Score and Parts. 36 pages. Published by Alfred Music Publishing (AP.20569).

Composed by Jule Styne and Sammy Cahn. Arranged by Robert Longfield. Easy Pop Specials For Strings. Softcover. Published by Hal Leonard

Arranged by Bob Cerulli. Arr. Bob Cerulli. For String Orchestra. String Orchestra. Pop Intermediate String Orchestra. Level: 2 (grade 2). Conductor Score and Parts. 82 pages. Duration 2:49. Published by Alfred Publishing.

(Featuring: Have Yourself a Merry Little Christmas / (I'm Gettin') Nuttin' for Christmas / Winter Wonderland/Let It Snow!). Orchestra. String Orchestra. Belwin Signature Performance Series for Orchestra. Christmas; Holiday Pops; Secular; Winter. Grade 2. Conductor Score and Parts. 332 pages. Published by Alfred Music Publishing

(Featuring: Have Yourself a Merry Little Christmas / (I'm Gettin') Nuttin' for Christmas / Winter Wonderland/Let It Snow!). Orchestra. String Orchestra. Belwin Signature Performance Series for Orchestra. Christmas; Holiday Pops; Secular; Winter. Grade 2. Conductor Score. 28 pages

Arranged by Bob Cerulli. Arr. Bob Cerulli. For String Orchestra. String Orchestra. Pop Intermediate String Orchestra. Level: 2 (grade 2). Conductor Score. 12 pages. Published by Alfred Publishing.

Arranged by Robert Sieving. Arr. Robert Sieving. For String Orchestra. String Orchestra. String Orchestra. Conductor Score. 8 pages. Published by Alfred Publishing.

Arranged by Robert Buckley. Pop Specials for Strings. Christmas. Softcover. Duration 100 seconds. Published by Hal Leonard

By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Larry Moore. For String Orchestra (Score and Parts). Pop Specials for Strings. Grade 3-4. Published by Hal Leonard

By Prince. Arranged by Larry Moore. (Score and Parts). Easy Pops Specials For Strings. Published by Hal Leonard.

Arranged by Robert Buckley. Pop Specials for Strings. Christmas. Softcover. 16 pages. Duration 100 seconds. Published by Hal Leonard

By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Robert Longfield. For String Orchestra (Score and Parts). Easy Pop Specials For Strings. Grade 2. Published by Hal Leonard

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orchestra. Masterworks; SmartMusic; String Orchestra. HighlandåÊString Explorer. Form: Transcription. Christmas; Masterwork Arrangement; Romantic; Winter. Grade 1.5. Conductor Score and Parts. 140 pages. Published by Alfred Music Publishing

By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orchestra. For String Orchestra. String Orchestra. String Explorer. Form: Transcription. Christmas; Romantic; Winter. 1.5 (grade 1.5). Score. 8 pages

Score and Parts. Composed by Igor Stravinsky (1882-1971). Arranged by Lauren Keiser. Southern Music. Classical. Softcover. Southern Music Company #SO117C. Published by Southern Music Company

By Doug Spata. Music by Doug Spata. For String Orchestra. String Orchestra. String Orchestra. Conductor Score

Ding Dong Merrily on High. Arranged by Bob Phillips. Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Light Concert; Novelty; Winter. 78 pages. Published by Belwin Music (AP.41214).

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5F

Composed by Joseph Compello. Carl Fischer Beginning String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BAS5F. Published by Carl Fischer Music (CF.BAS5F).

ISBN 9780825845093. UPC: 798408045098. 8.5 X 11 inches.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(Featuring: Sleigh Ride / Rockin' Around the Christmas Tree / Let It Snow! Let It Snow! Let It Snow! / Santa Claus Is Comin' to Town). Arranged by Michael Story. Orchestra. Part(s); Score; String Orchestra. Pop Beginning String Orchestra. Form: Medley. Christmas; Secular; Winter. Grade 1.5. 172 pages. Published by Alfred Music

Arranged by Bob Phillips. For String Orchestra. String Orchestra. String Explorer. Level: 2 (grade 2). Conductor Score. 16 pages. Published by Alfred Publishing.

Arranged by Roger Emerson, Paul Lavender. Pop Special String. Size 9x12 inches. Published by Hal Leonard.

Composed by Sammy Cahn, music by Jule Styne. Arranged by Jack Bullock. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Christmas; Secular; Winter. 128 pages. Published by Alfred Music (AP.41231).

Arranged by Paul Murtha, Audrey Snyder. Music for String Orchestra. Published by Hal Leonard.

Arranged by Bob Phillips. For String Orchestra. String Orchestra. String Explorer. Conductor Score and Parts. 152 pages. Published by Alfred Publishing.
Level: 2 (grade 2).

Arranged by John Moss. Score & Parts. Music for String Orchestra. Grade 3. Published by Hal Leonard