(Conductor's Score). By James Kjelland and John O'reilly. Orchestra. For Conductor's Score. Method/Instruction; String Orchestra Method/Supplement. Strictly Strings. Book. 228 pages. Published by Alfred Music Publishing

By Edmund J. Siennicki. Orchestra. String Orchestra. Highland Strictly Strings Series. Grade 2. Conductor Score and Parts. 72 pages. Published by Alfred Music Publishing

Arranged by Mark Williams. Orchestra. String Orchestra. Strictly Strings Series. Form: Medley. Christmas; Contemporary; Winter. Grade 1. Conductor Score and Parts. 72 pages. Published by Alfred Music Publishing

By Edmund J. Siennicki. Orchestra. For String Orchestra. String Orchestra. Strictly Strings Series. 2 (grade 2). Score. 8 pages

By Alabama. By Dan Mitchell, Murry Kellum. Arranged by Larry Moore. Pop Specials for Strings. Country, Pop. Softcover. Published by Hal Leonard (HL.4491609).

Edited by Christopher Bull, Olive Goodborne and Richard Duckett. For Cello. Method/Instruction; String Orchestra Method/Supplement. Faber Edition: Team Strings. Book and CD. Published by Alfred Music Publishing

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

By Mark Williams. Music by Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

By Mark Williams. Music by Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Orchestra strings - beginner

SKU: KJ.93F

Composed by Albert L. Stoutamire and Doris Gazda. String method. Spotlight on Strings Series. Score. Neil A. Kjos Music Company #93F. Published by Neil A. Kjos Music Company (KJ.93F).

ISBN 9780849733451.

Leve l 2 builds on the concepts introduced in level 1 by opening with a review of the major and minor fingering patterns on all four strings. Attention throughout the method is given to presenting material that makes use of the entire tonal range of the instrument in the first position for the upper strings, and the first three positions for the lower strings. Five ensembles and two duets round out Level 2. Suitable for concerts, the ensembles include America; We Shall Overcome; Amaryllis; Surprise Symphony Theme; and Military March. Suitable for any class size or instrumentation, all string parts have the melody and one harmony part. The Teacher Score/Keyboard books for Levels 1 and 2 include piano accompaniments for much of the program music and ensembles. Especially composed for educators with modest piano-playing skills, the accompaniments can also be played by piano students who wish to become involved in the ensemble experience.

Composed by James Lord Pierpont. Arranged by Bob Cerulli. Orchestra. For strings w/ vln 3, pno acc, drumset. Part(s); Score; String Orchestra. Orchestra Expressions Book 2. Christmas; Secular; Winter. Grade 1.5. 72 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6419S

Score Only. Composed by Gary Fagan. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score. Duration 2:15. The FJH Music Company Inc #98-ST6419S. Published by The FJH Music Company Inc (FJ.ST6419S).

English.

Show your great sense of humor with this novelty piece that winds up creating near chaos in your ensemble! When the first violins join a local branch of the String Players Union, the other musicians and director soon learn that the union members must adhere to some hilarious performance guidelines. Accommodations include playing only some notes, giving the left hand a rest and even left hand free time! Staging possibilities are endless - this piece is easy to put together and is guaranteed to bring a smile to everyone in the hall!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6419

Composed by Gary Fagan. Series; String Orchestra. FJH Developing Strings. Light Concert; Novelty. Score and Part(s). Duration 2:15. The FJH Music Company Inc #98-ST6419. Published by The FJH Music Company Inc (FJ.ST6419).

UPC: 241444375532. English.

Show your great sense of humor with this novelty piece that winds up creating near chaos in your ensemble! When the first violins join a local branch of the String Players Union, the other musicians and director soon learn that the union members must adhere to some hilarious performance guidelines. Accommodations include playing only some notes, giving the left hand a rest and even left hand free time! Staging possibilities are endless - this piece is easy to put together and is guaranteed to bring a smile to everyone in the hall!

About FJH Developing Strings

Sl ightly more advanced than Beginning Strings, this series begins to involve more position work and a slightly more complex rhythmic figures. Rehearsal piano is often provided. Ideal for middle school and smaller high school programs. Grade 2 - 2.5

By Alan Lee Silva. For string orchestra. Carl Fischer Concert String Orchestra Series. Grade 3 and up. Score and parts. Published by Carl Fischer

Arranged by Bert Ligon. For strings with optional rhythm section. Standard strings with optional rhythm section. Kendor Jazz Classics for String Orchestra Series. Grade 4. Score and parts. Duration 3 minutes 55 seconds. Published by Kendor Music Inc

By Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Novelty. Level: 1.5 (grade 1.5). Conductor Score & Parts. 36 pages. Published by Alfred Publishing.

(Bass Section Feature). Arranged by Bob Phillips. Orchestra. Part(s); Score; String Orchestra. Sound Innovations for Strings. Christmas; Winter. Grade 1. 72 pages. Published by Alfred Music

Arranged by Nick Neumann. Orchestra. For strings w/ vln 3. Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Folk; Light Concert. Grade 3. 144 pages. Published by Alfred Music Publishing

By Deborah Baker Monday. Playground String Orchestra. Level: Grade 1 . Published by Kendor Music Inc.

From Shakespeare's England. Composed by Nicholas Hare. Arranged by Nicholas Hare. Playstrings. Classical. Book Only. Composed 2005. 16 pages. Chester Music #MUSCH55340. Published by Chester Music

Composed by Antonio Vivaldi (1678-1741). Arranged by Jan Farrar-Royce. Masterworks; Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. 72 pages. Published by Belwin Music (AP.44797).

(Featuring: Long, Long Ago / Twinkle, Twinkle, Little Star / Go Tell Aunt Rhody / Lightly Row). By Bob Phillips. Arranged by Bob Phillips. Orchestra. Score; String Orchestra. Sound Innovations for Strings. Light Concert. Grade 1. 16 pages. Published by Alfred Music Publishing

(Featuring: Long, Long Ago / Twinkle, Twinkle, Little Star / Go Tell Aunt Rhody / Lightly Row). By Bob Phillips. Arranged by Bob Phillips. Orchestra. Part(s); Score; String Orchestra. Sound Innovations for Strings. Light Concert. Grade 1. 148 pages. Publi

Composed by Scottish Folk Song. Arranged by John O'Reilly. Performance Music Ensemble; Single Titles; SmartMusic; String Orchestra. Highland/Etling Strictly Strings. Folk. Score. 8 pages. Highland/Etling #00-26558S. Published by Highland/Etling (AP.26558S).

Orchestra strings - early intermediate

SKU: KJ.101CD

Composed by Gerald Fischbach and Robert Frost. Orchestra method/study. Artistry in Strings. CD. Neil A. Kjos Music Company #101CD. Published by Neil A. Kjos Music Company (KJ.101CD).

UPC: 8402700132.

The two Accompaniment CDs feature stellar performances by professional musicians to encourage players.

About Artistry in Strings

Ar tistry in Strings is a groundbreaking string method that will be at home in your classroom or private studio. Its comprehensive approach contains all the basic tools necessary to establish solid technique and expressive music making. Artistry in Strings is a music educator's dream, combining a performance-centered approach with optional theory, composing, listening, assessment, and interdisciplinary and multi-cultural studies.

Authors Robert S. Frost, Gerald Fischbach, and Wendy Barden have combined their vast experience as educators to provide a string method that is well paced for all types of beginning string classes. Regardless of class frequency and duration, or class size and student age, Artistry in Strings will assist you to achieve superior results.