Cha Cha Christmas Orchestre à Cordes SATB A Cappella - Débutant Excelcia Music Publishing
String Orchestra Orchestra - Grade 0.5 SKU: XC.PSO2001 Composed by Larry ...(+)
String Orchestra
Orchestra - Grade 0.5
SKU: XC.PSO2001
Composed by Larry Clark.
Prelude String Orchestra
Series. Christmas and
Holiday. Set of parts.
Excelcia Music Publishing
#PSO2001. Published by
Excelcia Music Publishing
(XC.PSO2001).
UPC:
812598034110. 9 x 12
inches.
Perfect for
the first holiday
concert, this new work,
in the style of a Cha
cha, has ample teaching
opportunities. Using only
the first 6 notes of the
D-major scale, Cha Cha
Christmas is perfect for
your first concert!
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
What Was I Made For? Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 3-4 SKU: HL.449308...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 3-4
SKU: HL.4493084
By
Billie Eilish. By Billie
Eilish and Finneas
O'Connell. Arranged by
Larry Moore. Pop Specials
for Strings. Movies, Pop.
Softcover. Duration 100
seconds. Published by Hal
Leonard (HL.4493084).
UPC:
196288185413.
Larry
Moore's haunting
arrangement of Billie
Eilish's “What Was I
Made For?” transforms
the pop sensation's
introspective ballad from
Barbie into a masterpiece
for string orchestra.
Lush harmonies and
poignant melodies--shared
throughout the
orchestra--capture the
song's emotional depth,
making it a perfect
choice for adding a
contemplative touch to
your concert program.
Ai Hai Yo Orchestre à Cordes SATB A Cappella - Facile Excelcia Music Publishing
String Orchestra Orchestra - Grade 2 SKU: XC.ISO1902 Chinese Folk Song...(+)
String Orchestra
Orchestra - Grade 2
SKU: XC.ISO1902
Chinese Folk Song.
Composed by Traditional.
Arranged by Tyler Arcari.
Intermezzo Orchestra
Series. Classical,
Acoustic, Chinese, Folk.
Set of parts. Excelcia
Music Publishing
#ISO1902. Published by
Excelcia Music Publishing
(XC.ISO1902).
UPC:
812598030495. 9 x 12
inches.
Ai Hai Yo
is a Chinese folk song
used as a blessing
towards a bountiful
harvest and a good year.
Composer Tyler Arcari
writes Folk songs speak
to the commonman.
Hardships and hope abound
when we all realize that
something as simple as a
few notes in time can
bridge the gap of
thousands of years of
cultural differences and
distance across our large
planet..
Ai Hai Yo Orchestre à Cordes SATB A Cappella [Conducteur] - Facile Excelcia Music Publishing
String Orchestra Orchestra - Grade 2 SKU: XC.ISO1902FS Chinese Folk So...(+)
String Orchestra
Orchestra - Grade 2
SKU: XC.ISO1902FS
Chinese Folk Song.
Composed by Traditional.
Arranged by Tyler Arcari.
Intermezzo Orchestra
Series. Classical,
Acoustic, Chinese, Folk.
Score. Excelcia Music
Publishing #ISO1902FS.
Published by Excelcia
Music Publishing
(XC.ISO1902FS).
UPC:
812598030907. 9 x 12
inches.
Ai Hai Yo
is a Chinese folk song
used as a blessing
towards a bountiful
harvest and a good year.
Composer Tyler Arcari
writes Folk songs speak
to the commonman.
Hardships and hope abound
when we all realize that
something as simple as a
few notes in time can
bridge the gap of
thousands of years of
cultural differences and
distance across our large
planet..
Angels in the Halls Orchestre à Cordes SATB A Cappella - Débutant Excelcia Music Publishing
String Orchestra Orchestra - Grade 1 SKU: XC.DSO1903 Angels We Have He...(+)
String Orchestra
Orchestra - Grade 1
SKU: XC.DSO1903
Angels We Have Heard
On High / Deck the
Halls. Composed by
Traditional. Arranged by
Matthew R. Putnam. Da
Capo Orchestra Series.
Classical, Acoustic,
Holiday. Set of parts.
Excelcia Music Publishing
#DSO1903. Published by
Excelcia Music Publishing
(XC.DSO1903).
UPC:
812598030426. 9 x 12
inches.
The holiday
season is a time of joy,
merriment, excitement,
and traditions. One such
time-honored tradition is
the holiday string
concert, which is often
the debut performance for
young musicians. This
event is a celebration,
not only of the holidays,
but also of the growth
and dedication of the
beginner musicians.
Angels in the Halls will
enable beginning string
students to demonstrate
their developing skills
while putting the
audience in the spirit of
the holidays.
Angels in the Halls Orchestre à Cordes SATB A Cappella [Conducteur] - Débutant Excelcia Music Publishing
String Orchestra Orchestra - Grade 1 SKU: XC.DSO1903FS Angels We Have ...(+)
String Orchestra
Orchestra - Grade 1
SKU: XC.DSO1903FS
Angels We Have Heard
On High / Deck the
Halls. Composed by
Traditional. Arranged by
Matthew R. Putnam. Da
Capo Orchestra Series.
Classical, Acoustic,
Holiday. Score. Excelcia
Music Publishing
#DSO1903FS. Published by
Excelcia Music Publishing
(XC.DSO1903FS).
UPC:
812598030914. 9 x 12
inches.
The holiday
season is a time of joy,
merriment, excitement,
and traditions. One such
time-honored tradition is
the holiday string
concert, which is often
the debut performance for
young musicians. This
event is a celebration,
not only of the holidays,
but also of the growth
and dedication of the
beginner musicians.
Angels in the Halls will
enable beginning string
students to demonstrate
their developing skills
while putting the
audience in the spirit of
the holidays.
(Featuring: Alone in the Universe / A Day for the Cat in the Hat). By Lynn Ahren...(+)
(Featuring: Alone in the
Universe / A Day for the
Cat in the Hat). By Lynn
Ahrens and Stephen
Flaherty. Arranged by Bob
Cerulli. Orchestra. For
String Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Broadway;
Contemporary; Light
Concert. Grade 3. Score.
20 pages
By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orches...(+)
By Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3 (grade 3). Conductor
Score and Parts. 124
pages. Published by
Alfred Publishing.
Works collected, arr., adapted and/or harmonized by Ralph Vaughan Williams, sett...(+)
Works collected, arr.,
adapted and/or harmonized
by Ralph Vaughan
Williams, setting by
Douglas E. Wagner. For
Full Orchestra. Full
Orchestra. Belwin
Intermediate Full/String
Orchestra. Conductor
Score. 24 pages.
Published by Alfred
Publishing. Level:
2.5 (grade 2.5).
Johannes Brahms. Arranged by Robert D. Mccashin. String Orchestra. FJH String Or...(+)
Johannes Brahms. Arranged
by Robert D. Mccashin.
String Orchestra. FJH
String Orchestra. Score
for this title: ST6080S.
Extra part for this
title: ST6080P. Level: 5.
Published by The FJH
Music Company Inc.
Composed by Matthew R.
Putnam. Harmony Orchestra
Series. Classical,
Acoustic. Score. Excelcia
Music Publishing
#HSO1904FS. Published by
Excelcia Music Publishing
(XC.HSO1904FS).
UPC:
812598031133. 9 x 12
inches.
Looking out
over dark ocean waters
inspires feelings of awe
and anxiety. It is the
visceral thrill of the
unknown that walks the
razor’s edge of
excitement and terror.
Composer Matthew R.
Putnam depicts just that
with this riveting piece
for young string
musicians.
Composed by Matthew R.
Putnam. Harmony Orchestra
Series. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#HSO1904. Published by
Excelcia Music Publishing
(XC.HSO1904).
UPC:
812598030464. 9 x 12
inches.
Looking out
over dark ocean waters
inspires feelings of awe
and anxiety. It is the
visceral thrill of the
unknown that walks the
razor’s edge of
excitement and terror.
Composer Matthew R.
Putnam depicts just that
with this riveting piece
for young string
musicians.
Works collected, arr., adapted and/or harmonized by Ralph Vaughan Williams, sett...(+)
Works collected, arr.,
adapted and/or harmonized
by Ralph Vaughan
Williams, setting by
Douglas E. Wagner. For
Full Orchestra. Full
Orchestra. Belwin
Intermediate Full/String
Orchestra. Conductor
Score and Parts. 240
pages. Duration 3:59.
Published by Alfred
Publishing. Level:
2.5 (grade 2.5).
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By Dr Seuss. Arranged by Michael Story and Michael Story. Orchestra. For String ...(+)
By Dr Seuss. Arranged by
Michael Story and Michael
Story. Orchestra. For
String Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Movie;
Novelty. 3 (grade 3).
Score. 8 pages