(For Performance by Intermediate Strings Alone with Additional Parts for Beginning Strings). By Doris Gazda. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium easy. Score and Parts. Standard notation. 47 pages. Publishe. Score and Parts. classical.

Arranged by Susan C. Brown. Orchestra. SmartMusic; String Orchestra. String Orchestra. Grade 2. Conductor Score and Parts. 192 pages. Published by Alfred Music Score and Parts

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and Parts. Standard notation. 12 pages

Arranged by Loreta Fin. Part(s); Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Folk. 80 pages. Published by Alfred Music (AP.76-45309).

By Traditional. Arranged by Sandy Feldstein. String orchestra. For String Orchestra. Carl Fischer Beginning String Orchestra Series. Grade 1. Full Score. Standard notation. 8 pages. Published by Carl Fischer Full Score

By Susan H. Day. Orchestra. Score; String Orchestra. Highland String Orchestra. Latin; Light Concert. Grade 3. 16 pages. Published by Alfred Music Publishing

Composed by Michael Hopkins. Performance Music Ensemble; Single Titles; String Orchestra. Belwin Intermediate String Orchestra. Part(s); Score. 144 pages. Duration 4:20. Belwin Music #00-45831. Published by Belwin Music (AP.45831).

By Richard Meyer. Orchestra. Part(s); Score; String Orchestra. Highland String Explorer. Form: Waltz. Grade .5. 72 pages. Published by Alfred Music

By Richard Meyer. Orchestra. Part(s); Score; String Orchestra. Highland String Explorer. Light Concert; Novelty. Grade 1.5. 76 pages. Published by Alfred Music

Arranged by Julie Lyonn Lieberman. Orchestra. Part(s); Score; String Orchestra. Highland String Alternatives. Folk; Jewish Heritage; Light Concert; Multicultural; Traditional; World. Grade 3. 130 pages. Published by Alfred Music Publishing

Arranged by Sandra Dackow. Part(s); Score; String Orchestra. Orchestra Expressions. Folk. 148 pages. Published by Alfred Music (AP.45825).

By Richard Meyer. Orchestra. Score; String Orchestra. Highland String Explorer. Form: Waltz. Grade .5. 8 pages. Published by Alfred Music

(From Romantische Stucke, Op. 75, No. 1). By Antonin DvorÌÁk. Arranged by Robert Sieving. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 2.5. 66 pages. Published by Alfred Music Publishing

(For Performance by Intermediate Strings Alone with Additional Parts for Beginning Strings). By Doris Gazda. String ensemble. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium easy. Full Score. Standard notation. 47 pages

For Full or String Orchestra. Arranged by Larry Clark. For Full Orchestra. Full Orchestra. Belwin Intermediate Full Orchestra. Level: 2.5 (grade 2.5). Conductor Score and Parts. 234 pages. Published by Alfred Publishing.

By Antonin Dvorak. Arranged by Robert Sieving. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 114 pages. Published by Alfred Publishing.

By Elena Roussanova Lucas. By Elena Roussanova Lucas. For String Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Level: 2.5 (grade 2.5). Conductor Score & Parts. 47 pages. Duration 3:26. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer First Plus String Orchestra Series. Grade 1.5-2. Score and Parts. Standard notation. 8 pages

(For String orchestra). By Ernst Von Dohnanyi (1877-1960). Arranged by Dmitry Sitkovetsky. For string orchestra. Orchestral music. Set of parts. Op. 10. 44 pages. Published by Doblinger Music Publishers . Set of Parts.

(Full Score and Parts). By Elliot Del Borgo. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts.

(Full Score and Parts). By Elliot Del Borgo. String orchestra. For String Orchestra. Carl Fischer Beginning String Orchestra Series. Grade 1. Score and Parts. Standard notation. 8 pages. Published by Carl Fischer . Score and Parts.

(Full Score and Parts). By Elliot Del Borgo. Edited by Amy Rosen. String orchestra. For String Orchestra. Carl Fischer Beginning String Orchestra Series. Grade 1. Score and Parts. Standard notation. 8 pages. Published by Carl Fischer . Score and Parts.

As Recorded by Portugal. The Man. Composed by John Gourley, Zach Carothers, Jason Sechrist, Eric Howk, Kyle O'Quin, John Hill, Asa Taccone, Robert Bateman, Georgia Dobbins, William Garrett, Freddie Gorman, and Brian Holland. Arranged by Douglas E. Wagner. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Light Concert; Pop/Rock. Score and Parts. 80 pages. Alfred Music #00-47443. Published by Alfred Music

By Doris Gazda. For Violin, Viola, Cello, Double Bass, Piano. Carl Fischer Performance Series for String Orchestra. Level: beginning. Score and parts. 8 pages. Published by Carl Fischer.

Featuring: This Is My Life / Wonderful Life / Perfection. Composed by Various. Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Movie; Pop. Score and Parts. 156 pages. Alfred Music #00-47445. Published by Alfred Music

(Full Score and Parts). By Elliot Del Borgo. String orchestra. For String Orchestra. Carl Fischer Young String Orchestra Series. Classical. Grade 2-2.5. Score and Parts. Standard notation. 20 pages. Published by Carl Fischer . Score and Parts. classical.