Suite and Light Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Faber Music Limited
Composed by Anthony Osborne. Performance Music Ensemble; Single Titles; String O...(+)
Composed by Anthony
Osborne. Performance
Music Ensemble; Single
Titles; String Orchestra.
Faber Edition:
Stringsets. Score and
Parts. Faber Music
#12-0571512488. Published
by Faber Music
Kalimba Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Grand Mesa Music
Composed by Lauren Bernofsky (1967-). For string orchestra. Grade 1. Score a...(+)
Composed by Lauren
Bernofsky
(1967-). For string
orchestra.
Grade 1. Score and set of
parts. Duration 1 minute,
30
seconds. Published by
Grand
Mesa Music
(Concerto for Flute and Strings). By Carl Vine (1954-). Orchestra. For Flute, St...(+)
(Concerto for Flute and
Strings). By Carl Vine
(1954-). Orchestra. For
Flute, String Orchestra.
Masterworks; Score;
String Orchestra. Faber
Edition. 20th Century;
Masterwork. Published by
Faber Music
Christmas Round the World Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Faber Music Limited
Christmas Round the World by Edward Huws Jones. Orchestra. For string ensemble. ...(+)
Christmas Round the World
by Edward Huws Jones.
Orchestra. For string
ensemble. Part(s); Score;
String Orchestra. Faber
Edition: Stringsets.
Christmas; Winter.
Elementary. Score and
parts. Published by Faber
Music
By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Elementary. Music
Book. Published by Neil
A. Kjos Music Company.
Arranged by Jack Bullock. Orchestra. Part(s); Score; String Orchestra. Orchestra...(+)
Arranged by Jack Bullock.
Orchestra. Part(s);
Score; String Orchestra.
Orchestra Expressions
Book 1. Folk; Light
Concert. Grade 1.5. 68
pages. Published by
Alfred Music
Die Zauberflote Orchestre à Cordes EMB (Editio Musica Budapest)
Composed by Wolfgang Amadeus Mozart (1756-1791). Set (Score & Parts). Co...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791). Set
(Score & Parts).
Composed
2009. Editio Musica
Budapest
#EMBZ14657. Published by
Editio Musica Budapest
The Wabash Cannonball Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Traditional. Arranged by Carrie Lane Gruselle. Intermediate String Orchestra....(+)
By Traditional. Arranged
by Carrie Lane Gruselle.
Intermediate String
Orchestra. FJH Developing
Strings. Score for this
title: ST6104S. Extra
part for this title:
ST6104P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Snowy River Roundup Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
By Robert Frost. For string orchestra (88555) with optional 3rd Violin/Viola TC ...(+)
By Robert Frost. For
string orchestra (88555)
with optional 3rd
Violin/Viola TC (3) and
piano. Standard string
orchestra (88555) with
optional 3rd Violin/Viola
TC (3) and piano. Cadet
String Orchestra Series.
Grade 2. Score and parts.
Published by Kendor Music
Inc
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Nutcracker Jam Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Composed by Tschaikowsky/Hopkins. Arranged by Michael Hopkins. Apex String Or...(+)
Composed by
Tschaikowsky/Hopkins.
Arranged by Michael
Hopkins.
Apex String Orchestra.
Score
and parts. Kendor Music
Inc
#37655. Published by
Kendor
Music Inc
Orchestra strings - Grade 2.5 SKU: KJ.SO323F Composed by Dennis Neff. Sco...(+)
Orchestra strings - Grade
2.5
SKU: KJ.SO323F
Composed by Dennis Neff.
Score. Neil A. Kjos Music
Company #SO323F.
Published by Neil A. Kjos
Music Company
(KJ.SO323F).
UPC:
8402703243.
Energet
ic and upbeat, this crowd
pleaser even features the
bass section with the
melody about midway
through! In G Major and
all in 1st position
except for 1st violins
during a quick train
whistle sound effect. A
perfect addition to any
concert.
Orchestra strings - Grade 2.5 SKU: KJ.SO323C Composed by Dennis Neff. Sco...(+)
Orchestra strings - Grade
2.5
SKU: KJ.SO323C
Composed by Dennis Neff.
Score and parts. Neil A.
Kjos Music Company
#SO323C. Published by
Neil A. Kjos Music
Company (KJ.SO323C).
UPC:
8402703241.
Energet
ic and upbeat, this crowd
pleaser even features the
bass section with the
melody about midway
through! In G Major and
all in 1st position
except for 1st violins
during a quick train
whistle sound effect. A
perfect addition to any
concert.
Composed by Kenji Bunch. For string orchestra. Orchestral Music (String Orchestr...(+)
Composed by Kenji Bunch.
For string orchestra.
Orchestral Music (String
Orchestra). Score and set
of parts. Duration 8
minutes. Published by
Bill Holab Music
(Jabiru Dreaming). By Peter Sculthorpe (1929-). Orchestra. Masterworks; Score; S...(+)
(Jabiru Dreaming). By
Peter Sculthorpe (1929-).
Orchestra. Masterworks;
Score; String Orchestra.
Faber Edition. Form:
Sonata. 20th Century.
Published by Faber Music