Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Fiddle Tunes Orchestre à Cordes [Conducteur et Parties séparées] De Haske Publications
String Orchestra - easy SKU: BT.DHP-1094710-070 Arranged by Nicolaas Snel...(+)
String Orchestra - easy
SKU:
BT.DHP-1094710-070
Arranged by Nicolaas
Snel. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 16 pages. De Haske
Publications #DHP
1094710-070. Published by
De Haske Publications
(BT.DHP-1094710-070).
ISBN 9789043131865. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Fiddle Tunes
presents five traditional
Irish fiddle tunes in
easy
arrangements.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Fiddle Tunes is
een verzameling van vijf
traditionele Ierse Fiddle
Tunes in eenvoudige
bewerkingen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Fiddle Tunes
präsentiert fu nf
traditionelle irische
Fiddle Tunes in leichten
Bearbeitungen.
Fiddle
Tunes contient cinq
« fiddle
tunes » (airs pour
violon)
irlandais.
De
Haske String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Kerry Polka2. Fly
Around3. Shady Grove4.
Irish Washerwoman5.
Pretty Little SallyPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
String Parts String Orchestra (String Set) SKU: HL.51481567 For String...(+)
String Parts String
Orchestra (String Set)
SKU: HL.51481567
For String Orchestra
String Parts.
Composed by Peter Ilich
Tchaikovsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 165 pages. G.
Henle #HN1567. Published
by G. Henle
(HL.51481567).
UPC:
196288206958.
9.25x12.0x0.824
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sisterÂs country
estate in KamÂianka,
Ukraine, where he sought
peace and relaxation. But
after a short time the
desire to work took hold
of him again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Study Score) SKU: HL.51487550 For String Orchestra, ...(+)
String Orchestra (Study
Score)
SKU:
HL.51487550
For
String Orchestra, Study
Score. Composed by
Peter Ilich Tchaikovsky.
Edited by Dominik Rahmer.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7550. Published
by G. Henle
(HL.51487550).
UPC:
196288207238.
6.75x9.5x0.251
inches.
Tchaikovsky
spent the summer and
autumn of 1880 at his
sister's country estate
in Kam'ianka, Ukraine,
where he sought peace and
relaxation. But after a
short time the desire to
work took hold of him
again. âI'm
sketching a symphony or
string quintet just now;
I don't know where it's
going yet,â he wrote
to his friend and
patroness Nadezhda von
Meck. In the end it
turned out to be a
Serenade for String
Orchestra, which numbers
among his most beautiful
inspirations and is today
a central work in the
genre. The four movements
captivate with their
diverse moods â be
it the Mozartian first
movement âin the
form of a sonatinaâ,
the elegant Waltz, the
melancholy
âElegiaâ or the
rousing Finale. For this
new source-critical
edition it was possible
to consult the autograph
in Moscow as well as the
early printed editions
into which Tchaikovsky
sometimes entered a
number of minor
revisions. Clear the
stage for the new
reference edition of this
indispensable work of the
string-orchestra
repertoire!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Full Score) SKU: HL.51483310 For String Orchestra Fu...(+)
String Orchestra (Full
Score)
SKU:
HL.51483310
For
String Orchestra Full
Score. Composed by
Edward Elgar. Edited by
Rupert Marshall-Luck.
Henle Music Folios.
Classical. Softcover. 5
pages. G. Henle #HN3310.
Published by G. Henle
(HL.51483310).
UPC:
196288207221.
10.0x12.75x0.129
inches.
Elgar's
Serenade for Strings was
composed in 1892 and
represents the first of
his works with which the
35-year-old composer was
truly satisfied. Whether,
as often claimed, it
derives from three pieces
for strings from 1888 can
no longer be ascertained,
since only the titles of
those pieces âSpring
Songâ,
âElegyâ and
âFinaleâ, have
come down to us. However,
these titles would also
characterise the
movements of the Serenade
surprisingly well.
Posterity shares Elgar's
positive assessment to
the present day: the
Serenade op. 20 is not
only one of his most
popular compositions, but
is among the most
frequently played works
in the string-orchestra
literature. Edited by
British Elgar specialist
Rupert Marshall-Luck,
this classic now appears
in Henle Urtext as
conducting score,
performance material and
handy study edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Orchestra (Study Score) SKU: HL.51487004 For String Orchestra S...(+)
String Orchestra (Study
Score)
SKU:
HL.51487004
For
String Orchestra Study
Score. Composed by
Edward Elgar. Edited by
Rupert Marshall-Luck.
Henle Study Scores.
Classical. Softcover. 43
pages. G. Henle #HN7004.
Published by G. Henle
(HL.51487004).
UPC:
196288206910.
6.5x9.25x0.183
inches.
Elgar's
Serenade for Strings was
composed in 1892 and
represents the first of
his works with which the
35-year-old composer was
truly satisfied. Whether,
as often claimed, it
derives from three pieces
for strings from 1888 can
no longer be ascertained,
since only the titles of
those pieces âSpring
Songâ,
âElegyâ and
âFinaleâ, have
come down to us. However,
these titles would also
characterise the
movements of the Serenade
surprisingly well.
Posterity shares Elgar's
positive assessment to
the present day: the
Serenade op. 20 is not
only one of his most
popular compositions, but
is among the most
frequently played works
in the string-orchestra
literature. Edited by
British Elgar specialist
Rupert Marshall-Luck,
this classic now appears
in Henle Urtext as
conducting score,
performance material and
handy study edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Parts String Orchestra (Parts) SKU: HL.51483312 For String Orch...(+)
String Parts String
Orchestra (Parts)
SKU:
HL.51483312
For
String Orchestra String
Set Parts. Composed
by Edward Elgar. Edited
by Rupert Marshall-Luck.
Henle Music Folios.
Classical. Softcover. 70
pages. G. Henle #HN3312.
Published by G. Henle
(HL.51483312).
UPC:
196288207214.
9.25x12.0x0.523
inches.
Elgar's
Serenade for Strings was
composed in 1892 and
represents the first of
his works with which the
35-year-old composer was
truly satisfied. Whether,
as often claimed, it
derives from three pieces
for strings from 1888 can
no longer be ascertained,
since only the titles of
those pieces âSpring
Songâ,
âElegyâ and
âFinaleâ, have
come down to us. However,
these titles would also
characterise the
movements of the Serenade
surprisingly well.
Posterity shares Elgar's
positive assessment to
the present day: the
Serenade op. 20 is not
only one of his most
popular compositions, but
is among the most
frequently played works
in the string-orchestra
literature. Edited by
British Elgar specialist
Rupert Marshall-Luck,
this classic now appears
in Henle Urtext as
conducting score,
performance material and
handy study edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Sunny Strings Orchestre à Cordes [Conducteur et Parties séparées] - Facile De Haske Publications
String Orchestra - early intermediate SKU: BT.DHP-1094612-070 Four pop...(+)
String Orchestra - early
intermediate
SKU:
BT.DHP-1094612-070
Four popular pieces
for string orchestra
orchestra. Composed
by Nico Dezaire. De Haske
String Orchestra Series.
Set (Score & Parts).
Composed 2009. 24 pages.
De Haske Publications
#DHP 1094612-070.
Published by De Haske
Publications
(BT.DHP-1094612-070).
ISBN 9789043131636. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The four pieces in
Sunny Strings
allow the string
orchestra to sound
predominantly sunny in
mood. Have fun playing
together!
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Sunny Strings is
een moderne suite vol
verbluffende effecten in
vier delen.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Sunny Strings ist
eine moderne, vorwiegend
heitere Suite aus der
Feder von Nico Dezaire
voll verblu ffender
Effekte in vier
Sätzen.
De Haske
String Orchestra Series
è una nuova raccolta
pensata per i suonatori
di archi principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1. A
Sunny Day2. Sunday
Party3. Sunny Blues4. The
Ghost of TomPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Air And Caprice Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS2 Composed by Larry C...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS2
Composed by Larry Clark.
SWS - FS. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 8+8+5+5+2+5+8
pages. Carl Fischer Music
#FAS2. Published by Carl
Fischer Music (CF.FAS2).
ISBN 9780825840753.
UPC: 798408040758. 8.5 X
11 inches. Key: E
minor.
Expressive
playing, some simple
counterpoint, and a touch
of pizzicato characterize
this contemporary
sounding but accessible
piece in two contrasting
sections, slow and
lively. Duration:
3'15. The definition
of Air is a tune or
melody, but often it is
used to describe a piece
that is lyrical in
nature, as in the first
section of this piece.
The next section of the
piece is called Caprice,
which is the French word
for capriccio. The
term capriccio has
been used as the title
for a variety of
different types of works
throughout music history.
It is used here in its
literal definition which
describes the fanciful,
capricious nature of the
second section of the
piece.As part of the
development of the piece,
the minor material from
the Air is used as bridge
material in the Caprice
section. The Air and
Caprice should be very
contrasting in style.
Play the Air very
sustained and
chorale-like and the
Caprice, light with
forward motion. The tempo
of the Caprice should not
be too fast; however, the
tempo can be adjusted
down to accommodate the
ability level of your
ensemble. Bowings have
not been over-marked, and
no slurs are used; feel
free to alter it if
necessary.It has been my
pleasure to have had the
opportunity to write this
piece. I hope that you
and your students find it
useful for your
program.