Orchestra String Orchestra - Grade 1

SKU: AP.36-52250490

Composed by Thom Sharp. Performance Music Ensemble; String Orchestra. Latham Music. Multicultural. Score and Part(s). Latham Music Enterprises #36-52250490. Published by Latham Music Enterprises (AP.36-52250490).

ISBN 9781628761399. UPC: 746241212191. English.

Mambos just don't get any friendlier than this. Every section in the orchestra is featured, with lots of fun imitation between upper and lower strings. All parts are in first position, with only one low 2 in the violin 1 part. A nice tutti pizzicato section adds additional challenge to a very simple rhythmic theme. Optional percussion parts make this mambo muy bien!

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by James Newton Howard. Arranged by Robert Longfield. Pop Specials for Strings. Movies. Published by Hal Leonard

Edited by Christopher Bull, Olive Goodborne and Richard Duckett. For Cello. Method/Instruction; String Orchestra Method/Supplement. Faber Edition: Team Strings. Book and CD. Published by Alfred Music Publishing

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

((with optional Vocal or Instrumental Solo)). By Celtic Woman. By Brendan Graham and William Joseph. Arranged by Jim Kazik. Score and Parts. Pop Specials for Strings. Grade 3-4

(Movement I). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Janet Farrar-Royce. Orchestra. Masterworks; Score; SmartMusic; String Orchestra. Belwin Concert String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Grade 3. 16 pages.

By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner. Orchestra. Part(s); Score; String Orchestra. Pop Beginning String Orchestra. 4th of July; Patriotic; Summer. Grade 2.5. 72 pages. Published by Alfred Music Publishing

By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner. Orchestra. Score; String Orchestra. Pop Beginning String Orchestra. 4th of July; Patriotic; Summer. Grade 2.5. 8 pages. Published by Alfred Music Publishing

By The Mamas & The Papas. By John Phillips and Michelle Phillips. Arranged by Robert Longfield. Score & Parts. Pop Specials for Strings. Grade 3. Published by Hal Leonard

Works collected, arr., adapted and/or harmonized by Ralph Vaughan Williams, setting by Douglas E. Wagner. For Full Orchestra. Full Orchestra. Belwin Intermediate Full/String Orchestra. Conductor Score. 24 pages. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Works collected, arr., adapted and/or harmonized by Ralph Vaughan Williams, setting by Douglas E. Wagner. For Full Orchestra. Full Orchestra. Belwin Intermediate Full/String Orchestra. Conductor Score and Parts. 240 pages. Duration 3:59. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Composed by Consuelo Velazquez. Arranged by James Kazik. For String Orchestra (Score and Parts). Easy Pop Specials For Strings. Grade 2. Published by Hal Leonard

By Johann Stamitz (1717-1757). Arranged by Bob Phillips. Orchestra. Masterworks; String Orchestra. String Orchestra. Baroque; Classical; Masterwork Arrangement. Grade 2. Conductor Score and Parts. 124 pages. Published by Alfred Music Publishing

(String Orchestra). By John Tavener (1944-). For Orchestra (Score and Parts). Songbooks and Methods. Music Sales America. Chester Music #CH7115901. Published by Chester Music

(Featuring: Mamma Mia / Chiquitita / Money, Money, Money). By Benny Andersson, Stig Anderson, and Bjorn Ulvaeus [ABBA]. Arranged by Michael Hopkins. Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Form: Medley. Broadway; Po

By Samuel A. Ward, lyrics by Katharine Lee Bates. Arranged by Jeffrey E. Turner. Orchestra. String Orchestra. Belwin Intermediate String Orchestra. 4th of July; Patriotic; Summer. Grade 3. Conductor Score and Parts. 74 pages. Published by Belwin Publishing

By Samuel Ward. Orchestra. String Orchestra. Intermediate String Orchestra. 4th of July; Contemporary; Patriotic; Summer. Grade 2.5. Conductor Score & Parts. 104 pages. Published by Alfred Music Publishing

By Ramin Djawadi. Arranged by Larry Moore. For String Orchestra (Score and Parts). Pop Specials for Strings. Grade 3-4. Published by Hal Leonard

Zampa Overture by James McLeod. For string orchestra. String Tracks. Grade 4. Score and parts. Published by Neil A. Kjos Music Company

By James Leith MacBeth Bain. Arranged by Douglas E. Wagner. By James Leith MacBeth Bain / arr. Douglas E. Wagner. For Full Orchestra. Full Orchestra. Belwin Intermediate Full/String Orchestra. Level: 2.5 (grade 2.5). Conductor Score and Parts. Duration 2:23. Published by Alfred Publishing.

By Ralph Vaughan Williams (1872-1958). Arranged by Douglas E. Wagner. Orchestra. String Orchestra. Belwin Intermediate String Orchestra. 20th Century. Grade 3. Conductor Score and Parts. 144 pages

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Composed by James Lord Pierpont. Arranged by Bob Cerulli. Orchestra. For strings w/ vln 3, pno acc, drumset. Part(s); Score; String Orchestra. Orchestra Expressions Book 2. Christmas; Secular; Winter. Grade 1.5. 72 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 3

SKU: AP.36-52255492

Composed by William Herschel. Arranged by Jan Farrar-Royce and Lynne Latham. This edition: Latham Music. String Orchestra. LudwigMasters - Latham Music. Score. Latham Music Enterprises #36-52255492. Published by Latham Music Enterprises (AP.36-52255492).

ISBN 9781628764789. English.

This work is an energetic introduction to Sturm und Drang style written by the father of modern astronomy. Dotted rhythms, hooked bowings, and detailed attention to dynamic changes allow for many opportunities to work on fundamentals. Chromatic fingerings are a must: violin 1 uses third position, and all other parts use extensions.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Famous Overture Themes. Arranged by Douglas E. Wagner. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Form: Overture. Classical; Masterwork Arrangement; Romantic. 124 pages. Published by Belwin Music (AP.44809).