Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH Developing
Strings. Light Concert;
Novelty. Score and
Part(s). The FJH Music
Company Inc #98-ST6542.
Published by The FJH
Music Company Inc
(FJ.ST6542).
English.
Major
or minor? Natural or
harmonic? B? or B?? These
are the questions posed
in this jaunty 6/8 tune
that explores contrasting
D Major and D minor
modalities. In addition
to its musical value, use
this work to teach
advanced finger patterns
that will provide
students with a solid
understanding of the
fingerboard and
accidentals. A lively and
spirited work that is
sure to keep your
students and audience
engaged and
entertained.
Score Only.
Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH Developing
Strings. Light Concert;
Novelty. Score. The FJH
Music Company Inc
#98-ST6542S. Published by
The FJH Music Company Inc
(FJ.ST6542S).
English.
Major
or minor? Natural or
harmonic? B? or B?? These
are the questions posed
in this jaunty 6/8 tune
that explores contrasting
D Major and D minor
modalities. In addition
to its musical value, use
this work to teach
advanced finger patterns
that will provide
students with a solid
understanding of the
fingerboard and
accidentals. A lively and
spirited work that is
sure to keep your
students and audience
engaged and
entertained.
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
B-Suite for Strings Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Carrie Lane Gruselle. Music by Carrie Lane Gruselle. For String Orchestra. St...(+)
By Carrie Lane Gruselle.
Music by Carrie Lane
Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 3
(grade 3). Conductor
Score. 16 pages.
Published by Alfred
Publishing.
For String Orchestra. Composed by Domenico Scarlatti (1685-1757). Arranged...(+)
For String Orchestra.
Composed by Domenico
Scarlatti (1685-1757).
Arranged by Yukiko
Nishimura.
Southern Music.
Classical.
Softcover. Southern Music
Company #SO129C.
Published by
Southern Music Company
Composed by Shirl Jae
Atwell. Performance Music
Ensemble; String
Orchestra. Latham Music.
Score and Part(s). Latham
Music Enterprises
#36-52250220. Published
by Latham Music
Enterprises
(AP.36-52250220).
ISBN
9781628763812. UPC:
746241267627.
English.
Every
section of the orchestra
gets to play melodic
passages, even the basses
in this Grade 2.5
original work. Set in B
minor with a syncopated
feel, the accompaniment
features tied rhythms
across the bar and first
violins shift to easy 3rd
position.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
B-Suite for Strings Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Carrie Lane Gruselle. Music by Carrie Lane Gruselle. For String Orchestra. St...(+)
By Carrie Lane Gruselle.
Music by Carrie Lane
Gruselle. For String
Orchestra. String
Orchestra. String
Orchestra. Latin. Level:
3 (grade 3). Conductor
Score and Parts.
Published by Alfred
Publishing.
Divertimenti in D major K. 136 (125a) - Divertimenti in B-flat major K. 137 (125...(+)
Divertimenti in D major
K. 136 (125a) -
Divertimenti in B-flat
major K. 137 (125b) -
Duvertimenti in F major
K. 138 (125c). By
Wolfgang Amadeus Mozart.
Edited by F!Ssl, Karl H.
For String orchestra.
Score; Urtext Edition.
Published by
Baerenreiter-Ausgaben
(German import).
Summer Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Integrity Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS27 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS27
Composed by Larry Clark.
Carl Fischer First Plus
String Orchestra Series.
Score and Parts. With
Standard notation.
8+8+5+5+5+2+8 pages. Carl
Fischer Music #FAS27.
Published by Carl Fischer
Music (CF.FAS27).
ISBN
9780825854835. UPC:
798408054830. 8.5 X 11
inches. Key: D
major.
The title
depicts the uplifting
nature of the piece that
inspires young players to
have confidence and
respect while living with
character and integrity.
The music is
characterized by strong
melodic intervals of
fourths and fifths and
dynamic contrasts, a
Larry Clark signature
that has made his music
so popular. In addition,
every player is an
important part of the
music. This is a perfect
showpiece for developing
groups for concerts or
festivals. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values.
Integrity is one
such piece. I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values.A
Integrity is one
such piece. I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these values. Integrity
is one such piece. I hope
you will find the main
theme to be uplifting and
with musical integrity,
but within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again. The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.
It has been my pleasure
to have the opportunity
to write this piece. I
hope that you and your
students find it useful
for your program. LARRY
CLARK Lakeland, Florida
2004. As a former
teacher I always tried to
use the experience of
playing in an ensemble to
teach students about
being good people first b
having confidence, being
respectful, living with
character and integrity.
I choose to write music
with titles that will
stimulate students to
strive for this high
standard and I have tried
to write pieces that will
somehow musically depict
these
values. Integrity is
one such piece.I hope you
will find the main theme
to be uplifting and with
musical integrity, but
within the reach of
developing students. My
themes usually are
characterized by strong
melodic intervals of
fourths and fifths and
this piece is no
exception. It is also my
goal when writing music
for younger students to
provide every section in
the ensemble a chance to
play important melodic
material at some point in
the piece. In my humble
opinion, if students are
given music they like to
play they will want to
practice it over and over
again.The tempo markings
and bowings indicated are
only there as a guide and
should be adjusted to the
needs of your students.It
has been my pleasure to
have the opportunity to
write this piece. I hope
that you and your
students find it useful
for your program.LARRY
CLARKLakeland, Florida
2004.
America's Cup Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS37 For Stri...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS37
For
String Orchestra.
Composed by Alan Lee
Silva. This edition:
complete set. FS-SWS.
Carl Fischer Concert
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
24+24+6+15+21+15+15+20
pages. Carl Fischer Music
#CAS37. Published by Carl
Fischer Music (CF.CAS37).
ISBN 9780825863660.
UPC: 798408063665. 8.5 X
11 inches. Key: C
major.
A salute to
the famous sailboat race,
this rollicking piece in
A minor introduces
compound time with an
opening (and closing)
section in 12/8. The fast
flowing music of the
opening, vividly
suggestive of a ship
slicing through the
waves, returns in a
higher key (B minor)
after a warmly scored,
sweepingly melodic middle
section. This is a piece
whose sophistication is
an excellent showcase for
a more advanced
performing
group. Written in 12/8
in A minor,
America’s Cup
evokes the intensity and
momentum of a wild sea
with driving triplets,
sweeping melodies, and
accented downbeats. The
A-material from the
opening measure is played
aggressively but lightly
enough to keep the
feeling of forward
motion. Strong accents
and rhythmically precise
playing in the cello and
bass provide solid
support for the fast
moving violin and viola
passages. Measure 67
begins the slow, pastoral
setting of the
B-material. A gentle,
lyrical violin motive in
A major grows into a
high, sweeping melody
over sustained harmonies.
This provides a brief
repose before returning
to the fastoriginal tempo
and minor key as the
recapitulation begins at
m. 90. A modulation to B
minor (m. 94) lifts the
energy of the piece and
gives young players the
challenge of playing the
running lines in another
key. Measure 118 builds
to the end, keeping the
intensity a soft dynamic
and growing into the
final syncopated tutti
unison figure in mm.
122–123.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
By Matt Turner. For string orchestra (violin I, violin II, violin III (viola T.C...(+)
By Matt Turner. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, drums,
piano). Score and parts.
Duration 3 minutes, 06
seconds. Published by
Carl Fischer
North Country Dance Orchestre à Cordes [Conducteur et Parties séparées] - Facile Imagine Music
Composed by Mark Zuckerman. For string orchestra. Pathways Series. Level 2. ...(+)
Composed by Mark
Zuckerman.
For string orchestra.
Pathways
Series. Level 2. Score
and set
of parts. Duration
"3 minutes,
30 seconds".
Published by
Imagine Music
By Richard M. Sherman, Robert B. Sherman. Arranged by Victor Lopez. Words and mu...(+)
By Richard M. Sherman,
Robert B. Sherman.
Arranged by Victor Lopez.
Words and music by
Richard M. Sherman and
Robert B. Sherman / arr.
Victor Lopez. For String
Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Broadway;
Movie. Level: 2.5 (Green)
(grade 2.5 Green).
Conductor Score and
Parts. Published by
Alfred Publishing.
By Richard M. Sherman, Robert B. Sherman. Arranged by Bob Cerulli. Words and mus...(+)
By Richard M. Sherman,
Robert B. Sherman.
Arranged by Bob Cerulli.
Words and music by
Richard M. Sherman and
Robert B. Sherman / arr.
Bob Cerulli. For String
Orchestra. String
Orchestra. Pop Beginning
String Orchestra.
Broadway; Movie. Level: 2
(Red) (grade 2 Red).
Conductor Score.
Published by Alfred
Publishing.
Path to the Pacific Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS27 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS27
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS27.
Published by Carl Fischer
Music (CF.YAS27).
ISBN
9780825858345. UPC:
798408058340. 8.5 X 11
inches. Key: G
major.
From the
Rocky Mountains to the
Pacific Ocean, Path to
the Pacific reflects the
open, airy and
picturesque qualities of
the American West. These
textures are painted
through the use of light
syncopation, key
modulations and triplets
that will certainly
ch. From the opening
driving cello melody to
the final ensemble
flourish, Path to the
Pacific is an exciting
and rewarding piece for
young players to play.The
accents in the cello
during the lively
introduction at m. 1 are
integral to the feel of
the melodic line and
provide an engaging
technical challenge. The
AAB form begins as the
piece decrescendos to the
quiet ‘A’
section at m. 9,
featuring violin 1 with a
singing, lyrical
melody.The robust, joyous
‘B’ section
is played with intensity,
but still legato. The
return to the
‘A’ material
at m. 37 features the
Cello. The 2nd statement
of the ‘B’
material at m. 45 is
highlighted by a
refreshing tonal shift to
the key of E then back to
the key of
‘G’ before
the crescendo to the
fermata in m. 58.The
active cello theme from
the introduction returns
in the A Tempo section at
m. 59 at a piano dynamic.
This begins the build to
the maestoso section at
m. 71. Measures 63-70 are
the most aggressive bars
of the composition.
Strive for rhythmic
precision when
approaching the quintal
harmony in m. 63-64, the
accented figures in m.
65-67, and the triplet
figures in m. 68-69. A
rich, resonant tone from
the full ensemble will
make the maestoso section
in m. 71 move powerfully
to the final bar.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Concerti Grossi for String Orchestra or String Quartet. Edited by Paul Paradise....(+)
Concerti Grossi for
String Orchestra or
String Quartet. Edited by
Paul Paradise. For String
Bass. String Orchestra
Collection. The Best of.
Level: Medium-Advanced.
Book. 32 pages. Published
by Alfred Publishing.
Composed by Franz Joseph Haydn (1732-1809). Edited by Sonja Gerlach and Sterli...(+)
Composed by Franz Joseph
Haydn
(1732-1809). Edited by
Sonja
Gerlach and Sterling E.
Murray. This edition:
urtext
edition. Stapled. Score.
Hob.
I:76. Baerenreiter Verlag
#BA10987. Published by
Baerenreiter Verlag
(Night Of Stars).
Composed by John
Caponegro. Solo or
Ensemble. Accent String
Orchestra. Kendor Music
Inc #08476S. Published by
Kendor Music Inc
(KN.08476S).
UPC:
822795084764.
This
beautiful Latin piece
contrasts a lyrical A
theme and a rhythmic B
theme with convincing
results. It gives
everyone a chance to
shine, especially violas
and cellos when they
carry the melodic lead in
the B section while
violins play pizzicato.
Though the parts for
piano, percussion
(claves, maracas) and
bells that come in each
set are optional, their
use will definitely
enhance the style and
flavor of the music.
Duration 2:00. Available
in SmartMusic.
Petite Tango Orchestre à Cordes [Conducteur] - Facile Alfred Publishing
By Casey B Kriechbaum. Music by Casey B Kriechbaum. For String Orchestra. String...(+)
By Casey B Kriechbaum.
Music by Casey B
Kriechbaum. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 2
(grade 2). Conductor
Score. 8 pages. Published
by Alfred Publishing.
Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For s...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
John Caponegro. For
standard string orchestra
(88555) with opt. 3rd
Violin/Viola T.C. (3).
Concert String Orchestra.
Grade 3. Score and parts.
Duration 1 minute, 50
seconds. Published by
Kendor Music Inc
Composed by Larry Clark.
Intermezzo Orchestra
Series. Classical,
Acoustic. Score. Excelcia
Music Publishing
#ISO1903FS. Published by
Excelcia Music Publishing
(XC.ISO1903FS).
UPC:
812598031102. 9 x 12
inches.
Swan
Dancing draws inspiration
from the multitude of
swans inhabiting the lake
near the offices of
Excelcia Music
Publishing. Composer
Larry Clark draws on
these iconic birds to
write a delightful,
uplifting piece for
string orchestra. With a
nice lyrical B theme that
shows off the
musicianship of your
orchestra, students and
audiences alike will walk
away humming this
memorable melody. Swan
Dancing is a joyful
selection for any
orchestral concert.
Viola Rampage Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2.5
SKU: KN.9742
Composed by Timothy J.
Isham. Solo or Ensemble.
Voyager String Orchestra.
Score and parts. Duration
3 minutes, 25 seconds.
Kendor Music Inc #9742.
Published by Kendor Music
Inc (KN.9742).
UPC:
822795097429.
The
violas seize the
spotlight and demand to
be heard in this dramatic
grade 2 piece! The
conflict rages as the
violas' aggressive B
minor main theme contrast
with the soaring D major
theme played by the
violins. Who will emerge
victorious in this epic
battle for orchestral
dominance? Each set
includes three copies of
the 3rd Violin/Viola T.C.
part and an optional part
for piano. Duration 3:25.
Available in
SmartMusic.
Terra Nova Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. Orchestra. For string w/ vln3, pno acc. Part(s); Score; String...(+)
By Richard Meyer.
Orchestra. For string w/
vln3, pno acc. Part(s);
Score; String Orchestra.
HighlandåÊString
Explorer. Grade 2. 72
pages. Published by
Alfred Music Publishing