By Almon C. Bock II. Orchestra. For string. Part(s); Score; String Orchestra. Highland String Orchestra. Form: Dance. Latin; Light Concert; Novelty. Grade 3. 62 pages. Published by Alfred Music Publishing

By Almon C. Bock II. Orchestra. Score; String Orchestra. Highland String Orchestra. Form: Dance. Latin; Light Concert; Novelty. Grade 3. 8 pages. Published by Alfred Music Publishing

Christmas Round the World by Edward Huws Jones. Orchestra. For string ensemble. Part(s); Score; String Orchestra. Faber Edition: Stringsets. Christmas; Winter. Elementary. Score and parts. Published by Faber Music

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS19

Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #YAS19. Published by Carl Fischer Music (CF.YAS19).

ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Composed by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Explorer. Light Concert; Novelty. Part(s); Score. 72 pages. Highland/Etling #00-46709. Published by Highland/Etling (AP.46709).

By Sean O'Loughlin. For string orchestra. Carl Fischer Primer String Orchestra Series. Grade 0.5. Score and parts. Published by Carl Fischer

Arranged by Bob Lipton. String Orchestra. FJH String Orchestra. Score for this title: ST6099S. Extra part for this title: ST6099P. Level: 4. Published by The FJH Music Company Inc.

Composed by Loreta Fin. Orchestra. Part(s); Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Grade 1. 128 pages. Published by Alfred Music

(Recorded by Meghan Trainor). Composed by Meghan Trainor and Kevin Kadish. Arranged by Victor López. Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Pop. Grade 2. 78 pages. Published by Alfred Music

(Recorded by Meghan Trainor). Composed by Meghan Trainor and Kevin Kadish. Arranged by Victor López. Orchestra. Score; String Orchestra. Pop Intermediate String Orchestra. Pop. Grade 2. 8 pages. Published by Alfred Music

From Barbie. Composed by Amanda Koci, Henry Walter, Madison Love, Music by Michael Pollack, and Words. Arranged by Chris M. Bernotas. Performance Music Ensemble; Single Titles; String Orchestra. Pop Intermediate String Orchestra. Movie; Pop; Pop/Rock. Score and Part(s). Alfred Music #00-50775. Published by Alfred Music

Composed by Bill Calhoun. Score and part(s). With Standard notation. 70 8 pages. Duration 2 minutes, 11 seconds. Carl Fischer #BAS0068. Published by Carl Fischer (CF.BAS68).

By Robert Frost. For string orchestra (88555) with optional 3rd Violin/Viola TC (3) and piano. Standard string orchestra (88555) with optional 3rd Violin/Viola TC (3) and piano. Cadet String Orchestra Series. Grade 2. Score and parts. Published by Kendor Music Inc

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS19F

Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS19F. Published by Carl Fischer Music (CF.YAS19F).

ISBN 9780825854866. UPC: 798408054861. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patterns in the violas and low strings. An AABA form begins at m. 5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the 13 section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) and percussion - Grade 2.5

SKU: KN.36315

Composed by David Bobrowitz. Solo or Ensemble. Voyager String Orchestra. Score and parts. Kendor Music Inc #36315. Published by Kendor Music Inc (KN.36315).

UPC: 822795363159.

It's winter and the sun has already set, but a bright moon allows the whiteness of the snow covered ground to show a clear path. Everyone is excited in anticipation of a fun evening gliding through the snow on a horse driven sleigh. Then we're off, and a catchy melody follows us as we ride through the winter night. Evening Sleigh Ride is a piece that is a perfect addition to your string orchestras Winter Concert. It will leave both performers and audience with an upbeat feeling to the start of their winter break. Set includes optional 3rd Violin/Viola T.C. and percussion parts.

Set includes optional 3rd Violin/Viola T.C. and percussion parts.

Composed by Bob Lipton. Edited by J. Cameron Law. For string orchestra. Grade 2+. Score and set of parts. Duration 2 minutes, 30 seconds. Published by Grand Mesa Music

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS52

Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #YAS52. Published by Carl Fischer Music (CF.YAS52).

ISBN 9780825863608. UPC: 798408063603. 8.5 X 11 inches. Key: D major.

This is a striking and original piece that builds interest and momentum using a four note cello and bass ostinato. Arco and pizzicato contrasts of texture and off-beat accents and rhythms sustain interest in this unusual selection, which puts minimal musical resources to maximum use.
A Road Less Traveled is a musical journey based on four notes. The cellos and basses provide these notes in mm. 2 and 3. The piece explores some new compositional techniques for me, and in some sections can be considered minimalist. However, I constructed the piece in a very accessible manner. The individual rhythms create new composite rhythms when played together. It has a unique clockwork quality to it. The music morphs from arco to pizzicato at m. 49. The odd accents bring out some of the quirky quality to the music. A return to arco playing at m. 94 provides a recapitulation of the opening section. Upon return, some of the punchy music now becomes sustained for a dramatic climax. This piece was a real joy to work on, and illustrates “a road less traveled” in my compositional career.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Scott Watson. Masterworks; Part(s); Score; String Orchestra. Highland/Etling String Orchestra. Christmas; Masterwork Arrangement; Novelty; Romantic; Secular; Winter. 128 pages. Published by Highland/Etling (AP.45883).

By Doug Spata. Orchestra. String Orchestra. Highland String Orchestra. Light Concert; Novelty. Grade 1. Conductor Score and Parts. 64 pages. Published by Alfred Music Publishing

From Requiem. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Laura Kenney. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Classical; Masterwork Arrangement; Sacred. 124 pages. Published by Belwin Music (AP.45846).

Composed by Thom Sharp. Part(s); Score; String Orchestra. Highland/Etling String Orchestra. Form: Rondo. 124 pages. Published by Highland/Etling (AP.44850).

By Loreta Fin. Orchestra. String Orchestra. Wilfin String Orchestra. Grade 2.5. Conductor Score and Parts. 114 pages

Composed by Gary Edwards. For string orchestra. Pathways Series. Grade 3. Full set. Duration 3 minutes, 45 seconds. Published by Imagine Music

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS12

Composed by Carl Strommen. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS12. Published by Carl Fischer Music (CF.FAS12).

ISBN 9780825845062. UPC: 798408045067. 8.5 X 11 inches. Key: D major.

The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.

By Martin Norgaard. Orchestra. Part(s); Score; String Orchestra. Highland String Alternatives. Jazz; Latin. Grade 3. 128 pages. Published by Alfred Music Publishing

By Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Highland String Explorer. Christmas; Novelty; Secular; Winter. Grade 1.5. 130 pages. Published by Alfred Music

Composed by Lieberman. Concert String Orchestra Series. Score and set of parts. Published by Kendor Music Inc (KN.10161).