Composed by Bill Calhoun. Score and part(s). With Standard notation. 70 8 pages. Duration 2 minutes, 11 seconds. Carl Fischer #BAS0068. Published by Carl Fischer (CF.BAS68).

One Winter Night (All Is Calm, All Is Bright) by John Moss. Score and Parts. Easy Music For Strings. Grade 2. Published by Hal Leonard

High School Musical 3 arranged by Robert Longfield. Score and Parts. Pop Specials for Strings. Grade 3-4. Published by Hal Leonard

String Orchestra Orchestra - Grade 2

SKU: XC.ISO1904FS

Composed by Sean O'Loughlin. Intermezzo Orchestra Series. Classical, Acoustic. Score. Excelcia Music Publishing #ISO1904FS. Published by Excelcia Music Publishing (XC.ISO1904FS).

UPC: 812598030983. 9 x 12 inches.

Escalation is an exciting new work for the developing string orchestra. The title suggests music that lifts and rises throughout. I endeavored to embody this concept but not be limited by it. The music does rise at times, but it also needs to pull back to make a complete musical statement. By its cinematic nature, the piece offers some wonderful teaching opportunities for both rhythmic and lyrical playing.

String Orchestra Orchestra - Grade 2

SKU: XC.ISO1904

Composed by Sean O'Loughlin. Intermezzo Orchestra Series. Classical, Acoustic. Set of parts. Excelcia Music Publishing #ISO1904. Published by Excelcia Music Publishing (XC.ISO1904).

UPC: 812598030518. 9 x 12 inches.

Escalation is an exciting new work for the developing string orchestra. The title suggests music that lifts and rises throughout. I endeavored to embody this concept but not be limited by it. The music does rise at times, but it also needs to pull back to make a complete musical statement. By its cinematic nature, the piece offers some wonderful teaching opportunities for both rhythmic and lyrical playing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Viola. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 2. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Conductor's Score. String Orchestra Method/Supplement. Book. 116 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 1. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS50

Composed by Matt Turner. Carl Fischer Young String Orchestra Series. Scalin’ Back is a pop-rock string orchestra piece. A section that allows for solos has been provided at m. 33. Students are encouraged to improvise a solo using the pitches in the C-major scale. Classical. Score and Parts. With Standard notation. 8 pages. Carl Fischer Music #YAS50. Published by Carl Fischer Music (CF.YAS50).

ISBN 9780825863561. UPC: 798408063566. 8.5 X 11 inches. Key: C major.

Another fine rock-styled selection by the gifted Matt Turner that offers young players the chance to perform improvised solos with the ensemble. The basic framework of the piece is a lively and inventive use of simple rock progressions and standard rock rhythms.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Calvin Custer. For Orchestra, String Orchestra (Score and Parts). Music for String Orchestra. Grade 4. Published by Hal Leonard

Composed by Bob Cerulli. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Belwin Beginning String Orchestra. Folk; Light Concert; Multicultural. Grade 2. 76 pages. Published by Belwin Music

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6289S

Score Only. Composed by Soon Hee Newbold. Series; String Orchestra. FJH Developing Strings. Light Concert; Multicultural; Novelty. Score. Duration 2:00. The FJH Music Company Inc #98-ST6289S. Published by The FJH Music Company Inc (FJ.ST6289S).

English.

Feel the warm breezes of the islands in this lively original work. Emphasizing high 3 fingerings in the violins and violas, Calypso Sea contains traditional syncopated rhythms and pizzicato figures. Optional claves and guiro complete the groove and add a tropical flair.

Orchestra String Orchestra - Grade 2.5

SKU: FJ.ST6504

Silent Night. Composed by Franz Xaver Gruber. Arranged by Katie O'Hara LaBrie. Series; String Orchestra. FJH Developing Strings. Christmas; Holiday Pops. Score and Part(s). The FJH Music Company Inc #98-ST6504. Published by The FJH Music Company Inc (FJ.ST6504).

UPC: 241444416358. English.

Lush and rich harmonies surround this inventive arrangement of Silent Night that offers a wonderful opportunity to focus on phrasing and balance. Each section is featured through interwoven melodies and changing time signatures in the contrasting calm and bright sections. A mature sounding work for intermediate players, and a sure way to enhance the quality of your winter program.

By Mark Williams. Music by Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Orchestra string orchestra - Grade 4

SKU: KJ.SO281F

Composed by Robert Sieving. String Tracks. Score. Neil A. Kjos Music Company #SO281F. Published by Neil A. Kjos Music Company (KJ.SO281F).

Filled with rustic charm, Calloway County is a musical meditation on old time rural America. From syncopated dance rhythms to austere folk-inspired melodies, this evocative selection has something for everyone. Full Score.

Composed by Leroy Anderson (1908-1975). Arranged by Bob Phillips. Orchestra. Score; String Orchestra. Pop Concert String Orchestra. Form: Waltz. Light Concert. Grade 3. 12 pages. Published by Alfred Music

By Carly Rae Jepsen. Arranged by Larry Moore. For String Orchestra (Score and Parts). Pop Specials for Strings. Grade 3-4. Published by Hal Leonard

Set of Parts Soloistically Augmenting. By Johann Pachelbel. Arranged by Helmut May. Schott. Size 9x12 inches. Published by Schott.

Composed by Gene Milford. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 2 minutes, 32 seconds. Published by Carl Fischer

Featuring: Jolly Old St. Nicholas / Jingle Bells. Composed by James Lord Pierpont. Arranged by Bob Phillips. Part(s); Score; String Orchestra. Sound Innovations for String Orchestra. Form: Medley. Christmas; Winter. 156 pages. Published by Alfred Music (AP.45862).

Composed by Bill Calhoun. For string orchestra (violin I, violin II, violin III (viola T.C.), viola, cello, bass, piano). Score and parts. Duration 2 minutes, 11 seconds. Published by Carl Fischer

From the Broadway musical "Hamilton". Composed by Lin- Manuel Miranda (1980-). Arranged by Larry Moore. Pop Specials for Strings. Broadway; Musical. Softcover. Published by Hal Leonard

Orchestra String Orchestra - Grade 3

SKU: CF.CAS7

Composed by Doris Gazda. Edited by Amy Rosen. FS-SWs. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20+24+24+6+15+15+15 pages. Carl Fischer Music #CAS7. Published by Carl Fischer Music (CF.CAS7).

ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major.

When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.
When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it.

Orchestra String Orchestra - Grade 3

SKU: CF.CAS18

Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).

ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.

A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantas y on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Orchestra String Orchestra - Grade 4

SKU: FJ.ST6172S

Score Only. Composed by Victor Ewald. Arranged by Bob Lipton. Series; String Orchestra. FJH String Orchestra. Quintet, Opus 5, from which the Allegro Moderato is the third and final movement, reflects Russian romanticism at its finest. Originally written for brass, it has become a favorite of brass musicians the world over. Music written for brass is technicall. Masterwork Arrangement. Score. Duration 4:15. The FJH Music Company Inc #98-ST6172S. Published by The FJH Music Company Inc (FJ.ST6172S).

English.

Origina lly written for brass, this exceptional work by Victor Ewald translates beautifully for strings. What is more, this gives your students a great opportunity to play an extended and fully realized piece of Russian Romantic music without anything being watered down. An excellent addition to the repertoire!

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Arranged by Steven L. Rosenhaus. For string orchestra. Grade 2+. Score and set of parts. Duration 2 minutes, 40 seconds. Published by Grand Mesa Music