Originally Performed by Evanescence. Composed by Ben Moody, Amy Lee, and ...(+)
Originally Performed
by Evanescence.
Composed by Ben Moody,
Amy Lee, and David
Hodges. Arranged by for
Vitamin String Quartet by
Thomas Tally. Part(s);
Score; String Orchestra.
Pop Concert String
Orchestra. Pop/Rock. 124
pages. Published by
Alfred Music (AP.43780).
Evanescence : My Immortal Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Ben Moody, Amy Lee, and David Hodges [Evanescence]. Arranged by Robert Gard...(+)
By Ben Moody, Amy Lee,
and
David Hodges
[Evanescence].
Arranged by Robert
Gardner.
Orchestra. Part(s);
Score;
String Orchestra. Pop
Intermediate String
Orchestra.
Form: Ballade. Light
Concert;
Pop/Rock. Grade 3. 72
pages.
Published by Alfred Music
Publishing
By Ben Moody, Amy Lee, and David Hodges [Evanescence]. Arranged by Robert Gard...(+)
By Ben Moody, Amy Lee,
and
David Hodges
[Evanescence].
Arranged by Robert
Gardner.
Orchestra. Score; String
Orchestra. Pop
Intermediate
String Orchestra. Form:
Ballade. Light Concert;
Pop/Rock. Grade 3. 12
pages.
Published by Alfred Music
Publishing
Performed by Little Eva. By Gerry Goffin, Carole King. Arranged by Larry Moore. ...(+)
Performed by Little Eva.
By Gerry Goffin, Carole
King. Arranged by Larry
Moore. Easy Pops Specials
For Strings. Size 9x12
inches. Published by Hal
Leonard.
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Bonanza Orchestre à Cordes [Conducteur et Parties séparées] - Facile Hal Leonard
By Jay Livingston and Ray Evans. Arranged by Robert Longfield. For String Orches...(+)
By Jay Livingston and Ray
Evans. Arranged by Robert
Longfield. For String
Orchestra (Score &
Parts). Easy Pop Specials
For Strings. Grade 2.
Published by Hal Leonard
Symphony No. 2 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Score and Parts String Orchestra (Score and Parts) - Grade 3-4 SKU: HL.449302...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 3-4
SKU: HL.4493029
Composed by Joseph
Bologne, Chevalier de St.
Georges. Edited by Jamin
Hoffman. Music for String
Orchestra. Classical,
Concert. Softcover.
Duration 100 seconds.
Published by Hal Leonard
(HL.4493029).
UPC:
196288155966. 9.0x12.0
inches.
One of only
two surviving symphonies
by the subject of the
movie Chevalier, Jamin
Hoffman has carefully
edited the original
manuscript to allow this
masterpiece by â??the
Black Mozartâ? to be
accessible to modern
orchestras. This long
overdue tribute to a
master fencer, military
officer, conductor, and
composer belongs in every
music library! (Includes
optional oboes and
horns.).
March from Symphony No. 6 Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. ...(+)
By Peter Ilyich
Tchaikovsky
(1840-1893). Arranged by
Andrew H. Dabczynski.
Orchestra. Masterworks;
Part(s); Score; String
Orchestra. Highland
String
Explorer. Form: March;
Transcription. Masterwork
Arrangement; Romantic.
Grade
2. 140 pages. Published
by
Alfred Music Publishing
Caissons Go Rolling Along Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Part(s); Score; SmartMusi...(+)
Composed by Edmund L.
Gruber. Arranged by Bob
Cerulli. Part(s); Score;
SmartMusic; String
Orchestra. Orchestra
Expressions. 4th of July;
Light Concert; Patriotic;
Summer. 68 pages.
Published by Alfred Music
(AP.41192).
Full
Score. Arranged by
Larry Moore. Easy Pop
Specials For Strings.
Pop. Softcover. Duration
100 seconds. Published by
Hal Leonard (HL.4493032).
UPC:
196288155713.
â??R
ick Rollâ? your
audience and dive into
the playful nostalgia of
â??Never Gonna Give You
Up!â? Larry Moore's
masterful arrangement
gives this classic hit by
Rick Astley a fresh
twist, perfect for adding
fun and energy to your
performance. Elevate your
string orchestra's
repertoire with this
crowd-pleaser's catchy
beats and infectious
spirit that will have
everyone singing
along!
Score and Parts String Orchestra (Score and Parts) - Grade 2 SKU: HL.4493031<...(+)
Score and Parts String
Orchestra (Score and
Parts) - Grade 2
SKU:
HL.4493031
Arranged
by Larry Moore. Easy Pop
Specials For Strings.
Pop. Softcover. Duration
150 seconds. Published by
Hal Leonard (HL.4493031).
UPC: 196288155706.
9.0x12.0x0.257
inches.
“Rick
Roll” your audience and
dive into the playful
nostalgia of “Never
Gonna Give You Up!”
Larry Moore's masterful
arrangement gives this
classic hit by Rick
Astley a fresh twist,
perfect for adding fun
and energy to your
performance. Elevate your
string orchestra's
repertoire with this
crowd-pleaser's catchy
beats and infectious
spirit that will have
everyone singing
along!
By Franz Xavier Gruber. Arranged by Ralph Ford. By Franz Xavier Gruber / arr. Ra...(+)
By Franz Xavier Gruber.
Arranged by Ralph Ford.
By Franz Xavier Gruber /
arr. Ralph Ford. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 2 (Red)
(grade 2 Red). Conductor
Score and Parts.
Published by Alfred
Publishing.
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
Masterworks; SmartMusic;
String Orchestra.
HighlandåÊString
Explorer. Form:
Transcription. Christmas;
Masterwork Arrangement;
Romantic; Winter. Grade
1.5. Conductor Score and
Parts. 140 pages.
Published by Alfred Music
Publishing
Passo Mezzo Orchestre à Cordes - Intermédiaire FJH
Orchestra String Orchestra - Grade 3.5 SKU: FJ.ST6526S From Ancient Ai...(+)
Orchestra String
Orchestra - Grade 3.5
SKU: FJ.ST6526S
From Ancient Airs and
Dances, Suite No. 1.
Composed by Ottorino
Respighi. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6526S.
Published by The FJH
Music Company Inc
(FJ.ST6526S).
English.
The
sprightly final movement
of Respighi's Ancient
Airs and Dances, Suite
No. 1 is the perfect
change of pace for any
concert. Packing a ton of
musicality in a short
time, this arrangement is
quite achievable yet
incredible authentic. A
wonderful way to let your
principal section players
shine while also engaging
the entire orchestra.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Sunshine Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Composed by Traditional. Arranged by Wang. For string orchestra (88555) with ...(+)
Composed by Traditional.
Arranged by Wang. For
string
orchestra (88555) with
optional 3rd violin/viola
TC
(3 copies). Cadet String
Orchestra Series. Grade
2.
Score and set of parts.
Duration 3 minutes, 30
seconds. Published by
Kendor
Music Inc
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
For String Orchestra.
String Orchestra. String
Explorer. Form:
Transcription. Christmas;
Romantic; Winter. 1.5
(grade 1.5). Score. 8
pages
Composed by Edmund L. Gruber. Arranged by Bob Cerulli. Score; SmartMusic; String...(+)
Composed by Edmund L.
Gruber. Arranged by Bob
Cerulli. Score;
SmartMusic; String
Orchestra. Orchestra
Expressions. 4th of July;
Light Concert; Patriotic;
Summer. 8 pages.
Published by Alfred Music
(AP.41192S).
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Developing
Strings. Ringing half and
whole notes simulate the
chiming of bells in this
arrangement of the
Renaissance melody. Some
are accented, some are
not, and others are
pizzicato. But all
represent celebratory
church bells. Christmas;
Holiday Pops. Score.
Duration 1:45. The FJH
Music Company Inc
#98-ST6128S. Published by
The FJH Music Company Inc
(FJ.ST6128S).
English.
This
spirited work is certain
to make its way into
libraries everywhere.
Listeners can hear the
bells chiming right away
as this fantastic
arrangement unfolds. With
several textural changes
and an easily achievable
fugue, the arrangement
includes a wealth of
interesting harmonies and
teaching opportunities.
An instant classic not to
be overlooked!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5