By John Nieto. Orchestra. String Orchestra. Belwin Very Beginning String Orchest...(+)
By John Nieto. Orchestra.
String Orchestra. Belwin
Very Beginning String
Orchestra. Light Concert.
Grade 1. Score. 8 pages.
Published by Alfred Music
Publishing
By Maurice Ravel. Arranged by Michael Story. By Maurice Ravel / arr. Michael Sto...(+)
By Maurice Ravel.
Arranged by Michael
Story. By Maurice Ravel /
arr. Michael Story. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 1.5
(Red) (grade 1.5 Red).
Conductor Score. 8 pages.
Published by Alfred
Publishing.
By Maurice Ravel. Arranged by Michael Story. By Maurice Ravel / arr. Michael Sto...(+)
By Maurice Ravel.
Arranged by Michael
Story. By Maurice Ravel /
arr. Michael Story. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 1.5
(Red) (grade 1.5).
Conductor Score and
Parts. Published by
Alfred Publishing.
Score Only.
Composed by Franz Joseph
Haydn. Arranged by Carrie
Lane Gruselle. Series;
String Orchestra. FJH
Developing Strings.
Masterwork Arrangement.
Score. Duration 3:30. The
FJH Music Company Inc
#98-ST6476S. Published by
The FJH Music Company Inc
(FJ.ST6476S).
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Orchestra String Orchestra - Grade 2.5 SKU: FJ.ST6476 Composed by Franz J...(+)
Orchestra String
Orchestra - Grade 2.5
SKU: FJ.ST6476
Composed by Franz Joseph
Haydn. Arranged by Carrie
Lane Gruselle. Series;
String Orchestra. FJH
Developing Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 3:30. The FJH
Music Company Inc
#98-ST6476. Published by
The FJH Music Company Inc
(FJ.ST6476).
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
String Orchestra SKU: ST.C146 Composed by William Lloyd Webber. String mu...(+)
String Orchestra
SKU:
ST.C146
Composed by
William Lloyd Webber.
String music. Clifton
Edition #C146. Published
by Clifton Edition
(ST.C146).
ISBN
9790570811465.
Julian Lloyd Webber
writes: My father
composed his four part
song The
Moon in 1959 to
words by W.H
Davies. The text —
as in so many of his word
settings — equates
nature with humanity: Thy
beauty haunts me, heart
and soul. Although
The Moon
remained unperformed
until his centenary year
in 2014 he evidently felt
strongly enough about it
to create this miniature
for string
orchestra. This work
has been recorded in a
performance conducted by
Julian Lloyd Webber,
available from Naxos: No.
8.573250.
A
miniature for String
Orchestra Edited by
Julian Lloyd
Webber This set
includes a full score
plus a set of 10 parts: 3
x violin 1, 2 x violin 2,
2 x viola, 2 x cello, 1 x
double
bass. Additional parts
are available from
Clifton
Edition.
Composed by William
Herschel. Arranged by Jan
Farrar-Royce and Lynne
Latham. Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Masterwork
Arrangement. Score and
Part(s). Latham Music
Enterprises #36-52250492.
Published by Latham Music
Enterprises
(AP.36-52250492).
ISBN
9781628764772. UPC:
660355038037.
English.
This work
is an energetic
introduction to
"Sturm und
Drang" style written
by the father of modern
astronomy. Dotted
rhythms, hooked bowings,
and detailed attention to
dynamic changes allow for
many opportunities to
work on fundamentals.
Chromatic
fingerings are a must:
violin 1 uses third
position, and all other
parts use extensions.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Gemini Orchestre à Cordes SATB A Cappella - Facile Excelcia Music Publishing
String Orchestra Orchestra - Grade 3 SKU: XC.RSO1902 Composed by George S...(+)
String Orchestra
Orchestra - Grade 3
SKU: XC.RSO1902
Composed by George Sweet.
Rhapsody Orchestra
Series. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#RSO1902. Published by
Excelcia Music Publishing
(XC.RSO1902).
UPC:
812598030600. 9 x 12
inches.
The
astrological sign of
Gemini is important to
the composer and his
family. In addition to
being born under the sign
himself, the
composer’s father
and sister are also
Geminis. This piece, as a
result, is both
auto-biographical and a
reflection of the
composers closest
family.
Arranged by Jack Bullock. Arr. Jack Bullock. For Full Orchestra. Full Orchestra....(+)
Arranged by Jack Bullock.
Arr. Jack Bullock. For
Full Orchestra. Full
Orchestra. Belwin
Intermediate Full/String
Orchestra. Level: grade
II. Conductor Score.
Published by Alfred
Publishing.
Father Grumble Orchestre à Cordes [Conducteur et Parties séparées] FJH
Arranged by Carrie Lane Gruselle. Developing Strings. FJH Developing Strings. Sc...(+)
Arranged by Carrie Lane
Gruselle. Developing
Strings. FJH Developing
Strings. Score and set of
parts. Duration 2
minutes. Published by The
FJH Music Company Inc
(FJ.ST6306).
Composed by William
Herschel. Arranged by Jan
Farrar-Royce and Lynne
Latham. This edition:
Latham Music. String
Orchestra. LudwigMasters
- Latham Music. Score.
Latham Music Enterprises
#36-52255492. Published
by Latham Music
Enterprises
(AP.36-52255492).
ISBN
9781628764789.
English.
This work
is an energetic
introduction to Sturm und
Drang style written by
the father of modern
astronomy. Dotted
rhythms, hooked bowings,
and detailed attention to
dynamic changes allow for
many opportunities to
work on fundamentals.
Chromatic fingerings are
a must: violin 1 uses
third position, and all
other parts use
extensions.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
By Francisco Tarrega. Arranged by Tim Mccarrick. For String Orchestra. String Or...(+)
By Francisco Tarrega.
Arranged by Tim
Mccarrick. For String
Orchestra. String
Orchestra. Belwin Concert
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score & Parts.
62 pages. Published by
Alfred Publishing.
Composed by Ottorino
Respighi. Arranged by
Carrie Lane Grusell.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 3:30. The FJH
Music Company Inc
#98-ST6425. Published by
The FJH Music Company Inc
(FJ.ST6425).
UPC:
241444375600.
English.
Borrowing
a tune form Vincenzo
Galilei, father of the
famous astronomer
Galileo, Respighi brings
a bright and energetic
taste of the Renaissance
to the concert hall.
Triple meter, irregular
melodic patterns, dotted
rhythms, independence of
voices, contrasting
textures and dynamics are
all studied in this
wonderful work by a
master composer.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by George Sweet.
Rhapsody Orchestra
Series. Classical,
Acoustic. Score. Excelcia
Music Publishing
#RSO1902FS. Published by
Excelcia Music Publishing
(XC.RSO1902FS).
UPC:
812598031010. 9 x 12
inches.
The
astrological sign of
Gemini is important to
the composer and his
family. In addition to
being born under the sign
himself, the
composer’s father
and sister are also
Geminis. This piece, as a
result, is both
auto-biographical and a
reflection of the
composers closest
family.
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Developing
Strings. Multicultural.
Score. Duration 2:00. The
FJH Music Company Inc
#98-ST6306S. Published by
The FJH Music Company Inc
(FJ.ST6306S).
English.
A
country fiddle-style
introduction leads into
this lively folk tune
about the age old
dispute: who works harder
- a husband or his wife?
This rousing arrangement
features a mix of
articulations and
textures that take the
melody through a series
of small variations
before coming to a
delightful ending. Who
wins between the two?
Draw your own
conclusions!
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5