Christmas Grace Orchestre à Cordes [Conducteur] - Débutant Excelcia Music Publishing
String Orchestra - beginner SKU: XC.HSO2101FS Silent Night, Away in a ...(+)
String Orchestra -
beginner
SKU:
XC.HSO2101FS
Silent Night, Away in
a Manger, Greensleeves,
Amazing Grace.
Composed by Larry Clark.
Excelcia Music Publishing
String Orchestra.
Holiday. Score. Excelcia
Music Publishing
#HSO2101FS. Published by
Excelcia Music Publishing
(XC.HSO2101FS).
UPC:
812598037197. 9 x 12
inches.
Intertwinin
g folk songs and
Christmas carols gives
this piece a unique
voice! Great for
expressive playing, this
work includes Silent
Night, Away in a Manger,
Greensleeves, and Amazing
Grace. This piece will be
a certain winner with
such a line-up of
well-known tunes!
Christmas Grace Orchestre à Cordes - Débutant Excelcia Music Publishing
String Orchestra - beginner SKU: XC.HSO2101 Silent Night, Away in a Ma...(+)
String Orchestra -
beginner
SKU:
XC.HSO2101
Silent
Night, Away in a Manger,
Greensleeves, Amazing
Grace. Composed by
Larry Clark. Excelcia
Music Publishing String
Orchestra. Holiday. Set
of parts. Excelcia Music
Publishing #HSO2101.
Published by Excelcia
Music Publishing
(XC.HSO2101).
UPC:
812598037494. 9 x 12
inches.
Intertwinin
g folk songs and
Christmas carols gives
this piece a unique
voice! Great for
expressive playing, this
work includes Silent
Night, Away in a Manger,
Greensleeves, and Amazing
Grace. This piece will be
a certain winner with
such a line-up of
well-known tunes!
Fantasy on Amazing Grace Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Arranged by Robert Kerr. Arr. Robert Kerr. For String Orchestra. String Orchestr...(+)
Arranged by Robert Kerr.
Arr. Robert Kerr. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score and Parts. 2 pages.
Published by Alfred
Publishing.
Amazing Grace Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Arranged by Sean O'Loughlin. String orchestra. For violin I, violin II, violin I...(+)
Arranged by Sean
O'Loughlin. String
orchestra. For violin I,
violin II, violin III
(viola TC), viola, cello,
bass, piano. Score and
parts. 70 8 pages.
Duration 4 minutes, 9
seconds. Published by
Carl Fischer
Composed by Traditionel.
Arranged by Mickael
Smith. Ochestre a cordes.
Orchestra. Editions
Robert Martin
#SMIT04045-CO. Published
by Editions Robert Martin
(RM.SMIT04045-CO).
Composed by Traditionel.
Arranged by Mickael
Smith. Ochestre a cordes.
Orchestra. Full set.
Duration 2 minutes, 40
seconds. Editions Robert
Martin #SMIT04045-BA.
Published by Editions
Robert Martin
(RM.SMIT04045-BA).
(For String Orchestra and Solo Violin). By Susan H. Day. Orchestra. Part(s); Sco...(+)
(For String Orchestra and
Solo Violin). By Susan H.
Day. Orchestra. Part(s);
Score; SmartMusic; String
Orchestra. Highland
String Orchestra. Form:
Variations. Grade 3. 128
pages. Published by
Alfred Music
(1st Movement from Serenade in C Major for String Orchestra, Op. 48). By Peter...(+)
(1st Movement from
Serenade in C Major for
String Orchestra, Op.
48). By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Victor
LÌ_pez. Concert Band.
Concert Band;
Masterworks; Part(s);
Score. Belwin Concert
Band. Form: Sonatina.
Masterwork Arrangement;
Romantic. Grade 3. 260
pages. Published by
Belwin Publishing
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by John Caponegro....(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Arranged
by John Caponegro. For
standard string orchestra
(883555) with opt. 3rd
violin/viola T.C..
Concert
String Orchestra Series.
Grade
4. Score and set of
parts.
Published by Kendor Music
Inc
Overture. Composed by Henry Purcell (1659-1695). Arranged by Andrew H. Da...(+)
Overture. Composed
by Henry Purcell
(1659-1695). Arranged by
Andrew H. Dabczynski.
Masterworks; Performance
Music Ensemble; Single
Titles; SmartMusic;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Overture. Baroque;
Masterwork Arrangement.
Score. 12 pages. Duration
3:15. Highland/Etling
#00-43848S. Published by
Highland/Etling
(AP.43848S).
Impresario Overture Orchestre à Cordes [Conducteur et Parties séparées] Kendor Music Inc.
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Arthur Frackenpohl....(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Arthur Frackenpohl.
Concert String Orchestra
Series. Score and set of
parts. Published by
Kendor Music Inc
(KN.10048).
Arranged by Robert Kerr. Arr. Robert Kerr. For String Orchestra. String Orchestr...(+)
Arranged by Robert Kerr.
Arr. Robert Kerr. For
String Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score. 12 pages.
Published by Alfred
Publishing.
The Glades - Score Orchestre à Cordes [Conducteur] - Intermédiaire Kjos Music Company
Orchestra string orchestra - Grade 4 SKU: KJ.SO270F Composed by Carlos Nu...(+)
Orchestra string
orchestra - Grade 4
SKU: KJ.SO270F
Composed by Carlos Nunez.
String Tracks. Score.
Neil A. Kjos Music
Company #SO270F.
Published by Neil A. Kjos
Music Company
(KJ.SO270F).
Full of fiery
energy and sublime grace,
this unforgettable
selection is a musical
depiction of The
Everglades. The darting
melodic lines and daring
rhythms will be sure to
delight students and
audiences alike. Full
Score.
Michael Hopkins : Berceuse Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Michael Hopkins. Orchestra. String Orchestra. Belwin Beginning String Orchest...(+)
By Michael Hopkins.
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Grade 2.
Conductor Score and
Parts. 76 pages.
Published by Alfred Music
Publishing
Castle Lore Orchestre à Cordes [Conducteur et Parties séparées] Alfred Publishing
(Castles of Ireland) Arranged by Robert W. Smith. Conductor's score and set of p...(+)
(Castles of Ireland)
Arranged by Robert W.
Smith. Conductor's score
and set of performance
parts for string
orchestra (8 - 1st
violin, 8 - 2nd violin, 5
- 3rd violin/viola
(treble clef), 5 - viola,
5 - cello, 5 - string
bass, 1 - piano
accompaniment, 3 -
optional percussion).
With performance notes
and historical notes.
Series: Orchestra
Expressions Series.
Published by Alfred
Publishing.
Score Only.
Composed by Ludwig van
Beethoven. Arranged by
Carrie Lane Gruselle.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score. Duration 2:15. The
FJH Music Company Inc
#98-ST6318S. Published by
The FJH Music Company Inc
(FJ.ST6318S).
English.
The
grace and simplicity of
the bagatelle (light
character piece) meets
the intensity and passion
of Beethoven in this
arrangement for strings.
Elegant articulations,
light dynamics and fluid,
soaring melodies shift to
powerful driving eighth
notes before a return to
the quiet simplicity of
the opening. A great way
to feature a different
side of Beethoven!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Prairie Lullaby Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Air For Strings Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Kjos Music Company
Orchestra string orchestra - Grade 2.5 SKU: KJ.SO97C Composed by Paul Sco...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO97C
Composed by Paul Scott.
String Tracks. Score and
parts. Neil A. Kjos Music
Company #SO97C. Published
by Neil A. Kjos Music
Company (KJ.SO97C).
Commissioned by
the Orchestra Division of
the North Carolina Music
Educators Association,
this selection
high-lights the rich
sonorities of the viola
section and graces all
parts with integral
melodic content. Grade 4,
9:10.
Orchestra string orchestra - Grade 2.5 SKU: KJ.SO97F Composed by Paul Sco...(+)
Orchestra string
orchestra - Grade 2.5
SKU: KJ.SO97F
Composed by Paul Scott.
String Tracks. Score.
Neil A. Kjos Music
Company #SO97F. Published
by Neil A. Kjos Music
Company (KJ.SO97F).
Commissioned by
the Orchestra Division of
the North Carolina Music
Educators Association,
this selection
high-lights the rich
sonorities of the viola
section and graces all
parts with integral
melodic content. Grade 4,
9:10.
Composed by Shirl Jae
Atwell. String Tracks.
Score. Neil A. Kjos Music
Company #SO262F.
Published by Neil A. Kjos
Music Company
(KJ.SO262F).
In
this serene and
mysterious work, Ms.
Atwell gives all sections
engaging parts. Driven by
a graceful melody and
rich harmonies, Mist will
make a wonderful addition
to any middle school
orchestra's
repertoire.