Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
One Small Step... Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS29 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS29
Composed by
Doris Gazda. This
edition: Medium
Easy/Medium. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS29.
Published by Carl Fischer
Music (CF.CAS29).
ISBN
9780825860959. UPC:
798408060954. 8.5 X 11
inches. Key: C
major.
A
programatic work by
composer Doris Gazda that
sets out to depict the
historic moon landing by
the Apollo 11 astronauts
and the famous first step
by Neil Armstrong. A
sound portrait of this
remarkable event in
America history. In
July, 1959 the world
watched and listened as
the astronauts of Apollo
11 traveled from the
Earth to the moon. The
mission, launched by
NASA, successfully
carried men to the
surface of the moon and
returned them safely to
earth. The spaceship was
made up of a command
module, Columbia, and a
lunar module, Eagle.
Astronauts Neil
Armstrong, flight
commander, and Buzz
Aldrin, pilot of the
lunar module, actually
walked on the moon. The
third astronaut, Michael
Collins, piloted
Columbia, the command
module that orbited the
moon while Armstrong and
Aldrin were on the lunar
surface.The 238,000-mile
trip to the moon took
four days. Apollo 11 fell
into orbit 60 miles above
the moon's surface. The
Eagle separated from
Columbia, orbited the
moon nine miles above the
surface and then made a
powered descent, touching
down on the moon in the
Seat of Tranquility. Six
hours after landing,
Armstrong stepped onto
the moon's surface
uttering these memorable
words that brought to
reality the possibilities
of space travel and
exploration, That's one
small step for man, one
giant leap for
mankind.Armstrong and
Aldrin spent two hours
walking on the lunar
surface. They set up some
scientific equipment,
raised an American flag
and left a plaque signed
by the Apollo 11 crew and
President Richard Nixon,
reading:Here men from
planet earth first set
foot upon the moon. July
1969 A.D. We came in
peace for all
mankind.Twenty-one hours
after landing, the Eagle
with Armstrong and Aldrin
onboard, left the moon to
reunite with Columbia.
After docking
successfully, all three
men got into Columbia.
They jettisoned the Eagle
and Columbia left lunar
orbit to make the return
trip. Two days later
Columbia re-entered the
Earth's atmosphere and
splashed down in the
Pacific Ocean.
Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy
SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
To the Ocean Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Nishimura Yukiko. Folio. Score and part(s). 78 Cover pages. Durat...(+)
Composed by Nishimura
Yukiko. Folio. Score and
part(s). 78 Cover pages.
Duration 3 minutes, 43
seconds. Carl Fischer
Music
#CAS121. Published by
Carl
Fischer Music
Out of the Winter Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS11 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS11
Composed by Larry Clark.
FS SWS. Carl Fischer
First Plus String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 8+8+5+5+5+2+8
pages. Carl Fischer Music
#FAS11. Published by Carl
Fischer Music (CF.FAS11).
ISBN 9780825845048.
UPC: 798408045043. 8.5 X
11 inches. Key: G
major.
This
outstanding original from
Larry Clark can be played
any time of year! A
vigorous theme moves
through all the sections
and violas combine with
second violins for
prominent solo passages.
A section in minor adds
to the drama as strong
rhythmic chords give way
to a subdued tremolo in
the first violins,
reminiscent of Vivaldi's
Winter This music reaches
a level of intensity your
players and audience will
love. Out of the
Winter is a musical
depiction of the many
moods of winter from its
harsh storms to its
simple beauty. The
composition is based on a
central main theme that
is musically developed
throughout the
composition presented in
and out of major and
minor keys.The main theme
begins right away without
introduction and is set
to depict the simple
delicate beauty of a
light falling snow. The
theme is then developed
in the minor key using
simple contrapuntal
techniques that give the
composition a fresh sound
for pieces at this grade
level. The aggressive
development of the piece
is a musical description
of a powerful winter
storm. The tension of
this section is built to
a climax using
simple divisi in the
strongs and some
poly-chordal harmonic
techniques that give way
to a final return of the
main theme to complete
the piece.Special care
should be given to
exaggerating the contrast
between the two diverse
sections of the piece.
The main theme should be
light and uplifting. The
second section with the
theme in minor should
have an ominous presence,
but still be reminiscent
of the original light
main theme. As with all
of my compositions at
this grade level, adjust
the tempo to fit the
ability level of your
students. It is hope that
this piece helps to
reinforce the concepts of
good musicianship which
you are trying to instill
in your students. Bowings
should be used as a guide
and should be adjusted to
your needs.It has been my
pleasure to have had the
opportunity to write this
piece. I hope that you
and your students find it
useful for your
program.
With a Yo Heave Ho. Arranged by Sandra Dackow. Performance Music Ensemble...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow.
Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 2:25. Alfred
Music #00-44789S.
Published by Alfred Music
(AP.44789S).
America's Cup Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS37 For Stri...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS37
For
String Orchestra.
Composed by Alan Lee
Silva. This edition:
complete set. FS-SWS.
Carl Fischer Concert
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
24+24+6+15+21+15+15+20
pages. Carl Fischer Music
#CAS37. Published by Carl
Fischer Music (CF.CAS37).
ISBN 9780825863660.
UPC: 798408063665. 8.5 X
11 inches. Key: C
major.
A salute to
the famous sailboat race,
this rollicking piece in
A minor introduces
compound time with an
opening (and closing)
section in 12/8. The fast
flowing music of the
opening, vividly
suggestive of a ship
slicing through the
waves, returns in a
higher key (B minor)
after a warmly scored,
sweepingly melodic middle
section. This is a piece
whose sophistication is
an excellent showcase for
a more advanced
performing
group. Written in 12/8
in A minor,
America’s Cup
evokes the intensity and
momentum of a wild sea
with driving triplets,
sweeping melodies, and
accented downbeats. The
A-material from the
opening measure is played
aggressively but lightly
enough to keep the
feeling of forward
motion. Strong accents
and rhythmically precise
playing in the cello and
bass provide solid
support for the fast
moving violin and viola
passages. Measure 67
begins the slow, pastoral
setting of the
B-material. A gentle,
lyrical violin motive in
A major grows into a
high, sweeping melody
over sustained harmonies.
This provides a brief
repose before returning
to the fastoriginal tempo
and minor key as the
recapitulation begins at
m. 90. A modulation to B
minor (m. 94) lifts the
energy of the piece and
gives young players the
challenge of playing the
running lines in another
key. Measure 118 builds
to the end, keeping the
intensity a soft dynamic
and growing into the
final syncopated tutti
unison figure in mm.
122–123.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
String Orchestra string orchestra (88555) with percussion 2 and opt. 3rd Violin/...(+)
String Orchestra string
orchestra (88555) with
percussion 2 and opt. 3rd
Violin/Viola TC 3 and
piano - Grade 2
SKU:
KN.09380S
Composed by
Henry Mancini. Arranged
by John Caponegro. Solo
or Ensemble. Voyager
String Orchestra. Kendor
Music Inc #09380S.
Published by Kendor Music
Inc (KN.09380S).
UPC:
822795093803.
Here'
s Henry Mancini's most
famous movie theme in a
swingin' version for
student string orchestra
and drum set (or hi-hat,
snare drum, bass drum,
tom tom)! To establish
the desired slinky feline
mood and style, paying
careful attention to the
numerous accents and
bowings that are provided
throughout is essential.
Duration 2:50.
The Adventures of Stringman Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Contemporary; L...(+)
By Richard Meyer.
Orchestra. String
Orchestra. String
Orchestra. Contemporary;
Light Concert; Novelty.
Grade 3. Conductor Score
and Parts. 124 pages.
Published by Alfred Music
Publishing
The Sailor's Hornpipe Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
With a Yo Heave Ho. Arranged by Sandra Dackow. Part(s); Score; String Orc...(+)
With a Yo Heave
Ho. Arranged by
Sandra Dackow. Part(s);
Score; String Orchestra.
Orchestra Expressions.
Folk. 148 pages.
Published by Alfred Music
(AP.44789).
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 1:30. Alfred
Music #00-45825S.
Published by Alfred Music
(AP.45825S).
Followin
g the Renaissance volume,
this time it is Baroque
works (more precisely,
transcriptions of Baroque
vocal and instrumental
works) that are presented
in the Leggierissimo
series, extending the
repertoire of junior
string orchestras.
Roughly half of the
selection consists of
well-known pieces by the
greatest composers of the
period (Purcell: Dido and
Aeneas, Rameau: Pi ces de
clavecin, Händel:
Water Music, Music for
the Royal Fireworks, J.S.
Bach: B major partita, C
major orchestral suite),
but works by composers
less well known nowadays
(for example, G. Böhm
and J. C. F. Fischer) are
also included, together
with such unusual items
as Polish, German and
Hungarian dancesfrom
17th- and 18th-century
Hungarian manuscripts:
the Kájoni and
Vietórisz codexes, and
Eleonóra Lányi s
music book.
Nach
dem Renaissance-Band
erscheint die
Leggierissimo-Serie
nunmehr mit Barockwerken
(genauer: mit
Transkriptionen nach
vokalen und
instrumentalen
Barockwerken), die das
Repertoire der
Kinderstreichorchestern
erweitert. Etwa die
Hälfte der Sammlung
machen die Stücke der
allgemein bekannten Werke
der größten
Komponisten der Epoche
(H. Purcell: Dido und
Aeneas, J. Ph. Rameau: Pi
ces de clavecin, G. F.
Händel: Wassermusik,
Feuerwerksmusik, J. S.
Bach: Partita B-Dur,
Ouverture C-Dur) aus. Es
kommen in ihr aber auch
Stücke von heute
weniger bekannten
Komponisten (G. Böhm,
J. C. F. Fischer u.a.),
daneben als Besonderheit
polnische, deutsche und
ungarische Tänze aus
dem 17. und
18.Jahrhundert aus dem
Kájoni- und
Vietórisz-Kodizes und
aus dem Notenbuch der
Eleonora Lányi
vor.
A House in Holland Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by Sandra Dackow. Orchestra. Part(s); Score; String Orchestra. Orchestr...(+)
Arranged by Sandra
Dackow. Orchestra.
Part(s); Score; String
Orchestra. Orchestra
Expressions Book 1. Folk;
Traditional; World. Grade
1. 66 pages. Published by
Alfred Music Publishing
Arranged by Nick Neumann. Orchestra. For strings w/ vln 3. Part(s); Score; Strin...(+)
Arranged by Nick Neumann.
Orchestra. For strings w/
vln 3. Part(s); Score;
String Orchestra. Belwin
Intermediate String
Orchestra. Folk; Light
Concert. Grade 3. 144
pages. Published by
Alfred Music Publishing
Emerald Melodies Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Composed by Traditional. Arranged by Sam Gelfer. Folio. Score and part(s). 10...(+)
Composed by Traditional.
Arranged by Sam Gelfer.
Folio. Score and part(s).
106 Cover pages. Duration
4
minutes, 10 seconds. Carl
Fischer Music #CAS120.
Published by Carl Fischer
Music
Composed by Henry Purcell (1659-1695). Arranged by Doris Gazda. For string o...(+)
Composed by Henry Purcell
(1659-1695). Arranged by
Doris
Gazda. For string
orchestra
(violin I, violin II
(viola
T.C.), viola, cello,
bass,
piano). Score and parts.
Duration 2 minutes, 59
seconds. Published by
Carl
Fischer
The Oregano Suite Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Orchestra - intermediate SKU: BT.DHP-1094711-070 Composed by Jos V...(+)
String Orchestra -
intermediate
SKU:
BT.DHP-1094711-070
Composed by Jos Van Den
Dungen. De Haske String
Orchestra Series. Set
(Score & Parts). Composed
2009. 32 pages. De Haske
Publications #DHP
1094711-070. Published by
De Haske Publications
(BT.DHP-1094711-070).
ISBN 9789043131872. 12
X 9 inches.
English-German-French-Dut
ch.
The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
The Oregano Suite
is a flavoursome mix of
delightful Italianate
music.
De De
Haske String Orchestra
Series biedt u
aantrekkelijke, speciaal
voor strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Jos
van den Dongen liet zich
door Italië inspireren
toen hij deze vierdelige
suite
schreef.
Die
De Haske String
Orchestra Series
bietet attraktive,
speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
The Oregano Suite
ist eine originale,
italienisch inspirierte
Suite in vier
Sätzen.
De Haske String
Orchestra Series è una
nuova raccolta pensata
per i suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
Ogni pubblicazione è
accompagnata da un CD che
contiene una versione
demo dei brani. La
strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Tracce Demo:1.
Spaghetti Blues2. Italian
Bossa3. Tango Verona4.
Sicilienne TarantellaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu.
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Composed by Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra....(+)
Composed by Jacques
Offenbach (1819-1880).
Arranged by Richard
Meyer. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland� String
Explorer. Form:
Transcription. Masterwork
Arrangement; Romantic.
Grade 1. 140 pages.
Published by
Highland/Etling