Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Air And Caprice Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS2 Composed by Larry C...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS2
Composed by Larry Clark.
SWS - FS. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 8+8+5+5+2+5+8
pages. Carl Fischer Music
#FAS2. Published by Carl
Fischer Music (CF.FAS2).
ISBN 9780825840753.
UPC: 798408040758. 8.5 X
11 inches. Key: E
minor.
Expressive
playing, some simple
counterpoint, and a touch
of pizzicato characterize
this contemporary
sounding but accessible
piece in two contrasting
sections, slow and
lively. Duration:
3'15. The definition
of Air is a tune or
melody, but often it is
used to describe a piece
that is lyrical in
nature, as in the first
section of this piece.
The next section of the
piece is called Caprice,
which is the French word
for capriccio. The
term capriccio has
been used as the title
for a variety of
different types of works
throughout music history.
It is used here in its
literal definition which
describes the fanciful,
capricious nature of the
second section of the
piece.As part of the
development of the piece,
the minor material from
the Air is used as bridge
material in the Caprice
section. The Air and
Caprice should be very
contrasting in style.
Play the Air very
sustained and
chorale-like and the
Caprice, light with
forward motion. The tempo
of the Caprice should not
be too fast; however, the
tempo can be adjusted
down to accommodate the
ability level of your
ensemble. Bowings have
not been over-marked, and
no slurs are used; feel
free to alter it if
necessary.It has been my
pleasure to have had the
opportunity to write this
piece. I hope that you
and your students find it
useful for your
program.
Highland Celebration Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS57 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS57
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Score and Parts. With
Standard notation.
16+4+16+10+10+10+4+12
pages. Carl Fischer Music
#YAS57. Published by Carl
Fischer Music (CF.YAS57).
ISBN 9780825866890.
UPC: 798408066895. 8.5 X
11 inches. Key: G
major.
This is a
sweeping new original
composition in a subto
Scottish style from
popular composer Alan Lee
Silva. Just another one
of the pieces that always
seem to flow effortlessly
from his talented pen.
This is an excellent
piece for any contest or
festival. This
Scottish-flavored,
uptempo piece in has a
lilting, jubilant-feel
throughout. Highland
Celebration is built
around two rhythmic
subdivisions: two groups
of three eighth notes per
measure and three groups
of two eighth notes per
measure. Have the
ensemble distinguish
between the two
subdivisions by tapping
each one separately. Make
an exercise of the rhythm
in mm. 1–2 in
Violin 1 to facilitate
playing the different
rhythms precisely: (1 2 3
- 4 5 6) and (1 2 - 3 4 -
5 6). Rehearsing four- to
eightmeasure sections
under tempo will aid in
tightening these rhythms
and solidifying pitch.The
sections to concentrate
on are: mm. 17–24
and mm. 33–40 to
make sure that Violins I
and II and Cello are
playing together; mm.
33–40, to focus on
the Violin 1 and Violin 2
unisons and couplings;
and mm. 57–62,
where the quarter-note
subdivisions are
emphasized. The piece is
book-ended with the
introduction material
which always begins
quietly and builds. The
ensemble at m. 79 starts
with tutti scalar figures
and increases in
intensity to the final
accented measures at m.
83. Written in AABA form
with a double bridge at
m. 45, the overall
feeling is dance-like and
festive.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Horizons Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS30 Full Score and ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS30
Full Score and
Parts. Composed by
Joseph Compello. Carl
Fischer First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages.
Duration 3 minutes. Carl
Fischer Music #FAS30.
Published by Carl Fischer
Music (CF.FAS30).
ISBN
9780825858109. UPC:
798408058104. 8.5 X 11
inches. Key: D
major.
A solid
piece in a processional
style by noted composer
Joseph Compello, Horizons
is both melodic and
engaging. The work has a
strong lyrical line that
is beautifully blended
with an enchanting
pizzicato section. This
helps to augment the
driving pulse th. The
processional style
of Horizons will be
ideal for young string
ensembles which are
seeking a more serious
style of music but which
are not yet capable of
performing at a brisk
tempo. Older groups,
however, should not
perform this piece at a
fast pace, otherwise the
processional feel will be
lost.The articulation
throughout should
be marcato except
where otherwise marked. A
light staccato touch
is required in the
accompaniment beginning
at bar 11. Very young
ensembles always need
guidance in performing
accents and loud dynamics
tastefully.At m. 20, the
cellos have a
countermelody which is
separate from the bass
part. If the ensemble
does not have basses, the
part may be covered on
the piano. At m. 45, the
cellos have optional
notes to allow extra time
to prepare
for pizzicato.
Likewise at m. 53, cues
are included for violin
2, viola and cello to
allow time to prepare
for arco.The
effectiveness of the
final section beginning
at m. 71 should be played
as broadly as possible.
The 100 tempo is a
suggestion.Performance
time with the repeat is
just under three
minutes.Thank you for
choosing this
composition. I hope you
and your students enjoy
performing it.- Joseph
CompelloGlen Arm,
Maryland, 2005.