By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. Grade 3.5. 144 pages. Published by Belwin Publishing

By Robert Frost. For String Orchestra. Grade 2. Set of parts. Published by Tempo Press

By George Frideric Handel (1685-1759). Arranged by Tim McCarrick. Orchestra. Masterworks; Score; String Orchestra. Belwin Intermediate String Orchestra. Baroque; Masterwork Arrangement. Grade 3.5. 16 pages. Published by Alfred Music Publishing

String Orchestra

SKU: AY.OR3089PM

Composed by Andres Lewin-Richter. Ensembles - Orchestra. Conductor Score. Duration 12'. Periferia Publishing #OR3089PM. Published by Periferia Publishing (AY.OR3089PM).

ISBN 9790543572331.

Frac tals for String orchestra follows Ruben Hinojosa's program very strictly. The structure is for string quartet but can be widened to string quintet and string orchestra. An experiment and a realisation that are basically performable using the electro acoustic experience due to the structure produced using programmes that although they may seem simple, they end up creating very complex schemes.

By Frueh. For standard string orchestra (88555) with opt. piano accompaniment. Playground String Orchestra Series. Grade 1. Score and set of parts. Duration 2 minutes, 30 seconds. Published by Kendor Music Inc

Composed by Doris Gazda. String orchestra. For Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

String Orchestra

SKU: BT.PWM4901

Composed by Grazyna Bacewicz. Classical. Score Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM4901. Published by Polskie Wydawnictwo Muzyczne (BT.PWM4901).

Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969), the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident, above all, in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem, while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations, emblematic for the whole piece and based on a constant, pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante), while retaining its concertato charakter, is, at the same time, an example of the composers ability to create emotionally serene lyrical moods, and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music, understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music, the constant mutabilityof the tonal situations, and the sophisticated, acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska, translated by Ewa Cholewka].

String Orchestra

SKU: SU.27120171

For String Orchestra. Composed by Peter Scott Lewis. Set of Parts. Subito Music Corporation #27120171. Published by Subito Music Corporation (SU.27120171).

Set of Parts.Black Is the Color Variations is based on the classic American/Scottish folk song, discovered and then developed by John Jacob Niles. My first version of the melody and variations were completed on January 23, 1989, in San Francisco, and is scored for string quartet. On May 25, 2013, I also created a version for string orchestra. It’s dedicated to the memory of the remarkable American folk and blues singer, Odetta, who was a family friend and who sang for us when I was young. —PL Also available: FULL SCORE (Cat#27120170) String Orchestra Duration: 4' Composed: 1989 Published by: Lapis Island Press.

String Orchestra

SKU: SU.27120170

For String Orchestra. Composed by Peter Scott Lewis. Full Score. Subito Music Corporation #27120170. Published by Subito Music Corporation (SU.27120170).

Score only.Black Is the Color Variations is based on the classic American/Scottish folk song, discovered and then developed by John Jacob Niles. My first version of the melody and variations were completed on January 23, 1989, in San Francisco, and is scored for string quartet. On May 25, 2013, I also created a version for string orchestra. It’s dedicated to the memory of the remarkable American folk and blues singer, Odetta, who was a family friend and who sang for us when I was young. —PL Also available: SET OF PARTS string count 6-5-4-3-2 (Cat#27120171) String Orchestra Duration: 4' Composed: 1989 Published by: Lapis Island Press.

By Richard Meyer. Orchestra. String Orchestra. Highland String Orchestra. Form: Variations. Contemporary; Light Concert; Novelty. Grade 3. Conductor Score and Parts. 124 pages. Published by Alfred Music Publishing