Grand Hotel - Book 2 Orchestre à Cordes [Partition] - Intermédiaire Kevin Mayhew
By Keith Stent. Arranged by Keith Stent. For Ensemble (Mixed). String Ensemble. ...(+)
By Keith Stent. Arranged
by Keith Stent. For
Ensemble (Mixed). String
Ensemble. Miscellaneous.
Level: Intermediate.
Book. Published by Kevin
Mayhew Publishers (U.K.
Import).
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3, chimes and dr...(+)
String Orchestra string
orchestra with opt. 3rd
Violin/Viola TC 3, chimes
and drum set parts -
Grade 4
SKU:
KN.37416S
Arranged by
Michael Hopkins. Solo or
Ensemble. Apex String
Orchestra. Kendor Music
Inc #37416S. Published by
Kendor Music Inc
(KN.37416S).
UPC:
822795374100.
The
ghouls and goblins emerge
at midnight to the Dies
Irae and have an all
night dance party! Grade
4 groups and their
audiences will love this
fun mashup of Halloween
classics with funk and
hip hop syncopated
rhythms. Each set
includes three copies of
the optional 3rd
Violin/Viola T.C., chimes
and drum set. A MP3 of
the drum set part may be
downloaded here to use in
rehearsals or
performance. Duration
5:40.
String Orchestra - Grade 1.5 SKU: KN.08520S Composed by Alexander Borodin...(+)
String Orchestra - Grade
1.5
SKU: KN.08520S
Composed by Alexander
Borodin. Arranged by
Robert S. Frost. Solo or
Ensemble. Accent String
Orchestra. Kendor Music
Inc #08520S. Published by
Kendor Music Inc
(KN.08520S).
UPC:
822795085204.
In
this setting of Borodin's
most famous theme from
Prince Igor, all violins
play some divisi passages
that may require extra
attention. Bowings and
fingerings are clearly
marked in all parts, the
key of G is used
throughout, and the final
sustained chord brings
the arrangement to a
quiet close. Duration
2:30.
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3).
ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major.
A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Shirl Jae
Atwell. This edition:
Latham Music. String
Orchestra. Latham Music.
Score. Latham Music
Enterprises #36-52255570.
Published by Latham Music
Enterprises
(AP.36-52255570).
ISBN
9781581068474.
English.
Pay
tribute to the Greek muse
of dance, Terpsichore,
with this lively jig in G
minor. Upper strings have
the opportunity to shift
to third position and
stay there to play the
main theme. Cellos are
the most active shifters,
using second, third, and
fourth positions, and
even the bass section
will bounce around! An
original work with a
distinctly Celtic sound
and feel, it's a
kid-friendly fiddle tune
with a catchy hook - and
you can speed it up for a
dizzying challenge!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
As recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Score;
String Orchestra. Pop
Intermediate String
Orchestra. Pop/Rock. 12
pages. Published by
Alfred Music (AP.45833S).
Composed by Thom Sharp.
Performance Music
Ensemble; String
Orchestra. Ludwig
Masters. Form: Dance.
Multicultural. Score and
Part(s). Latham Music
Enterprises #36-52250572.
Published by Latham Music
Enterprises
(AP.36-52250572).
ISBN
9781628766141. UPC:
746241251992.
English.
The bass
and percussion sections
lay down the classic
bolero groove while the
rest of the orchestra
takes turns playing the
lazy, singing, rolling
melody. Enjoy a warm,
tropical feeling as the
orchestra meanders
through the key of D
major. First violins
provide interesting
flourishes with both
separate and slurred
bowings. Parts for
bongos, guiro, conga,
claves and maracas are
included.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Cake by the Ocean Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As Recorded by DNCE. Composed by Justin Tranter, Robin Fredriksson, Matti...(+)
As Recorded by
DNCE. Composed by
Justin Tranter, Robin
Fredriksson, Mattias
Larsson, and Joe Jonas
[DNCE]. Arranged by
Victor Lopez. Part(s);
Score; String Orchestra.
Pop Intermediate String
Orchestra. Pop; Pop/Rock.
152 pages. Published by
Alfred Music (AP.45833).
String Orchestra SKU: BT.EMBZ14468 Partitur und Stimmen. Composed ...(+)
String Orchestra
SKU:
BT.EMBZ14468
Partitur und
Stimmen. Composed by
Franz Schubert. EMB
Leggiero. Educational
Tool. Book Only. Composed
2006. 112 pages. Editio
Musica Budapest
#EMBZ14468. Published by
Editio Musica Budapest
(BT.EMBZ14468).
Der neue
Schubert-Band der Reihe
Leggiero bietet ein
vielfältiges Bild
über die Tänze im
ersten Drittel des 19.
Jahrhundert. Es kommen
hier Walzer, Galopp,
Menuett, Ländler,
sentimentale Walzer,
Ecossaise und Wiener
Deutsche vor. Obwohl die
Tänze für die Zeit
typisch sind, sind
siedennoch individuell.
Der Tonumfang der
Violinen überschreitet
die 3. Lage, der des
Violoncello den 4. Lage
nicht. Die Bratsche kann
durch eine 3. Violine
ersetzt werden, deshalb
wird diese Stimme sowohl
mit Altschlüssel, als
auch mit
Violinschlüssel
publiziert. Eine
Kontrabass-stimme ad
libitum ergänzt das
Stimm-Material.
Score Only.
Composed by Soon Hee
Newbold. Series; String
Orchestra. FJH Developing
Strings. Multicultural.
Score. Duration 1:15. The
FJH Music Company Inc
#98-ST6252S. Published by
The FJH Music Company Inc
(FJ.ST6252S).
English.
Experie
nce Celtic festivals,
maypoles, and country
fairs in this spirited
and lively piece. Set in
an easy 6/8 time, players
are transported back to a
time of ancient dances
and celebrations in
Ireland. The lower voices
begin with bagpipe drones
as violins take on the
first theme. Infectious
melodies and secondary
themes complete this
endearing piece. Students
have a chance to work on
bow distribution, hooked
bowing, pizzicato and
dynamics.