Dies Irae from Requiem. Composed by Giuseppe Verdi (1813-1901). Arranged by Deborah Baker Monday. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Masterwork Arrangement; Romantic; Sacred; Video Game. Score. 12 pages. Duration 2:05. Highland/Etling #00-45884S. Published by Highland/Etling (AP.45884S).

By Antonin Dvorák. Arranged by Christina Hans. Orchestra. Masterworks; Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. Masterwork Arrangement; Mother's Day; Romantic; Spring. Grade 3. 8 pages. Published by Belwin Publishing

(Viola Section Feature). By Antonin Dvorák. Arranged by Christina Hans. Orchestra. For strings w/ vln3. Masterworks; Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. Masterwork Arrangement; Mother's Day; Romantic; Spring. Grade 3. 72 pages. Published by Belwin Music

String orchestra - Grade 3

SKU: DH.DP9710-SET

Composed by La Plante. Arranged by Stone. Score and set of parts. Published by Daehn Publications (DH.DP9710-SET).

String orchestra - Grade 3

SKU: DH.DP9710-SC

Composed by La Plante. Arranged by Stone. Score. Published by Daehn Publications (DH.DP9710-SC).

For String Orchestra and Harp. Composed by Franz Xaver Gruber. Arranged by Jeremy S. Martin. This edition: Concert Strings. Performance Music Ensemble; Single Titles; String Orchestra. LudwigMasters Holiday Music for Strings. Score and Part(s). Duration 5:00. LudwigMasters Publications #36-50250194. Published by LudwigMasters Publications

By Randy Sabien. Orchestra. String Orchestra. Highland String Alternatives. Contemporary; Light Concert. Grade 3. Conductor Score and Parts. 72 pages. Published by Alfred Music Publishing

Study Score. This edition: ETP1331. Eulenburg Taschenpartituren (Pocket Scores). Study Score. 60 pages

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS13F

Composed by Muzio Clementi. Arranged by Douglas Townsend. Carl Fischer Young String Orchestra Series. Classical. Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS13F. Published by Carl Fischer Music (CF.YAS13F).

ISBN 9780825848339. UPC: 798408048334. 8.5 X 11 inches. Key: G major.

IApart from some of his Sonatinas, Opus 36, Clementi's life and music are hardly known to the piano teachers and students of today. For example, in addition to the above mentioned Sonatinas, Clementi wrote sixty sonatas for the piano, many of them unjustly neglected, although his friend Beethoven regarded some of them very highly. Clementi also wrote symphonies (some of which he arranged as piano sonatas), a substantial number of waltzes and other dances for the piano as well as sonatas and sonatinas for piano four-hands.In addition to composing, Clementi was a much sought after piano teacher, and included among his students John Field (Father of the 'Nocturne'), and Meyerbeer.In his later years, Clementi became a very successful music publisher, publishing among other works the first English edition of Beethoven's Violin Concerto, in the great composer's own arrangement for the piano, as well as some of his string quartets. Clementi was also one of the first English piano manufacturers to make pianos with a metal frame and string them with wire.The Sonatina in C, Opus 36, No. 1 was one of six such works Clementi wrote in 1797. He must have been partial to these little pieces (for which he also provided the fingerings), since they were reissued (without the fingering) by the composer shortly after 1801. About 1820, he issued ''the sixth edition, with considerable improvements by the author;· with fingerings added and several minor changes, among which were that many of them were written an octave higher.IIIt has often been said, generally by those unhampered by the facts, that composers of the past (and, dare we add, the present?), usually handled their financial affairs with their public and publishers with a poor sense of business acumen or common sense. As a result they frequently found themselves in financial straits.Contrary to popular opinion, this was the exception rather than the rule. With the exception of Mozart and perhaps a few other composers, the majority of composers then, as now, were quite successful in their dealings with the public and their publishers, as the following examples will show.It was not unusual for 18th- and 19th-century composers to arrange some of their more popular compositions for different combinations of instruments in order to increase their availability to a larger music-playing public. Telemann, in the introduction to his seventy-two cantatas for solo voice and one melody instrument (flute, oboe or violin, with the usual continua) Der Harmonische Gottesdienst, tor example, suggests that if a singer is not available to perform a cantata the voice part could be played by another instrument. And in the introduction to his Six Concertos and Six Suites for flute, violin and continua, he named four different instrumental combinations that could perform these pieces, and actually wrote out the notes for the different possibilities. Bach arranged his violin concertos for keyboard, and Beethoven not only arranged his Piano Sonata in E Major, Opus 14, No. 1 for string quartet, he also transposed it to the key of F. Brahm's well-known Quintet in F Minor for piano and strings was his own arrangement of his earlier sonata for two pianos, also in F Minor.IIIWe come now to Clementi. It is well known that some of his sixty piano sonatas were his own arrangements of some of his lost symphonies, and that some of his rondos for piano four-hands were originally the last movements of his solo sonatas or piano trios.In order to make the first movement of his delightful Sonatina in C, Opus 36, No. 1 accessible to young string players, I have followed the example established by the composer himself by arranging and transposing one of his piano compositions from one medium (the piano) to another. (string instruments). In order to simplify the work for young string players, in the process of adapting it to the new medium it was necessary to transpose it from the original key of C to G, thereby doing away with some of the difficulties they would have encountered in the original key. The first violin and cello parts are similar to the right- and left-hand parts of the original piano version. The few changes I have made in these parts have been for the convenience of the string players, but in no way do they change the nature of the music.Since the original implied a harmonic framework in many places, I have added a second violin and viola part in such a way that they not only have interesting music to play, but also fill in some of the implied harmony without in any way detracting from the composition's musical value. Occasionally, it has been necessary to raise or lower a few passages an octave or to modify others slightly to make them more accessible for young players.It is hoped that the musical value of the composition has not been too compromised, and that students and teachers will come to enjoy this little piece in its new setting as much as pianists have in the original one. This arrangement may also be performed by a solo string quartet. When performed by a string orchestra, the double bass part may be omitted.- Douglas TownsendString editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Franz Joseph Haydn (1732-1809). Arranged by Robert Sieving. Orchestra. Masterworks; Part(s); Score; SmartMusic; String Orchestra. Highland String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Grade 3.5. 124 pages. Published by Alfred Music Publishing

Study Score. By Eugene Zador. (Study Score). Schott. 48 pages. Published by Eulenburg.

Score. By Joaquin Rodrigo. Schott. Size 9x12 inches. 6 pages. Published by Schott.

Orchestra string orchestra - Grade 4

SKU: KJ.SO197F

Composed by Sarah Gibson. String Tracks. Score. Neil A. Kjos Music Company #SO197F. Published by Neil A. Kjos Music Company (KJ.SO197F).

Written for strings and piano, this beautiful ballad-type composition honors those men, women and children affected by that infamous day: September 11, 2001. Winning the MENC 2002 National Young Composers Award with this composition, Sarah Elizabeth Gibson said, Music has always been something that has soothed my soul when have been upset or hurt. This is what brought me to writing this piece so maybe it could help somebody else along the way.

Arranged by Steven H. Brook. Orchestra. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Folk; Jewish Heritage; Multicultural. Grade 2. 144 pages. Published by Belwin Music

Orchestra String Orchestra - Grade 4

SKU: AP.36-52250342

Composed by Marshall Fine. Performance Music Ensemble; String Orchestra. Latham Music. Christmas; Multicultural; Winter. Score and Part(s). Latham Music Enterprises #36-52250342. Published by Latham Music Enterprises (AP.36-52250342).

ISBN 9781682960318. UPC: 746241237293. English.

A rousing, challenging arrangement worth the effort! It is sure to be the highlight of any holiday concert.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Composed by John O'Neill. For string orchestra. Score and set of parts. Duration 4 minutes. Published by Imagine Music