Composed by Doug Spata. Achievement Series. Score and parts. Published by Wingert-Jones Publications (WJ.3035161).

Composed by Doug Spata. Achievement Series. Full score. Published by Wingert-Jones Publications (WJ.3035162).

Composed by Deborah Baker Monday. For string orchestra. Christmas/Holiday. Grade 1. Score and set of parts. Duration 1:54. Published by Wingert-Jones Publications

Composed by Brendan Mcbrien. For string orchestra. Christmas/Holiday. Grade 4. Score and set of parts. Duration 3:25. Published by Wingert-Jones Publications

(Al Santo Sepolchro). Composed by Antonio Vivaldi (1678- 1741). Arranged by Brendan Mcbrien. For string orchestra. Concert Work. Grade 4. Score and set of parts. Duration 4:45. Published by Wingert- Jones Publication

("My Bonny Lass"). Composed by Thomas Morley (1557-1602). Arranged by Deborah Baker Monday. For string orchestra. Concert Work. Grade 2. Score and set of parts. Duration 1:53. Published by Wingert- Jones Publications

Composed by Ben Snoek. For string orchestra. Folk. Grade 2. Score and set of parts. Duration 2:44. Published by Wingert-Jones Publication

Composed by Ludwig van Beethoven (1770-1827). Arranged by Bud Caputo. For string orchestra. Concert Work. Grade 3. Conductor score. Duration 4:54. Published by Wingert-Jones Publications

Composed by Jeffrey Bishop. For string orchestra. Original Concert Work. Grade 4. Score and set of parts. Duration 5:18. Published by Wingert- Jones Publications

One Winter Night (All Is Calm, All Is Bright) by John Moss. Score and Parts. Easy Music For Strings. Grade 2. Published by Hal Leonard

(Featuring: Alone in the Universe / A Day for the Cat in the Hat). By Lynn Ahrens and Stephen Flaherty. Arranged by Bob Cerulli. Orchestra. For String Orchestra. String Orchestra. Pop Intermediate String Orchestra. Broadway; Contemporary; Light Concert. Grade 3. Score. 20 pages

Arranged by Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Sacred; Spiritual; Traditional. Grade 1.5. 160 pages. Published by Belwin Music

From Into The Woods. Composed by Stephen Sondheim (1930-). Arranged by James Kazik. Pop Specials for Strings. Softcover. Published by Hal Leonard

Composed by Richard Meyer. Part(s); Score; String Orchestra. Highland/Etling String Orchestra. Form: Overture. 124 pages. Published by Highland/Etling (AP.44847).

Composed by Richard Meyer. Score; String Orchestra. Highland/Etling String Orchestra. Form: Overture. 24 pages. Published by Highland/Etling (AP.44847S).

Orchestra String Orchestra - Medium Easy/Medium

SKU: CF.CAS29

Composed by Doris Gazda. This edition: Medium Easy/Medium. Carl Fischer Concert String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS29. Published by Carl Fischer Music (CF.CAS29).

ISBN 9780825860959. UPC: 798408060954. 8.5 X 11 inches. Key: C major.

A programatic work by composer Doris Gazda that sets out to depict the historic moon landing by the Apollo 11 astronauts and the famous first step by Neil Armstrong. A sound portrait of this remarkable event in America history.
In July, 1959 the world watched and listened as the astronauts of Apollo 11 traveled from the Earth to the moon. The mission, launched by NASA, successfully carried men to the surface of the moon and returned them safely to earth. The spaceship was made up of a command module, Columbia, and a lunar module, Eagle. Astronauts Neil Armstrong, flight commander, and Buzz Aldrin, pilot of the lunar module, actually walked on the moon. The third astronaut, Michael Collins, piloted Columbia, the command module that orbited the moon while Armstrong and Aldrin were on the lunar surface.The 238,000-mile trip to the moon took four days. Apollo 11 fell into orbit 60 miles above the moon's surface. The Eagle separated from Columbia, orbited the moon nine miles above the surface and then made a powered descent, touching down on the moon in the Seat of Tranquility. Six hours after landing, Armstrong stepped onto the moon's surface uttering these memorable words that brought to reality the possibilities of space travel and exploration, That's one small step for man, one giant leap for mankind.Armstrong and Aldrin spent two hours walking on the lunar surface. They set up some scientific equipment, raised an American flag and left a plaque signed by the Apollo 11 crew and President Richard Nixon, reading:Here men from planet earth first set foot upon the moon. July 1969 A.D. We came in peace for all mankind.Twenty-one hours after landing, the Eagle with Armstrong and Aldrin onboard, left the moon to reunite with Columbia. After docking successfully, all three men got into Columbia. They jettisoned the Eagle and Columbia left lunar orbit to make the return trip. Two days later Columbia re-entered the Earth's atmosphere and splashed down in the Pacific Ocean.

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(Featuring: Mamma Mia / Chiquitita / Money, Money, Money). By Benny Andersson, Stig Anderson, and Bjorn Ulvaeus [ABBA]. Arranged by Michael Hopkins. Orchestra. Part(s); Score; String Orchestra. Pop Intermediate String Orchestra. Form: Medley. Broadway; Po

Score. By Joaquin Rodrigo. Schott. Size 9x12 inches. 6 pages. Published by Schott.

By Daniel Pinkham. For violin, viola, cello soli, string orchestra or sextet. String Ensembles. 16 pages. Published by Ione Press.

By Daniel Pinkham. For Violin, Viola, Cello soli, String Orchestra or Sextet. String Ensembles. 76 pages. Published by Ione Press.

Composed by Andrew H. Dabczynski. Part(s); Score; String Orchestra. Highland/Etling String Orchestra. 128 pages. Published by Highland/Etling (AP.44840).

Ding Dong Merrily on High. Arranged by Bob Phillips. Part(s); Score; SmartMusic; String Orchestra. Belwin Intermediate String Orchestra. Christmas; Light Concert; Novelty; Winter. 78 pages. Published by Belwin Music (AP.41214).

Arranged by Tim McCarrick. Orchestra. For string w/ vln3. Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Folk; Light Concert; World. Grade 2.5. 124 pages. Published by Belwin Publishing

By Anne McGinty (1945-). For orchestra. Orchestra method/study. Queenwood Developing String Orchestra. Score and parts. Published by Queenwood Publications . Score and Parts.

(Featuring: O Waly, Waly (The Water Is Wide) / Sakura (Cherry Blossoms) / Russian Polka). Orchestra. String Orchestra. Belwin Signature Performance Series for Orchestra. Grade 1. Conductor Score and Parts. 124 pages. Published by Belwin Music . Score and Parts.

By Leonard Bernstein. Arranged by Robert Longfield. Easy Music For String. Size 9x12 inches. Published by Hal Leonard.