Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Viola. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 2. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Conductor's Score. String Orchestra Method/Supplement. Book. 116 pages. Published by Alfred Publishing.

Orchestral Repertoire Excerpts, Scales, and Studies for String Orchestra and Individual Study. By Susan C. Brown. For Violin 1. String Orchestra Method/Supplement. Book. 52 pages. Published by Alfred Publishing.

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For standard string orchestra (88555) with opt. 3rd Violin/Viola T.C. (3). Concert String Orchestra. Grade 3. Score and parts. Duration 1 minute, 50 seconds. Published by Kendor Music Inc

String orchestra

SKU: RM.SL10683

Composed by Johann Sebastien Bach. Arranged by Jean Michel Defaye. Ochestre a cordes. Orchestra. Editions Robert Martin #SL10683. Published by Editions Robert Martin (RM.SL10683).

ISBN 9790231096835.

Composed by Jean Michel Defaye. For 2 solo tenor trombones, 1 solo bass trombone and string orchestra, timpani, jazz drumset. Grade 6. Duration 18 minutes, 40 seconds. Published by Editions Robert Martin

By Jean-Marie Leclair (1697-1764). Edited by Jean Saint-Arroman. Instrument(s) and string orchestra - (Violin and string orchestra - Flute and string orchestra - Hautbois and string orchestra). For Violin, Flute (concerto III), Oboe (concerto III). Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 124 pages. Published by Anne Fuzeau Productions - France

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS19

Composed by Alan Lee Silva. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #YAS19. Published by Carl Fischer Music (CF.YAS19).

ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra String Orchestra - Grade 3.5

SKU: FJ.ST6443S

Score Only. Composed by Ludwig van Beethoven. Arranged by Robert D McCashin. Series; String Orchestra. FJH String Orchestra. In Beethoven's words, The Pastoral Symphony is more an expression of feeling than painting... pleasant feelings which awaken in men on arriving in the countryside. A perfect introduction to Beethoven's major works, the music is exquisitely orchestrated. Masterwork Arrangement. Score. Duration 6:00. The FJH Music Company Inc #98-ST6443S. Published by The FJH Music Company Inc (FJ.ST6443S).

English.

In Beethoven's words, The Pastoral Symphony is more an expression of feeling than painting... pleasant feelings which awaken in men on arriving in the countryside. A perfect introduction to Beethoven's major works, the music is exquisitely orchestrated to retain the true nature of Beethoven's original masterpiece.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Maurice Ravel. Arranged by Michael Story. By Maurice Ravel / arr. Michael Story. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 1.5 (Red) (grade 1.5 Red). Conductor Score. 8 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 3.5

SKU: FJ.ST6443

Composed by Ludwig van Beethoven. Arranged by Robert D McCashin. Series; String Orchestra. FJH String Orchestra. In Beethoven's words, The Pastoral Symphony is more an expression of feeling than painting... pleasant feelings which awaken in men on arriving in the countryside. A perfect introduction to Beethoven's major works, the music is exquisitely orchestrated. Masterwork Arrangement. Score and Part(s). Duration 6:00. The FJH Music Company Inc #98-ST6443. Published by The FJH Music Company Inc (FJ.ST6443).

UPC: 241444384824. English.

In Beethoven's words, The Pastoral Symphony is more an expression of feeling than painting... pleasant feelings which awaken in men on arriving in the countryside. A perfect introduction to Beethoven's major works, the music is exquisitely orchestrated to retain the true nature of Beethoven's original masterpiece.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Maurice Ravel. Arranged by Michael Story. By Maurice Ravel / arr. Michael Story. For String Orchestra. String Orchestra. Belwin Beginning String Orchestra. Level: 1.5 (Red) (grade 1.5). Conductor Score and Parts. Published by Alfred Publishing.

(For String orchestra). Composed by Georges Bizet (1838-1875). Arranged by Paul Angerer. For string orchestra. Orchestral music. Set of parts. Op. 22. Published by Doblinger Music Publishers

Composed by Johann Sebastian Bach (1685-1750). Arranged by H. Popp. For String Orchestra (violin I, violin II, viola, violoncello, contrabass). String Music. Grade 3. Score only. Duration 1:50. Published by C. Alan Publications

String Orchestra Orchestra - Grade 2.5

SKU: XC.ISO1903FS

Composed by Larry Clark. Intermezzo Orchestra Series. Classical, Acoustic. Score. Excelcia Music Publishing #ISO1903FS. Published by Excelcia Music Publishing (XC.ISO1903FS).

UPC: 812598031102. 9 x 12 inches.

Swan Dancing draws inspiration from the multitude of swans inhabiting the lake near the offices of Excelcia Music Publishing. Composer Larry Clark draws on these iconic birds to write a delightful, uplifting piece for string orchestra. With a nice lyrical B theme that shows off the musicianship of your orchestra, students and audiences alike will walk away humming this memorable melody. Swan Dancing is a joyful selection for any orchestral concert.

Orchestra String Orchestra - Grade 1; Grade 1.5; Grade 2; Grade 2.5; Grade 3; Grade 3.5

SKU: FJ.ST6488S

Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score. The FJH Music Company Inc #98-ST6488S. Published by The FJH Music Company Inc (FJ.ST6488S).

English.

Commiss ioned by the National String Project Consortium, this gorgeous lyrical work can be performed alone as an intermediate level piece, or with multi-level supplemental parts (available separately) for beginning and developing string students. Orchestrated to celebrate inclusion and diversity, the multi-level option is designed to sound far greater than the intermediate version alone. Not your traditional festival orchestra piece by any means.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 2.5

SKU: KN.9742

Composed by Timothy J. Isham. Solo or Ensemble. Voyager String Orchestra. Score and parts. Duration 3 minutes, 25 seconds. Kendor Music Inc #9742. Published by Kendor Music Inc (KN.9742).

UPC: 822795097429.

The violas seize the spotlight and demand to be heard in this dramatic grade 2 piece! The conflict rages as the violas' aggressive B minor main theme contrast with the soaring D major theme played by the violins. Who will emerge victorious in this epic battle for orchestral dominance? Each set includes three copies of the 3rd Violin/Viola T.C. part and an optional part for piano. Duration 3:25. Available in SmartMusic.

Score and Parts. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Lauren Keiser. Southern Music. Classical. Softcover. Southern Music Company #SO118C. Published by Southern Music Company

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6340

Composed by Franz Schubert. Arranged by Robert D McCashin. MakeMusic Cloud; String Orchestra. FJH String Orchestra. Masterwork Arrangement. Score and Part(s). Duration 5:30. The FJH Music Company Inc #98-ST6340. Published by The FJH Music Company Inc (FJ.ST6340).

UPC: 674398232581. English.

This light-hearted and cheerful movement from Schubert's Symphony No. 3 is orchestrated in a manner extraordinarily true to the original. Highlighting the entire form of the original movement, this arrangement is a wonderful way to expose your string students to this wonderful music without the need of the winds!

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

By Mary Mcdonald. String Orchestra. For string orchestra. Sacred Anthem. Orchestral Score & Parts. Published by Monarch Music

Composed by Ottorino Respighi (1879-1936). For string orchestra (violin 1). Eulenburg Orchestral Series. Individual part. 12 pages. Published by Eulenburg Edition

Study Score. This edition: ETP1331. Eulenburg Taschenpartituren (Pocket Scores). Study Score. 60 pages

Composed by Gustav Holst (1874-1934). Arranged by Michael Story. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Beginning String Orchestra. Form: March. 20th Century; Masterwork Arrangement; Romantic. Grade 1.5. 76 pages. Published by Belwin Music

(for String orchestra). Composed by Erich Eder de Lastra. For string orchestra. Orchestral music. Study score. Composed 1979. Published by Doblinger Music Publishers

By Johann Strauss, Jr. Arranged by Mark Williams. Music by Johann Strauss / arr. Mark Williams. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

By Maurice Ravel. Arranged by Michael Hopkins. Music by Maurice Ravel / arr. Michael Hopkins. For String Orchestra. String Orchestra. String Orchestra. Level: 3.5 (grade 3.5). Conductor Score

For String Orchestra. By Michael Tippett. (Study Score). Schott. Size 5.25x7.5 inches. 65 pages. Published by Eulenburg London (Schott).

Orchestra String Orchestra - Grade 3

SKU: CF.CAS18

Composed by Douglas Townsend. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS18. Published by Carl Fischer Music (CF.CAS18).

ISBN 9780825855016. UPC: 798408055011. 8.5 X 11 inches. Key: F major.

A truly masterful fantasy on an English folk song, this piece shows the exceptional musical development found in many of the greatest classical symphonies. The fantasy is roughly in the style of the classical rondo (ABACA) and features fine counterpoint and engaging melodies. This piece can be played in an orchestral and quartet setting and is both challenging and fun to play.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
MyA Fantasy on The Wee Cooper of FifeA was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is calledA Rissoldy Rossoldy.A Except for a few notes, the song was almost identical to the English folksongA The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantasy on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends! I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins: There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin.... The tune is rollicking and words are amusing, and yes, eventually they worked out their problems! The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies. This composition may be performed by a string orchestra or solo string quartet. - Douglas Townsend.
My Fantas y on The Wee Cooper of Fife was one of four such fantasies I wrote for my daughter April when she was studying the violin, and I had hopes that when she reached the age of wisdom and proficiency she would play them with her friends. Life being what is it, she eventually gave up the violin and chose a completely different career for herself-though we are still the best of friends!I found the song in a collection of folk songs for children where it is called Rissoldy Rossoldy. Except for a few notes, the song was almost identical to the English folksong The Wee Cooper of Fife, which begins:There was a Wee Cooper named Fife / nickity nackety roo noo roo / He took him to wed a gentle wife / nickity nackety roo noo roo / She would na card she would na spin / for fear 't would harm her gentle skin....The tune is rollicking and words are amusing, and yes, eventually they worked out their problems!The Fantasy is roughly in the style of the classical rondo, which is ABACA coda, such as one finds in the last movements of some of Haydn's later symphonies.This composition may be performed by a string orchestra or solo string quartet.- Douglas Townsend.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians