Orchestra String Orchestra - Grade 1

SKU: CF.BAS5

Composed by Joseph Compello. SWS - FS. Carl Fischer Beginning String Orchestra Series. Classical. Score and Parts. With Standard notation. 12+8+8+5+5+5+3+2 pages. Duration 2:30. Carl Fischer Music #BAS5. Published by Carl Fischer Music (CF.BAS5).

ISBN 9780825845086. UPC: 798408045081. 8.5 X 11 inches. Key: D major.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect ofA Prarie LullabyA should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close toA p as possible. Beginning at m.39, the violin and viola parts are markedA pizzicato. If young players are unable to return quickly toA argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. TheA divisiA notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible. Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score. The divisi notes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes. Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead. The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54. Performance time with the repeat is two and a half minutes.
The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

(Conductor's Score). By James Kjelland and John O'reilly. Orchestra. For Conductor's Score. Method/Instruction; String Orchestra Method/Supplement. Strictly Strings. Book. 228 pages. Published by Alfred Music Publishing

By Susan H. Day. Orchestra. For string. Part(s); Score; String Orchestra. Highland String Orchestra. Form: Ballade. Grade 2.5. 124 pages. Published by Alfred Music Publishing

By Georg Philipp Telemann (1681-1767). Arranged by Tim McCarrick. Orchestra. String Orchestra. Belwin Intermediate String Orchestra. Form: Concerto. Baroque. Grade 2.5. Conductor Score and Parts. 67 pages

By Arcangelo Corelli (1653- 1713). Arranged by Andrew H. Dabczynski. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Explorer. Form: Ballade; Transcription. Baroque; Christmas; Masterwork Arrangement; Winter. Grade 1.5. 72 pages. Published by Alfred Music Publishing

By Arcangelo Corelli (1653-1713). Arranged by Andrew H. Dabczynski. Orchestra. Masterworks; Score; String Orchestra. Highland String Explorer. Form: Ballade; Transcription. Baroque; Christmas; Masterwork Arrangement; Sacred; Winter. Grade 1.5. 12 pages. Published by Alfred Music Publishing

By Richard Meyer. Orchestra. String Orchestra. String Orchestra. Contemporary; Light Concert; Novelty. Grade 3. Conductor Score and Parts. 124 pages. Published by Alfred Music Publishing

Composed by Antonio Vivaldi (1678-1741). Arranged by Jan Farrar-Royce. Masterworks; Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. Baroque; Masterwork Arrangement. 72 pages. Published by Belwin Music (AP.44797).

By Archangelo Corelli. Arranged by Ruth Siegler. Orchestra. For string. Masterworks; Part(s); Score; String Orchestra. Highland String Orchestra. Form: Prelude; Transcription. Baroque; Masterwork Arrangement. Grade 2. 62 pages. Published by Alfred Music Publishing

(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestra. Carl Fischer Concert String Orchestra Series. Classical. Medium Easy/Medium. Score and Parts. Standard notation. 16 pages. Published by Carl Fischer . Score and Parts. classical.

By Anne Mcginty; John Edmondson. Orchestra. For violin 1. Queenwood Beginning String Orchestra. Queenwood Orchestra. Elementary. String orchestra method

(An Orchestral Exordium). Arranged by Andrew H. Dabczynski. Orchestra. Part(s); Score; Sing-Along; String Orchestra. Belwin Beginning String Orchestra. Traditional. Grade 1.5. 82 pages. Published by Belwin Music

By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer

By Robert Woods. String Orchestra. For Cello. Grade 1. Book. Published by Heritage Music Press

By Robert Woods. String Orchestra. Grade 1. Score with CD. Published by Heritage Music Press

(Finale). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Richard Meyer. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 3. 124 pages. Published by Alfred Music Publishing

(Finale). By Piotr Ilyich Tchaikovsky [Peter Ilyich Tchaikovsky]. Arranged by Richard Meyer. Orchestra. Masterworks; Score; String Orchestra. Highland String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 3. 16 pages. Published by Alfred Music Publishing

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

Orchestra String Orchestra - Grade 1

SKU: CF.BAS5F

Composed by Joseph Compello. Carl Fischer Beginning String Orchestra Series. Full score. With Standard notation. 12 pages. Carl Fischer Music #BAS5F. Published by Carl Fischer Music (CF.BAS5F).

ISBN 9780825845093. UPC: 798408045098. 8.5 X 11 inches.

The musical effect of Prarie Lullaby should be graceful and serene, evocative of a peaceful night on the open plains. To that end, players will need to strive for an unlabored rhythmic flow, smooth bowing and a clear, steady tone as close to p as possible.Beginning at m.39, the violin and viola parts are marked pizzicato. If young players are unable to return quickly to argo at m.53, they may make the bow preparation easier by taking a full measure rest at m.52. This option is marked in the parts and score.The divisi no tes at m. 69 are provided for ensembles which lack violas. Ensembles with violas may have them play the lower notes while the second violins play the upper notes.Percussion, which is completely optional, should be very subdued. Choose a bell mallet which allows the tones to be heard just above the strings. the woodblock part is intended to imitate the clip-clop sound of a horse's hooves. Two different sizes of woodblocks or temple blocks are needed. Finding two suitable sounds on one woodblock is difficult. Again, the right mallets are very important. The suspended cymbal should be played with brushes if the string ensemble is small. If the suspended cymbal with brushes cannot be heard above a large number of strings, then sticks should be used instead.The percussion part can be performed by one player, provided the instruments and mallets are set up properly and the player has the skill to make the transitions smoothly. Note the optional rest at mm. 53-54.Performance time with the repeat is two and a half minutes.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

Featuring: The Summer Knows / The Windmills of Your Mind. Composed by Michel Legrand (1932-). Arranged by Andrew H. Dabczynski. Performance Music Ensemble; Single Titles; String Orchestra. Pop Concert String Orchestra. Form: Medley. Movie. Score. 12 pages. Duration 3:40. Alfred Music #00-43797S. Published by Alfred Music (AP.43797S).

By Bob Phillips. Orchestra. For String Orchestra. String Orchestra. String Explorer. 2.5 (grade 2.5). Score. 8 pages

By Bob Phillips. Orchestra. String Orchestra. Highland String Explorer. Grade 2.5. Conductor Score and Parts. 74 pages. Published by Alfred Music Publishing

(Featuring: The Summer Knows / The Windmills of Your Mind). Composed by Michel Legrand (1932-). Arranged by Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Form: Medley. Movie. Grade 3. 128 pages. Published by Alfred Music

(From Gran Partita, K. 361, First Movement). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Douglas E. Wagner. Orchestra. Masterworks; Part(s); Score; String Orchestra. Belwin Intermediate String Orchestra. Form: Transcription. Classical; Masterwork Arrangement. Grade 3. 144 pages. Published by Belwin Music

(Featuring: The Waves of Tory / The Stronsay Wedding). Arranged by Bob Phillips. Orchestra. For string w/ pno acc. Part(s); Score; String Orchestra. Highland String Alternatives. Form: Medley. Folk. Grade 1.5. 66 pages. Published by Alfred Music Publishing