Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6456 Composed by Brian Bal...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6456
Composed by Brian
Balmages. Arranged by
Brian Balmages. Series;
String Orchestra. FJH
String Orchestra. Score
and Part(s). Duration
6:15. The FJH Music
Company Inc #98-ST6456.
Published by The FJH
Music Company Inc
(FJ.ST6456).
UPC:
241444389188.
English.
An
emotionally charged and
personal work. Written to
simultaneously depict the
journey of graduating
seniors with the
composer's own journey to
the other side of the
world without his family,
the music pulls at every
emotional string it can
find. From moments of
solitude to times of
sheer passion, fear, and
eventual comfort, this is
certain to take you on a
powerful journey beyond
anything you could
possibly imagine.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Brian
Balmages. Arranged by
Brian Balmages. Series;
String Orchestra. FJH
String Orchestra. Score.
Duration 6:15. The FJH
Music Company Inc
#98-ST6456S. Published by
The FJH Music Company Inc
(FJ.ST6456S).
English.
An
emotionally charged and
personal work. Written to
simultaneously depict the
journey of graduating
seniors with the
composer's own journey to
the other side of the
world without his family,
the music pulls at every
emotional string it can
find. From moments of
solitude to times of
sheer passion, fear, and
eventual comfort, this is
certain to take you on a
powerful journey beyond
anything you could
possibly imagine.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Hemispheres Orchestre à Cordes [Conducteur et Parties séparées] Highland/Etling
Composed by Richard Meyer. Performance Music Ensemble; Single Titles; String Orc...(+)
Composed by Richard
Meyer. Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Part(s);
Score. 208 pages.
Highland/Etling
#00-45871. Published by
Highland/Etling
(AP.45871).
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Score and Parts. Composed by Yukiko Nishimura. Southern Music. Classical. Soft...(+)
Score and Parts. Composed
by
Yukiko Nishimura.
Southern
Music. Classical.
Softcover.
Southern Music Company
#SO121C. Published by
Southern Music Company
Composed by R. Anne
Svendsen. Performance
Music Ensemble; String
Orchestra. Latham Music.
Score and Part(s). Latham
Music Enterprises
#36-52250368. Published
by Latham Music
Enterprises
(AP.36-52250368).
ISBN
9781628761542. UPC:
746241249289.
English.
This
lyrical work will show
off your strings
expressive side. The
music, set in 3/4 time,
moves seamlessly between
a D major and B minor
tonalities, and uses the
notes string players
learn first and know
best. It's quiet and
reflective, a nice change
of pace!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6405 Composed by Chris Tho...(+)
Orchestra String
Orchestra - Grade 3
SKU: FJ.ST6405
Composed by Chris Thomas.
Series; String Orchestra.
FJH String Orchestra.
Multicultural;
Programmatic. Score and
Part(s). Duration 3:45.
The FJH Music Company Inc
#98-ST6405. Published by
The FJH Music Company Inc
(FJ.ST6405).
UPC:
241444367162.
English.
This
emotional and dramatic
work will be the perfect
adagio for your next
concert program. Inspired
by a bittersweet scene in
Italy, this music
features rich legato
bowings, lyrical
melodies, and romantic
chromaticism that will
transport your audience
to another world. Prepare
to free your melodramatic
side, and feel the
melancholy rainfall in
Vernazza.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Chris Thomas.
Series; String Orchestra.
FJH String Orchestra.
Multicultural. Score.
Duration 3:45. The FJH
Music Company Inc
#98-ST6405S. Published by
The FJH Music Company Inc
(FJ.ST6405S).
English.
This
emotional and dramatic
work will be the perfect
adagio for your next
concert program. Inspired
by a bittersweet scene in
Italy, this music
features rich legato
bowings, lyrical
melodies, and romantic
chromaticism that will
transport your audience
to another world. Prepare
to free your melodramatic
side, and feel the
melancholy rainfall in
Vernazza.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Score. Duration
1:45. The FJH Music
Company Inc #98-ST6487S.
Published by The FJH
Music Company Inc
(FJ.ST6487S).
English.
This
aggressive work for true
beginners portrays those
inherent, and sometimes
raw behaviors that help a
species survive. All
string parts move almost
entirely by stepwise
motion and use just half
and whole notes. Violin 1
uses a full D Major scale
and all other instruments
use D through B. An
optional percussion part
adds considerable
interest to the piece
(and an optional
background track is
available if you do not
have percussionists).
Powerful!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5