The Haunted Carousel Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Soon Hee Newbold. For orchestra. FJH Developing Strings. Full set (score and ...(+)
By Soon Hee Newbold. For
orchestra. FJH Developing
Strings. Full set (score
and parts). Score only
also available: ST6199S.
Halloween. Grade 2.5.
Score and set of parts.
Composed 2009. Published
by The FJH Music Company
Inc
By Soon Hee Newbold. For orchestra. FJH Developing Strings. Score only. Full set...(+)
By Soon Hee Newbold. For
orchestra. FJH Developing
Strings. Score only. Full
set (score and parts)
also available: ST6199.
Halloween. Grade 2.5.
Score. Composed 2009.
Published by The FJH
Music Company Inc
Sleigh Ride Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Composed by Leopold Mozart (1719-1787). Arranged by Jan Farrar-Royce. Masterwork...(+)
Composed by Leopold
Mozart (1719-1787).
Arranged by Jan
Farrar-Royce.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Belwin Intermediate
String Orchestra.
Baroque; Christmas;
Classical; Masterwork
Arrangement; Winter.
Part(s); Score. 144
pages. Duration 2:35.
Belwin Music #00-45829.
Published by Belwin Music
(AP.45829).
String Orchestra string
orchestra (88555) with
optional 3rd violin/viola
TC (3) and percussion -
Grade 2.5
SKU:
KN.36315
Composed by
David Bobrowitz. Solo or
Ensemble. Voyager String
Orchestra. Score and
parts. Kendor Music Inc
#36315. Published by
Kendor Music Inc
(KN.36315).
UPC:
822795363159.
It's
winter and the sun has
already set, but a bright
moon allows the whiteness
of the snow covered
ground to show a clear
path. Everyone is excited
in anticipation of a fun
evening gliding through
the snow on a horse
driven sleigh. Then we're
off, and a catchy melody
follows us as we ride
through the winter night.
Evening Sleigh Ride is a
piece that is a perfect
addition to your string
orchestras Winter
Concert. It will leave
both performers and
audience with an upbeat
feeling to the start of
their winter break. Set
includes optional 3rd
Violin/Viola T.C. and
percussion
parts.
Set
includes optional 3rd
Violin/Viola T.C. and
percussion parts.
Composed by Erica
Donahoe. Harmony. Score.
Excelcia Music Publishing
#HSO2301FS. Published by
Excelcia Music Publishing
(XC.HSO2301FS).
9 x 12
inches.
This
delightful waltz gives
your performers and
audience the feeling of a
lovely ride on an
old-time carousel. As you
circle around, the
carousel horse gently
moves up and down to the
soothing music. The piece
then moves to a
melancholy theme as the
ride is coming to an end.
A stunning new piece for
developing string
orchestras.
Composed by Erica
Donahoe. Harmony. Set of
parts. Excelcia Music
Publishing #HSO2301.
Published by Excelcia
Music Publishing
(XC.HSO2301).
9 x 12
inches.
This
delightful waltz gives
your performers and
audience the feeling of a
lovely ride on an
old-time carousel. As you
circle around, the
carousel horse gently
moves up and down to the
soothing music. The piece
then moves to a
melancholy theme as the
ride is coming to an end.
A stunning new piece for
developing string
orchestras.
Snow Ride Orchestre à Cordes [Conducteur et Parties séparées] - Facile Grand Mesa Music
Composed by David Bobrowitz. Edited by J. Cameron Law. For string orchestra....(+)
Composed by David
Bobrowitz.
Edited by J. Cameron Law.
For
string orchestra. Grade
2.
Score and set of parts.
Duration 2 minutes, 20
seconds. Published by
Grand
Mesa Music
Arranged by Frank
Halferty. Solo or
Ensemble. Voyager String
Orchestra. Kendor Music
Inc #9447. Published by
Kendor Music Inc
(KN.9447).
UPC:
822795094473.
This
is the perfect
programming for that
Halloween concert.
Including samples of
famous themes, including:
Beethoven's 5th Symphony,
Bach's Toccata and Fugue
in D Minor, Mussorgsky's
Night On Bald Mountain,
Grieg's In The Hall Of
The Mountain King and
Wagner's Ride of The
Valkyries, and wrapped
them into a very playable
piece. Duration 3:30.
Arranged by Frank
Halferty. Solo or
Ensemble. Voyager String
Orchestra. Kendor Music
Inc #09447S. Published by
Kendor Music Inc
(KN.09447S).
UPC:
822795094473.
This
is the perfect
programming for that
Halloween concert.
Including samples of
famous themes, including:
Beethoven's 5th Symphony,
Bach's Toccata and Fugue
in D Minor, Mussorgsky's
Night On Bald Mountain,
Grieg's In The Hall Of
The Mountain King and
Wagner's Ride of The
Valkyries, and wrapped
them into a very playable
piece. Duration 3:30.
Korobushka Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Arranged by Michael Story. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Michael
Story. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Intermediate String
Orchestra. Folk. Part(s);
Score. 80 pages. Duration
1:50. Belwin Music
#00-45828. Published by
Belwin Music (AP.45828).
Composed by Kirt Mosier.
String Tracks. Score.
Neil A. Kjos Music
Company #SO264F.
Published by Neil A. Kjos
Music Company
(KJ.SO264F).
Movement I:
Ichabod's Walk Movement
II: Hessian's Ride
Another exciting work
from top-selling composer
Kirt Mosier! The
two-movement piece is
based on The Legend of
Sleep Hollow: the first
section is an off-beat
tango, and the second is
a blazing musical chase
over a motor rhythm. A
thrilling ride!
Siberian Sleigh Ride Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
(As Performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As Performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra.
Christmas; Rock; Secular;
Winter. Grade 3. 148
pages. Published by
Alfred Music
Siberian Sleigh Ride Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
(As Performed by Trans-Siberian Orchestra). Composed by Paul O'Neill [Trans-Sibe...(+)
(As Performed by
Trans-Siberian
Orchestra). Composed by
Paul O'Neill
[Trans-Siberian
Orchestra]. Arranged by
Bob Phillips. Orchestra.
Score; String Orchestra.
Pop Concert String
Orchestra. Christmas;
Rock; Secular; Winter.
Grade 3. 44 pages.
Published by Alfred Music
GPS Orchestre à Cordes [Conducteur et Parties séparées] - Facile Highland/Etling
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Richard Meyer. Pa...(+)
Composed by Wolfgang
Amadeus
Mozart (1756-1791).
Arranged
by Richard Meyer.
Part(s);
Score; String Orchestra.
Highland/Etling String
Orchestra. Classical;
Light
Concert; Masterwork
Arrangement; Novelty. 128
pages. Published by
Highland/Etling
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH String
Orchestra. Multicultural.
Score and Part(s). The
FJH Music Company Inc
#98-ST6533. Published by
The FJH Music Company Inc
(FJ.ST6533).
UPC:
241444437384.
English.
Journey to
the vast countryside of
Scotland as you imagine
the sound of bagpipes
rolling over a heather
moor. Memorable melodies
abound in every part,
portraying the strength
and pride of the Scottish
Highlanders as well as
the beauty of the
Highlands. Ideal for
expanding range, rhythmic
understanding and musical
expression.
Score Only.
Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH String
Orchestra. Multicultural.
Score. The FJH Music
Company Inc #98-ST6533S.
Published by The FJH
Music Company Inc
(FJ.ST6533S).
English.
Journey
to the vast countryside
of Scotland as you
imagine the sound of
bagpipes rolling over a
heather moor. Memorable
melodies abound in every
part, portraying the
strength and pride of the
Scottish Highlanders as
well as the beauty of the
Highlands. Ideal for
expanding range, rhythmic
understanding and musical
expression.
Score and Parts. Composed by Yukiko Nishimura. Southern Music. Classical. Soft...(+)
Score and Parts. Composed
by
Yukiko Nishimura.
Southern
Music. Classical.
Softcover.
Southern Music Company
#SO121C. Published by
Southern Music Company
Orchestra String Orchestra - Grade 2 SKU: FJ.ST6159S Life of a Cowboy<...(+)
Orchestra String
Orchestra - Grade 2
SKU: FJ.ST6159S
Life of a Cowboy.
Composed by Soon Hee
Newbold. Series; String
Orchestra. FJH Developing
Strings. Score. Duration
2:15. The FJH Music
Company Inc #98-ST6159S.
Published by The FJH
Music Company Inc
(FJ.ST6159S).
English.
In the
spirit of classic western
songs, this haunting work
depicts lonely cowboys on
their long journeys
across dangerous terrain
while facing freezing
temperatures, scorching
heat, blizzards, rain,
and late nights. With
traditional rhythms in
the lower strings and a
fun groove in the violas
(cued in other
instruments), your
students and audience
will be sure to enjoy
this cowboy saga!
Orchestra String Orchestra - Grade 1 SKU: FJ.ST6450 Composed by Chris Tho...(+)
Orchestra String
Orchestra - Grade 1
SKU: FJ.ST6450
Composed by Chris Thomas.
MakeMusic Cloud; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score and
Part(s). Duration 2:00.
The FJH Music Company Inc
#98-ST6450. Published by
The FJH Music Company Inc
(FJ.ST6450).
UPC:
241444387894.
English.
Imagine a
horse-drawn sleigh
coasting leisurely
through the park with
blanket-coated passengers
in tow. This music
features a bright melody,
a sparkly glockenspiel
part, and jingle bells to
mimic the sound of the
sleigh. The melody is
passed around to multiple
sections in this
light-hearted, and very
playable addition to any
holiday program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
The Emerald Falcon Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Richard Meyer. Orchestra. For string. Part(s); Score; String Orchestra. Highl...(+)
By Richard Meyer.
Orchestra. For string.
Part(s); Score; String
Orchestra. Highland
String Orchestra. Grade
4. 124 pages. Published
by Alfred Music
Publishing