By Deborah Baker Monday. For string orchestra (violin I, violin II, violin III (...(+)
By Deborah Baker Monday.
For string orchestra
(violin I, violin II,
violin III (viola T.C.),
viola, cello, bass,
piano). Score and parts.
Duration 3 minutes, 05
seconds. Published by
Carl Fischer
Score Only.
Composed by Traditional.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. A fun new piece
to help ring in the
holiday season! An
original theme based on
the sound of chimes in D
major recurs (and
includes a very simple
vocal part if you choose
to add choir!) throughout
the work. In between
refrains are melodies
from Ding Dong.
Christmas; Holiday Pops.
Score. Duration 2:00. The
FJH Music Company Inc
#98-ST6428S. Published by
The FJH Music Company Inc
(FJ.ST6428S).
English.
A fun
new piece to help ring in
the holiday season! An
original theme based on
the sound of chimes in D
major recurs (and
includes a very simple
vocal part if you choose
to add choir!) throughout
the work. In between
refrains are melodies
from Ding Dong Merrily on
High and Jingle Bells.
Optional keyboard and
simple percussion adds a
great deal of holiday
spirit. This one will be
easy for your beginners,
and they will surely
enjoy the sleigh riding
spirit!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Traditional.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. A fun new piece
to help ring in the
holiday season! An
original theme based on
the sound of chimes in D
major recurs (and
includes a very simple
vocal part if you choose
to add choir!) throughout
the work. In between
refrains are melodies
from Ding Dong.
Christmas; Holiday Pops.
Score and Part(s).
Duration 2:00. The FJH
Music Company Inc
#98-ST6428. Published by
The FJH Music Company Inc
(FJ.ST6428).
UPC:
241444375846.
English.
A fun new
piece to help ring in the
holiday season! An
original theme based on
the sound of chimes in D
major recurs (and
includes a very simple
vocal part if you choose
to add choir!) throughout
the work. In between
refrains are melodies
from Ding Dong Merrily on
High and Jingle Bells.
Optional keyboard and
simple percussion adds a
great deal of holiday
spirit. This one will be
easy for your beginners,
and they will surely
enjoy the sleigh riding
spirit!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Solstice Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS41 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS41
Composed by Larry Clark.
Carl Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
16+10+16+4+10+10+4+12
pages. Carl Fischer Music
#YAS41. Published by Carl
Fischer Music (CF.YAS41).
ISBN 9780825861291.
UPC: 798408061296. 8.5 X
11 inches. Key: G
major.
Larry Clark
does it again with this
tuneful new feel good
piece. You and your
students will walk away
humming this tune. There
is even a nice
contrasting lyrical
middle section in the
relative minor to break
up the
piece. Solstice: one
of two times in the year
when the sun is at its
greatest distancefrom the
celestial equator.A
solstice happens at the
mid-point of summer,
about June 21, and the
midpoint of winter, about
December 22. Each of
those times of year is
delightful. The carefree
days of summer have just
begun around June 21,
when the mind wanders to
long bike rides or walks
on the beach. During the
winter solstice the mind
is filled with all of the
delights that the holiday
season has to offer.
Either way, a solstice is
a joyous and fun filled
time of year, and this
piece is intended to
bring to mind some of
these wonderful times.
The main theme should be
performed in a light
carefree manner, which is
then contrasted by the
more lyrical and
passionate middle
section.As with all of my
pieces for younger
students, the tempo
indicated is merely a
guide. Adjust the tempo
to fit the needs of your
students. It has been my
pleasure to have the
opportunity to write this
piece. I hope you and
your students enjoy it
and find it useful for
your program.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Composed by Traditional.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops.
Score. Duration 2:00. The
FJH Music Company Inc
#98-ST6406S. Published by
The FJH Music Company Inc
(FJ.ST6406S).
English.
This
new setting of Good King
Wenceslas will be a
welcome addition to any
holiday concert. Students
get into that action as
they march while playing,
and all sections take
turns playing the melody.
Students and teachers
will be merrily surprised
at how easily this
selection comes together.
Happy marching!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Traditional
Holiday Song. Edited by
Amy Rosen. Arranged by
Bud Caputo. SWS FS. Carl
Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
16+2+4+16+10+10+3+10+12
pages. Carl Fischer Music
#YAS15. Published by Carl
Fischer Music (CF.YAS15).
ISBN 9780825851995.
UPC: 798408051990. 8.5 X
11 inches. Key: D
minor.
Lower
strings be sure to
maintain a steady pulse
and dont rush the walking
figure at the opening.
When the melody is
transferred to the lower
strings (pick-up to m. 10
and m. 13), play with a
full sound. Be careful of
the balance and allow the
soloist to dominate in
mm. 121. If the soloist
is comfortable using
third position, play mm.
119 and the first half of
m. 20 one octave higher.
All parts should be in a
solid marcato style in
the fast section (m. 22
to the end). In m.50,
Violin I should bring out
the Hava Nagila quote
equal to the volume of
the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and donat
rush the walking figure
at the opening. When the
melody is transferred to
the lower strings
(pick-up to m. 10 and m.
13), play with a full
sound. Be careful of the
balance and allow the
soloist to dominate in
mm. 1a21. If the soloist
is comfortable using
third position, play mm.
1a19 and the first half
of m. 20 one octave
higher. All parts should
be in a solid marcato
style in the fast section
(m. 22 to the end). In
m.50, Violin I should
bring out the Hava Nagila
quote equal to the volume
of the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and don't
rush the walking figure
at the opening. When the
melody is transferred to
the lower strings
(pick-up to m. 10 and m.
13), play with a full
sound. Be careful of the
balance and allow the
soloist to dominate in
mm. 1-21. If the soloist
is comfortable using
third position, play mm.
1-19 and the first half
of m. 20 one octave
higher. All parts should
be in a solid marcato
style in the fast section
(m. 22 to the end). In
m.50, Violin I should
bring out the Hava Nagila
quote equal to the volume
of the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.
String editing by Amy
Rosen. Lower strings
be sure to maintain a
steady pulse and
don’t rush the
walking figure at the
opening. When the melody
is transferred to the
lower strings (pick-up to
m. 10 and m. 13), play
with a full sound. Be
careful of the balance
and allow the soloist to
dominate in mm.
1–21. If the
soloist is comfortable
using third position,
play mm. 1–19 and
the first half of m. 20
one octave higher.All
parts should be in a
solid marcato style in
the fast section (m. 22
to the end). In m.50,
Violin I should bring out
the Hava Nagila quote
equal to the volume of
the rest of the
orchestra. Be sure to
observe all the soft
dynamics to add interest
to the performance.String
editing by Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Composed by Spiritual.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops;
Spiritual. Score.
Duration 1:30. The FJH
Music Company Inc
#98-ST6452S. Published by
The FJH Music Company Inc
(FJ.ST6452S).
English.
Combini
ng two well-known
African-American
spirituals (Chatter with
the Angels and All Night,
All Day), this
arrangement offers the
opportunity to swing or
play straight eighth
notes. Students will
perform with confidence
as they play familiar
rhythms and memorable
melodies through colorful
and engaging
orchestration.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Spiritual.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops;
Spiritual. Score and
Part(s). Duration 1:30.
The FJH Music Company Inc
#98-ST6452. Published by
The FJH Music Company Inc
(FJ.ST6452).
UPC:
241444388020.
English.
Combining
two well-known
African-American
spirituals (Chatter with
the Angels and All Night,
All Day), this
arrangement offers the
opportunity to swing or
play straight eighth
notes. Students will
perform with confidence
as they play familiar
rhythms and memorable
melodies through colorful
and engaging
orchestration.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops;
Masterwork Arrangement.
Score. Duration 2:00. The
FJH Music Company Inc
#98-ST6277S. Published by
The FJH Music Company Inc
(FJ.ST6277S).
English.
Add
some contrast to your
winter program with this
haunting French folk
tune, which also happens
to be one of Canada's
oldest Christmas songs.
Drawing inspiration from
the Hurons, an American
tribe of the Iroquoian
family, the work includes
an optional percussion
part that adds
authenticity to the
Gregorian-style melody. A
wonderful departure that
is an ideal addition to a
winter or multicultural
program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
String orchestra SKU: BR.EOS-20897 Suite in Olden Style. Composed ...(+)
String orchestra
SKU:
BR.EOS-20897
Suite
in Olden Style.
Composed by Edvard Grieg.
Edited by Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series. Romantic period.
Full score. 24 pages.
Duration 20'. Breitkopf
and Haertel #EOS 20897.
Published by Breitkopf
and Haertel
(BR.EOS-20897).
ISBN
9790004780053. 10 x 12.5
inches.
In 1884 the
Norwegian city of Bergen
celebrated the 200th
birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Composed by James I
Russell. Arranged by
Brian Balmages. Series;
String Orchestra. FJH
Beginning Strings.
Multicultural. Score.
Duration 2:45. The FJH
Music Company Inc
#98-ST6458S. Published by
The FJH Music Company Inc
(FJ.ST6458S).
English.
Based
on the emotional Irish
song, this thoughtful
setting paints a picture
of a man dreaming of the
day he can return home.
At times, the piece feels
more like a fantasy than
an arrangement as the
melody weaves through an
increasingly complex
series of textures and
harmonies before
returning to the
plaintive sounds of the
opening.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Orchestra String Orchestra - Grade 1.5 SKU: FJ.ST6458 Composed by James I...(+)
Orchestra String
Orchestra - Grade 1.5
SKU: FJ.ST6458
Composed by James I
Russell. Arranged by
Brian Balmages. MakeMusic
Cloud; String Orchestra.
FJH Beginning Strings.
Folk; Multicultural.
Score and Part(s).
Duration 2:45. The FJH
Music Company Inc
#98-ST6458. Published by
The FJH Music Company Inc
(FJ.ST6458).
UPC:
241444389324.
English.
Based on
the emotional Irish song,
this thoughtful setting
paints a picture of a man
dreaming of the day he
can return home. At
times, the piece feels
more like a fantasy than
an arrangement as the
melody weaves through an
increasingly complex
series of textures and
harmonies before
returning to the
plaintive sounds of the
opening.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
One Small Step... Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
Orchestra String Orchestra - Medium Easy/Medium SKU: CF.CAS29 Composed by...(+)
Orchestra String
Orchestra - Medium
Easy/Medium
SKU:
CF.CAS29
Composed by
Doris Gazda. This
edition: Medium
Easy/Medium. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS29.
Published by Carl Fischer
Music (CF.CAS29).
ISBN
9780825860959. UPC:
798408060954. 8.5 X 11
inches. Key: C
major.
A
programatic work by
composer Doris Gazda that
sets out to depict the
historic moon landing by
the Apollo 11 astronauts
and the famous first step
by Neil Armstrong. A
sound portrait of this
remarkable event in
America history. In
July, 1959 the world
watched and listened as
the astronauts of Apollo
11 traveled from the
Earth to the moon. The
mission, launched by
NASA, successfully
carried men to the
surface of the moon and
returned them safely to
earth. The spaceship was
made up of a command
module, Columbia, and a
lunar module, Eagle.
Astronauts Neil
Armstrong, flight
commander, and Buzz
Aldrin, pilot of the
lunar module, actually
walked on the moon. The
third astronaut, Michael
Collins, piloted
Columbia, the command
module that orbited the
moon while Armstrong and
Aldrin were on the lunar
surface.The 238,000-mile
trip to the moon took
four days. Apollo 11 fell
into orbit 60 miles above
the moon's surface. The
Eagle separated from
Columbia, orbited the
moon nine miles above the
surface and then made a
powered descent, touching
down on the moon in the
Seat of Tranquility. Six
hours after landing,
Armstrong stepped onto
the moon's surface
uttering these memorable
words that brought to
reality the possibilities
of space travel and
exploration, That's one
small step for man, one
giant leap for
mankind.Armstrong and
Aldrin spent two hours
walking on the lunar
surface. They set up some
scientific equipment,
raised an American flag
and left a plaque signed
by the Apollo 11 crew and
President Richard Nixon,
reading:Here men from
planet earth first set
foot upon the moon. July
1969 A.D. We came in
peace for all
mankind.Twenty-one hours
after landing, the Eagle
with Armstrong and Aldrin
onboard, left the moon to
reunite with Columbia.
After docking
successfully, all three
men got into Columbia.
They jettisoned the Eagle
and Columbia left lunar
orbit to make the return
trip. Two days later
Columbia re-entered the
Earth's atmosphere and
splashed down in the
Pacific Ocean.
Score Only.
Arranged by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Novelty. Score. Duration
1:15. The FJH Music
Company Inc #98-ST6298S.
Published by The FJH
Music Company Inc
(FJ.ST6298S).
English.
Combini
ng famous classical
melodies with popular
American folk songs, this
clever work ties
everything together in a
fun, fiddlin' atmosphere!
Works by Beethoven,
Handel and Mozart are
woven into folk tunes
like Boil Them Cabbage,
Li'l Liza Jane, and hints
of Dixie. A fun piece
that fiddles with tunes
in the classic fiddle
tradition!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Deborah Baker
Monday. Series; String
Orchestra. FJH Beginning
Strings. Light Concert;
Novelty. Score. Duration
2:00. The FJH Music
Company Inc #98-ST6375S.
Published by The FJH
Music Company Inc
(FJ.ST6375S).
English.
Written
in the key of D using
simple quarter and
repeated eighth note
patterns, Boogie Blues is
a bundle of fun based on
a blues progression. All
instruments have
interesting parts and
will enjoy the easy, yet
effective groove. Certain
to become a student (and
audience) favorite!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
(Mother Goose Suite,
Mvt. 3). Composed by
Maurice Ravel. Arranged
by Deborah Baker Monday.
Solo or Ensemble. Apex
String Orchestra. Kendor
Music Inc #KEN10008.
Published by Kendor Music
Inc (KN.KEN10008).
UPC:
822795100082.
This
Maurice Ravel classic is
the third of five
Pièces Enfantines
(Children's Pieces)from
the Mother Goose Suite.
The pentatonic character
lends itself well to the
string orchestra.
Tremolandos, subtle
dynamics, and parallelism
abound to capture the
spirit of impressionistic
music. Duration 4:25.
Score Only.
Composed by William S
Gilbert/Sir Arthur
Sullivan. Arranged by
Deborah Baker Monday.
Series; String Orchestra.
FJH Beginning Strings.
Score. Duration 1:40. The
FJH Music Company Inc
#98-ST6424S. Published by
The FJH Music Company Inc
(FJ.ST6424S).
English.
This
lively arrangement will
add great variety to any
concert or festival
program. It is a perfect
example of Gilbert and
Sullivan with its
lighthearted style and
memorable themes. All
sections have interesting
melodic material and
teachers will be thrilled
with all the scale-based
passages in C and G
major.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Traditional.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score and
Part(s). The FJH Music
Company Inc #98-ST6508.
Published by The FJH
Music Company Inc
(FJ.ST6508).
UPC:
241444417898.
English.
19th
century England meets
1950s Cuba in this clever
Latin-style arrangement
of a traditional carol!
Optional percussion
create an authentic Latin
sound as the orchestra
celebrates the holidays
in true cha-cha
fashion.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Benjamin R.
Hanby. Arranged by
Timothy Loest. Series;
String Orchestra. FJH
Beginning Strings. You've
heard of a fiddler on the
roof? Well, how about an
orchestra on the
housetop! Feature the
entire string orchestra,
section by section, at
your next winter concert
(even bassists, who are
cued in the cello line).
Using just six notes,
this new arran. Holiday
Pops. Score. Duration
1:30. The FJH Music
Company Inc #98-ST6478S.
Published by The FJH
Music Company Inc
(FJ.ST6478S).
English.
You've
heard of a fiddler on the
roof? Well, how about an
orchestra on the
housetop! Feature the
entire string orchestra,
section by section, at
your next winter concert
(even bassists, who are
cued in the cello line).
Using just six notes,
this new arrangement of
an old holiday favorite
is cleverly scored to
sound rich and full.
Optional percussion adds
to the festivities. A
perfect format for
bolstering group
confidence while
promoting section
independence!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Traditional.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops.
Score. The FJH Music
Company Inc #98-ST6508S.
Published by The FJH
Music Company Inc
(FJ.ST6508S).
English.
19th
century England meets
1950s Cuba in this clever
Latin-style arrangement
of a traditional carol!
Optional percussion
create an authentic Latin
sound as the orchestra
celebrates the holidays
in true cha-cha
fashion.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Jeffrey
Bishop. Score and parts.
Neil A. Kjos Music
Company #SO334C.
Published by Neil A. Kjos
Music Company
(KJ.SO334C).
UPC:
084027041604.
This
is the third movement of
a four-movement work
celebrating the holiday
season. This 3rd movement
follows the traditional
form of the title. We
Three Kings serves as the
primary theme, and I Saw
Three Ships serves as the
secondary theme in the
minuet. The trio section
features Bring a Torch,
Jeanette Isabella. Great
for teaching form &
analysis and perfect for
holiday
concerts.
Orchestra String Orchestra - Grade 1 SKU: FJ.ST6450 Composed by Chris Tho...(+)
Orchestra String
Orchestra - Grade 1
SKU: FJ.ST6450
Composed by Chris Thomas.
MakeMusic Cloud; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score and
Part(s). Duration 2:00.
The FJH Music Company Inc
#98-ST6450. Published by
The FJH Music Company Inc
(FJ.ST6450).
UPC:
241444387894.
English.
Imagine a
horse-drawn sleigh
coasting leisurely
through the park with
blanket-coated passengers
in tow. This music
features a bright melody,
a sparkly glockenspiel
part, and jingle bells to
mimic the sound of the
sleigh. The melody is
passed around to multiple
sections in this
light-hearted, and very
playable addition to any
holiday program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score.
Duration 2:30. The FJH
Music Company Inc
#98-ST6272S. Published by
The FJH Music Company Inc
(FJ.ST6272S).
English.
Punctua
te your holiday program
with this delightful
medley that ingeniously
combines O Come, Little
Children, O Come, O Come
Emmanuel, and O Come, All
Ye Faithful. An excellent
vehicle to teach dotted
quarter note counting,
this work also allows
everyone to play a few
long tones on octave
harmonics. Simply
delightful!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Chris Thomas.
Series; String Orchestra.
FJH Beginning Strings.
Holiday Pops. Score.
Duration 2:00. The FJH
Music Company Inc
#98-ST6450S. Published by
The FJH Music Company Inc
(FJ.ST6450S).
English.
Imagine
a horse-drawn sleigh
coasting leisurely
through the park with
blanket-coated passengers
in tow. This music
features a bright melody,
a sparkly glockenspiel
part, and jingle bells to
mimic the sound of the
sleigh. The melody is
passed around to multiple
sections in this
light-hearted, and very
playable addition to any
holiday program.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score.
Duration 1:45. The FJH
Music Company Inc
#98-ST6222S. Published by
The FJH Music Company Inc
(FJ.ST6222S).
English.
Using
only six notes and no
eighth notes, this
classically inspired work
was written for the very
beginning string student.
The first movement, The
Holly and the Ivy,
presents a lyrical
treatment that also makes
use of piano. The second
movement is set in a
Baroque style and
highlights various motifs
from Jingle Bells. Ideal
for the first holiday
concert and quite
unique!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5