Chicken in the Kitchen Orchestre à Cordes [Conducteur et Parties séparées] - Débutant FJH
By Keith Sharp. Arranged by Keith Sharp. Beginning String Orchestra. FJH Beginni...(+)
By Keith Sharp. Arranged
by Keith Sharp. Beginning
String Orchestra. FJH
Beginning Strings.
Flexible scoring provides
separate melody and
harmony parts for the
celli and basses so you
can challenge your stars
while encouraging your
less experienced students
with parts that are
easier to play. The
arrangement also works
with melody and piano
accompaniment alone. Also
included are optional
lyrics for you to get the
school choir involved!
Score for this title:
ST6056S. Extra part for
this title: ST6056P.
String Orchestra. Level:
1. Score and Set of
Parts. Published by The
FJH Music Company Inc.
By Soon Hee Newbold.
Intermediate String
Orchestra. FJH Developing
Strings. Score for this
title: ST6112S. Extra
part for this title:
ST6112P. String
Orchestra. Level: 2.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Celtic Canon Orchestre à Cordes [Conducteur] - Intermédiaire Highland/Etling
(A Fun Irish Twist to a Well-known Melody Leading into Tam Lyn ). Arranged by C...(+)
(A Fun Irish Twist to a
Well-known Melody Leading
into Tam Lyn ). Arranged
by Crystal Plohman.
Orchestra. Score; String
Orchestra. Highland
String Alternatives.
Folk; Light Concert.
Grade 3. 16 pages.
Published by
Highland/Etling
Orchestra string orchestra - Grade 3.5 SKU: KJ.SO279F Composed by Robert ...(+)
Orchestra string
orchestra - Grade 3.5
SKU: KJ.SO279F
Composed by Robert
Sieving. String Tracks.
Score. Neil A. Kjos Music
Company #SO279F.
Published by Neil A. Kjos
Music Company
(KJ.SO279F).
This gorgeous,
well-loved Swedish folk
song features a tender
and unforgettable melody.
You'll even find your
students whistling this
enchanting tune outside
of class. A real gem!
Full Score.
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6530 On a theme by Oliv...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6530
On a theme by Oliver
Bartel. Composed by
Brian Balmages. Series;
String Orchestra. FJH
String Orchestra. Score
and Part(s). The FJH
Music Company Inc
#98-ST6530. Published by
The FJH Music Company Inc
(FJ.ST6530).
UPC:
241444436530.
English.
This
powerful, heartfelt work
pays tribute to a student
gone too soon, who left
behind a melody he
composed as part of a
class project. Balmages
takes this melody and
develops it into a
full-blown fantasy
exploring beauty,
vulnerability,
heartbreak, and hope.
Stunning and
unforgettable.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6530S On a theme by Oli...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6530S
On a theme by Oliver
Bartel. Composed by
Brian Balmages. Series;
String Orchestra. FJH
String Orchestra. Score.
The FJH Music Company Inc
#98-ST6530S. Published by
The FJH Music Company Inc
(FJ.ST6530S).
English.
This
powerful, heartfelt work
pays tribute to a student
gone too soon, who left
behind a melody he
composed as part of a
class project. Balmages
takes this melody and
develops it into a
full-blown fantasy
exploring beauty,
vulnerability,
heartbreak, and hope.
Stunning and
unforgettable.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Summer Dance Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19 Composed by Alan L...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 12 pages. Carl
Fischer Music #YAS19.
Published by Carl Fischer
Music (CF.YAS19).
ISBN
9780825854859. UPC:
798408054854. 8.5 X 11
inches. Key: D
major.
Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yet
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer
Dance is a melodic,
up-tempo piece with
plenty of musical and
technical challenges for
every player. Musicians
should strive to play it
with an energetic yetA
legato feel. A
spirited introduction
features an opening
melody in the violins and
active repeated-note
pedal patters in the
violas and low strings.
An AABA form begins at
m.5 and the orchestration
is immediately pared down
to feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerfulA
divisi voicing
on beat 3 of m. 63, right
before the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel. A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out. In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final
chord. Summer Dance is
a melodic, up-tempo piece
with plenty of musical
and technical challenges
for every player.
Musicians should strive
to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patters in the violas and
low strings. An AABA form
begins at m.5 and the
orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the B
section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a
powerful divisi
voicing on beat 3 of m.
63, right before the
final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Ode to Joy Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Belwin
Composed by Ludwig van Beethoven (1770-1827). Arranged by Bob Cerulli. Orchestra...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Bob Cerulli.
Orchestra. Masterworks;
Part(s); Score; String
Orchestra. Belwin
Beginning String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 1. 72
pages. Published by
Belwin Music
Old French Melody Orchestre à Cordes [Conducteur et Parties séparées] Highland/Etling
Mes belles amourettes (Based on a theme from The Children's Album, Op. 39,...(+)
Mes belles amourettes
(Based on a theme from
The Children's Album,
Op. 39, No. 16).
Composed by Piotr Ilyich
Tchaikovsky [Peter Ilyich
Tchaikovsky]. Arranged by
Robert Sieving.
Masterworks; Part(s);
Score; String Orchestra.
Highland/Etling String
Orchestra. Masterwork
Arrangement; Romantic. 62
pages. Published by
Highland/Etling
(AP.45877).
Dragon Dances Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Soon Hee Newbold. Arranged by Soon Hee Newbold. Intermediate String Orchestra...(+)
By Soon Hee Newbold.
Arranged by Soon Hee
Newbold. Intermediate
String Orchestra. FJH
Developing Strings. Score
for this title: ST6032S.
Extra part for this
title: ST6032P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Christmas Cello-bration Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Cello Section Feature (Featuring: What Child Is This? / Oh Come, Oh Come Emma...(+)
Cello Section Feature
(Featuring: What Child Is
This? / Oh Come, Oh Come
Emmanuel / Angels We Have
Heard on High).
Arranged by Bob Phillips.
Part(s); Score; String
Orchestra. Sound
Innovations for String
Orchestra. Christmas;
Winter. 148 pages.
Published by Alfred Music
(AP.44826).
Ships of Ireland Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Soon Hee Newbold. Arranged by Soon Hee Newbold. Intermediate String Orchestra...(+)
By Soon Hee Newbold.
Arranged by Soon Hee
Newbold. Intermediate
String Orchestra. FJH
Developing Strings. Score
for this title: ST6060S.
Extra part for this
title: ST6060P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
The Chase Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
By David Shaffer. String Orchestra. FJH String Orchestra. Score for this title: ...(+)
By David Shaffer. String
Orchestra. FJH String
Orchestra. Score for this
title: ST6111S. Extra
part for this title:
ST6111P. Level: 3.
Published by The FJH
Music Company Inc
The King's Fiddlers Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Keith Sharp. Arranged by Keith Sharp. Intermediate String Orchestra. FJH Deve...(+)
By Keith Sharp. Arranged
by Keith Sharp.
Intermediate String
Orchestra. FJH Developing
Strings. Score for this
title: ST6081S. Extra
part for this title:
ST6081P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Prelude in E Minor Orchestre à Cordes [Conducteur et Parties séparées] - Facile FJH
By Frederic Chopin. Arranged by Robert Longfield. Intermediate String Orchestra....(+)
By Frederic Chopin.
Arranged by Robert
Longfield. Intermediate
String Orchestra. FJH
Developing Strings. Score
for this title: ST6016S.
Extra part for this
title: ST6016P. String
Orchestra. Level: 2.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Fiddle Fever Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
By Keith Sharp. Arranged by Keith Sharp. Intermediate String Orchestra. FJH Deve...(+)
By Keith Sharp. Arranged
by Keith Sharp.
Intermediate String
Orchestra. FJH Developing
Strings. Score for this
title: ST6115S. Extra
part for this title:
ST6115P. String
Orchestra. Level: 2.5.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Scottish Bobber Orchestre à Cordes [Conducteur] - Débutant Carl Fischer
(For String Orchestra). By Larry Clark. String orchestra. For String Orchestra. ...(+)
(For String Orchestra).
By Larry Clark. String
orchestra. For String
Orchestra. This edition:
full score. Carl Fischer
First Plus String
Orchestra Series.
Classical. Grade 1.5-2.
Full Score. Standard
notation. 8 pages.
Published by Carl Fischer
Composed by John Kander. Arranged by John C. Whitney. Full Orchestra. Belwin Int...(+)
Composed by John Kander.
Arranged by John C.
Whitney. Full Orchestra.
Belwin Intermediate
String/Full Orchestra.
Movie; Standard.
Conductor Score and
Parts. 114 pages.
Published by Belwin Music
(AP.T0450TB7).
Summer Dance Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS19F Composed by Alan ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS19F
Composed by Alan Lee
Silva. Carl Fischer Young
String Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS19F. Published
by Carl Fischer Music
(CF.YAS19F).
ISBN
9780825854866. UPC:
798408054861. 8.5 X 11
inches. Key: D
major.
Summer Dance
is a melodic, up-tempo
piece with plenty of
musical and technical
challenges for every
player. Musicians should
strive to play it with an
energetic yet legato
feel.A spirited
introduction features an
opening melody in the
violins and active
repeated-note pedal
patterns in the violas
and low strings. An AABA
form begins at m. 5 and
the orchestration is
immediately pared down to
feature violin I and
cello. It then builds
again in density to the
13 section, where a quick
dynamic drop allows a
question-and-answer
melody between the two
parts to sing out.In m.
29, the melody is
harmonized and a
countermelody in violin I
introduced. The violins
take the melody soaring
in octaves in m. 33, as
the piece again builds to
the B section and
suddenly quiets. Measure
55 then provides more
question-and-answer
interplay, this time for
viola and cello, while
violin continues with its
newly harmonized melody.
Summer Dance finishes
with a soft recurrence of
the opening figure and a
build toward a powerful
divisi voicing on beat 3
of m. 63, right before
the final chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Gesu Bambino Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS27 Composed by Pietro A. ...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS27
Composed by Pietro A.
Yon. Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
16+16+10+4+10+10+3+12
pages. Carl Fischer Music
#CAS27. Published by Carl
Fischer Music (CF.CAS27).
ISBN 9780825858307.
UPC: 798408058302. 8.5 X
11 inches. Key: E
major.
A popular
holiday favorite
performed and recorded by
today's top artists
including Luciano
Pavarotti, this new
arrangement is flowing
and makes good use of the
shifting tonalities of
the beautiful piece. The
warm harmonies and
exquisite lyricism will
make. Gesu Bambino is
the most recognized
composition by Italian
composer Pietro A. Yon
(1886-1943). A respected
concert organist, Yon was
organist at the Vatican
as well as St. Patrick's
Cathedral in New York
City from 1926 through
1943.We begin with a
gently flowing rhythmic
pattern in the celli
which establishes the
12/8 meter. Throughout
the piece Yon uses the
traditional Christmas
carol O, Come All Ye
Faithful as a
countermelody. This first
occurs with a short quote
when the second violins
enter in measure 3. The
first violins entire in
the pick-up to measure 5
with Yon's main melody.
Careful attention to
dynamics should be paid
throughout, but
especially in cases such
as measure 9-10 where
they change dramatically
from piano
to forte. The pick-up
to measure 14 has the
viole and celli playing
the O, Come All Ye
Faithful countermelody
through measure 21. This
occurs again in the first
violins with the pick-up
to measure 32. Make full
use of the crescendo
in measure 53. Played
with warmth and
reverence, this will be
an effective showcase for
the orchestra.- Roy
Phillippe.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS26 Full Score....(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS26
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #FAS26.
Published by Carl Fischer
Music (CF.FAS26).
ISBN
9780825854811. UPC:
798408054816. 8.5 X 11
inches. Key: D
major.
Arches
em> is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teachingA
pizzicato
playing as a melodic
device. Most often,A
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the mainA
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
theseA pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of theseA
pizzicatoA
lines. Arches
is a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.
Arches is an
effective piece in
teaching
pizzicato
playing as a melodic
device. Most often,
pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main
pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato
lines. Forward motion is
of up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is
a piece for the
developing string
orchestra that derives
its title from the
national park in Utah. I
visited the Arches
National Monument in June
of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless. Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most often,
pizzicato is used as an
effect or punctuation
mark to larger melodic
ideas. There is a brief
arco section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of these
pizzicato
lines. Arches is a
piece for the developing
string orchestra that
derives its title from
the national park in
Utah. I visited the
Arches National Monument
in June of 2003 during a
cross-country trip. The
Delicate Arch is the
recognizable landmark
from this beautiful
national park. In order
to see this remarkable
natural formation up
close, you have to hike a
trail of over two miles.
The music in this piece
is inspired by my journey
to see the arch. Once
there, you are treated to
a vast panoramic view of
the golden Utah landscape
that leaves one
breathless.Arches is an
effective piece in
teaching pizzicato
playing as a melodic
device. Most
often, pizzicato is
used as an effect or
punctuation mark to
larger melodic ideas.
There is a brief arco
section to provide
contrast and build up to
the dramatic return of
the main pizzicato
melody. Each section in
the ensemble has a
statement of the melody.
It is important to think
linearly in addition to
vertically when playing
these pizzicato lines.
Forward motion is of
up-most importance in
terms of making musical
phrases out of
these pizzicato lin
es.
The Sprint Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Classical. Medium
Easy/Medium. Score and
Parts. Standard notation.
16 pages. Published by
Carl Fischer . Score and
Parts. classical.
Composed by Doris Gazda.
Edited by Amy Rosen. Carl
Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
16+4+16+10+10+4+10+12
pages. Carl Fischer Music
#YAS10. Published by Carl
Fischer Music (CF.YAS10).
ISBN 9780825848261.
UPC: 798408048266. 8.5 X
11 inches. Key: D
major.
When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner Rally
ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners.The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner.
Fire walk Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS9 Full Score and P...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS9
Full Score and
Parts. Composed by
Sean O'Loughlin. Carl
Fischer Young String
Orchestra Series. Score
and Parts. With Standard
notation.
8+8+5+2+5+5+2+12 pages.
Carl Fischer Music #YAS9.
Published by Carl Fischer
Music (CF.YAS9).
ISBN
9780825844867. UPC:
798408044862. 8.5 X 11
inches. Key: A
minor.
Firewalk
is a piece for
young string orchestra
designed to teach
pizzicato playing to the
developing string player.
All too often, pizzicato
is treated simply as an
effect or percussive
accent to a passage. With
this piece, pizzicato
becomes the melody,
harmony and rhythm. It
calls for the player to
use dynamics and phrasing
while playing pizzicato.
This work is adapted from
incidental music I
composed for a production
of The Birth of
Merlin, a play by
William Shakespeare. The
piece is dedicated to
Helen Borgers, who
directed this production
by the Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for
Firewalk comes
from a section in the
play where the characters
are dancing a devilish
tango with ethereal
spirits. The music
features jaunty rhythms,
dynamic contrasts, and a
dramatic climax.
Firewalk is a
diverse addition to any
concert
program. Firewalk<
/em> is a piece for young
string orchestra designed
to teach pizzicato
playing to the developing
string player. All too
often, pizzicato is
treated simply as an
effect or percussive
accent to a passage. With
this piece, pizzicato
becomes the melody,
harmony and rhythm. It
calls for the player to
use dynamics and phrasing
while playing pizzicato.
This work is adapted from
incidental music I
composed for a production
ofA The Birth of
Merlin, a play by
William Shakespeare. The
piece is dedicated to
Helen Borgers, who
directed this production
by the Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material forA
Firewalk comes
from a section in the
play where the characters
are dancing a devilish
tango with ethereal
spirits. The music
features jaunty rhythms,
dynamic contrasts, and a
dramatic climax.A
Firewalk is a
diverse addition to any
concert
program. Firewalk is a
piece for young string
orchestra designed to
teach pizzicato playing
to the developing string
player. All too often,
pizzicato is treated
simply as an effect or
percussive accent to a
passage. With this piece,
pizzicato becomes the
melody, harmony and
rhythm. It calls for the
player to use dynamics
and phrasing while
playing pizzicato. This
work is adapted from
incidental music I
composed for a production
of The Birth of Merlin, a
play by William
Shakespeare. The piece is
dedicated to Helen
Borgers, who directed
this production by the
Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for Firewalk
comes from a section in
the play where the
characters are dancing a
devilish tango with
ethereal spirits. The
music features jaunty
rhythms, dynamic
contrasts, and a dramatic
climax. Firewalk is a
diverse addition to any
concert
program. Firewalk is a
piece for young string
orchestra designed to
teach pizzicato playing
to the developing string
player. All too often,
pizzicato is treated
simply as an effect or
percussive accent to a
passage. With this piece,
pizzicato becomes the
melody, harmony and
rhythm. It calls for the
player to use dynamics
and phrasing while
playing pizzicato.This
work is adapted from
incidental music I
composed for a production
of The Birth of
Merlin, a play by William
Shakespeare. The piece is
dedicated to Helen
Borgers, who directed
this production by the
Bard in the Yard
Shakespeare Company in
Long Beach, CA. The
material for Firewalk
comes from a section in
the play where the
characters are dancing a
devilish tango with
ethereal spirits. The
music features jaunty
rhythms, dynamic
contrasts, and a dramatic
climax. Firewalk is a
diverse addition to any
concert program.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Bring A Torch Orchestre à Cordes - Intermédiaire Carl Fischer
Orchestra String Orchestra - medium easy SKU: CF.CAS36 Composed by Tradit...(+)
Orchestra String
Orchestra - medium easy
SKU: CF.CAS36
Composed by Traditional.
Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS36.
Published by Carl Fischer
Music (CF.CAS36).
ISBN
9780825863646. UPC:
798408063641. 8.5 X 11
inches. Key: F
major.
A warm and
richly scored setting of
the popular Christmas
carol Bring a Torch
Jeanette, Isabella, this
full sounding arrangement
will greatly enrich
seasonal programming. Roy
Phillippe has employed a
broad palette of harmonic
and instrumental colors
to craft a memorable
holiday
selection. Bring a
Torch is a lovely
Christmas carol. Using
techniques such as
suspensions,
re-harmonization and
modulations, my goal is
to provide an interesting
showcase for this
familiar melody. the
introduction in F major
features sustained
violins with a pattern of
moving eighth notes in
the violas and cellos.
This pattern recurs
throughout the piece. The
first statement of the
melody is in the first
violins. The second
violins supply harmonic
support along with the
viola/cello pattern.
Measures 13-29 feature a
section of tutti chordal
playing. Measure 30
crescendos into the
modulation to D major at
m. 32. Here, the dynamic
is forte, and the
viola/cello pattern
returns. At m. 40, the
violas and cellos have
the melody with violin
accompaniment. A
crescendo begins at m. 44
and builds
to fortissimo at m.
48, featuring a
modulation to G major. At
this point the melody
should soar. A
descrescendo at m. 60 is
followed by a ritard
at m. 64. The final four
measures are in the
original tempo ending on
a tutti chord.Careful
attention to dynamics,
especially in the
accompanying parts, will
result in a fine
performance.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians