Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
For Full or String Orchestra. Arranged by Larry Clark. For Full Orchestra. Full ...(+)
For Full or String
Orchestra. Arranged by
Larry Clark. For Full
Orchestra. Full
Orchestra. Belwin
Intermediate Full
Orchestra. Level: 2.5
(grade 2.5). Conductor
Score and Parts. 234
pages. Published by
Alfred Publishing.
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning S...(+)
By Lauren Bernofsky
(1967-). For narration
and string orchestra. FJH
Beginning Strings. Full
set (score and parts).
Score only also
available: ST6192S.
Halloween. Grade 1. Score
and set of parts.
Composed 2009
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky
(1967-). For narrator and
string orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6192. Halloween. Grade
1. Score. Composed 2009
The Trout (Movement IV) Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Kendor Music Inc.
(Die Forelle). By Franz Schubert (1797-1828). Arranged by John Caponegro. For st...(+)
(Die Forelle). By Franz
Schubert (1797-1828).
Arranged by John
Caponegro. For string
orchestra (88555) with
optional 3rd violin/viola
TC (3 copies) and piano.
Playground String
Orchestra Series. Grade
1.5. Score and set of
parts. Duration 1 minute,
55 sec
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS11 Composed by Larry ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS11
Composed by Larry Clark.
FS SWS. Carl Fischer
First Plus String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 8+8+5+5+5+2+8
pages. Carl Fischer Music
#FAS11. Published by Carl
Fischer Music (CF.FAS11).
ISBN 9780825845048.
UPC: 798408045043. 8.5 X
11 inches. Key: G
major.
This
outstanding original from
Larry Clark can be played
any time of year! A
vigorous theme moves
through all the sections
and violas combine with
second violins for
prominent solo passages.
A section in minor adds
to the drama as strong
rhythmic chords give way
to a subdued tremolo in
the first violins,
reminiscent of Vivaldi's
Winter This music reaches
a level of intensity your
players and audience will
love. Out of the
Winter is a musical
depiction of the many
moods of winter from its
harsh storms to its
simple beauty. The
composition is based on a
central main theme that
is musically developed
throughout the
composition presented in
and out of major and
minor keys.The main theme
begins right away without
introduction and is set
to depict the simple
delicate beauty of a
light falling snow. The
theme is then developed
in the minor key using
simple contrapuntal
techniques that give the
composition a fresh sound
for pieces at this grade
level. The aggressive
development of the piece
is a musical description
of a powerful winter
storm. The tension of
this section is built to
a climax using
simple divisi in the
strongs and some
poly-chordal harmonic
techniques that give way
to a final return of the
main theme to complete
the piece.Special care
should be given to
exaggerating the contrast
between the two diverse
sections of the piece.
The main theme should be
light and uplifting. The
second section with the
theme in minor should
have an ominous presence,
but still be reminiscent
of the original light
main theme. As with all
of my compositions at
this grade level, adjust
the tempo to fit the
ability level of your
students. It is hope that
this piece helps to
reinforce the concepts of
good musicianship which
you are trying to instill
in your students. Bowings
should be used as a guide
and should be adjusted to
your needs.It has been my
pleasure to have had the
opportunity to write this
piece. I hope that you
and your students find it
useful for your
program.
Orchestra String Orchestra - Grade 4 SKU: FJ.ST6467 Composed by Richard W...(+)
Orchestra String
Orchestra - Grade 4
SKU: FJ.ST6467
Composed by Richard
Wagner. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score and Part(s).
Duration 3:30. The FJH
Music Company Inc
#98-ST6467. Published by
The FJH Music Company Inc
(FJ.ST6467).
UPC:
241444397626.
English.
This
world-renowned prelude
contains four primary
themes from Wagner's
staged work. From the
opening powerful
declaration to the
beautiful lyrical moments
within, this is a
testament to the
brilliance of Wagner. The
arrangement thoughtfully
captures the depth and
power of the original and
is a fabulous way to open
any program.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Shadows of Venice Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Doug Spata. Orchestra. For string w/ vln3 and cello2. Part(s); Score; String ...(+)
By Doug Spata. Orchestra.
For string w/ vln3 and
cello2. Part(s); Score;
String Orchestra.
Highland String
Orchestra. Grade 2. 148
pages. Published by
Alfred Music Publishing
Composed by Greg Bartholomew. For "trumpet, timpani & string orches...(+)
Composed by Greg
Bartholomew.
For "trumpet,
timpani & string
orchestra". Pathways
Series.
Level 4. Score and set of
parts. Duration "3
minutes, 40
seconds". Published
by Imagine
Music
Composed by Greg Bartholomew. For "trumpet, percussion & string orc...(+)
Composed by Greg
Bartholomew.
For "trumpet,
percussion &
string orchestra".
Pathways
Series. Level 4. Score
and set
of parts. Duration
"3 minutes,
40 seconds".
Published by
Imagine Music
Sunday Song Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Randy Sabien. Orchestra. String Orchestra. Highland String Alternatives. Cont...(+)
By Randy Sabien.
Orchestra. String
Orchestra. Highland
String Alternatives.
Contemporary; Light
Concert. Grade 3.
Conductor Score and
Parts. 72 pages.
Published by Alfred Music
Publishing
By Soon Hee Newbold.
Beginning String
Orchestra. FJH Beginning
Strings. Score for this
title: ST6109S. Extra
part for this title:
ST6109P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Composed by George Sweet.
Ballad. Harmony. Ballad.
Set of parts. Excelcia
Music Publishing
#HSO2206. Published by
Excelcia Music Publishing
(XC.HSO2206).
12 x 9
inches.
George
Sweet's music is always
carefully written from a
harmonic standpoint. Even
though this work is more
up-tempo - the harmonic
sensibilies we know and
love from George are on
full display.
A Playful Polka Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Edmund J. Siennicki. Orchestra. String Orchestra. Highland Strictly Strings S...(+)
By Edmund J. Siennicki.
Orchestra. String
Orchestra. Highland
Strictly Strings Series.
Grade 2. Conductor Score
and Parts. 72 pages.
Published by Alfred Music
Publishing
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6340 Composed by Franz Sch...(+)
Orchestra String
Orchestra - Grade 3
SKU: FJ.ST6340
Composed by Franz
Schubert. Arranged by
Robert D McCashin.
MakeMusic Cloud; String
Orchestra. FJH String
Orchestra. Masterwork
Arrangement. Score and
Part(s). Duration 5:30.
The FJH Music Company Inc
#98-ST6340. Published by
The FJH Music Company Inc
(FJ.ST6340).
UPC:
674398232581.
English.
This
light-hearted and
cheerful movement from
Schubert's Symphony No. 3
is orchestrated in a
manner extraordinarily
true to the original.
Highlighting the entire
form of the original
movement, this
arrangement is a
wonderful way to expose
your string students to
this wonderful music
without the need of the
winds!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Score Only.
Composed by Franz
Schubert. Arranged by
Robert D McCashin.
Series; String Orchestra.
FJH String Orchestra.
Masterwork Arrangement.
Score. Duration 5:30. The
FJH Music Company Inc
#98-ST6340S. Published by
The FJH Music Company Inc
(FJ.ST6340S).
English.
This
light-hearted and
cheerful movement from
Schubert's Symphony No. 3
is orchestrated in a
manner extraordinarily
true to the original.
Highlighting the entire
form of the original
movement, this
arrangement is a
wonderful way to expose
your string students to
this wonderful music
without the need of the
winds!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up