By Tomasso Albinioni. Arranged by Jan Farrar-Royce. Orchestra. Part(s); Score; S...(+)
By Tomasso Albinioni.
Arranged by Jan
Farrar-Royce. Orchestra.
Part(s); Score; String
Orchestra. Belwin
Intermediate String
Orchestra. Form:
Concerto. Baroque;
Masterwork Arrangement.
Grade 3. 144 pages.
Published by Belwin Music
By Elton John, Tim Rice. Arranged by Elliot A. Del Borgo. Essential Elements Str...(+)
By Elton John, Tim Rice.
Arranged by Elliot A. Del
Borgo. Essential Elements
String Orchestra Series -
Artist Level. Size 9x12
inches. Published by Hal
Leonard.
From Divertimento No. 1, K. 136. Composed by Wolfgang Amadeus Mozart (1756-179...(+)
From Divertimento No. 1,
K.
136. Composed by Wolfgang
Amadeus Mozart
(1756-1791).
Arranged by Jan Farrar-
Royce. Masterworks;
Part(s);
Score; String Orchestra.
Belwin Concert String
Orchestra. Classical;
Masterwork Arrangement.
124
pages. Published by
Belwin
Music
Composed by Tom Shelton. Janeal Krehbiel Choral Series. Concert, General. Score...(+)
Composed by Tom Shelton.
Janeal Krehbiel Choral
Series. Concert,
General. Score and parts.
Santa Barbara Music
Publishing #SBMP1448-1.
Published by Santa
Barbara Music Publishing
(SB.SBMP-1448.1).
By Jack Bruce, Pete Brown, and Eric Clapton [Cream]. Arranged by Michael Hopkins...(+)
By Jack Bruce, Pete
Brown, and Eric Clapton
[Cream]. Arranged by
Michael Hopkins.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra. Light
Concert; Novelty;
Pop/Rock. Grade 2.5. 12
pages
By Jack Bruce, Pete Brown, and Eric Clapton [Cream]. Arranged by Michael Hopkins...(+)
By Jack Bruce, Pete
Brown, and Eric Clapton
[Cream]. Arranged by
Michael Hopkins.
Orchestra. Part(s);
Score; String Orchestra.
Pop Beginning String
Orchestra. Light Concert;
Novelty; Pop/Rock. Grade
2.5. 156 pages
Arranged by Victor Lopez. Arr. Victor Lopez. For Full Orchestra. Full Orchestra....(+)
Arranged by Victor Lopez.
Arr. Victor Lopez. For
Full Orchestra. Full
Orchestra. Pop
Intermediate Full/String
Orchestra. Conductor
Score. 20 pages.
Published by Alfred
Publishing. Level: 2
(grade 2).
O Eyes of My Beloved Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
By Orlande De Lassus (1532-1594). Arranged by Jack Bullock. Orchestra. String Or...(+)
By Orlande De Lassus
(1532-1594). Arranged by
Jack Bullock. Orchestra.
String Orchestra. Belwin
Beginning String
Orchestra. Love;
Masterwork Arrangement;
Renaissance; Wedding.
Grade 2. Conductor Score
and Parts. 74 pages.
Published by Belwin
Publishing
When I Fall in Love Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Victor Young, lyrics by Edward Heyman. Arranged by Carl Strommen. Orchestra. ...(+)
By Victor Young, lyrics
by Edward Heyman.
Arranged by Carl
Strommen. Orchestra.
Score; String Orchestra.
Pop Intermediate String
Orchestra. Light Concert;
Pop. Grade 3. 8 pages.
Published by Alfred Music
Publishing
When I Fall in Love Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Victor Young, lyrics by Edward Heyman. Arranged by Carl Strommen. Orchestra. ...(+)
By Victor Young, lyrics
by Edward Heyman.
Arranged by Carl
Strommen. Orchestra. For
strings w/ vln3, pno acc.
Part(s); Score; String
Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop. Grade 3. 76 pages.
Published by Alfred Music
Publishing
Love Endures Orchestre à Cordes [Conducteur et Parties séparées] Subito Music
String Orchestra SKU: SU.27200010 For String Orchestra. Composed b...(+)
String Orchestra
SKU:
SU.27200010
For
String Orchestra.
Composed by Sarah Ruff.
Strings, String Ensemble.
Score & Parts. Subito
Music Corporation
#27200010. Published by
Subito Music Corporation
(SU.27200010).
Set includes
full score and parts
(9-8-7-6-5)String
Orchestra Duration: 4'30
Composed: 2020 Published
by: Sarah Ruff.
Romance, Op. 75, No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
By Antonin Dvorák. Arranged by Jeffrey E. Turner. Orchestra. For string. Mast...(+)
By Antonin Dvorák.
Arranged by Jeffrey E.
Turner. Orchestra. For
string. Masterworks;
Part(s); Score; String
Orchestra. Belwin Concert
String Orchestra. Form:
Transcription. Love;
Masterwork Arrangement;
Romantic. Grade 3. 62
pages. Published by
Belwin Music
Bring A Torch Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - medium easy SKU: CF.CAS36 Composed by Tradit...(+)
Orchestra String
Orchestra - medium easy
SKU: CF.CAS36
Composed by Traditional.
Arranged by Roy
Phillippe. Carl Fischer
Concert String Orchestra
Series. Classical. Score
and Parts. With Standard
notation. 12 pages. Carl
Fischer Music #CAS36.
Published by Carl Fischer
Music (CF.CAS36).
ISBN
9780825863646. UPC:
798408063641. 8.5 X 11
inches. Key: F
major.
A warm and
richly scored setting of
the popular Christmas
carol Bring a Torch
Jeanette, Isabella, this
full sounding arrangement
will greatly enrich
seasonal programming. Roy
Phillippe has employed a
broad palette of harmonic
and instrumental colors
to craft a memorable
holiday
selection. Bring a
Torch is a lovely
Christmas carol. Using
techniques such as
suspensions,
re-harmonization and
modulations, my goal is
to provide an interesting
showcase for this
familiar melody. the
introduction in F major
features sustained
violins with a pattern of
moving eighth notes in
the violas and cellos.
This pattern recurs
throughout the piece. The
first statement of the
melody is in the first
violins. The second
violins supply harmonic
support along with the
viola/cello pattern.
Measures 13-29 feature a
section of tutti chordal
playing. Measure 30
crescendos into the
modulation to D major at
m. 32. Here, the dynamic
is forte, and the
viola/cello pattern
returns. At m. 40, the
violas and cellos have
the melody with violin
accompaniment. A
crescendo begins at m. 44
and builds
to fortissimo at m.
48, featuring a
modulation to G major. At
this point the melody
should soar. A
descrescendo at m. 60 is
followed by a ritard
at m. 64. The final four
measures are in the
original tempo ending on
a tutti chord.Careful
attention to dynamics,
especially in the
accompanying parts, will
result in a fine
performance.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Lux et Umbra Orchestre à Cordes Editorial de Musica Boileau
String orchestra SKU: BO.B.3292 Composed by Jordi Cervello. Instrumental ...(+)
String orchestra
SKU:
BO.B.3292
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 17:35. Published
by Editorial de Musica
Boileau (BO.B.3292).
English
comments: This is
the definitive version of
Biogenesis, a piece that
Cervello had written in
1976, together with his
friend Jorge Wagensberg,
and which was awarded the
First Prize at the
Spanish Ministry for
Education and Science's
Permanent Composition and
Musical Research
Competition. The new
version was made at
1984-85 Lux et umbra is
written for a string
group consisting of four
first and four second
violins, three violas,
three cellos and a double
bass. The conceptual
battle between darkness
and light is represented
by the instability
between the notes B and
C, and by the
compartmentation of the
group of fifteen strings
into divisi that provide
an independent
arrangement for each
instrument, thus
bestowing great substance
upon the texture of the
music. A cello cadence
emerges from a slow and
straightforward
beginning. A process of
contrasts then begins,
culminating in a molto
vivace passage of a
scherzando nature, which
alludes to the Baroque
concerti grossi. The
music once again plays
with chiaroscuro until
reaching its climax, from
which point the
conclusion slowly begins,
establishing itself in
the high register until
fading away. The work was
first performed at
Barcelona's Palau de la
Musica by the English
Chamber Orchestra,
directed by Enrique
Garcia Asensio, in 1987.
That same year, in the
newspaper El Pais, the
observations of the
composer and critic
Francesc Taverna-Bech
paid tribute to the
work's intelligence as
regards the use of and
search for instrumental
resources (in this case,
string instruments, about
which Cervello knows a
great deal), the skill
involved in endowing the
lyrical line with
tension, and a singular
touch that confers formal
essence upon the musical
discourse. In La
Vanguardia, Jordi Llovet
wrote that this is a work
in which, as is the case
with most of Cervello's
compositions, the
listener finds something
covertly religious, a
mysterious secret, a
transcendence linked to
the origins of
communication requiring
more than a single being,
which provides
excitement. In 1990, when
the Orquesta de Granada
(Orchestra of Granada)
performed the work at
Barcelona's Grec
festival, the critic
Cesar Calmell opined, in
the same newspaper, that
inch by inch, surely and
imperturbably, Cervello
built up a perfect world
that reflects the image
of the craftsman who, so
astonished at the
delights of his trade, is
unable to do anything but
turn the very backdrop of
tragedy into something
pleasant. Lux et umbra
was recorded by the
Orchestra Estatal of the
Hermitage, conducted by
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Music
critic
Comentari
os del Espanol: Se
trata de la version
definitiva de Biogenesis,
obra que habia escrito en
1976 en colaboracion con
su amigo Jorge Wagensberg
y que obtuvo el Primer
Premio, en el ano de su
creacion, en el Concurso
Permanente de Composicion
e Investigacion Musical
del Ministerio de
Educacion y Ciencia. La
nueva version fue
realizada en 1984-85. Lux
et umbra esta escrita
para un grupo de cuerda
integrado por cuatro
primeros violines, cuatro
segundos, tres violas,
tres violoncelos y un
contrabajo. El combate
filosofico entre la
oscuridad y la luz lo
lleva a cabo la
inestabilidad entre las
notas si y do y la
compartimentacion del
grupo de quince cuerdas
en unos divisi que llegan
a una escritura
independiente para cada
instrumento, otorgando
una gran importancia a la
textura sonora. De un
principio lento y
descarnado emerge una
cadencia del violonchelo.
A continuacion da
comienzo un proceso de
contrastes que culmina en
un pasaje molto vivace de
caracter scherzando que
alude a los concerti
grossi del barroco. La
musica juega de nuevo con
el claroscuro hasta
llegar a la cumbre sonora
iniciando el final
lentamente que se instala
en el registro agudo
hasta desvanecerse. La
estreno en el Palau de la
Musica de Barcelona la
English Chamber Orchestra
en el ano 1987 bajo la
direccion de Enrique
Garcia Asensio. Ese mismo
ano, en el periodico El
Pais, el compositor y
critico Francesc
Taverna-Bech reconocia en
sus comentarios la
inteligencia en el uso y
la busqueda de los
recursos instrumentales
-en este caso la cuerda,
de la que Cervello es
profundo conocedor-, la
destreza para revestir de
tension la linea lirica y
un tacto particular para
conferir entidad formal
al discurso sonoro. Jordi
Llovet, en La Vanguardia,
escribia que en esta
obra, se encuentra, como
en la mayor parte de la
produccion de Cervello,
algo secretamente
religioso, un arcano
misterioso, una
trascendencia vinculada a
los origenes de la
comunicacion
impracticable con el ser
unico que resulta
apasionante. En el ano
1990, cuando la Orquesta
de Granada la toco en el
Grec de Barcelona, era el
critico Cesar Calmell
quien, en el mismo
periodico consideraba que
Cervello construyo palmo
a palmo, segura e
imperturbablemente, un
mundo perfecto que
refleja la imagen del
artesano que, de tan
admirado con las delicias
de su oficio, no puede
hacer otra cosa que
convertir en agradable el
fondo mismo de la
tragedia. Lux et umbra
esta grabada por la
Orquesta Estatal del
Hermitage, dirigida por
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Critico musical.
(First Movement). By Antonio Vivaldi (1678-1741). Arranged by Brendan Mcbrien. O...(+)
(First Movement). By
Antonio Vivaldi
(1678-1741). Arranged by
Brendan Mcbrien.
Orchestra. Masterworks;
String Orchestra.
Highland String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 3.5. Conductor
Score and Parts. 124
pages. Published by
Alfred Music Publishing
My Jesus, I Love Thee Orchestre à Cordes [Conducteur et Parties séparées] Beckenhorst Press
String orchestra SKU: BP.1948B Composed by Dan Forrest. Arranged by Dan F...(+)
String orchestra
SKU:
BP.1948B
Composed by
Dan Forrest. Arranged by
Dan Forrest. Sacred
octavos. Capital
University Choral Series.
Sacred. Score and parts.
Beckenhorst Press #1948B.
Published by Beckenhorst
Press (BP.1948B).
This new
setting of the familiar
hymn is both lyrical and
powerful, breathing new
life into the familiar
statement of faith. The
tender, gentle beginning
builds to a strong final
verse In mansions of
glory . . . IOll sing
with the glittering crown
on my brow, leaving us to
thoughtfully consider the
tender final statement If
ever I loved Thee, my
Jesus, 'tis now. For SATB
Choir in partnership with
a stunning piano
accompaniment.
Ukranian Bell Carol Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Mykola Leontovich. Arranged by Sandra Dackow. Orchestra. String Orchestra. Or...(+)
By Mykola Leontovich.
Arranged by Sandra
Dackow. Orchestra. String
Orchestra. Orchestra
Expressions Book 1.
Christmas; Winter. Grade
1. Conductor Score and
Parts. 76 pages.
Published by Alfred Music
Publishing
By Antonin Dvorak. Arranged by Robert Sieving. By Antonin Dvorak / arr. Robert S...(+)
By Antonin Dvorak.
Arranged by Robert
Sieving. By Antonin
Dvorak / arr. Robert
Sieving. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 94 pages.
Published by Alfred
Publishing.
By Antonio Vivaldi. Arranged by Tim Mccarrick. For String Orchestra. String Orch...(+)
By Antonio Vivaldi.
Arranged by Tim
Mccarrick. For String
Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: 2
(grade 2). Conductor
Score and Parts. 78
pages. Published by
Alfred Publishing.