Composed by Leslie Bricusse and John Williams. Arranged by James Kazik. Music for String Orchestra. Christmas, Holiday, Movies. Softcover. Duration 100 seconds. Published by Hal Leonard

Composed by Leslie Bricusse and John Williams. Arranged by James Kazik. Music for String Orchestra. Christmas, Holiday, Movies. Softcover. Duration 100 seconds. Published by Hal Leonard

By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Duboff, Jeffrey Sultanof, Alex Chilowicz, and Andrew Homzy. Arranged by Eddie Sauter. For string ensemble (score and parts) (Soloist (parts in concert, B-flat, and E-flat), Violin I (8 parts), Violin II (8 parts), Viola (5 Parts), Cello (5 Parts) , Double Bass (3 Parts), Harp, Piano/Celeste, Percussion (Snare Drum, Marimba, Tambourine)). Advanced. Score and parts. Published by Jazz Lines Publications

Orchestra String Orchestra - Grade 1.5-2

SKU: CF.FAS27

Composed by Larry Clark. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 8+8+5+5+5+2+8 pages. Carl Fischer Music #FAS27. Published by Carl Fischer Music (CF.FAS27).

ISBN 9780825854835. UPC: 798408054830. 8.5 X 11 inches. Key: D major.

The title depicts the uplifting nature of the piece that inspires young players to have confidence and respect while living with character and integrity. The music is characterized by strong melodic intervals of fourths and fifths and dynamic contrasts, a Larry Clark signature that has made his music so popular. In addition, every player is an important part of the music. This is a perfect showpiece for developing groups for concerts or festivals.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values.A Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece. I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again. The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students. It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program. LARRY CLARK Lakeland, Florida 2004.
As a former teacher I always tried to use the experience of playing in an ensemble to teach students about being good people first b having confidence, being respectful, living with character and integrity. I choose to write music with titles that will stimulate students to strive for this high standard and I have tried to write pieces that will somehow musically depict these values. Integrity is one such piece.I hope you will find the main theme to be uplifting and with musical integrity, but within the reach of developing students. My themes usually are characterized by strong melodic intervals of fourths and fifths and this piece is no exception. It is also my goal when writing music for younger students to provide every section in the ensemble a chance to play important melodic material at some point in the piece. In my humble opinion, if students are given music they like to play they will want to practice it over and over again.The tempo markings and bowings indicated are only there as a guide and should be adjusted to the needs of your students.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students find it useful for your program.LARRY CLARKLakeland, Florida 2004.

By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. Published by Alfred Publishing.

By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orchestra. Conductor Score & Parts. Published by Alfred Publishing.
Level: 2.5 (grade 2.5).

Composed by David Bobrowitz. Edited by J. Cameron Law. For string orchestra. Grade 1+. Score and set of parts. Duration 2 minutes, 20 seconds. Published by Grand Mesa Music

Sequential Repertoire for Solo Strings or String Ensemble (Piano / Score). Composed by Winifred Crock, William Dick, and Laurie Scott. Method/Instruction; Score; String Orchestra Method/Supplement; Suzuki. 64 pages. Published by Alfred Music

Sequential Repertoire for Solo Strings or String Ensemble (Cello). Composed by Winifred Crock, William Dick, and Laurie Scott. Book; CD; Method/Instruction; String Orchestra Method/Supplement; Suzuki. 48 pages. Published by Alfred Music

Sequential Repertoire for Solo Strings or String Ensemble (Violin). Composed by Winifred Crock, William Dick, and Laurie Scott. Book; CD; Method/Instruction; String Orchestra Method/Supplement; Suzuki. 48 pages. Published by Alfred Music

Sequential Repertoire for Solo Strings or String Ensemble (Viola). Composed by Winifred Crock, William Dick, and Laurie Scott. Book; CD; Method/Instruction; String Orchestra Method/Supplement; Suzuki. 48 pages. Published by Alfred Music

Composed by Girolamo Frescobaldi (1583-1643). Edited by J. Cameron Law. Arranged by John Beeman. For string orchestra. Grade 2. Score and set of parts. Duration 2 minutes. Published by Grand Mesa Music

Composed by J. Cameron Law. For string orchestra. Grade 3+. Score and set of parts. Duration 9 minutes, 15 seconds. Published by Grand Mesa Music

Composed by Randall Standridge. Edited by J. Cameron Law. For string orchestra. Grade 2 . Score and parts. Duration 2 minutes, 20 seconds. Published by Grand Mesa Music

For String Orchestra. Composed by Sergei Rachmaninoff (1873-1943). Arranged by Kirt Land. Southern Music. Classical. Softcover. Southern Music Company #SO126C. Published by Southern Music Company

(Featuring: The Apollo Suite / Quinto-Quinto Suite / Belvedere Suite). By Merle J. Isaac. Orchestra. String Orchestra. Alfred Signature Performance Series for Orchestra. Grade 2. Conductor Score and Parts. 448 pages. Published by Alfred Music Publishing

Orchestra String Orchestra - Medium Easy/Medium

SKU: CF.CAS22

Composed by Larry Clark. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #CAS22. Published by Carl Fischer Music (CF.CAS22).

ISBN 9780825858208. UPC: 798408058203. 8.5 X 11 inches. Key: G major.

The fast paced rondo has a Dorian flavored melody with hints of quartel (based on an interval of a fourth) harmony to give it a contemporary sound The players are presented with solo opportunities as well as harmonic turns and twists that will keep them.
Rondo in the Nick of Time was originally the third movement for a woodwind quintet piece that I wrote in 1990. I have always been fond of this little piece and felt that it would adapt well to larger ensembles. I have also scored this piece for band as part of a suite called Upon a New Horizon.The main theme is based on the Dorian Mode. The use of quartal harmony makes up most of the harmonic material. Each statement of the theme is followed by an episode that increases in length each time. There is a sudden change of style and tempo in the middle of the piece, where fragments of the theme are developed. The title is a play-on-words, since the work contains hemiola effects that alter the feel of the time.As with all of my pieces for strings, the bowings are given only as a reference. Feel free to alter them to fit the needs of your students. I have indicated a rather fast tempo for the piece. I really like the piece to fly, but it will work and sound fine at a slower tempo as well. Just endeavor to keep their energy moving forward.It has been my pleasure to have the opportunity to write this piece. I hope that you and your students enjoy it and find it useful in your program.-Larry ClarkLakeland, FL. 2005.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Arranged by Steven L. Rosenhaus. For string orchestra. Grade 2+. Score and set of parts. Duration 2 minutes, 40 seconds. Published by Grand Mesa Music

Composed by Loreta Fin. Performance Music Ensemble; Single Titles; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Summer. Part(s); Score. 124 pages. Duration 2:02. Alfred Music #76-37449. Published by Alfred Music (AP.76-37449).

By Richard Meyer. Orchestra. Part(s); Score; String Orchestra. Highland String Explorer. Form: Waltz. Grade .5. 72 pages. Published by Alfred Music

By Richard Meyer. Orchestra. Score; String Orchestra. Highland String Explorer. Form: Waltz. Grade .5. 8 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS10

Composed by Doris Gazda. Edited by Amy Rosen. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 16+4+16+10+10+4+10+12 pages. Carl Fischer Music #YAS10. Published by Carl Fischer Music (CF.YAS10).

ISBN 9780825848261. UPC: 798408048266. 8.5 X 11 inches. Key: D major.

When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody ofA Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course,A Roadrunner Rally ends with a loudly emphasized honking noise, theA beep that we associate with the humorous picture of the roadrunner.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners. The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the beep that we associate with the humorous picture of the roadrunner.
When traveling through the desert southwest of the United States, you may be fortunate enough to come across a strange looking brown and white streaked bird called the Roadrunner. It has a blue patch of skin circling the eyes, a tiny dot of bright red behind the eyes, a bushy crest on the top of its head and a long tail that bobs up and down. A member of the cuckoo family, it is New Mexico's state bird, and can run in bursts of speed from between ten to twenty miles per hour. Because it is equipped to run rather than fly, its feet are different from other bird species, having two toes in front and two toes in the back. Its tracks looks like the letter X. Although roadrunners can become airborne, they are basically ground birds and do not fly. They eat insects, scorpions, small rodents, birds, lizards and snakes. They do make noise when in danger; however, the clicks and clatters do not resemble the sound of a honking horn that we think of from the Hollywood cartoon version of roadrunners.The repeated notes in the opening melody of Roadrunner Rally will remind you of the sight of a roadrunner traveling along at breakneck speed. A crisp spiccato accompanied by pizzicato in the cello and bass paints the picture of the bird running through the desert. At m. 17 you will hear that raucous honk, honk that is associated with the roadrunner saying Out of my way! The syncopation can easily be learned by feel as well as by counting carefully. At m. 25 and similar passages, the first violins will have fun learning the jazz licks. The walking bass like at m.69 with the jerky sound of the octaves in the upper strings will remind you of the awkward appearance of this ungainly bird. And of course, Roadrunner Rally ends with a loudly emphasized honking noise, the  beep that we associate with the humorous picture of the roadrunner.

Orchestra String Orchestra - Grade 3

SKU: CF.CAS3

Composed by Doris Gazda. FS-SWS. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20 pages. Carl Fischer Music #CAS3. Published by Carl Fischer Music (CF.CAS3).

ISBN 9780825844881. UPC: 798408044886. 8.5 X 11 inches. Key: D major.

A copse is a thicket of trees and bushes that may be found in a meadow or in open land. In England, a copse will often be found on a moor. A copse needs a source of water that is usually a stream, small river or pond. A copse has abundant plant and animal life because it provides the perfect habitat and shelter for moisture loving plants, insects, small mammals, rodents, reptiles, and birds. If you were walking through the copse in the midst of willow trees, bluebells and march marigolds, you would see beautiful butterflies, dragonflies and moths. You might see a frog or toad jumping on the banks of the pond and you would hear the call of numerous birds. Ornithologists often spend many hours watching and counting birds in and around a copse. Migrating birds such as geese and herons may also be spotted at certain times of the year. If you sit very quietly, you might catch sight of a red fox, a rabbit or squirrel. A copse is a happy place to spend an afternoon or to go for a walk. Perhaps you will get to visit a nature preserve near your home where you can observe the wonderful world of the woodland wild life that can be found in abundance in a copse. To assist you in learning some of the techniques that you need to be able to use when playing Willow-Wood Copse, you may wish to work on the studies that accompany the piece.
A copse is a thicket of trees and bushes that may be found in a meadow or in open land. In England, a copse will often be found on a moor. A copse needs a source of water that is usually a stream, small river or pond. A copse has abundant plant and animal life because it provides the perfect habitat and shelter for moisture loving plants, insects, small mammals, rodents, reptiles, and birds. If you were walking through the copse in the midst of willow trees, bluebells and march marigolds, you would see beautiful butterflies, dragonflies and moths. You might see a frog or toad jumping on the banks of the pond and you would hear the call of numerous birds. Ornithologists often spend many hours watching and counting birds in and around a copse. Migrating birds such as geese and herons may also be spotted at certain times of the year. If you sit very quietly, you might catch sight of a red fox, a rabbit or squirrel. A copse is a happy place to spend an afternoon or to go for a walk. Perhaps you will get to visit a nature preserve near your home where you can observe the wonderful world of the woodland wild life that can be found in abundance in a copse. To assist you in learning some of the techniques that you need to be able to use when playingA Willow-Wood Copse, you may wish to work on the studies that accompany the piece.
A copse is a thicket of trees and bushes that may be found in a meadow or in open land. In England, a copse will often be found on a moor. A copse needs a source of water that is usually a stream, small river or pond. A copse has abundant plant and animal life because it provides the perfect habitat and shelter for moisture loving plants, insects, small mammals, rodents, reptiles, and birds. If you were walking through the copse in the midst of willow trees, bluebells and march marigolds, you would see beautiful butterflies, dragonflies and moths. You might see a frog or toad jumping on the banks of the pond and you would hear the call of numerous birds. Ornithologists often spend many hours watching and counting birds in and around a copse. Migrating birds such as geese and herons may also be spotted at certain times of the year. If you sit very quietly, you might catch sight of a red fox, a rabbit or squirrel. A copse is a happy place to spend an afternoon or to go for a walk. Perhaps you will get to visit a nature preserve near your home where you can observe the wonderful world of the woodland wild life that can be found in abundance in a copse. To assist you in learning some of the techniques that you need to be able to use when playing Willow-Wood Copse, you may wish to work on the studies that accompany the piece.
A copse is a thicket of trees and bushes that may be found in a meadow or in open land. In England, a copse will often be found on a moor. A copse needs a source of water that is usually a stream, small river or pond. A copse has abundant plant and animal life because it provides the perfect habitat and shelter for moisture loving plants, insects, small mammals, rodents, reptiles, and birds.If you were walking through the copse in the midst of willow trees, bluebells and march marigolds, you would see beautiful butterflies, dragonflies and moths. You might see a frog or toad jumping on the banks of the pond and you would hear the call of numerous birds. Ornithologists often spend many hours watching and counting birds in and around a copse. Migrating birds such as geese and herons may also be spotted at certain times of the year. If you sit very quietly, you might catch sight of a red fox, a rabbit or squirrel.A copse is a happy place to spend an afternoon or to go for a walk. Perhaps you will get to visit a nature preserve near your home where you can observe the wonderful world of the woodland wild life that can be found in abundance in a copse.To assist you in learning some of the techniques that you need to be able to use when playing Willow-Wood Copse, you may wish to work on the studies that accompany the piece.

Arranged by L Conley. Essential Elements String Orchestra Series - Master Level. Published by Hal Leonard.

By Richard Meyer. Orchestra. Score; String Orchestra. HighlandåÊString Explorer. Light Concert; Novelty. Grade 1.5. 8 pages. Published by Alfred Music Publishing

By Richard Meyer. Orchestra. For string w/ vln3, pno acc. Part(s); Score; String Orchestra. HighlandåÊString Explorer. Light Concert; Novelty. Grade 1.5. 74 pages. Published by Alfred Music Publishing

Featuring "Fawkes the Phoenix," "Gilderoy Lockhart," "Dobby the House Elf," "Moaning Myrtle" and "Fawkes Heals Harry". By John Williams. Arranged by Bob Cerulli. Music by John Williams / arr. Bob Cerulli. For Full Orchestra. Full Orchestra. Pop Intermediate Full/String Orchestra. Movie. Level: 2.5 (grade 2.5). Conductor Score and Parts. 174 pages. Duration 5:13. Published by Alfred Publishing.