Dancing Waters Orchestre à Cordes SATB A Cappella - Intermédiaire Excelcia Music Publishing
String Orchestra Orchestra - Grade 3.5 SKU: XC.RSO2002 Composed by Sean O...(+)
String Orchestra
Orchestra - Grade 3.5
SKU: XC.RSO2002
Composed by Sean
O'Loughlin. Rhapsody
String Orchestra Series.
Concert and Contest.
Concert and contest. Set
of parts. Excelcia Music
Publishing #RSO2002.
Published by Excelcia
Music Publishing
(XC.RSO2002).
UPC:
812598034516. 9 x 12
inches.
Dancing
Waters by Sean
O’loughlin evokes
beautiful imagery of
flowing water in this
film-score like new work
for String Orchestra.
Audiences will be
captivated and your
musicians will ask to
play it again and
again.
Dancing Waters Orchestre à Cordes [Conducteur] - Intermédiaire Excelcia Music Publishing
String Orchestra - Grade 3.5 SKU: XC.RSO2002FS Composed by Sean O'Loughli...(+)
String Orchestra - Grade
3.5
SKU:
XC.RSO2002FS
Composed
by Sean O'Loughlin.
Rhapsody String Orchestra
Series. Concert and
Contest. Concert and
contest. Score. Excelcia
Music Publishing
#RSO2002FS. Published by
Excelcia Music Publishing
(XC.RSO2002FS).
UPC:
812598034523. 9 x 12
inches.
Dancing
Waters by Sean
O’loughlin evokes
beautiful imagery of
flowing water in this
film-score like new work
for String Orchestra.
Audiences will be
captivated and your
musicians will ask to
play it again and
again.
Waterfalls Orchestre à Cordes SATB A Cappella [Conducteur] - Intermédiaire Excelcia Music Publishing
String Orchestra Orchestra - Grade 4 SKU: XC.MSO1901FS Composed by Mark R...(+)
String Orchestra
Orchestra - Grade 4
SKU: XC.MSO1901FS
Composed by Mark Revell.
Maestro Orchestra Series.
Classical, Acoustic.
Score. Excelcia Music
Publishing #MSO1901FS.
Published by Excelcia
Music Publishing
(XC.MSO1901FS).
UPC:
812598031140. 9 x 12
inches.
This joyful
piece depicting falling
water has something for
everyone. The composer
describes the piece like
a fountain from the famed
Versailles.
Waterfalls Orchestre à Cordes SATB A Cappella - Intermédiaire Excelcia Music Publishing
String Orchestra Orchestra - Grade 4 SKU: XC.MSO1901 Composed by Mark Rev...(+)
String Orchestra
Orchestra - Grade 4
SKU: XC.MSO1901
Composed by Mark Revell.
Maestro Orchestra Series.
Classical, Acoustic. Set
of parts. Excelcia Music
Publishing #MSO1901.
Published by Excelcia
Music Publishing
(XC.MSO1901).
UPC:
812598030631. 9 x 12
inches.
This joyful
piece depicting falling
water has something for
everyone. The composer
describes the piece like
a fountain from the famed
Versailles.
(Featuring: O Waly, Waly (The Water Is Wide) / Sakura (Cherry Blossoms) / Russia...(+)
(Featuring: O Waly, Waly
(The Water Is Wide) /
Sakura (Cherry Blossoms)
/ Russian Polka).
Orchestra. String
Orchestra. Belwin
Signature Performance
Series for Orchestra.
Grade 1. Conductor Score
and Parts. 124 pages.
Published by Belwin Music
. Score and Parts.
Score Only.
Composed by George
Frideric Handel. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH Beginning Strings.
Masterwork Arrangement.
Score. Duration 3:00. The
FJH Music Company Inc
#98-ST6481S. Published by
The FJH Music Company Inc
(FJ.ST6481S).
English.
Feature
this amazingly authentic
arrangement of a Baroque
masterpiece! Two
movements from Handel's
Water Music Suite No. 2
highlight some of the
most famous music from
the Baroque era while
falling well within the
technical capability of a
young orchestra.
Wonderful music with a
vast amount of teaching
opportunities!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Water Reflections Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by Yukiko Nishimura. Score and part(s). 12 130 pages. Duration 5 minu...(+)
Composed by Yukiko
Nishimura. Score and
part(s). 12 130 pages.
Duration 5 minutes, 36
seconds. Carl Fischer
#CAS0094. Published by
Carl Fischer (CF.CAS94).
Passepied from the Water Music. By George Frideric Handel. Arranged by Joseph Co...(+)
Passepied from the Water
Music. By George Frideric
Handel. Arranged by
Joseph Compello. String
ensemble. For Violin I,
Violin II, Viola, Cello,
Double Bass, Piano. Carl
Fischer Performance
Series. Classical. Level:
beginning. Full Score -
Large. 7 pages. Published
by Carl Fischer.
Orchestra String Orchestra - Grade 1 SKU: FJ.ST6481 Composed by George Fr...(+)
Orchestra String
Orchestra - Grade 1
SKU: FJ.ST6481
Composed by George
Frideric Handel. Arranged
by Carrie Lane Gruselle.
Series; String Orchestra.
FJH Beginning Strings.
Masterwork Arrangement.
Score and Part(s).
Duration 3:00. The FJH
Music Company Inc
#98-ST6481. Published by
The FJH Music Company Inc
(FJ.ST6481).
UPC:
241444400890.
English.
Feature
this amazingly authentic
arrangement of a Baroque
masterpiece! Two
movements from Handel's
Water Music Suite No. 2
highlight some of the
most famous music from
the Baroque era while
falling well within the
technical capability of a
young orchestra.
Wonderful music with a
vast amount of teaching
opportunities!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Matthew R.
Putnam. Harmony Orchestra
Series. Classical,
Acoustic. Score. Excelcia
Music Publishing
#HSO1904FS. Published by
Excelcia Music Publishing
(XC.HSO1904FS).
UPC:
812598031133. 9 x 12
inches.
Looking out
over dark ocean waters
inspires feelings of awe
and anxiety. It is the
visceral thrill of the
unknown that walks the
razor’s edge of
excitement and terror.
Composer Matthew R.
Putnam depicts just that
with this riveting piece
for young string
musicians.
Composed by Matthew R.
Putnam. Harmony Orchestra
Series. Classical,
Acoustic. Set of parts.
Excelcia Music Publishing
#HSO1904. Published by
Excelcia Music Publishing
(XC.HSO1904).
UPC:
812598030464. 9 x 12
inches.
Looking out
over dark ocean waters
inspires feelings of awe
and anxiety. It is the
visceral thrill of the
unknown that walks the
razor’s edge of
excitement and terror.
Composer Matthew R.
Putnam depicts just that
with this riveting piece
for young string
musicians.
Composed by Doris Gazda.
Edited by Amy Rosen.
FS-SWs. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20+24+24+6+15+15+15
pages. Carl Fischer Music
#CAS7. Published by Carl
Fischer Music (CF.CAS7).
ISBN 9780825847578.
UPC: 798408047573. 8.5 X
11 inches. Key: D
major.
When you
have the good fortune to
visit Red Rock country in
the southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody.A Red Rock
RagA is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag
is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it. When you have the
good fortune to visit Red
Rock country in the
southwestern United
States, you will all at
once feel that majesty
and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista. The
Red Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red color.
Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock Rag is
challenging stylistically
and rhythmically. It
would be appropriate to
study both the ragtime
and swing styles while
working on it. When
you have the good fortune
to visit Red Rock country
in the southwestern
United States, you will
all at once feel that
majesty and beauty in the
towering red landscape.
You can trek, bike,
paddle, ride horseback or
drive through the
canyons, past the
strangely shaped rocks
and over the enormous
boulders. Each time you
turn a corner you will be
dazzled by yet another
magnificent vista.The Red
Rock areas in Utah,
Nevada, Arizona and New
Mexico formed millions of
years ago when that part
of North America was
primarily under water.
The water left behind the
shells and skeletons of
sea creatures that
gradually turned into
limestone and similar
rocks. Beginning 225
million years ago, the
earth's crust began to
move and the seabed
slowly rose. Streams
entering the shallow
water deposited mud and
sand that turned into
shale and marine
sandstone. As the land
continued to rise and dry
out, some of the rocks
oxidized (combined with
oxygen) and turned red in
color. Subsequently the
area was covered with
sands that eventually
compressed into what is
called Aztec sandstone.
Sometimes, when iron was
concentrated in the rock,
the sandstone turned a
bright red
color.Following the
introduction, the music
in Red Rock Rag takes on
a typical ragtime melody
and rhythm. It then
transitions by changing
key, time signature and
the structure into a
swing waltz. At m. 60, it
moves into a combined
time signature of one
measure of 3/4 time and
two measures of 2/4 time
with an occasional lick
in the bass line.
Finally, it moves back
into the swing-waltz
style and finishes with
the original ragtime
melody. Red Rock
Rag is challenging
stylistically and
rhythmically. It would be
appropriate to study both
the ragtime and swing
styles while working on
it.
Composed by Doris Gazda.
FS-SWS. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
20 pages. Carl Fischer
Music #CAS3. Published by
Carl Fischer Music
(CF.CAS3).
ISBN
9780825844881. UPC:
798408044886. 8.5 X 11
inches. Key: D
major.
A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playingA Willow-Wood
Copse, you may wish
to work on the studies
that accompany the
piece. A copse is a
thicket of trees and
bushes that may be found
in a meadow or in open
land. In England, a copse
will often be found on a
moor. A copse needs a
source of water that is
usually a stream, small
river or pond. A copse
has abundant plant and
animal life because it
provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds. If you were
walking through the copse
in the midst of willow
trees, bluebells and
march marigolds, you
would see beautiful
butterflies, dragonflies
and moths. You might see
a frog or toad jumping on
the banks of the pond and
you would hear the call
of numerous birds.
Ornithologists often
spend many hours watching
and counting birds in and
around a copse. Migrating
birds such as geese and
herons may also be
spotted at certain times
of the year. If you sit
very quietly, you might
catch sight of a red fox,
a rabbit or squirrel. A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse. To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece. A
copse is a thicket of
trees and bushes that may
be found in a meadow or
in open land. In England,
a copse will often be
found on a moor. A copse
needs a source of water
that is usually a stream,
small river or pond. A
copse has abundant plant
and animal life because
it provides the perfect
habitat and shelter for
moisture loving plants,
insects, small mammals,
rodents, reptiles, and
birds.If you were walking
through the copse in the
midst of willow trees,
bluebells and march
marigolds, you would see
beautiful butterflies,
dragonflies and moths.
You might see a frog or
toad jumping on the banks
of the pond and you would
hear the call of numerous
birds. Ornithologists
often spend many hours
watching and counting
birds in and around a
copse. Migrating birds
such as geese and herons
may also be spotted at
certain times of the
year. If you sit very
quietly, you might catch
sight of a red fox, a
rabbit or squirrel.A
copse is a happy place to
spend an afternoon or to
go for a walk. Perhaps
you will get to visit a
nature preserve near your
home where you can
observe the wonderful
world of the woodland
wild life that can be
found in abundance in a
copse.To assist you in
learning some of the
techniques that you need
to be able to use when
playing Willow-Wood
Copse, you may wish to
work on the studies that
accompany the piece.
River Song Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire FJH
By Keith Sharp. Arranged by Keith Sharp. String Orchestra. FJH String Orchestra....(+)
By Keith Sharp. Arranged
by Keith Sharp. String
Orchestra. FJH String
Orchestra. Full set
(score and parts). Score
only also available: S.
String Orchestra. Score
and set of parts.
Composed 2005. Published
by The FJH Music Company
Inc. Level: Grade
3.5.
Followin
g the Renaissance volume,
this time it is Baroque
works (more precisely,
transcriptions of Baroque
vocal and instrumental
works) that are presented
in the Leggierissimo
series, extending the
repertoire of junior
string orchestras.
Roughly half of the
selection consists of
well-known pieces by the
greatest composers of the
period (Purcell: Dido and
Aeneas, Rameau: Pi ces de
clavecin, Händel:
Water Music, Music for
the Royal Fireworks, J.S.
Bach: B major partita, C
major orchestral suite),
but works by composers
less well known nowadays
(for example, G. Böhm
and J. C. F. Fischer) are
also included, together
with such unusual items
as Polish, German and
Hungarian dancesfrom
17th- and 18th-century
Hungarian manuscripts:
the Kájoni and
Vietórisz codexes, and
Eleonóra Lányi s
music book.
Nach
dem Renaissance-Band
erscheint die
Leggierissimo-Serie
nunmehr mit Barockwerken
(genauer: mit
Transkriptionen nach
vokalen und
instrumentalen
Barockwerken), die das
Repertoire der
Kinderstreichorchestern
erweitert. Etwa die
Hälfte der Sammlung
machen die Stücke der
allgemein bekannten Werke
der größten
Komponisten der Epoche
(H. Purcell: Dido und
Aeneas, J. Ph. Rameau: Pi
ces de clavecin, G. F.
Händel: Wassermusik,
Feuerwerksmusik, J. S.
Bach: Partita B-Dur,
Ouverture C-Dur) aus. Es
kommen in ihr aber auch
Stücke von heute
weniger bekannten
Komponisten (G. Böhm,
J. C. F. Fischer u.a.),
daneben als Besonderheit
polnische, deutsche und
ungarische Tänze aus
dem 17. und
18.Jahrhundert aus dem
Kájoni- und
Vietórisz-Kodizes und
aus dem Notenbuch der
Eleonora Lányi
vor.
Composed by Soon Hee
Newbold. MakeMusic Cloud;
String Orchestra. FJH
String Orchestra. Score
and Part(s). The FJH
Music Company Inc
#98-ST6553. Published by
The FJH Music Company Inc
(FJ.ST6553).
English.
This
stunning 3-movement work
has it all! The opening
movement, Flights of
Fancy, symbolizes the
element of air and
features soaring phrases.
The second movement,
Terra, resembles an
Appalachian lullaby and
represents the element of
Earth. The final
movement, Fire and Ice,
is a tour de force that
captures the elements of
fire and water meeting to
create steam and the
resulting kinetic energy.
Glorious music!
Blue Water, score and parts Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
By Yukiko Nishimura. For string orchestra (violin I, violin II, violin III (viol...(+)
By Yukiko Nishimura. For
string orchestra (violin
I, violin II, violin III
(viola T.C.), viola,
cello, bass, piano).
Score and parts. Duration
3 minutes, 08 seconds.
Published by Carl Fischer
Columbia River Suite Orchestre à Cordes [Conducteur et Parties séparées] Carl Fischer
(For Performance by Intermediate Strings Alone with Additional Parts for Beginni...(+)
(For Performance by
Intermediate Strings
Alone with Additional
Parts for Beginning
Strings). By Doris Gazda.
For String Orchestra.
Carl Fischer Concert
String Orchestra Series.
Classical. Medium easy.
Score and Parts. Standard
notation. 47 pages.
Publishe. Score and
Parts. classical.
Minuet from Water Music Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
Arranged by Mark Williams. Arr. Mark Williams. For String Orchestra. String Orch...(+)
Arranged by Mark
Williams. Arr. Mark
Williams. For String
Orchestra. String
Orchestra. Strictly
Strings Series. Level: 1
(grade 1). Conductor
Score and Parts. 33
pages. Published by
Alfred Publishing.
Arranged by Douglas E. Wagner. Traditional British Folk Song. For String Orchest...(+)
Arranged by Douglas E.
Wagner. Traditional
British Folk Song. For
String Orchestra. String
Orchestra. Belwin
Beginning String
Orchestra. Level: grade
I. Conductor Score. 8
pages. Published by
Alfred Publishing.
Orchestra string orchestra - Grade 2 SKU: KJ.SO286F Composed by Robert Si...(+)
Orchestra string
orchestra - Grade 2
SKU: KJ.SO286F
Composed by Robert
Sieving. String Tracks.
Score. Neil A. Kjos Music
Company #SO286F.
Published by Neil A. Kjos
Music Company
(KJ.SO286F).
This lush
selection features a
lyrical and unforgettable
melody. Surviving in the
oral tradition for
hundreds of yeas, the
beauty of this immortal
tune is now available to
your orchestra. A real
gem!
(For String Orchestra). Composed by George Frideric Handel (1685-1759). Arranged...(+)
(For String Orchestra).
Composed by George
Frideric Handel
(1685-1759). Arranged by
Joseph Compello. String
orchestra. For String
Orchestra. This edition:
complete set. Carl
Fischer Beginning String
Orchestra Series.
Classical. Grade 1. Score
and Parts. Standard
notation. 7 pages.
Published by Carl Fischer
Composed by Scottish Folk
Song. Arranged by
Virginia Croft. Carl
Fischer First Plus String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation. 8+8+8+2+5+5+5+2
pages. Carl Fischer Music
#FAS39. Published by Carl
Fischer Music (CF.FAS39).
ISBN 9780825863301.
UPC: 798408063306. 8.5 X
11 inches. Key: D
major.
Virginia
Croft's experience as a
string player and
educator is evident in
the care with which she
has scored this beautiful
folk tune idiomatically
for young string players.
Relatively easy to play,
Skye Boat Song is a great
opportunity to develop
lyrical playing habits
with a developing string
group. Here is a very
playable setting of a
beautiful Scottish folk
song. It commemorates one
of the most exciting
moments in Scottish
history in the middle of
the eighteenth century
during the Jacobite
Rebellion. At this time,
a small group of men
escaped by night in a
tiny boat across the
rough sea to the Isle of
Skye to save the life of
the young lad whom they
believed to be the
rightful heir to the
throne of Scotland.As you
play this music, can't
you feel the boat rocking
and the oarsmen straining
at their posts against
the sea? The long
diminuendo from m. 51 to
the end passes the final
melodic fragment down
through the voices until
the small boat has
vanished into the
distance, leaving only
the water.The words of
the original folk song
are:Speed, bonnie boat,
like a bird on the
wind;Hark, how the
seagulls cray!Carry the
lad that was born to be
kindOver the sea to
Skye!.
Sunshine Orchestre à Cordes [Conducteur et Parties séparées] - Facile Kendor Music Inc.
Composed by Traditional. Arranged by Wang. For string orchestra (88555) with ...(+)
Composed by Traditional.
Arranged by Wang. For
string
orchestra (88555) with
optional 3rd violin/viola
TC
(3 copies). Cadet String
Orchestra Series. Grade
2.
Score and set of parts.
Duration 3 minutes, 30
seconds. Published by
Kendor
Music Inc
Composed by Simon Franglen. Arranged by Paul Murtha. Pop Specials for Strings....(+)
Composed by Simon
Franglen.
Arranged by Paul Murtha.
Pop
Specials for Strings.
Concert,
Movies. Softcover.
Duration
100 seconds. Published by
Hal
Leonard