Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18).
ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major.
A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend. My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
Night Shift Orchestre à Cordes - Débutant Alfred Publishing
By Richard Meyer. Music by Richard Meyer. For String Orchestra. String Orchestra...(+)
By Richard Meyer. Music
by Richard Meyer. For
String Orchestra. String
Orchestra. Strictly
Strings Series. Level: 1
(grade 1). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
One Foot Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
As Performed by Walk the Moon. By Ben Berger, Ryan McMahon, Ryan Rabin, Eli M...(+)
As Performed by Walk the
Moon. By Ben Berger, Ryan
McMahon, Ryan Rabin, Eli
Maiman, Nicholas
Petricca,
Kevin Ray, and Sean
Waugman
[Walk the Moon]. By Ben
Berger, Ryan McMahon,
Ryan
Rabin, Eli Maiman,
Nicholas
Petricca, Kevin Ray, and
Sean
Waugman. Arranged by
Victor
Lopez. Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Intermediate String
Orchestra. Light Concert;
Pop; Rock. Part(s);
Score. 78
pages. Alfred Music #00-
46696. Published by
Alfred
Music
Remote Control Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Richard Meyer. Orchestra. String Orchestra. Highland String Orchestra. Light ...(+)
By Richard Meyer.
Orchestra. String
Orchestra. Highland
String Orchestra. Light
Concert; Novelty. Grade
2.5. Conductor Score and
Parts. 128 pages.
Published by Alfred Music
Publishing
Arranged by Carrie Lane Gruselle. Beginning String Orchestra. FJH Beginning Stri...(+)
Arranged by Carrie Lane
Gruselle. Beginning
String Orchestra. FJH
Beginning Strings. Score
for this title: ST6108S.
Extra part for this
title: ST6108P. String
Orchestra. Level: 1.
Score and Set of Parts.
Published by The FJH
Music Company Inc.
Velvet Morning Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33
Composed by Sean
O'Loughlin. SWS - FS.
Carl Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
8+16+16+4+10+10+10+3
pages. Carl Fischer Music
#YAS33. Published by Carl
Fischer Music (CF.YAS33).
ISBN 9780825858468.
UPC: 798408058463. 8.5 X
11 inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Velvet Morning Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33F
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS33F. Published by
Carl Fischer Music
(CF.YAS33F).
ISBN
9780825858475. UPC:
798408058470. 8.5 X 11
inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Once Upon a Time Signature Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Richard Meyer. Orchestra. Part(s); Score; SmartMusic; String Orchestra. Highl...(+)
By Richard Meyer.
Orchestra. Part(s);
Score; SmartMusic; String
Orchestra.
HighlandåÊString
Explorer. Light Concert.
Grade 1.5. 70 pages.
Published by Alfred Music
Publishing
By Richard Meyer. Orchestra. Part(s); Score; String Orchestra. Highland Strin...(+)
By Richard Meyer.
Orchestra. Part(s);
Score; String Orchestra.
Highland String
Explorer. Light Concert;
Novelty. Grade 1.5. 76
pages. Published by
Alfred Music
Score Only.
Composed by Katie O'Hara
LaBrie. Series; String
Orchestra. FJH String
Orchestra. Score. The FJH
Music Company Inc
#98-ST6552S. Published by
The FJH Music Company Inc
(FJ.ST6552S).
English.
From
the first note of this
thrilling piece, a sense
of suspense feeds an
intense desire to protect
and avenge, leaving
listeners to wonder what
is looming around the
corner. Let students
imagine a world of
possibilities in this
cinematic work, while
developing their skills
with independent rhythms,
shifting, and interlaced
syncopations that propel
this journey through the
shadows.
Composed by Katie O'Hara
LaBrie. MakeMusic Cloud;
String Orchestra. FJH
String Orchestra. Score
and Part(s). Duration
2:30. The FJH Music
Company Inc #98-ST6552.
Published by The FJH
Music Company Inc
(FJ.ST6552).
English.
From
the first note of this
thrilling piece, a sense
of suspense feeds an
intense desire to protect
and avenge, leaving
listeners to wonder what
is looming around the
corner. Let students
imagine a world of
possibilities in this
cinematic work, while
developing their skills
with independent rhythms,
shifting, and interlaced
syncopations that propel
this journey through the
shadows. (2:30).