(Op. 6, No. 6). Composed by George Frideric Handel (1685-1759). Edited by Michae...(+)
(Op. 6, No. 6). Composed
by George Frideric Handel
(1685-1759). Edited by
Michael Hopkins.
Orchestra. Masterworks;
Part(s); Score;
SmartMusic; String
Orchestra. Belwin Concert
String Orchestra.
Baroque; Masterwork.
Grade 4. 140 pages.
Published by Belwin Music
Composed by Kareem Roustom. Young People's Concert, Youth Orchestra, Short Work....(+)
Composed by Kareem
Roustom. Young People's
Concert, Youth Orchestra,
Short Work. 21st Century,
Secular. Published by
E.C. Schirmer Publishing
(EC.LMP025).
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH String
Orchestra. Score. The FJH
Music Company Inc
#98-ST6488S. Published by
The FJH Music Company Inc
(FJ.ST6488S).
English.
Commiss
ioned by the National
String Project
Consortium, this gorgeous
lyrical work can be
performed alone as an
intermediate level piece,
or with multi-level
supplemental parts
(available separately)
for beginning and
developing string
students. Orchestrated to
celebrate inclusion and
diversity, the
multi-level option is
designed to sound far
greater than the
intermediate version
alone. Not your
traditional festival
orchestra piece by any
means.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Viola Rampage Orchestre à Cordes - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2.5
SKU: KN.9742
Composed by Timothy J.
Isham. Solo or Ensemble.
Voyager String Orchestra.
Score and parts. Duration
3 minutes, 25 seconds.
Kendor Music Inc #9742.
Published by Kendor Music
Inc (KN.9742).
UPC:
822795097429.
The
violas seize the
spotlight and demand to
be heard in this dramatic
grade 2 piece! The
conflict rages as the
violas' aggressive B
minor main theme contrast
with the soaring D major
theme played by the
violins. Who will emerge
victorious in this epic
battle for orchestral
dominance? Each set
includes three copies of
the 3rd Violin/Viola T.C.
part and an optional part
for piano. Duration 3:25.
Available in
SmartMusic.
The Enchanted Garden Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Maurice Ravel (1875-1937). Arranged by Michael Hopkins. Orchestra. String Orc...(+)
By Maurice Ravel
(1875-1937). Arranged by
Michael Hopkins.
Orchestra. String
Orchestra. String
Orchestra.
Impressionistic. Grade
3.5. Conductor Score. 8
pages
Of Glorious Plumage Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orches...(+)
By Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
4.5 (grade 4.5).
Conductor Score and
Parts. 94 pages.
Published by Alfred
Publishing.
American Salute Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
Based on When Johnny Comes Marching Home . Composed by Morton Gould (191...(+)
Based on When Johnny
Comes Marching Home
. Composed by Morton
Gould (1913-1996).
Arranged by Douglas E.
Wagner. Performance Music
Ensemble; Single Titles;
String Orchestra. Belwin
Concert String Orchestra.
Form: Variations. 20th
Century; 4th of July;
Patriotic; Summer.
Part(s); Score. 124
pages. Duration 4:45.
Belwin Music #00-45849.
Published by Belwin Music
(AP.45849).
By Antonio Vivaldi. Arranged by Richard Meyer. By Antonio Vivaldi / arr. Richard...(+)
By Antonio Vivaldi.
Arranged by Richard
Meyer. By Antonio Vivaldi
/ arr. Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
2.5 (grade 2.5).
Conductor Score and
Parts. Published by
Alfred Publishing.
America, the Beautiful Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner...(+)
By Samuel Augustus Ward.
Arranged by Carmen
Dragon, adapted by
Douglas E. Wagner.
Orchestra. Part(s);
Score; String Orchestra.
Pop Beginning String
Orchestra. 4th of July;
Patriotic; Summer. Grade
2.5. 72 pages. Published
by Alfred Music
Publishing
Composed by Brian
Balmages. Series; String
Orchestra. FJH String
Orchestra. Score and
Part(s). The FJH Music
Company Inc #98-ST6488.
Published by The FJH
Music Company Inc
(FJ.ST6488).
UPC:
241444422052.
English.
Commission
ed by the National String
Project Consortium, this
gorgeous lyrical work can
be performed alone as an
intermediate level piece,
or with multi-level
supplemental parts
(available separately)
for beginning and
developing string
students. Orchestrated to
celebrate inclusion and
diversity, the
multi-level option is
designed to sound far
greater than the
intermediate version
alone. Not your
traditional festival
orchestra piece by any
means.
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
By Samuel Augustus Ward. Arranged by Carmen Dragon, adapted by Douglas E. Wagner...(+)
By Samuel Augustus Ward.
Arranged by Carmen
Dragon, adapted by
Douglas E. Wagner.
Orchestra. Score; String
Orchestra. Pop Beginning
String Orchestra. 4th of
July; Patriotic; Summer.
Grade 2.5. 8 pages.
Published by Alfred Music
Publishing
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33 Composed by Sean O...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33
Composed by Sean
O'Loughlin. SWS - FS.
Carl Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
8+16+16+4+10+10+10+3
pages. Carl Fischer Music
#YAS33. Published by Carl
Fischer Music (CF.YAS33).
ISBN 9780825858468.
UPC: 798408058463. 8.5 X
11 inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS33F Full Score...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS33F
Full Score.
Composed by Sean
O'Loughlin. Carl Fischer
Young String Orchestra
Series. Full score. With
Standard notation. 8
pages. Carl Fischer Music
#YAS33F. Published by
Carl Fischer Music
(CF.YAS33F).
ISBN
9780825858475. UPC:
798408058470. 8.5 X 11
inches. Key: G
major.
A walk
through the park or a
morning stroll through
the forest is what this
piece best calls to mind.
With its pastoral setting
and lush melodies, Velvet
Morning will truly
showcase your group's
mastery of legato
playing. Velvet
Morning is a warm and
colorful work for string
orchestra. Please
play con sordino if
available. The music is a
reflection of my love for
the orchestral music of
Barber, Ravel, Debussy
and Satie. It should have
the same sense of passion
and intensity that those
masters employ in their
music.The opening tempo
is marked rubato, and
should speed up then slow
down based on the
phrases. The main melody
appears at m. 11 in the
first violins and should
have a flowing quality.
The harmony does utilize
some slight dissonances
from time to time which
should be emphasized. The
violas and cellos take
over the melody at m.19
with a counter line in
the violins. The melody
returns to the violin at
m. 27 with a pianistic
cello line punctuated
by pizzicato in the
bass. Some transitional
material follows that
builds up to a full
presentation at m. 47.
Let the ensemble open up
here with an intense,
full sound. This winds
down to a return of the
introduction at m. 60.
The ending should be
tender and deliberate all
the way to the last plush
chord.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Jeffrey E. Turner. Orchestra...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Arranged by Jeffrey E.
Turner. Orchestra.
SmartMusic; String
Orchestra. Belwin
Intermediate String
Orchestra. Classical;
Masterwork Arrangement.
Grade 3. Conductor Score
and Parts. 72 pages.
Published by Belwin
Publishing
By Mikhail Glinka. Arranged by Robert Sieving. For String Orchestra. String Orch...(+)
By Mikhail Glinka.
Arranged by Robert
Sieving. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Level:
4 (grade 4). Conductor
Score and Parts. 208
pages. Published by
Alfred Publishing.
By Antonio Vivaldi. Arranged by Richard Meyer. By Antonio Vivaldi / arr. Richard...(+)
By Antonio Vivaldi.
Arranged by Richard
Meyer. By Antonio Vivaldi
/ arr. Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
2.5 (grade 2.5).
Conductor Score.
Published by Alfred
Publishing.
By Richard Meyer. For String Orchestra. String Orchestra. Highland String Orches...(+)
By Richard Meyer. For
String Orchestra. String
Orchestra. Highland
String Orchestra. Level:
3 (grade 3). Conductor
Score and Parts. 124
pages. Published by
Alfred Publishing.
Arranged by Bud Caputo. Traditional. For String Orchestra. String Orchestra. Hig...(+)
Arranged by Bud Caputo.
Traditional. For String
Orchestra. String
Orchestra. Highland
String Orchestra. Folk
Song; Jewish Heritage;
Multicultural. Level: 2.5
(grade 2.5). Conductor
Score and Parts. 124
pages. Published by
Alfred Publishing.
By Brian Balmages. String Orchestra. FJH String Orchestra. Full set (score and p...(+)
By Brian Balmages. String
Orchestra. FJH String
Orchestra. Full set
(score and parts). Score
only also available: S.
Orchestra. Level: Grade
3. Score and set of
parts. Composed 2008.
Published by The FJH
Music Company Inc.
Composed by Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra....(+)
Composed by Jacques
Offenbach (1819-1880).
Arranged by Richard
Meyer. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland� String
Explorer. Form:
Transcription. Masterwork
Arrangement; Romantic.
Grade 1. 140 pages.
Published by
Highland/Etling
Scheherazade Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire/avancé FJH
By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Carrie Lane Gruselle. String...(+)
By Nikolay Andreyevich
Rimsky-Korsakov. Arranged
by Carrie Lane Gruselle.
String Orchestra. FJH
String Orchestra. Full
set (score and parts).
Score only also
available: S. String
Orchestra. Score and set
of parts. Composed 2007.
Published by The FJH
Music Company Inc.
Level: Grade 4.
Danny Boy Orchestre à Cordes [Score|Set of Parts|Score and Parts] - Intermédiaire FJH
By Traditional. Arranged by Erik Morales. For string orchestra. FJH String Orche...(+)
By Traditional. Arranged
by Erik Morales. For
string orchestra. FJH
String Orchestra. Full
set (score and parts).
Score only also
available: ST6189S. Grade
3. Score and set of
parts. Composed 2009.
Duration 3:30. Published
by The FJH Music Company
Inc
Incantations Orchestre à Cordes [Conducteur] - Intermédiaire/avancé Alfred Publishing
By Richard Meyer. Music by Richard Meyer. For String Orchestra. String Orchestra...(+)
By Richard Meyer. Music
by Richard Meyer. For
String Orchestra. String
Orchestra. String
Orchestra. Conductor
Score. 16 pages.
Published by Alfred
Publishing. Level: 4
(grade 4).