By Paul Francis Webster, Music By Johnny Mandel. Arranged by Calvin Custer. Lyri...(+)
By Paul Francis Webster,
Music By Johnny Mandel.
Arranged by Calvin
Custer. Lyrics by Paul
Francis Webster, music by
Johnny Mandel / arr.
Calvin Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score.
Published by Alfred
Publishing.
Embraceable You Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Ira Gershwin, George Gershwin. Arranged by Calvin Custer. Music and lyrics by...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Calvin Custer. Music and
lyrics by George Gershwin
and Ira Gershwin / arr.
Calvin Custer. For String
Orchestra. String
Orchestra. Concert String
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score. Published by
Alfred Publishing.
By Richard Rodgers, lyrics by Lorenz Hart. Arranged by Calvin Custer. Words by L...(+)
By Richard Rodgers,
lyrics by Lorenz Hart.
Arranged by Calvin
Custer. Words by Lorenz
Hart, music by Richard
Rodgers / arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Intermediate
String Orchestra. Level:
grade III-IV. Conductor
Score. 16 pages.
Published by Alfred
Publishing.
Night and Day Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Cole Porter. Arranged by Calvin Custer. By Cole Porter / arr. Calvin Custer. ...(+)
By Cole Porter. Arranged
by Calvin Custer. By Cole
Porter / arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra.
Standard. Level: 3.5
(grade 3.5). Conductor
Score and Parts. 168
pages. Duration 3:33.
Published by Alfred
Publishing.
Arranged by Calvin Custer. Arr. Calvin Custer. For String Orchestra. String Orch...(+)
Arranged by Calvin
Custer. Arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score and
Parts. 80 pages. Duration
3:46. Published by Alfred
Publishing.
Arranged by Calvin Custer. Arr. Calvin Custer. For String Orchestra. String Orch...(+)
Arranged by Calvin
Custer. Arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score. 8 pages.
Published by Alfred
Publishing.
By Ira Gershwin, George Gershwin. Arranged by Calvin Custer. Music and lyrics by...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Calvin Custer. Music and
lyrics by George Gershwin
and Ira Gershwin / arr.
Calvin Custer. For String
Orchestra. String
Orchestra. Concert String
Orchestra. Level: 3.5
(grade 3.5). Conductor
Score and Parts. Duration
4:21. Published by Alfred
Publishing.
I Got Rhythm Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By George Gershwin and Ira Gershwin. Arranged by Calvin Custer. By George and Ir...(+)
By George Gershwin and
Ira Gershwin. Arranged by
Calvin Custer. By George
and Ira Gershwin / arr.
Calvin Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra. Level:
grade III-IV. Conductor
Score. 12 pages.
Published by Alfred
Publishing.
I Got Rhythm Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Ira Gershwin, George Gershwin. Arranged by Calvin Custer. By George and Ira G...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Calvin Custer. By George
and Ira Gershwin / arr.
Calvin Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra.
Broadway. Level: 3.5
(grade 3.5). Conductor
Score and Parts. 170
pages. Duration 2:13.
Published by Alfred
Publishing.
Night and Day Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
By Cole Porter. Arranged by Calvin Custer. By Cole Porter / arr. Calvin Custer. ...(+)
By Cole Porter. Arranged
by Calvin Custer. By Cole
Porter / arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Pop Concert
String Orchestra. Level:
3.5 (grade 3.5).
Conductor Score.
Published by Alfred
Publishing.
By Jay Ungar. Arranged by Calvin Custer. By Jay Ungar / arr. Calvin Custer. For ...(+)
By Jay Ungar. Arranged by
Calvin Custer. By Jay
Ungar / arr. Calvin
Custer. For String
Orchestra. String
Orchestra. Intermediate
String Orchestra.
Conductor Score and
Parts. 100 pages.
Published by Alfred
Publishing. Level:
2.5 (grade 2.5).
Score Only.
Composed by Chris Thomas.
Series; String Orchestra.
FJH Beginning Strings.
Multicultural. Score.
Duration 2:00. The FJH
Music Company Inc
#98-ST6413S. Published by
The FJH Music Company Inc
(FJ.ST6413S).
English.
Transpo
rt your audience to the
emerald isle with this
music inspired by
traditional Irish songs
and the beauty of the
Ireland's Gap of Dunloe.
The lyrical melodies,
call and response
counterpoint, and a touch
of traditional Irish
style paint a colorful
picture, evoking images
of the magnificent Irish
landscape.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Doris Gazda.
Edited by Amy Rosen. Carl
Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
16+4+16+10+10+4+10+12
pages. Carl Fischer Music
#YAS10. Published by Carl
Fischer Music (CF.YAS10).
ISBN 9780825848261.
UPC: 798408048266. 8.5 X
11 inches. Key: D
major.
When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner Rally
ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners.The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner.
For String Orchestra. Composed by Sergei Prokofiev (1891-1953). Arranged by ...(+)
For String Orchestra.
Composed by Sergei
Prokofiev
(1891-1953). Arranged by
Lauren Keiser. Southern
Music. Classical.
Softcover.
Hal Leonard #SO130C.
Published by Hal Leonard
Composed by Pascal
Proust. Arranged by
Pierre Faure. Ochestre a
cordes. Orchestra.
Conductor's score.
Duration 3 minutes.
Editions Robert Martin
#PROU04044-CO. Published
by Editions Robert Martin
(RM.PROU04044-CO).
Composed by Pascal
Proust. Arranged by
Pierre Faure. Ochestre a
cordes. Orchestra. Full
set. Duration 3 minutes.
Editions Robert Martin
#PROU04044-BA. Published
by Editions Robert Martin
(RM.PROU04044-BA).
String orchestra SKU: BR.PB-4879-07 Study score. Composed by Jean ...(+)
String orchestra
SKU:
BR.PB-4879-07
Study score.
Composed by Jean
Sibelius. Softcover.
Partitur-Bibliothek
(Score Library).
Sibelius composed this
short (only five minutes
long) Romance in C Op. 42
in 1903; the work was
first performed in Turku
in March 1904. The
Romance is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Early modern;
Late-romantic. Study
Score. 8 pages. Duration
5'. Breitkopf and Haertel
#PB 4879-07. Published by
Breitkopf and Haertel
(BR.PB-4879-07).
ISBN
9790004206768. 5.5 x 7.5
inches.
Sibelius
composed this short (only
five minutes long)
Romance in C Op. 42 in
1903; the work was first
performed in Turku in
March 1904. The Romance
is not a concerto
movement in disguise, but
features the dark, dense
string writing typical of
Sibelius. Fast alle
Orchesterbearbeitungen
sind Jahre nach den
Originalkompositionen fur
Singstimme und Klavier
entstanden.
Trotz
der Tatsache dass sie
rasch hingeworfen sind
zeigt sich in allen
Liedern Sibelius'
Meisterschaft als
Orchesterliederkomponist.
Manchmal vermag er eine
dustere dramatische
Atmosphare (in ,,Pa
verandan vid havet) zu
erzeugen manchmal
gelingen ihm leuchtend
farbige Impressionen (in
,,Soluppgang) oder zart
transparente Gewebe (in
,,Varen flyktar hastigt)
- immer jedoch sind die
Lieder ganz aus deren
poetischer Idee heraus
gestaltet und
differenziert
nachgezeichnet. In den
meisten Fallen
beschrankte sich Sibelius
auf ein relativ kleines
Orchester. In ,,Varen
flyktar hastigt sind
neben den Streichern nur
zwei Floten und vier
Horner besetzt. Nearly
all of the orchestral
arrangements were made
years after the original
compositions for voice
and piano.
Yet
even though the
arrangements were made in
a very short period of
time Sibelius handled the
combination of solo voice
and orchestra in all
songs with equal mastery
sometimes creating dark
and dramatic atmospheres
(in Pa verandan vid
havet) sometimes radiant
colorful impressions (in
Soluppgang) or
light-colored transparent
textures (in Varen
flyktar hastigt) and
always basing his ideas
on the poetic idea of the
song while discovering
refined ways of
supporting it.
Rondino Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS42 On a Theme of Beeth...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS42
On a Theme of
Beethoven. Composed
by Fritz Kreisler.
Arranged by Doris Gazda.
Carl Fischer Concert
String Orchestra Series.
Score and Parts. With
Standard notation.
16+4+10+10+16+5+8 pages.
Carl Fischer Music
#CAS42. Published by Carl
Fischer Music (CF.CAS42).
ISBN 9780825867071.
UPC: 798408067076. 8.5 X
11 inches. Key: D
major.
This popular
piece for solo violin and
piano has been skillfully
arranged by string
pedagogue Doris Gazda. A
standard piece in the
repertoire, it adapts
quite well to the string
orchestra. This is an
excellent piece for an
advancing group. A
rondo is a musical form
that was commonly used by
composers from the
classical through the
romantic music periods.
It was often the form
used for the last
movement of a sonata, a
symphony, a concerto or a
piece of chamber
music.The rondo form
consists of a main theme
(part A) that recurs with
contrasting sections
(parts B, C, D and so on)
in between. The
contrasting sections can
change key and can change
from major to minor
tonality. A typical form
of a rondo might be
ABACADABA. It is usually
written in triple meter,
and is lively and joyful
in character. Beethoven
used the rondo form quite
often, and Fritz
Kreisler, the famous
violinist and composer,
found a Beethoven melody
and turned it into this
“little
rondo,†or rondino,
written originally for
violin and piano.This
arrangement for string
orchestra can also be
played by a small string
ensemble. It should be
played with a light style
of bowing so as to give
it a happy, lilting
quality.
Gypsy Fantasy Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Grand Mesa Music
Composed by David Bobrowitz. Edited by J. Cameron Law. For string orchestra....(+)
Composed by David
Bobrowitz.
Edited by J. Cameron Law.
For
string orchestra. Grade
3.
Score and set of parts.
Duration 4 minutes.
Published
by Grand Mesa Music
By Antonin Dvorak (1841-1904). Edited by Jarmil Burghauser / Antonin Cubr. For s...(+)
By Antonin Dvorak
(1841-1904). Edited by
Jarmil Burghauser /
Antonin Cubr. For string
sextet (2 violins, 2
violas, 2 cellos). In a
folder. Replaces H 2116.
Set of parts.
12/12/12/12/12/12 pages.
Published by Baerenreiter
Verlag
Starfleet Orchestre à Cordes [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Richard Meyer. By Richard Meyer. For String Orchestra. String Orchestra. Stri...(+)
By Richard Meyer. By
Richard Meyer. For String
Orchestra. String
Orchestra. String
Explorer. Level: 1.5
(grade 1.5). Conductor
Score and Parts.
Published by Alfred
Publishing.
Composed by Antonin
Dvorak. Edited by
Jonáš Hájek.
This edition: urtext
edition. Paperback.
Score, Set of parts. Opus
40. Baerenreiter Verlag
#BA11564_00. Published by
Baerenreiter Verlag
(BA.BA11564).
ISBN
9790260109148. 31 x 24.3
cm inches. Key: B-flat
major. Preface: David R.
Beveridge.
The
discovery of a lost
source to AntonÃn
Dvorák's
â??Nocturneâ? in B
major op. 40 provides new
insights into the genesis
of the composition and
the composer's intended
final form of this
lyrical little piece for
string
orchestra.
The
musical material of what
was later to be named
â??Nocturneâ? was
initially elaborated in
the String Quartet in E
minor; subsequently it
was used in the original
version of the String
Quintet in G major as its
second movement. However
Dvorák then extracted
it again, expanding and
editing it afresh. The
final result was the
â??Nocturneâ? for
string orchestra (two
violins, viola,
violoncello, double
bass). The first edition
was published by Bote and
Bock in 1883.
The
authorized second copy of
the work that had served
as a template for the
first printing was
discovered by the editor
Jonáš Hájek in a
privately owned
collection. This enabled
him to resolve the
several ambiguities
caused by the existence
of multiple versions and
to unveil the authentic
â??Nocturneâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding