(Flower duet from the Opera Lakme). By Leo Delibes (1836-1891). Arranged by Anton Haeck. For Soprano, Mezzo Soprano and Concert Band. Grade 4. Full score and set of parts. Duration 06:00. Published by Baton Music

For Concert Band, Mixed Choir and Organ (optional). Composed by Jacob De Haan. Musica Sacra. Set (Score & Parts). Composed 2015. De Haske Publications #DHP 1155661-010. Published by De Haske Publications

By Franz Joseph Haydn (1732-1809). Edited by Hubert Unverricht. Study Score. Henle Study Scores. Hardcover. 200 pages

(from the Opera Hansel und Gretel). By Engelbert Humperdinck (1854-1921). Arranged by Jos van de Braak. For two soprano voices, mezzo-soprano voice and concert band. Baton Music Vocal Series. Grade 4. Score. Duration 5:00. Published by Baton Music

(Choral Fantasy on Old Carols). Composed by Gustav Holst (1874-1934). Arranged by Douglas McLain. For Choir and Concert Band. Christmas. Grade 3. Full score and set of parts. Duration 8:00. Published by Baton Music

Orchestra Soli SATB, Coro SATB, Fl, Ob, Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va, Vc, Cb, [Org] - Level 5

SKU: CA.4068950

Arrangement for chamber orchestra (Linckelmann). Composed by Ludwig van Beethoven. Arranged by Joachim Linckelmann. Carus sheet music series: Great choral works in small scorings. Foreword in German and English. Sacred vocal music, Masses, Latin. Full Score. Op. 123. Duration 90 minutes. Carus Verlag #CV 40.689/50. Published by Carus Verlag (CA.4068950).

ISBN 9790007254445. Key: D major. Latin.

Beethoven described his Missa solemnis several times as his greatest work. Coming from the heart, it was intended to touch and move audiences. Beethoven worked long and intensively on the composition in order to give what he felt was adequate expression to the text. In its length and musical demands, the Missa solemnis goes far beyond typical liturgical settings; for good reason, the premiere took place in a concert hall. With this arrangement for chamber orchestra (flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani and strings, plus organ ad lib), smaller choirs, as well as choirs with more limited resources of space or finance, can now perform this work too. However, the symphonic character and wide dynamic range of the work remain. The scoring of 7 instead of 18 winds offers an optimal balance between transparency and orchestral sound. All the vocal parts (soloists and chorus) are identical with the original version, so that the vocal score and chorus score of that version can be used. Major mass can also be performed by smaller choir Wind and brass parts of the original version reduced to just seven single instruments Vocal scores and choral scores from the original version can be used. carus plus: the work (original version) is available in carus music, the choir app, and in the practice CD series Carus Choir Coach. Score available separately - see item CA.4068900.

(Bell Chorus from the Opera Pagliacci). By Ruggiero Leoncavallo (1857-1919). Arranged by Douglas McLain. For Tenor voice solo, choir and concert band. Grade 3. Full score. Duration 4:00

(from the Opera Pagliacci). By Ruggiero Leoncavallo (1857-1919). Arranged by Jos van de Braak. For Tenor and Concert Band. Grade 3. Score. Duration 3:30. Published by Baton Music

(Bell Chorus from the Opera Pagliacci). By Ruggiero Leoncavallo (1857-1919). Arranged by Douglas McLain. For Tenor voice solo, choir and concert band. Grade 3. Full score and set of parts. Duration 4:00