Heia, in den Bergen Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
By Emmerich Kalman (1882-1953). Arranged by Jos Dobbelstein. For Soprano Voice, ...(+)
By Emmerich Kalman
(1882-1953). Arranged by
Jos Dobbelstein. For
Soprano Voice, Choir and
Concert Band. From the
Operetta Die
Csardasfurstin. Grade 3.
Full score only. Duration
3 minutes, 30 seconds.
Published by Baton Music
By Jacques Offenbach (1819-1880). Arranged by Andreas van Zoelen. For Tenor Voic...(+)
By Jacques Offenbach
(1819-1880). Arranged by
Andreas van Zoelen. For
Tenor Voice, Male Choir
[ad lib.] and Concert
Band. From the Opera Les
contes d'Hoffman. Grade
3. Full score only.
Duration 5 minutes.
Published by Baton Music
No puedo ser Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
(from the Zarzuela La Tabernera del Puerto). By Pablo Sorozabal (1897-1988). Arr...(+)
(from the Zarzuela La
Tabernera del Puerto). By
Pablo Sorozabal
(1897-1988). Arranged by
Jos Dobbelstein. For
Tenor voice solo and
concert band. Grade 3.
Full score. Duration 3:00
Christmas Day Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(Choral Fantasy on Old Carols). Composed by Gustav Holst (1874-1934). Arranged b...(+)
(Choral Fantasy on Old
Carols). Composed by
Gustav Holst (1874-1934).
Arranged by Douglas
McLain. For Choir and
Concert Band. Christmas.
Grade 3. Full score and
set of parts. Duration
8:00. Published by Baton
Music
Ihr habt nun Traurigkeit Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from Ein deutsches Requiem). By Johannes Brahms (1833-1897). Arranged by Martin...(+)
(from Ein deutsches
Requiem). By Johannes
Brahms (1833-1897).
Arranged by Martin
Baumgartner. For Soprano
and Choir ad libitum and
Concert Band. Grade 4.
Full score and set of
parts. Duration 8:30.
Published by Baton Music
Tanzen mocht' ich Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
(from the Operetta Die Csardasfurstin). By Emmerich Kalman (1882-1953). Arranged...(+)
(from the Operetta Die
Csardasfurstin). By
Emmerich Kalman
(1882-1953). Arranged by
Anton Haeck. For Soprano,
Tenor and Concert Band.
Grade 3. Score. Duration
3:30
Time To Say Goodbye (Chorus SATB) Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] Editions Marc Reift (Swiss import)
Con Te Partiro. By Sartori. Arranged by John G. Mortimer. Concert Band. Swiss im...(+)
Con Te Partiro. By
Sartori. Arranged by John
G. Mortimer. Concert
Band. Swiss import.
Level: 3+. Score and
parts. Published by
Editions Marc Reift. (EMR
1577)
Nessun dorma Orchestre d'harmonie, Chorale-Voix [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Turandot). By Giacomo Puccini (1858-1924). Arranged by Jacques D...(+)
(from the Opera
Turandot). By Giacomo
Puccini (1858-1924).
Arranged by Jacques
Dubois. For Tenor and
Concert Band. Grade 3.
Full score and set of
parts. Duration 3:30
(Aus Dem Zyklus Pli Selon Pli ). By Pierre Boulez (1925-). Edited by Robert Pie...(+)
(Aus Dem Zyklus Pli
Selon Pli ). By Pierre
Boulez (1925-). Edited by
Robert Piencikowski. For
Soprano Voice, Orchestra.
This edition: Facsimiles
of the Draft Score and
the First Fair Copy of
the Full Score.
Facsimiles of the Draft
Score and the First Fair
Copy of the Full Score.
154 pages. Published by
Universal Edition
By Brian Doerksen. Arranged by Jack Schrader. For SATB choir, orchestra (flute, ...(+)
By Brian Doerksen.
Arranged by Jack
Schrader. For SATB choir,
orchestra (flute, oboe,
clarinet, horn 1 and 2,
trumpet 1, 2, and 3,
trombone 1 and 2, tuba,
percussion 1 and 2, harp,
rhythm (drums, bass and
guitar), violin 1 and 2,
viola, cello, and bass).
Gathering, P. set of
instrumental parts.
Gathering, Peace,
Spiritual, General,
Sacred.
Arrangement for
chamber orchestra
(Linckelmann).
Composed by Ludwig van
Beethoven. Arranged by
Joachim Linckelmann.
Carus sheet music series:
Great choral works in
small scorings. Foreword
in German and English.
Sacred vocal music,
Masses, Latin. Full
Score. Op. 123. Duration
90 minutes. Carus Verlag
#CV 40.689/50. Published
by Carus Verlag
(CA.4068950).
ISBN
9790007254445. Key: D
major.
Latin.
Beethoven
described his Missa
solemnis several times as
his greatest work. Coming
from the heart, it was
intended to touch and
move audiences. Beethoven
worked long and
intensively on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings; for good
reason, the premiere took
place in a concert hall.
With this arrangement for
chamber orchestra (flute,
oboe, clarinet, bassoon,
horn, trumpet, trombone,
timpani and strings, plus
organ ad lib), smaller
choirs, as well as choirs
with more limited
resources of space or
finance, can now perform
this work too. However,
the symphonic character
and wide dynamic range of
the work remain. The
scoring of 7 instead of
18 winds offers an
optimal balance between
transparency and
orchestral sound. All the
vocal parts (soloists and
chorus) are identical
with the original
version, so that the
vocal score and chorus
score of that version can
be used. Major mass can
also be performed by
smaller choir Wind and
brass parts of the
original version reduced
to just seven single
instruments Vocal scores
and choral scores from
the original version can
be used. carus plus: the
work (original version)
is available in carus
music, the choir app, and
in the practice CD series
Carus Choir Coach. Score
available separately -
see item CA.4068900.
The Gospel Mass Orchestre d'harmonie, Chorale-Voix - Facile De Haske Publications
Concert Band and Mixed Choir - Grade 3 SKU: BT.DHP-1145564-010 Concert...(+)
Concert Band and Mixed
Choir - Grade 3
SKU:
BT.DHP-1145564-010
Concert Band and combo
parts. Composed by
Jacob De Haan. Musica
Sacra. Set (Score and
Parts). Composed 2014. De
Haske Publications #DHP
1145564-010. Published by
De Haske Publications
(BT.DHP-1145564-010).
English-German-French-
Dutch.
The
Gospel Mass -a mass
for mixed choir, combo
and concert band-is based
on the gospel music that
has spread throughout the
world since its creation
in America. The movements
of the mass ordinary as
we know it have now been
composed in various pop
styles that have their
origin in the gospel
music. We hear, then, not
only the classic American
gospel style (including
the characteristic
clapping and
swingrhythms), but also
freer gospel styles that
have developed over the
course of time. As far as
we know, The Gospel
Mass is the only true
gospel mass. Choral parts
available
separately.
The
Gospel Mass een mis voor
gemengd koor, combo en
blaasorkest is gebaseerd
op de gospelmuziek zoals
die zich sinds haar
ontstaan in Amerika
overal in de wereld heeft
verspreid en ontwikkeld.
De ordinariumdelen zoals
we die kennen van een
mis,zijn hier
gecomponeerd in diverse
popstijlen die hun
oorsprong vinden in de
gospelmuziek. Zo horen we
niet alleen de klassieke
Amerikaanse gospelstijl
(inclusief hand-clapping
en swing), maar ook de
vrijere gospelstijlen die
zich in de loop der
tijdhebben ontwikkeld.
Voor zover bekend is The
Gospel Mass de enige
echte
gospelmis.Koorpartijen
apart
verkrijgbaar.
T
he Gospel Mass (Die
Gospel-Messeâ??) eine
Messe für gemischten
Chor, Combo und Concert
Band basiert auf der
Gospelmusik, die sich
seit ihren Anfängen in
Amerika über die ganze
Welt verbreitet hat.Die
Sätze der Messe, die
wir normalerweise kennen,
wurden hier in
verschiedenen
Popmusik-Richtungen
komponiert, die ihre
Wurzeln in der
Gospelmusik haben.So
hören wir nicht nur
den klassischen
amerikanischen Gospelstil
(mit seinem typischen
Händeklatschen und den
Swing-Rhythmen), sondern
auch freiere
Gospelrichtungen, die
sich im Laufe der Zeit
entwickelt haben. The
Gospel Mass ist
unseresWissens die einzig
wahre Gospel-Messe.
Chorstimmen separat
erhältlich.
The Gospel Mass, una
messa per coro misto,
combo e banda da
concerto, è basata
sulla musica gospel che
si è diffusa in tutto
il mondo sin dalla sua
nascita. I movimenti
dellâ??ordinario della
Messa, come li
conosciamo, sono stati
composti in vari stilipop
che hanno origine nella
musica gospel. Ascoltiamo
quindi non solo il
classico stile gospel
americano (incluso il
caratteristico battito di
mani e ritmi swing), ma
anche uno stile gospel
piu libero che si è
sviluppato nel corso del
tempo. Perquanto ne
sappiamo The Gospel Mass
è lâ??unica autentica
messa gospel. Parti per
coro disponibili a
parte.
