By Robert W. Smith. By Robert W. Smith. For Concert Band. Concert Band. Belwin S...(+)
By Robert W. Smith. By
Robert W. Smith. For
Concert Band. Concert
Band. Belwin Symphonic
Band. Level: 4 (Medium)
(grade 4). Conductor
Score and Parts. 320
pages. Duration 7:33.
Published by Alfred
Publishing.
Composed by Nicolas
Jarrige. Classical,
Educational. Score and
Set of Parts. FLEX
Editions #FX070647.
Published by FLEX
Editions (FL.FX070647).
In this musical
suite, you will find
eight short pieces
depicting one day in a
Zoo. You will discover
emblematic animals such
as monkeys, lions or
elephants. The
orchestration with four
parts and percussions
will allow you playing
those pieces with all
kind of musical groups,
each part being provided
in several transposition
tonalities. These pieces
are particularly suitable
for young musicians from
two years of instrument
practice.
Flight of Years Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Daehn Publications
Grade 5 SKU: CL.LDP-7112-00 Composed by Burns. Concert Band. Score and se...(+)
Grade 5
SKU:
CL.LDP-7112-00
Composed by Burns.
Concert Band. Score and
set of parts. Composed
2000. Duration 7 minutes,
34 seconds. Daehn
Publications
#LDP-7112-00. Published
by Daehn Publications
(CL.LDP-7112-00).
Flight of Years Orchestre d'harmonie [Conducteur] - Intermédiaire Daehn Publications
Grade 5 SKU: CL.LDP-7112-01 Composed by Burns. Concert Band. Extra full s...(+)
Grade 5
SKU:
CL.LDP-7112-01
Composed by Burns.
Concert Band. Extra full
score. Composed 2000.
Duration 7 minutes, 34
seconds. Daehn
Publications
#LDP-7112-01. Published
by Daehn Publications
(CL.LDP-7112-01).
Four Earth Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band and Vocal Solo - Grade 5 SKU: BT.DHP-1094768-010 Poems by...(+)
Concert Band and Vocal
Solo - Grade 5
SKU:
BT.DHP-1094768-010
Poems by Graeme
King. Composed by
Marco Putz. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1094768-010.
Published by De Haske
Publications
(BT.DHP-1094768-010).
9x12 inches.
English-German-French-Dut
ch.
The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Four Earth Songs Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band and Vocal Solo - Grade 5 SKU: BT.DHP-1094768-140 Poems by...(+)
Concert Band and Vocal
Solo - Grade 5
SKU:
BT.DHP-1094768-140
Poems by Graeme
King. Composed by
Marco Putz. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 84
pages. De Haske
Publications #DHP
1094768-140. Published by
De Haske Publications
(BT.DHP-1094768-140).
9x12 inches.
English-German-French-Dut
ch.
The hymn Nun
ruhen alle Wälder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word
“ruhen†(to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress -
“nun ruhen alle
Wälder†should
mean “now all
forests die†.
Massive industrialization
and globalization,
coupled with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on
humanity’s
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King’s clarity,
and intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King’s writing
with his own musical
language. The four
movements are as follows:
1. Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow The world
première of Four Earth
Songs took place on 7
July 2009 at the 14th
WASBE-Conference in
Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Wälder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Pütz
schreef het werk als een
muzikaal protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord
‘ruhen’
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou
‘nun ruhen alle
Wälder’ zelfs
kunnen betekenen:
‘nu sterven alle
bossen’. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen.
Pütz hoopt dat er op
een dag meer nadruk
gelegd zal worden op het
overleven van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Pütz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte ge
ntrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremière van
Four Earth Songs vond
plaats op 7 juli 2009
tijdens de 14e WASBE
Conference in Cincinnati
(VS). Dit werk is in
vriendschap opgedragen
aan dirigent Jouke
Hoekstra en zijn Fryskt
Fanfare
Der Choral
Nun ruhen alle Wälder,
hier in einer Bearbeitung
von J.S. Bach (Nr. 6 So
sei nun, Seele, deine aus
der Kantate BWV 13),
zieht sich wie ein roter
Faden durch diese
viersätzige
Komposition, die als
musikalischer Aufschrei
(Anfang!) gegen die
mutwillige,
profitgesteuerte
Zerstörung unserer
Umwelt gedacht ist.
Sicher hatte das Wort
ruhen“ vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heißen: Nun
sterben alle
Wälder“...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfähigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet“
heute kurz vor dem
Kollaps steht. Dieses
Werk soll jedoch nicht
nur anklagen, es soll
auch die verbliebenen
Schönheiten unserer
Natur aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Möglichkeiten der
musikalischen Umsetzung.
Die vier Sätze sind
wie folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlässlich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Concert Band and Vocal Soloist (Score) - Grade 5 SKU: HL.44011763 Poem...(+)
Concert Band and Vocal
Soloist (Score) - Grade 5
SKU: HL.44011763
Poems by Graeme
King. Composed by
Marco Putz. De Haske
Concert Band. Concert
Piece. Score Only.
Composed 2010. De Haske
Publications #1094768.
Published by De Haske
Publications
(HL.44011763).
The hymn Nun
ruhen alle Walder (Now
All Forests Rest),
arranged by J.S. Bach
(No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Concert Band and Vocal Soloist (Score & Parts) - Grade 5 SKU: HL.44011762 ...(+)
Concert Band and Vocal
Soloist (Score & Parts) -
Grade 5
SKU:
HL.44011762
Poems
by Graeme King.
Composed by Marco Putz.
De Haske Concert Band.
Concert Piece. Score
Only. Composed 2010. Hal
Leonard #1094768.
Published by Hal Leonard
(HL.44011762).
The
hymn Nun ruhen alle
Walder (Now All Forests
Rest), arranged by J.S.
Bach (No. 6, So sei nun,
Seele, deine, from
Cantata BWV 13), is a
guiding light throughout
this four-movement
composition. Pütz
wrote this work as a
musical outcry against
the wilful, profit-driven
destruction of our
environment. When Bach
used the word ruhen (to
rest) over 350 years ago,
it probably had a
different nuance from the
meaning it has today. At
the beginning of the 21st
century - the so-called
age of progress - nun
ruhen alle Walder should
mean now all forests die
. Massive
industrialization and
globalization, coupled
with pure greed,
corruption, political
scandals, an
ever-wideninggap between
the rich and poor, and
other such senseless
human actions, are
pushing our blue planet
closer and closer to the
point of no return. This
work is not intended to
be a ranting accusation.
It should remind us of
the beauty and harmony
that can exist all around
us in nature, if we take
care of it. Pütz
hopes that this will, one
day, help put a greater
emphasis on humanity's
survival, and coexistence
with nature rather than
the exploitation
described earlier. All
four texts were created
by Australian poet Graeme
King, whose works were
discovered by Pütz,
by chance on the
internet. Pütz was
especially captivated by
King's clarity, and
intrigued by the
possibilities of adapting
and melding the strong
rhythmical structure of
King's writing with his
own musical language. The
four movements are as
follows: 1. Tears of
Nature 2. Grrrevolution
3. Stand up! 4. Tomorrow
The world premiere of
Four Earth Songs took
place on 7 July 2009 at
the 14th WASBE-Conference
in Cincinnati (USA). This
work is dedicated in
friendship to Jouke
Hoekstra, conductor, and
the Frysk Fanfare Orkest
(the Frisian
Fanfare-Orchestra).
De hymne Nun
ruhen alle Walder,
gearrangeerd door J.S.
Bach (nr. 6, So sei nun,
Seele, deine, uit cantate
BWV 13), is de leidraad
in deze vierdelige
compositie. Putz schreef
het werk als een muzikaal
protest tegen de
moedwillige,op winstbejag
gebaseerde vernietiging
van ons milieu. Toen Bach
het woord 'ruhen'
(rusten) meer dan 350
jaar geleden gebruikte,
lag er waarschijnlijk een
andere nuance in dan
tegenwoordig. Aan het
begin van de 21e eeuw -
dezogenaamde eeuw van de
vooruitgang - zou 'nun
ruhen alle Walder' zelfs
kunnen betekenen: 'nu
sterven alle bossen'. De
grootschalige
industrialisatie en
globalisering, in
combinatie met pure
hebzucht, corruptie,
politieke schandalen,een
groeiende kloof tussen
arm en rijk, en andere
dwaze menselijke
verrichtingen, brengen
onze blauwe planeet
steeds verder in de
problemen, tot er
misschien geen weg terug
meer is. Dit werk is niet
bedoeld als een
beschuldigendetirade. Het
moet ons wijzen op de
schoonheid en harmonie
die in de natuur om ons
heen kan bestaan, als we
er goed voor zorgen. Putz
hoopt dat er op een dag
meer nadruk gelegd zal
worden op het overleven
van de mensheid
invreedzame co-existentie
met de natuur, zonder de
eerdergenoemde
uitbuiting. Alle vier de
teksten zijn geschreven
door de Australische
dichter Graeme King,
wiens werk Putz bij
toeval tegenkwam op het
internet. Hij werd
getroffendoor Kings
helderheid en raakte
geintrigeerd door de
mogelijkheid de sterke
ritmische structuur van
Kings teksten om te
zetten in zijn eigen
muzikale taal. De vier
delen zijn de volgende:
1. Tears of Nature 2.
Grrrevolution 3.Stand up!
4. Tomorrow De
wereldpremiere van Four
Earth Songs vond plaats
op 7 juli 2009 tijdens de
14e WASBE Conference in
Cincinnati (VS). Dit werk
is in vriendschap
opgedragen aan dirigent
Jouke Hoekstra en zijn
Fryskt Fanfare
Der
Choral Nun ruhen alle
Walder, hier in einer
Bearbeitung von J.S. Bach
(Nr. 6 So sei nun, Seele,
deine aus der Kantate BWV
13), zieht sich wie ein
roter Faden durch diese
viersatzige Komposition,
die als musikalischer
Aufschrei (Anfang!) gegen
die mutwillige,
profitgesteuerte
Zerstorung unserer Umwelt
gedacht ist. Sicher hatte
das Wort ruhen vor
über 350 Jahren,
als der Liedtext
entstand, eine andere
Bedeutung als heute. Zu
Beginn des 21.
Jahrhunderts, im
sogenannten Zeitalter des
Fortschritts,
müsste es leider
wohl eher heissen: Nun
sterben alle Walder...
Massive
Industrialisierung,
Globalisierung, aber auch
Profitgier, Korruption,
politische
Unfahigkeit,krasse
Unterschiede zwischen arm
und reich, und
schlussendlich die
Uneinsichtigkeit des
einzelnen Menschen haben
dazu geführt, dass
der Blaue Planet heute
kurz vor dem Kollaps
steht. Dieses Werk soll
jedoch nicht nur
anklagen, es soll auch
die verbliebenen
Schonheiten unserer Natur
aufzeigen, in der
Hoffnung, dass es einmal
gelingen wird, die
Rettung der Natur und den
Schutz der Umwelt
über die oben
genannten Interessen zu
stellen. Alle vier Texte
stammen aus der Feder des
australischen Dichters
Graeme King, dessen Werk
der Komponist durch einen
glücklichen Zufall
im Internet entdeckte.
Besonders inspirierend
war die Direktheit von
Graemes Aussagen, aber
auch die kraftvolle
Rhythmik seiner Verse mit
den daraus resultierenden
Moglichkeiten der
musikalischen Umsetzung.
Die vier Satze sind wie
folgt
überschrieben: 1.
Tears of Nature 2.
Grrrevolution 3. Stand
up! 4. Tomorrow Die
offizielle
Uraufführung von
Four Earth Songs fand am
7. Juli 2009 statt,
anlasslich der 14.
WASBE-Konferenz in
Cincinnati (USA). Das
Werk ist dem Dirigenten
Jouke Hoekstra und dem
Frysk Fanfare Orkest
(Friesischen
Fanfareorchester) in
aller Freundschaft
gewidmet.
Le
cantique Nun ruhen alle
Walder, dont la ligne
melodique fut reprise par
Jean-Sebastien Bach pour
son choral So sein nun,
Seele, deine (Choral
ndeg6 - Cantate BWV 13),
est le fil conducteur de
cette oeuvre en quatre
mouvements concue comme
un cri contre la
destruction volontaire de
la nature pour le profit.
Plus de trois siecles
nous separent du temps de
Bach. Si les mots sont
restes les memes, leur
sens primitif connait
cependant quelques
nuances. Ainsi, au XXIe
siecle - considere comme
le << siecle du progres
>>, il conviendrait de
traduire Nun ruhen alle
Walder (les forets se
reposent ) par Les forets
se meurent. La
mondialisation et
l'industrialisation
massiveassociees a
l'avidite predatrice, a
la corruption politique,
aux actions humaines
irrationnelles et au
fosse grandissant entre
riches et pauvres
conduisent notre planete
bleue a se rapprocher
chaque jour un peu plus
du point de non retour.
Cette composition n'est
pas une accusation
acerbe, mais plutot une
exhortation a prendre
soin de cette beaute si
harmonieuse que nous
offre la nature. Et
peut-etre, prendrons-nous
enfin conscience de
l'importance d'une
situation de coexistence
avec la nature,
necessaire pour la survie
de l'espece humaine, et
non d'exploitation qui
conduit a la destruction.
Un jour, alors qu'il
naviguait sur Internet,
Marco Pütz
decouvrit l'oeuvre du
poete australien Graeme
King. Fascine par la
clarte de l'ecriture et
le rythme des vers, Marco
Pütz imagina les
multiples possibilites
d'adaptation et de mise
en musique qu'offrent les
poemes de King. Il
choisit quatre poemes sur
la nature pour creer son
oeuvre Four Earth Songs
(Quatre chants de la
terre). 1. Tears of
Nature (Les larmes de la
Nature) 2. Grrrevolution
3. Stand up! (Levez-vous
!) 4. Tomorrow (Demain)
Four Earth Songs est
dedie amicalement a
l'Orchestre de Fanfare de
Frise (Frysk Fanfare
Orkest) et a son chef,
Jouke Hoekstra. L'oeuvre
a ete donnee en creation
mondiale par l'orchestre
dedicataire a l'occasion
de la 14eme Convention de
la WASBE a Cincinnati
aux.
Golden Peak Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1196201-010.
Published by De Haske
Publications
(BT.DHP-1196201-010).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Golden Peak Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1196201-140 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1196201-140
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 31
pages. De Haske
Publications #DHP
1196201-140. Published by
De Haske Publications
(BT.DHP-1196201-140).
English-German-French-
Dutch.
Golden
Peak is a concert
piece that takes us deep
into the world of
volcanoes of the Auvergne
in central France. They
are dormant volcanoes
whose origins date back
from 7,000 to over 65
million years ago. Among
the most well-known are
the 80 volcanoes of the
Chaîne des Puys, a
spectacular natural
environment ranking among
the most fascinating
landscapes in the world.
The title of this dynamic
and rhythmic piece is a
reference to the local
spa town of Mont-Dore and
calls upon all sections
of the orchestra. The
central theme is very
mellow yet riveting and
the music depicts both
the dynamism and
tranquillity of the
region.
Golden
Peak is een
concertwerk dat ons
meeneemt naar een
vulkanische wereld: die
van de Auvergne in het
midden van Frankrijk. De
vulkanen daar zijn
slapende; hun oorsprong
gaat terug naar 7000 tot
meer dan 65 miljoen jaar
geleden. Tot de bekendste
behoren de tachtig
vulkanen van de Chaîne
des Puys, een uniek
natuurgebied dat tot de
boeiendste landschappen
van de wereld behoort. De
titel van deze dynamische
en ritmische compositie
verwijst naar de plaats
Mont-Dore aldaar. Het
werk doet een beroep op
alle secties in het
orkest. Het centrale
thema is mild en tegelijk
meeslepend, en verder
beschrijft de muziek
zowel de vitaliteit als
de rust van de
streek.
Golden
Peak ist ein
Konzertstück, das uns
tief in die Welt der
Vulkane in der Auvergne
in Mittelfrankreich
entführt. Es handelt
sich um erloschene
Vulkane, deren
Ursprünge zwischen
7.000 bis 65 Millionen
Jahren vor unserer Zeit
liegen. Zu den
bekanntesten gehören
die 80 Vulkane der
Chaîne des Puys, eine
spektakuläre Gegend,
die zu den
faszinierendsten
Landschaften der Welt
zählt. Der Titel
dieses dynamischen und
rhythmischen Stücks,
in dem alle
Instrumentengruppen des
Orchesters verwendet
werden, bezieht sich auf
die Kurstadt Mont-Dore.
Das zentrale Thema ist
sehr sanft und voller
Emotionen und die Musik
beschreibt sowohl die
Betriebsamkeit als auch
die Ruhe dieserRegion.
Arranged by Jacques Brel
and ed./arr. by Richard
Hayman. Full Orchestra
Score & Parts;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Masterwork Arrangement.
Score and Part(s).
LudwigMasters
Publications #36-A782890.
Published by
LudwigMasters
Publications
(AP.36-A782890).
UPC:
676737927707.
English.
Belgium
singer, actor, and
composer Jacques Brel
(1929-1978) wrote the
music and lyrics for Ne
me quitte pas (If You Go
Away) in 1959. The song
was later adapted with
English lyrics by Rod
McKuen, and the work is
considered a pop standard
with recordings by many
artists. This
orchestration was
completed by Richard
Hayman (1920-2014), who
had a very successful
career as chief music
arranger for the Boston
Pops Orchestra, an
association that lasted
over 50 years, and who
also served as a pops
conductor for various
orchestras including the
Detroit Symphony
Orchestra, the St. Louis
Symphony, and the Grand
Rapids Symphony.
Instrumentation: 2.2.2.2:
Sax(4-SATB, opt.):
4.3.3.1: Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc)+Picc.3(3rd
dEH).2+BCl+Eb.3(3rd
dCBsn: 4.3.3.1:
Timp.Perc(4-5):
2Hp.Clst.Mand: Str
(9-8-7-6-5 in set): Soli
T, A (or Bar)
SKU:
AP.36-A674102
Composed by Die
Chinesische Flöte
after Chinese poets of
the 8th century: Li Tai
Po, Gustav Mahler/
Translated into German by
Hans Bethge, Haoran Meng,
Qi Qian, and Wei Wang.
Full Orchestra, Solo
Voice(s) with Ensemble,
Conductor Score & Parts.
Kalmus Orchestra Library.
Score and Part(s).
LudwigMasters
Publications #36-A674102.
Published by
LudwigMasters
Publications
(AP.36-A674102).
UPC:
659359656231.
English.
Fresh from
the loss of his oldest
daughter Maria Mahler,
and knowing he had a
serious heart condition,
Gustav Mahler (1860-1911)
crafted Das Lied von der
Erde (The Song of the
Earth) in the years 1908
and 1909. The first
performance took place on
November 20, 1911 at the
Tonhalle in Munich,
conducted by Bruno
Walter. It encompasses
six settings of old
Chinese poems, four of
them by the Tang Dynasty
poet Li Bai, loosely
translated into German by
Hans Bethge. Conscious of
his own mortality, Mahler
filled his orchestral
song cycle with themes of
resignation, fading
beauty, and autumn
loneliness. The last
song, roughly the same
length as the previous
five movements combined,
serves as a sprawling,
yet deeply personal
farewell to both love and
life. Instrumentation:
3(3rd dPicc)+Picc.3(3rd
dEH).2+BCl+Eb.3(3rd
dCBsn: 4.3.3.1:
Timp.Perc(4-5):
2Hp.Clst.Mand: Str
(9-8-7-6-5 in set): Soli
T, A (or Bar). Movements:
1. Das Trinklied vom
Jammer der Erde (The
Drinking Song of Earth's
Sorrow); 2. Der Einsame
im Herbst (Autumn
Loneliness); 3. Von der
Jugend (Youth); 4. Von
der Schönheit
(Beauty); 5. Der Trunkene
im Fruhling (Wine in
Spring); 6. Der Abschied
(The Farewell). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2(2nd dPicc).2.2.2:
3Sax(AAT): 4.3.3.1:
Timp.Perc(2): Pno Cond Sc
in set: Str (9-8-7-6-5 in
set)
SKU:
AP.36-A602099
Composed by Philip J.
Lang. Full Orchestra, CS.
Kalmus Symphonic Pops.
Score. LudwigMasters
Publications #36-A602099.
Published by
LudwigMasters
Publications
(AP.36-A602099).
ISBN
9798892700764. UPC:
659359605895.
English.
Dark Eyes
is a well-known Russian
romance song. The lyrics,
written by Ukrainian poet
Yevhen Hrebinka, were
first published in 1843.
The melody, to which the
lyrics are set is by
German-Polish composer
Florian Hermann
(1822-1982), from his
piano work Valse Hommage,
Op. 21. The song has been
used in numerous movies
over the years. This
version has been
orchestrated by Philip J.
Lang. Instrumentation:
2(2nd dPicc).2.2.2:
3Sax(AAT): 4.3.3.1:
Timp.Perc(2): Pno Cond Sc
in set: Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Jacques Brel
and ed./arr. by Richard
Hayman. Full Orchestra
Condensed Score;
Performance Music
Ensemble; Single Titles.
Kalmus Orchestra Library.
Masterwork Arrangement.
Score. LudwigMasters
Publications #36-A782899.
Published by
LudwigMasters
Publications
(AP.36-A782899).
ISBN
9798888526729. UPC:
676737927936.
English.
Belgium
singer, actor, and
composer Jacques Brel
(1929-1978) wrote the
music and lyrics for Ne
me quitte pas (If You Go
Away) in 1959. The song
was later adapted with
English lyrics by Rod
McKuen, and the work is
considered a pop standard
with recordings by many
artists. This
orchestration was
completed by Richard
Hayman (1920-2014), who
had a very successful
career as chief music
arranger for the Boston
Pops Orchestra, an
association that lasted
over 50 years, and who
also served as a pops
conductor for various
orchestras including the
Detroit Symphony
Orchestra, the St. Louis
Symphony, and the Grand
Rapids Symphony.
Instrumentation: 2.2.2.2:
Sax(4-SATB, opt.):
4.3.3.1: Timp.Perc(5):
Hp.Gtr(opt.): Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
3(3rd dPicc)+Picc.3(3rd
dEH).2+BCl+Eb.3(3rd
dCBsn: 4.3.3.1:
Timp.Perc(4-5):
2Hp.Clst.Mand: Str
(9-8-7-6-5 in set): Soli
T, A (or Bar)
SKU:
AP.36-A674101
Composed by Die
Chinesische Flöte
after Chinese poets of
the 8th century: Li Tai
Po, Gustav Mahler/
Translated into German by
Hans Bethge, Haoran Meng,
Qi Qian, and Wei Wang.
Full Orchestra, Solo
Voice(s) with Ensemble,
Conductor Score. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A674101.
Published by
LudwigMasters
Publications
(AP.36-A674101).
ISBN
9798892701914. UPC:
659359871511.
English.
Fresh from
the loss of his oldest
daughter Maria Mahler,
and knowing he had a
serious heart condition,
Gustav Mahler (1860-1911)
crafted Das Lied von der
Erde (The Song of the
Earth) in the years 1908
and 1909. The first
performance took place on
November 20, 1911 at the
Tonhalle in Munich,
conducted by Bruno
Walter. It encompasses
six settings of old
Chinese poems, four of
them by the Tang Dynasty
poet Li Bai, loosely
translated into German by
Hans Bethge. Conscious of
his own mortality, Mahler
filled his orchestral
song cycle with themes of
resignation, fading
beauty, and autumn
loneliness. The last
song, roughly the same
length as the previous
five movements combined,
serves as a sprawling,
yet deeply personal
farewell to both love and
life. Instrumentation:
3(3rd dPicc)+Picc.3(3rd
dEH).2+BCl+Eb.3(3rd
dCBsn: 4.3.3.1:
Timp.Perc(4-5):
2Hp.Clst.Mand: Str
(9-8-7-6-5 in set): Soli
T, A (or Bar). Movements:
1. Das Trinklied vom
Jammer der Erde (The
Drinking Song of Earth's
Sorrow); 2. Der Einsame
im Herbst (Autumn
Loneliness); 3. Von der
Jugend (Youth); 4. Von
der Schönheit
(Beauty); 5. Der Trunkene
im Fruhling (Wine in
Spring); 6. Der Abschied
(The Farewell). Reprint
edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Symphony No. 3 for
Wind Orchestra CD.
Composed by Franco
Cesarini. Editions Franco
Cesarini. Classical,
Concert. Softcover. Hal
Leonard #EFC019-CD.
Published by Hal Leonard
(HL.4008672).
ISBN
9798350115215. UPC:
196288190028.
A CD
that includes four great
works by Franco Cesarini
performed by the Civica
Filarmonica di Lugano
under the direction of
the Maestro. Passacaglia
and Fugue in C-minor BWV
582 In Franco
CesariniÂ’s
arrangement for large
wind orchestra, the
particularly careful
interpretation of the
original piece enables
him to exploit all the
sound colors at his
disposal, and in this
sumptuous guise Bach's
work also takes on a
grandiose dimension,
albeittinged with
late-Romanticism. A
masterpiece by Johann
Sebastian Bach superbly
arranged for wind
orchestra. Sinfonietta
No. 3
“Zwölfmalgreien
Sketchesâ€, Op. 56
In composing the
Sinfonietta No. 3 ,
Franco Cesarini was
inspired by the history
of the municipality of
Zwölfmalgreien, made
up of various towns,
villages and scattered
districts which were
incorporated to the City
of Bolzano (Italy) over
one hundred years ago.
The peculiarity of these
places, different from
each other, but all
characterized by rare
beauty, have contributed
to create this
3-mouvement work (City
Life, Mountain Shadows
and Classic Wineyards),
which translates into
music the activities of
the villages, the winter
days and the lively
atmosphere in the wine
regions. A perfect trip
to this wonderful part of
Italy! Suite Siciliana,
Op. 57b The Suite
Siciliana, a 7-movement
piece - Intrada , Pavana,
Gavotta, Barcarola ,
Tambourin , Sicilianaand
Tarantella - is
characterised by
contrasting rhythms and
tempo and consists of
these 7 dances. The
musical form, typical of
the Baroque period,
refers to some
traditional expressions
of art from the land of
Sicily: ranging from the
rich architecture of the
Sicilian Baroque to the
colorful majolica
ceramics and the
characteristic puppets,
the “pupiâ€,
which narrate a secular
tradition. A full
immersion into ancient
traditions of this
beautiful island!
Symphony No. 3
“Urban
Landscapesâ€, Op. 55
Fascinated by the beauty
of Chicago, Franco
Cesarini has translated
his emotions into music:
this is how was born
Symphony No. 3
“Urban
Landscapes†, a
musical portrait of this
metropolis overlooking
Lake Michigan. The
composition is divided
into three movements -
The Wrigley Building from
Dawn to Noon , Blue
Silhouette and Cloud Gate
- which by sharing the
same thematic material
arranged in cyclical
form, strengthen the
overall cohesion of the
piece. Symphony No. 3
“Urban
Landscapesâ€, a
sumptuous musical
portrait of the
“Windy Cityâ€.
Civica Filarmonica di
Lugano Since its
foundation in 1830,
Civica Filarmonica di
Lugano has performed at
diverging events, varying
from large gatherings to
international jury
performances. The Civica
Filarmonica di Lugano is
one of SwitzerlandÂ’s
oldest and most
prestigious music
societies and consists of
approximately 70
musicians.The Civica
Filarmonica gives about
20 concerts a year, both
at the city's concert
halls and the Piazza
della Riforma, the square
in Lugano that.
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score & Parts.
Nieweg Performance
Editions. Score and
Part(s). LudwigMasters
Publications #36-A296302.
Published by
LudwigMasters
Publications
(AP.36-A296302).
UPC:
659359760488.
English.
A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Hilding
Rosenberg. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A677002.
Published by
LudwigMasters
Publications
(AP.36-A677002).
UPC:
659359999260.
English.
Hilding
Rosenberg (1892-1985) has
been described as the
first Swedish modernist
composer. Influenced by
Sibelius in his early
years, he later absorbed
the work of Stravinsky,
Schoenberg, and
Hindemith. His teachers
included Hermann
Scherchen and Wilhelm
Stenhammar. Beginning to
compose larger works
around the age of 30, he
wrote eight symphonies, a
variety of music for
string quartet, and a
number of theatrical
pieces including opera.
Working with producer Per
Lindberg in the 1920s, he
was asked to compose
incidental music to a
play by Spanish author
Jacinto Benaventes. The
Marionettes successfully
premiered in 1926.
Rosenberg later used
material from the work to
fashion an opera. He also
reconstructed it into a
Dance Suite for the
concert hall and this
Overture in 1937.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Perc(3):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112601
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-E112601.
Published by
LudwigMasters
Publications
(AP.36-E112601).
ISBN
9798892700733. UPC:
659359826610.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Hilding
Rosenberg. Full
Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A677001.
Published by
LudwigMasters
Publications
(AP.36-A677001).
ISBN
9798892704144. UPC:
659359682001.
English.
Hilding
Rosenberg (1892-1985) has
been described as the
first Swedish modernist
composer. Influenced by
Sibelius in his early
years, he later absorbed
the work of Stravinsky,
Schoenberg, and
Hindemith. His teachers
included Hermann
Scherchen and Wilhelm
Stenhammar. Beginning to
compose larger works
around the age of 30, he
wrote eight symphonies, a
variety of music for
string quartet, and a
number of theatrical
pieces including opera.
Working with producer Per
Lindberg in the 1920s, he
was asked to compose
incidental music to a
play by Spanish author
Jacinto Benaventes. The
Marionettes successfully
premiered in 1926.
Rosenberg later used
material from the work to
fashion an opera. He also
reconstructed it into a
Dance Suite for the
concert hall and this
Overture in 1937.
Instrumentation: 2.2.2.2:
2.2.0.0: Timp: Perc(3):
Str (9-8-7-6-5 in set).
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.2.2: 2.2.3.1: Timp:
Str (9-8-7-6-5 in set)
SKU: AP.36-A171502
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Conductor
Score and Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A171502.
Published by
LudwigMasters
Publications
(AP.36-A171502).
UPC:
659359994098.
English.
In 1840,
the King of Prussia
invited Felix Mendelssohn
(1809-1847) to accept a
lofty musical appointment
in the French Academie
Royale. A few years
later, Wilhelm IV
commissioned the composer
to write incidental music
to a religious drama by
Jean Racine, ATHALIE,
based on the queen of
Judah during Jehoram's
reign. It was intended
for a private performance
on December 1, 1845 and
saw its first public
performance on January
8th of the following
year. WAR MARCH OF THE
PRIESTS, a brief excerpt
taken from the work, is
sometimes heard during
graduation ceremonies.
Reprint edition.
Instrumentation: 2.2.2.2:
2.2.3.1: Timp: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.2.2.2: 2.2.3.1: Timp:
Str (9-8-7-6-5 in set)
SKU: AP.36-A171501
Composed by Felix
Bartholdy Mendelssohn.
Full Orchestra, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A171501.
Published by
LudwigMasters
Publications
(AP.36-A171501).
ISBN
9798892702669. UPC:
659359839108.
English.
In 1840,
the King of Prussia
invited Felix Mendelssohn
(1809-1847) to accept a
lofty musical appointment
in the French Academie
Royale. A few years
later, Wilhelm IV
commissioned the composer
to write incidental music
to a religious drama by
Jean Racine, ATHALIE,
based on the queen of
Judah during Jehoram's
reign. It was intended
for a private performance
on December 1, 1845 and
saw its first public
performance on January
8th of the following
year. WAR MARCH OF THE
PRIESTS, a brief excerpt
taken from the work, is
sometimes heard during
graduation ceremonies.
Reprint edition.
Instrumentation: 2.2.2.2:
2.2.3.1: Timp: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in set)
SKU: AP.36-E112602
Composed by Peter Ilyich
Tchaikovsky. Full
Orchestra, Conductor
Score & Parts. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-E112602.
Published by
LudwigMasters
Publications
(AP.36-E112602).
UPC:
659359956621.
English.
The
Sleeping Beauty ballet in
3 acts, which tells the
story of conflicting
forces of good and evil,
incorporates various
fairy-tale characters
from the Brothers Grimm
and French fairy tales.
Tchaikovsky's (1840-1893)
longest ballet, the work
was met with a favorable
response following the
January 15th, 1890,
premiere at the Imperial
Mariinsky Theatre in St.
Petersburg, but the
composer would not live
to see the work become
the mainstay of the
ballet repertoire that it
has enjoyed for over one
hundred years. The
popular Waltz, No. 6 from
Act I, takes place as the
introduction to Princess
Aurora as a dance on her
sixteenth birthday.
Instrumentation:
2+Picc.2+EH.2.2:
4.2+2.3.1: Timp.Perc(1):
Str (9-8-7-6-5 in
set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Arranged by Charles
Tomlinson Griffes and
ed./arr. by Gregory
Vaught. Full Orchestra,
Conductor Score. Nieweg
Performance Editions.
Score. LudwigMasters
Publications #36-A296301.
Published by
LudwigMasters
Publications
(AP.36-A296301).
ISBN
9798892702249. UPC:
659359924736.
English.
A dream
inspired Charles
Tomlinson Griffes
(1884-1920) to compose
The Pleasure Dome of
Kubla Kahn, based on the
poem by Samuel Taylor
Coleridge. The composer
originally wrote it for
piano in 1912. Four years
later, at the
encouragement of
Ferruccio Busoni, he
expanded it into a
shimmering symphonic
poem. Following the first
performance in the autumn
of 1919 under the
direction of Pierre
Monteux, it achieved
great success and remains
one of his most
frequently-performed
works today. The work
reveals the influence of
French impressionism,
meandering through the
lush gardens of the
legendary palace. This
edition by Gregory Vaught
is part of the Nieweg
Performance Editions
series. Instrumentation:
3(3rd
dPicc).2+EH.2+BCl.3:
4.3.3.1: Timp.Perc(3):
Hp(2).Clst.Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
Ave Maria Orchestre d'harmonie [Conducteur] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7024-01 1882 Setting. Composed by Anton Bruckn...(+)
Grade 3
SKU:
CL.LDP-7024-01
1882 Setting.
Composed by Anton
Bruckner. Arranged by
Kreines. Concert Band.
Extra full score.
Composed 2006. Duration 4
minutes, 7 seconds. Daehn
Publications
#LDP-7024-01. Published
by Daehn Publications
(CL.LDP-7024-01).
Anton Bruckner
(1824-1896) is known
today primarily for his
massive symphonies for
orchestra. However, he
also composed a number of
vocal works for forces of
varying size and
character, including
three settings of the Ave
Maria. This setting was
originally for alto voice
and organ, and ulike the
other settings, dates
from Bruckner's mature
years. It reflects all of
the notable
characteristics of his
style - simple but rich
textures, bold and
surprising harmonic
progressions and a
fervently religious mood.
Stunning!
A Quiet Song Orchestre d'harmonie [Conducteur] - Débutant C.L. Barnhouse
Concert band - Grade 1 SKU: CL.023-4482-01 Young Concert Band. Sound Foun...(+)
Concert band - Grade 1
SKU:
CL.023-4482-01
Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR390). Extra full
score. Composed 2016.
Duration 2 minutes, 7
seconds. C.L. Barnhouse
#023-4482-01. Published
by C.L. Barnhouse
(CL.023-4482-01).
Absolutely
breathtaking describes
this expressive piece
created especially for
young bands by
experienced composer
James Swearingen. His
ability to make a band
sound mature beyond their
years is a talent that
we’ve all come to
appreciate. Be sure to
include this gem on your
next concert. Simply
beautiful!
Ave Maria Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Daehn Publications
Grade 3 SKU: CL.LDP-7024-00 1882 Setting. Composed by Anton Bruckn...(+)
Grade 3
SKU:
CL.LDP-7024-00
1882 Setting.
Composed by Anton
Bruckner. Arranged by
Kreines. Concert Band.
Score and set of parts.
Composed 2006. Duration 4
minutes, 7 seconds. Daehn
Publications
#LDP-7024-00. Published
by Daehn Publications
(CL.LDP-7024-00).
Anton Bruckner
(1824-1896) is known
today primarily for his
massive symphonies for
orchestra. However, he
also composed a number of
vocal works for forces of
varying size and
character, including
three settings of the Ave
Maria. This setting was
originally for alto voice
and organ, and ulike the
other settings, dates
from Bruckner's mature
years. It reflects all of
the notable
characteristics of his
style - simple but rich
textures, bold and
surprising harmonic
progressions and a
fervently religious mood.
Stunning!
Air Stream Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Carl Fischer
Concert Band Concert band - Grade 2-2.5 SKU: CF.YPS56 Composed by Alan Le...(+)
Concert Band Concert band
- Grade 2-2.5
SKU:
CF.YPS56
Composed by
Alan Lee Silva. FS-SWS.
Carl Fischer Young
Performance Series.
Classical. Score and Set
of Parts. With Standard
notation.
16+8+2+4+4+2+2+5+2+2+4+4+
4+6+2+3+3+1+1+2+7 pages.
Carl Fischer Music
#YPS56. Published by Carl
Fischer Music (CF.YPS56).
ISBN 9780825862045.
UPC: 798408062040. 9 X 12
inches. Key: F
major.
A fresh new
composition in the Lydian
mode by composer Alan Lee
Silva. This piece flows
effortlessly and exudes a
myriam of colors that are
possible from a young
concert band. This will
be the piece your
audience talks about for
years to come.