By Andrew Lloyd Webber. Arranged by Warren Barker. Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Size 9x12 inches. Published by Hal Leonard.

By Andrew Lloyd Webber. Arranged by Johnnie Vinson. (Score & Parts). Score and full set of parts. Young Band (Concert Band). Grade 3. Size 9x12 inches. Published by Hal Leonard.

By Andrew Lloyd Webber. Arranged by Michael Mcintosh, Paul Murtha. (Score & Parts). Score and full set of parts. Hal Leonard Concert Band Series. Grade 4. Size 9x12 inches. Published by Hal Leonard.

By Jared Spears. Band Music Press Concert Band. Score and full set of parts. Published by Band Music Press.

Composed by Angelo Sormani. Musical fairy-tale, inspired by the Brothers Grimm novel. Musical fairy-tale. Score and set of parts. Duration 36:00. Published by Scomegna Edizioni Musical srl (S4.ESB1096).

Concert Band - Grade 1

SKU: HL.44007652

Grade 1 - Score Only. Arranged by Timothy Johnson. Curnow Music Concert Band. 16 pages. Published by Curnow Music (HL.44007652).

UPC: 884088310073. 9x12 inches.

A refreshing and energetic treatment of one of the all-time best loved carols, “Angels We Have Heard on High.” Young musicians will love rehearsing and performing this stylistically creative little gem. The captivating development of the middle section of the piece and lots of contrasting instrumentation throughout makes this arrangement a wonderful experience for all. (Grade 1).

Grade 3 - Score Only. Composed by Traditional. Arranged by Philip Sparke. Anglo Music Concert Band. Christmas. Score Only. Composed 2001. Anglo Music Press #AMP012. Published by Anglo Music Press

(Featuring: Hark! The Herald Angels Sing / I Saw Three Ships / Deck the Hall). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score. Belwin Young Band. Form: Medley. Christmas; Winter. Grade 2. 236 pages. Published by Belwin Publishing

By James Curnow. (Score and Parts). Curnow Concert Band Full Set. Published by Curnow Music.

Concert Band - Grade 1

SKU: HL.44010621

Grade 1 - Score Only. Arranged by James Curnow. Curnow Music Concert Band. Christmas. 24 pages. Published by Curnow Music (HL.44010621).

UPC: 884088498146. 9x12 inches.

James Curnow's grade 1 holiday arrangement is an energetic exploration of four great carols. Nice counterpoint and stylistic subtleties help your band reach for a higher level of performance. Staccato, full value, detached, accented, slurred; it's all here. There is SO much you can teach your band in this arrangement! Plus, it can also be used as an audience sing-along. Outstanding!

Sing a Song of Christmas (Grade 1 - Score and Parts). Arranged by James Curnow. Curnow Music Concert Band. Grade 1. Published by Curnow Music

SKU: GI.G-10580

Philosopher and Practitioner in Dialogue. Composed by William Perrine. Music Education. 430 pages. GIA Publications #10580. Published by GIA Publications (GI.G-10580).

ISBN 9781622776375.

Cont ributors: Travis J. Cross (University of California–Los Angeles) • David J. Elliott (New York University) • Marissa Silverman (Montclair State University) • Jacob Wallace (South Dakota State University) • Randall Everett Allsup (Teachers College, Columbia University) • Cynthia Johnston Turner (Wilfrid Laurier University) • Carolyn Barber (University of Nebraska-Lincoln) • John Kratus (Independent Scholar) • Vincent C. Bates (Weber State University) • Thomas G. Warner, Jr. (North Carolina Agricultural and Technical State University) • Ben Hawkins (Transylvania University) • Thomas A. Regelski (SUNY Fredonia School of Music, Helsinki University of Finland) • Paul Woodford (Western University) • Charles Peltz (New England Conservatory of Music) In the wind band profession—as in every great discipline—it is critical to take stock in the big questions about where we are heading, and why, as we move through the twenty-first century. This thought-provoking book contains seven high-level exchanges between a leading wind band practitioner and a music education philosopher. Each section of The Future of the Wind Band grapples with the most profound issues facing the music education profession and the path of instrumental music education in our schools: Relevance: What relevance, if any, does the wind band have both to today’s students and to culture more broadly in the twenty-first century? What relevance does the band experience hold for students’ everyday life? Repertoire: What is the relationship between the repertoire performed by wind ensembles and the larger musical world? Pedagogy: What constitutes best practice in terms of musical pedagogy and rehearsal technique within the large-ensemble experience? Creativity: Can the wind band function as a vehicle for enhancing the individual creativity of its members? Economic Justice: How do issues of social class and the distribution of wealth relate to broader questions of social justice within the context of instrumental music education? Professional Ethics: What are the primary ethical responsibilities of the wind band conductor? Democratic Citizenship: What relationship, if any, can be drawn between membership in the wind band and citizen participation in democracy? Such exchanges can only strengthen our profession and pay rich dividends in our musical and educational work with the students we serve. Editor of this book, William (Bill) M. Perrine is Associate Professor of Music and Director of Instrumental Activities at Concordia University in Ann Arbor, Michigan, where he directs the wind ensemble, marching band, and community orchestra.

By Douglas Akey. Music by Douglas Akey. For Concert Band. Concert Band. Alfred Debut Series. Conductor Score & Parts. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 5

SKU: BT.AMP-011-140

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2001. Anglo Music Press #AMP 011-140. Published by Anglo Music Press (BT.AMP-011-140).

This piece depicts the refined beauty of the Grand Canyon at sunrise and sunset. These are the best times to view the Canyon with the sun low in the sky casting shadows that give depth and form to the vast panorama. Angel’s Gate is one of the many named rock formations in the canyon. The composer has tried to depict the sights and sounds of dawn, birdsong in the early morning sky and the gradual revelation of the Canyon itself as sunlight reaches into its rocky depths.Towards the end of the piece, to the sound of a tolling bell, we are however reminded of the dangers that the beauty of the Grand Canyon so cleverly hides.

Concert Band - Grade 2.5

SKU: HL.44010591

Grade 2.5 - Score Only. Composed by James Curnow. Arranged by James Curnow. Curnow Music Concert Band. Christmas. 16 pages. Published by Curnow Music (HL.44010591).

UPC: 884088495244. 9x12 inches.

It's sometimes hard to find just the right piece for that middle ground between the grade 2 young band and the fully functioning grade 3 group. The importance of this growth period in the band's musicality is often overlooked by band composers. James Curnow's On a Renaissance Carol is a great intermediate step with its slightly more exposed orchestration and integral independence of parts. Subtle phrasing, dynamics and stylistic considerations help you take your group to new heights.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-1125039-140

Arranged by Wil van der Beek. Great Classics. Score Only. Composed 2012. 44 pages. De Haske Publications #DHP 1125039-140. Published by De Haske Publications (BT.DHP-1125039-140).

9x12 inches. English-German-French-Dut ch.

Offenbach (1819 - 1880), who was born in Germany, moved to Paris when he was a teenage boy and remained there for much of his life. He became especially famous as a composer of numerous operettas. and of one famous opera: Les Contes d’Hoffmann (The Tales of Hoffmann). His operettas (or ‘musiquettes� �) were often based on comical, or satirical librettos. He makes fun of Parisian daily life, dignitaries, the military, the pretentiousness of the Grand Opéra, and so on. In that respect, Offenbach’s operettas are not really comparable with those of his German-speaking contemporaries, for example, Franz Lehár and Johann Strauss the Younger. Musically speaking, we could callOffenbach’s operettas lively, funny, melodious and catchy.For La Belle Hélène, Offenbach drew from Greek mythology. The story is based on that of Helen of Troy, but is set in France, halfway through the 19th century; it has been turned into a satire on the élite of that time.The overture to La Belle Hélène was (and still is) very successful. Offenbach combined a number of arias and choruses from the operetta to give a taste of what is to follow. Many overtures which follow this form lack unity and structure. However, in this case the composition has been well thought-out.

Offenbach (1819-1880), Duitser van geboorte, verhuisde als jongeman naar Parijs, waar hij een groot deel van zijn leven verbleef. Hij werd vooral beroemd als componist van talrijke operettes en een beroemde opera: Les Contes d’Hoffmann. Zijn operettes (of ‘musiquettes� �) zijn qua libretto vaak komisch en hilarisch, ja zelfs satirisch. Hij steekt hierin de draak met het Parijse mondaine leven, met hoogwaardigheidsbekleders , met militairen, met de bombast van de Grand Opéra, enzovoort. In dat opzicht zijn Offenbachs operettes nauwelijks te vergelijken met die in Duitsland van bijvoorbeeld Franz Lehár en Johann Strauss jr. Muzikaal gezien kunnen we zijn operettes levendig,geestig, melodieus en goed in het gehoor liggend noemen.Voor La Belle Hélène putte Offenbach uit de Griekse mythologie. Het verhaal draait om Helena van Troje, maar is verplaatst naar Frankrijk, halverwege de negentiende eeuw; het is uitgewerkt tot een satire op de heersende elite.De ouverture van La Belle Hélène was (en is nog altijd) zeer succesvol. Offenbach heeft hierin een aantal aria’s en koren uit de operette samengevoegd - een voorproefje dus op wat komen gaat. Veel ouvertures die zo zijn gemaakt, missen eenheid en structuur. In dit geval is er echter sprake van een goed doordachte opbouw.

Der gebürtige Deutsche Jacques Offenbach (1819-1880) zog im Jugendalter nach Paris, wo er den größten Teil seines Lebens verbrachte. Bekannt wurde er vor allem als Komponist zahlreicher Operetten und einer berühmten Oper: Les Contes d’Hoffmann (Hoffmanns Erzählungen). Seine Operetten (oder Musiquettes“) basierte er häufig auf komischen oder gar satirischen Libretti. Darin wird das mondäne Pariser Leben karikiert mit seinen Würdenträgern, Militärs, dem Pomp der Grand Opéra und dergleichen mehr. In dieser Hinsicht sind Offenbachs Operetten vergleichbar mit den deutschen Werken eines Franz Lehár oder Johann Strauss (Sohn). Musikalisch betrachtet können Offenbachs Operetten alslebendig, amüsant, melodiös und eingängig beschrieben werden. Für La Belle Hélène bediente sich Offenbach der griechischen Mythologie. Die Handlung beruht auf Helena von Troja, wurde aber ins Frankreich der Mitte des 19. Jahrhunderts versetzt und in eine Satire auf die damals herrschende Elite verwandelt.Die Ouvertüre von La Belle Hélène war und ist sehr erfolgreich. Offenbach kombinierte darin eine Reihe von Arien und Chorstellen aus der Operette und lieferte so quasi einen Vorgeschmack auf das Folgende. Vielen auf diese Weise entstandene Ouvertüren mangelt es an Einheitlichkeit und Struktur. Diese Ouvertüre zeugt jedoch von einem gut durchdachten Aufbau.

Jacques Offenbach est né en Allemagne en 1819. Sa famille s’installe Paris alors qu’il est encore adolescent et c’est l qu’il passe la plus grande partie de sa vie. Il devient particulièrement célèbre pour la composition de nombreuses opérettes et d’un opéra légendaire, Les Contes d’Hoffmann. Ses opéras-bouffes (ou « musiquettes ») s’inspirent souvent de livrets comiques ou satiriques. Il parodie la vie quotidienne Paris, se moque des dignitaires, de l’armée, de la prétention du grand opéra, et ainsi de suite. cet égard, les œuvres d’Offenbach ne sont pas vraiment comparables aux opérettes de ses contemporains germanophones tels que Franz Lehár ou encoreJohann Strauss le jeune. Musicalement parlant, on peut dire que les opéras-bouffes d’Offenbach sont entraînants, spirituels, mélodieux et mémorables.Jacques Offenbach s’est inspiré de la mythologie pour composer La Belle Hélène, dont le livret brosse l’histoire d’Hélène de Troie. Mais parodiant l’une des légendes grecques des plus illustres, cette opérette se veut être une satire sur l’élite de l’époque.L†™ouverture de La Belle Hélène a toujours été très populaire. Offenbach y glisse plusieurs arias et chœurs repris ensuite dans l’un ou l’autre acte de l’opérette, afin d’en offrir un avant-go t l’auditoire. De nombreux compositeurs écrivirent par la suite des ouvertures de canevas identique. Bien qu’un grand nombre d’entre elles manquent d’unité et de structure, l’ouverture de La Belle Hélène en est une exception notoire.

Concert Band Concert Band - Grade 3.5

SKU: XC.RCB1913

Composed by Carl Strommen. Rhapsody Band Series. Concert and Contest. Classical, Acoustic. Set of parts. Excelcia Music Publishing #RCB1913. Published by Excelcia Music Publishing (XC.RCB1913).

UPC: 812598032215. 9 x 12 inches.

Full of lush harmonies and beautiful melodic lines, On the Wings of Angels, composed by acclaimed composer Carl Strommen, will both excite and challenge players. Written for the annual WorldStrides Onstage event, On the Wings of Angels has all of the flowing lines that we have come to expect with Carl’s symphonic works. Whether for a special occasion or a selection on a concert program, musicians and audiences alike will enjoy On the Wings of Angels.

Concert Band Concert Band - Grade 3.5

SKU: XC.RCB1913FS

Composed by Carl Strommen. Rhapsody Band Series. Concert and Contest. Classical, Acoustic. Score. Excelcia Music Publishing #RCB1913FS. Published by Excelcia Music Publishing (XC.RCB1913FS).

UPC: 812598031591. 9 x 12 inches.

Full of lush harmonies and beautiful melodic lines, On the Wings of Angels, composed by acclaimed composer Carl Strommen, will both excite and challenge players. Written for the annual WorldStrides Onstage event, On the Wings of Angels has all of the flowing lines that we have come to expect with Carl’s symphonic works. Whether for a special occasion or a selection on a concert program, musicians and audiences alike will enjoy On the Wings of Angels.

CD. Anglo Music Concert Band CD. CD only. Size 5x5.5 inches. Published by De Haske Publications.

1492. Composed by Vangelis. Arranged by Willy Hautvast. Pop Music/Movies/Catalogue Pop and Swing. Movie and Musical. Recorded on Cugat's Cocktail (ML.311088720). Full set. Duration 4 minutes, 33 seconds. Molenaar Edition #012365040. Published by Molenaar Edition (ML.012365040).

Concert Band/Harmonie - Grade 1.5

SKU: BT.AMP-024-140

Composed by Marc-Antoine Charpentier. Arranged by Philip Sparke. Debut Series (Anglo). Score Only. Composed 2001. Anglo Music Press #AMP 024-140. Published by Anglo Music Press (BT.AMP-024-140).

Who does not know the famous Te Deum Prelude by Marc-Antoine Charpentier (1634-1704)? This French composer studied both painting and composition in Italy. Returning to France, he took up the post of music master to the dauphin. He collaborated with Molière, working for the Théatre Francais until 1685. He then returned to court and was music director to the Princesse de Guise, composition teacher to the Duke d’Orleans and wrote music for the dauphin’s chapel. His Te Deum, of which the Prelude has become well known (particularly in Europe, where it is used as the Eurovision signature tune) is one of many pieces he wrote for important state and religious occasions.

De veelzijdige Franse componist Marc-Antoine Charpentier (1634-1704) schreef vele stukken voor belangrijke godsdienstige en staatsaangelegenheden. Zijn Te Deum Prelude is heel bekend geworden als Eurovisie-herkenningsmelo die.Dit arrangement is geschikt voor kleine bezettingen, grotere bezettingen kunnen (met veel effect) hout- en koperblazers contrasterend inzetten.

Marc-Ant oine Charpentier zählt zu den herausragendsten französischen Komponisten seiner Zeit. Sein Te Deum ist eines von vielen Stücken, die er für wichtige staatliche und religiöse Anlässe schrieb. Die Prelude aus Te Deum ist heute weithin als die Eurovisionsmelodie bekannt. Philip Sparkes Bearbeitung eignet sich auch für kleinere Besetzungen, größere Besetzungen können - sehr wirkungsvoll - kontrastiv Holz- und Blechbläser einsetzen. Ein bekanntes Stück eines großen Komponisten, das die jungen Musiker motivieren wird!

Marc-Antoine Charpentier (1634-1704) est le compositeur français le plus important des contemporains de Lully. Sa musique religieuse est particulièrement attrayante : il a composé de nombreux motets, messes et oratorios. En 1702, il compose une œuvre de circonstance, le Te Deum, dont le Prélude solennel et brillant deviendra célèbre comme indicatif de l’Eurovision.

Concert Band/Harmonie - Grade 1.5

SKU: BT.AMP-024-010

Composed by Marc-Antoine Charpentier. Arranged by Philip Sparke. Debut Series (Anglo). Set (Score & Parts). Composed 2001. Anglo Music Press #AMP 024-010. Published by Anglo Music Press (BT.AMP-024-010).

Who does not know the famous Te Deum Prelude by Marc-Antoine Charpentier (1634-1704)? This French composer studied both painting and composition in Italy. Returning to France, he took up the post of music master to the dauphin. He collaborated with Molière, working for the Théatre Francais until 1685. He then returned to court and was music director to the Princesse de Guise, composition teacher to the Duke d’Orleans and wrote music for the dauphin’s chapel. His Te Deum, of which the Prelude has become well known (particularly in Europe, where it is used as the Eurovision signature tune) is one of many pieces he wrote for important state and religious occasions.

De veelzijdige Franse componist Marc-Antoine Charpentier (1634-1704) schreef vele stukken voor belangrijke godsdienstige en staatsaangelegenheden. Zijn Te Deum Prelude is heel bekend geworden als Eurovisie-herkenningsmelo die.Dit arrangement is geschikt voor kleine bezettingen, grotere bezettingen kunnen (met veel effect) hout- en koperblazers contrasterend inzetten.

Marc-Ant oine Charpentier zählt zu den herausragendsten französischen Komponisten seiner Zeit. Sein Te Deum ist eines von vielen Stücken, die er für wichtige staatliche und religiöse Anlässe schrieb. Die Prelude aus Te Deum ist heute weithin als die Eurovisionsmelodie bekannt. Philip Sparkes Bearbeitung eignet sich auch für kleinere Besetzungen, größere Besetzungen können - sehr wirkungsvoll - kontrastiv Holz- und Blechbläser einsetzen. Ein bekanntes Stück eines großen Komponisten, das die jungen Musiker motivieren wird!

Marc-Antoine Charpentier (1634-1704) est le compositeur français le plus important des contemporains de Lully. Sa musique religieuse est particulièrement attrayante : il a composé de nombreux motets, messes et oratorios. En 1702, il compose une œuvre de circonstance, le Te Deum, dont le Prélude solennel et brillant deviendra célèbre comme indicatif de l’Eurovision.

By Traditional. For concert band. Christmas favorite of the Dallas Wind Symphony. Christmas medley. Full score and set of parts. Duration 4:20. Published by Lovebird Music. (122) Level: Grade 4 (Advanced).

(Based On "It Came Upon the Midnight Clear," "Silent Night," and "Angels We Have Heard On High") Arranged by James D. Ployhar. Conductor's score and set of performance parts for concert band (3 - 1st flute, 3 - 2nd flute, 2 - oboe, 2 - bassoon, 4 - 1st clarinet, 4 - 2nd clarinet, 2 - bass clarinet, 5 - alto saxophone, 2 - tenor saxophone, 2 - baritone saxophone, 4 - 1st trumpet, 4 - 2nd trumpet, 4 - horn in F, 4 - trombone, 2 - baritone, 2 - baritone (treble clef), 4 - tuba, 2 - mallet percussion, 1 - timpani, 2 - percussion). With performance notes. Series: Belwin Young Band. Published by Alfred Publishing.

Arranged by Elliot Del Borgo. Concert Band. Concert Band. Belwin Young Band. Christmas; Winter. Grade 2. Conductor Score and Parts. 232 pages. Duration 3:15. Published by Belwin Music

Full Score Concert Band - Grade 4

SKU: HL.1455411

For Concert Band. Composed by Robert Russell Bennett. Arranged by R. Mark Rogers. Southern Music. Christmas, Concert, Holiday, Winter. Softcover. 56 pages. Duration 720 seconds. Southern Music Company #S1047FS. Published by Southern Music Company (HL.1455411).

ISBN 9798892703352. UPC: 196288209423. 9.0x12.0x0.39 inches.

Included within this first-ever setting for band alone of THE MANY MOODS OF CHRISTMAS, SUITE THREE, are What Child Is This, Hark! The Herald Angels Sing, Bring a Torch, Jeanette, Isabella, concluding with a spectacular rendition of Angels We Have Heard on High. It should be noted that What Child Is This can be omitted or performed separately from the remainder of the suite.