Concert Band/Harmonie - Grade 5

SKU: BT.CMP-0515-01-010

Composed by James Curnow. Signature Series. Set (Score & Parts). Composed 2001. Curnow Music #CMP 0515-01-010. Published by Curnow Music (BT.CMP-0515-01-010).

James Curnow explores many domains of sound with this wonderful piece. Four extensive variations, based on the melody of the hymn All Praise to You, Oh Lord, together form a beautiful piece of music for use in church services. The composer has a fresh view of the theme in the various fragments of the melody, from ethereal reflections to passionate joy. The last variation starts softly but energetically, and keeps developing using the last phrase of the melody - until the majestic highlight of this glorious hymn begins.

Dans cette pièce superbe, James Curnow explore des domaines sonores extrêmement variés. S’inspirant de la reconstruction de l’église d’une ville américaine, Transfiguration (Métamorphose Symphonique pour Instruments Vent et Percussion) est une œuvre qui illustre le changement et le renouveau. Ici, l’idée de transformation est représentée musicalement par une série de quatre grandes variations sur le thème d’un chant religieux du XVIIIe siècle qui, dans chaque partie, se révèle sous un aspect nouveau.

(22 Full Band Arrangements Correlated to Accent on Achievement (Oboe)). Composed by John O'Reilly and Mark Williams. Concert Band. For Oboe. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Treble Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Treble Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music (AP.41377

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Bass Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Bass Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 1)). By John O'Reilly and Mark Williams. Concert Band. For Trumpet 1. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 1)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 1. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 2)). By John O'Reilly and Mark Williams. Concert Band. For Percussion 2. Band Supplement; Book. Accent on Performance. 32 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Tenor Saxophone)). By John O'Reilly and Mark Williams. Concert Band. For Tenor Saxophone. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Trumpet 2)). By John O'Reilly and Mark Williams. Concert Band. For Trumpet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Score)). By John O'Reilly and Mark Williams. Concert Band. For Score. Band Supplement; Score. Accent on Performance. 140 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (F Horn)). By John O'Reilly and Mark Williams. Concert Band. For F Horn. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Percussion 1)). By John O'Reilly and Mark Williams. Concert Band. For Percussion 1. Band Supplement; Book. Accent on Performance. 32 pages. Published by Alfred Music

(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). By John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1043587-140

Arranged by Roland Kernen. De Haske Pop Collection. Pop & Rock. Score Only. Composed 2004. De Haske Publications #DHP 1043587-140. Published by De Haske Publications (BT.DHP-1043587-140).

Legend has it that Edith Piaf, one of the greatest stars of the French music scene, was born under a lamp post in the streets of Paris and spent much of her lonely childhood roaming the streets, singing here and there in front of a fascinated audience. Out of the poor streets developed a singer who was to become the darling of French cabaret. A Tribute to Edith Piaf is a wonderful arrangement for concert band of four of the most well known songs of this romantic, spontaneous, desperate and everlasting legend.

Naar verluidt werd een van de grootste sterren uit de Franse muziekwereld onder een lantaarnpaal in de Parijse rue de Belleville geboren. Na een eenzame jeugd, waarin ze veel over straat zwierf en voor mensen zong, werd Edith Gassionontdekt door Louis Leplée. Van hem kreeg ze haar bijnaam, La môme Piaf (de kleine mus). A Tribute to Edith Piaf is een prachtig arrangement voor harmonieorkest van Roland Kernen. Het omvat vier van de bekendste chansonsvan deze tegelijkertijd romantische, spontane, wanhopige en onsterfelijke legende: Milord, Hymne l’Amour, Mon Manège Moi en La Vie en Rose.

Die Legende um Edith Piaf, den Spatz von Paris“ besagt, dass sie aus ärmsten Verhältnissen kam und ihre Karriere auf der Straße begann. Aus der armen Straßensängerin wurde die wohl berühmteste Chansonsängerin aller Zeiten. A Tribute to Edith Piaf ist ein wundervolles Medley für Blasorchester von Roland Kernen aus vier der bekanntesten Lieder dieser unsterblichen Legende.

Le 19 décembre 1915, Paris a vu naître sous un lampadaire de la rue de Belleville (si l’on en croit la légende), une étoile de la chanson française. Enfant délaissée, Edith Gassion sillonne seule les quartiers de Paris, en chantant ici et l devant un public fasciné, avant d’être remarquée par Louis Leplée qui l’accueille de son cabaret et qui pose sur cette voix unique un nom voué l’immortalité, la môme Piaf (FAM. moineau), symbole de la fragilité physique du personnage. Mais du haut de ses 1,47 m, elle séduit le Tout-Paris de l’entre-deux guerres puis cristallise autour d’elle le public international. La môme Piaf devient alors définitivement Edith Piaf, lacoqueluche des intellectuels, l’amie des grands chansonniers tels que Maurice Chevalier, Mistinguett, Lucienne Delisle et André Claveau. Artiste célébrée dans le monde entier, femme tourmentée et déchirée, Edith Piaf cessera de chanter le 11 octobre 1963.Avec A Tribute to Edith Piaf (“Hommage Edith Piaf”), Roland Kernen signe un superbe arrangement pour Orchestre d’Harmonie de quatre des plus célèbres chansons de cette légende immortelle, romantique, spontanée et désespérée : Milord, Hymne l’Amour, Mon Manège Moi et La Vie en Rose.

Concert Band/Harmonie - Grade 3

SKU: HL.44010442

Arranged by Roland Kernen. De Haske Concert Band. Pop & Rock. Score Only. Composed 2004. De Haske Publications #1043587. Published by De Haske Publications (HL.44010442).

UPC: 884088452667. 8.25x11.75x0.84 inches.

Legend has it that Edith Piaf, one of the greatest stars of the French music scene, was born under a lamp post in the streets of Paris and spent much of her lonely childhood roaming the streets, singing here and there in front of a fascinated audience. Out of the poor streets developed a singer who was to become the darling of French cabaret. A Tribute to Edith Piaf is a wonderful arrangement for concert band of four of the most well known songs of this romantic, spontaneous, desperate and everlasting legend.

Naar verluidt werd een van de grootste sterren uit de Franse muziekwereld onder een lantaarnpaal in de Parijse rue de Belleville geboren. Na een eenzame jeugd, waarin ze veel over straat zwierf en voor mensen zong, werd Edith Gassionontdekt door Louis Leplee. Van hem kreeg ze haar bijnaam, La mome Piaf (de kleine mus). A Tribute to Edith Piaf is een prachtig arrangement voor harmonieorkest van Roland Kernen. Het omvat vier van de bekendste chansonsvan deze tegelijkertijd romantische, spontane, wanhopige en onsterfelijke legende: Milord, Hymne a l'Amour, Mon Manege a Moi en La Vie en Rose.

Die Legende um Edith Piaf, den Spatz von Paris besagt, dass sie aus armsten Verhaltnissen kam und ihre Karriere auf der Strasse begann. Aus der armen Strassensangerin wurde die wohl beruhmteste Chansonsangerin aller Zeiten. A Tribute to Edith Piaf ist ein wundervolles Medley fur Blasorchester von Roland Kernen aus vier der bekanntesten Lieder dieser unsterblichen Legende.

Le 19 decembre 1915, Paris a vu naitre sous un lampadaire de la rue de Belleville (si l'on en croit la legende), une etoile de la chanson francaise. Enfant delaissee, Edith Gassion sillonne seule les quartiers de Paris, en chantant ici et la devant un public fascine, avant d'etre remarquee par Louis Leplee qui l'accueille de son cabaret et qui pose sur cette voix unique un nom voue a l'immortalite, la mome Piaf (FAM. moineau), symbole de la fragilite physique du personnage. Mais du haut de ses 1,47 m, elle seduit le Tout-Paris de l'entre-deux guerres puis cristallise autour d'elle le public international. La mome Piaf devient alors definitivement Edith Piaf, lacoqueluche des intellectuels, l'amie des grands chansonniers tels que Maurice Chevalier, Mistinguett, Lucienne Delisle et Andre Claveau. Artiste celebree dans le monde entier, femme tourmentee et dechiree, Edith Piaf cessera de chanter le 11 octobre 1963.Avec A Tribute to Edith Piaf (Hommage a Edith Piaf), Roland Kernen signe un superbe arrangement pour Orchestre d'Harmonie de quatre des plus celebres chansons de cette legende immortelle, romantique, spontanee et desesperee : Milord, Hymne a l'Amour, Mon Manege a Moi et La Vie en Rose.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1043587-010

Arranged by Roland Kernen. De Haske Pop Collection. Original Light Music. Set (Score and Parts). Composed 2004. De Haske Publications #DHP 1043587-010. Published by De Haske Publications (BT.DHP-1043587-010).

Legend has it that Edith Piaf, one of the greatest stars of the French music scene, was born under a lamp post in Paris and spent much of her childhood roaming the streets, singing in front of a fascinated audience. Out of the poor streets developeda singer who was to become the darling of French cabaret. A Tribute to Edith Piaf is a wonderful arrangement for band of four of the most well-known songs of this romantic, spontaneous, desperate and everlasting legend.

Naar verluidt werd een van de grootste sterren uit de Franse muziekwereld onder een lantaarnpaal in de Parijse rue de Belleville geboren. Na een eenzame jeugd, waarin ze veel over straat zwierf en voor mensen zong, werd Edith Gassionontdekt door Louis Leplée. Van hem kreeg ze haar bijnaam, La môme Piaf (de kleine mus). A Tribute to Edith Piaf is een prachtig arrangement voor harmonieorkest van Roland Kernen. Het omvat vier van de bekendste chansonsvan deze tegelijkertijd romantische, spontane, wanhopige en onsterfelijke legende: Milord, Hymne lâ??Amour, Mon Manège Moi en La Vie en Rose.

Die Legende um Edith Piaf, den 'Spatz von Paris' besagt, dass sie aus ärmsten Verhältnissen kam und ihre Karriere auf der Stra�e begann. Aus der armen Stra�ensängerin wurde die wohl berühmteste Chansonsängerin aller Zeiten. A Tributeto Edith Piaf ist ein wundervolles Medley für Blasorchester von Roland Kernen aus vier der bekanntesten Lieder dieser unsterblichen Legende.

Piaf, la Môme de Paris a cristallisé autour dâ??elle le monde de la chanson au-del des frontières hexagonales. Inimitables et éternelles, ses chansons sont restées sur toutes les lèvres. Avec Milord, Hymne lâ??Amour, La Vie en Rose et MonManège Moi, Roland Kernen nous fait entrer dans le monde de cette légende immortelle. Piaf ou le talent lâ??état pur.

Con la sua voce caleidoscopica, capace di mille sfumature, la Piaf anticipò di oltre un decennio quel senso di ribellione e di inquietudine che incarneranno poi gli artisti intellettuali della rive gauche di Parigi. Una vita caratterizzata da amoritumultuosi e sfortunati, da incidenti e malattie, Edith Piaf rimane inimitabile ed eterna. Include: Milord, Hymne lâ??Amour, La Vie en Rose e Mon Manège Moi.

Wind Band

SKU: IS.WE7090EM

Composed by Nico Schoeters. Ensembles - Wind Band. Metropolis Music Publishers #WE7090EM. Published by Metropolis Music Publishers (IS.WE7090EM).

ISBN 9790365070909.

Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day.The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.