A Charles Dickens Christmas Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507.
Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals.
Amazing Grace Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:00.
Published by Manhattan
Beach Music.
Amazing Grace Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:00. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
Loch Lomond Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
Concert Band - Grade 1 SKU: AP.BD9956C Percussion Section Feature....(+)
Concert Band - Grade 1
SKU: AP.BD9956C
Percussion Section
Feature. Composed by
Robert W. Smith. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Christmas; Winter. Score.
20 pages. Duration 2:01.
Belwin Music #00-BD9956C.
Published by Belwin Music
(AP.BD9956C).
UPC:
029156998740.
English.
Robert W.
Smith takes one of the
world's best-known and
best-loved melodies and
fashions a highly
effective new work that
features your percussion
section in the concert
spotlight. As we have all
come to expect from this
brilliant young
composer's work, the
energy level is extremely
high, and the writing is
most effective. It is one
of those special works
your players will enjoy
rehearsing and your
audiences will greet with
great enthusiasm.
Driving! (2:01).
Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465.
A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Mars 1488 Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 5 SKU: ML.013779060 Composed by Eric Swiggers. Full ...(+)
Concert Band - Grade 5
SKU: ML.013779060
Composed by Eric
Swiggers. Full set.
Molenaar Edition
#013779060. Published by
Molenaar Edition
(ML.013779060).
Mars 1488 was
commissioned by the
Commander of the Naval
Forces on the occasion of
the 65th anniversary of
the Marine Band of the
Royal Netherlands Navy in
2010. The title refers to
the year 1488, in which
the 'Dutch Fleet' was
founded. It was premiered
at the annual corps
concerts at De Doelen in
Rotterdam on 1 and 2
December 2010.Since then,
this march has been much
loved by both the Marine
Band and the public and
has been performed
frequently at home and
abroad.March 1488 has
been available from
Molenaar Edition since
2024 for both concert
band and fanfare
band.
Mars 1488
werd gecomponeerd in
opdracht van de
Commandant der Zee
Strijdkrachten ter
gelegenheid van het
65-jarig jubileum van de
Marinierskapel der
Koninklijke Marine in
2010. De titel refereert
aan het jaartal 1488,
waarin de 'Nederlandsche
Vloot' werd opgericht. De
première vond plaats
tijdens de jaarlijkse
korpsconcerten in De
Doelen in Rotterdam op 1
en 2 december
2010.Sindsdien is deze
mars zeer geliefd bij
zowel de Marinierskapel
als het publiek en werd
veelvuldig uitgevoerd in
binnen- en
buitenland.Mars 1488 is
sinds 2024 verkrijgbaar
bij Molenaar Edition,
zowel voor harmonie- als
voor
fanfareorkest.
Mar
s 1488 a été commandé
par le commandant des
forces navales à
l'occasion du 65e
anniversaire de la
fanfare de la marine
royale néerlandaise en
2010. Le titre fait
référence à l'année
1488, au cours de
laquelle la flotte
néerlandaise a été
fondée. Elle a été
créée lors des concerts
annuels du corps d'armée
à De Doelen à Rotterdam
les 1er et 2 décembre
2010.Depuis lors, cette
marche est très
appréciée tant par la
Marine Band que par le
public et a été jouée
fréquemment en Belgique
et à l'étranger.La
Marche 1488 est
disponible chez Molenaar
Edition depuis 2024 pour
orchestre d'harmonie et
Fanfare band.
Mars
1488 wurde vom
Kommandanten der
Seestreitkräfte
anlässlich des
65-jährigen Bestehens
der Marinekapelle der
Königlichen
Niederländischen Marine
im Jahr 2010 in Auftrag
gegeben. Der Titel
bezieht sich auf das Jahr
1488, in dem die
Niederländische Flotte
gegründet wurde. Er
wurde bei den jährlichen
Korpskonzerten in De
Doelen in Rotterdam am 1.
und 2. Dezember 2010
uraufgeführt.Seitdem ist
dieser Marsch sowohl bei
der Marinekapelle als
auch beim Publikum sehr
beliebt und wird häufig
im In- und Ausland
aufgeführt.Der Marsch
1488 ist seit 2024 bei
Molenaar Edition sowohl
für Konzertorchester als
auch für Fanfare Band
erhältlich.
Bist Du bei mir Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-010 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-010
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Set
(Score & Parts). Composed
2005. De Haske
Publications #DHP
1053785-010. Published by
De Haske Publications
(BT.DHP-1053785-010).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
Bist Du bei mir Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1053785-140 Composed by Johan...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.DHP-1053785-140
Composed by Johann
Sebastian Bach. Arranged
by Jacob De Haan. Your
Favorite Classics. Score
Only. Composed 2005. 12
pages. De Haske
Publications #DHP
1053785-140. Published by
De Haske Publications
(BT.DHP-1053785-140).
English-German-French-
Dutch.
The song
Bist du bei mir,
geh’ ich mit
Freuden zum Sterben und
zu meiner Ruh’
(BWV 508) was composed by
Johann Sebastian Bach for
his second wife Anna
Magdalena (1701-1760),
who he married in
1721.The popularity of
this song is probably due
to the magnificent,
sensitive melody that
fits wonderfully with the
text, in which a loved
one is told that even
death is beautiful
“as long as you are
there with me.â€
This beautiful
arrangement by Jacob de
Haan is suitable for use
in any
concert.
Het lied
Bist du bei mir,
geh’ ich mit
freuden zum Sterben und
zu meiner Ruh (BWV 508)
werd gecomponeerd door
Johann Sebastian Bach
voor zijn tweede vrouw
Anna Magdalena
(1701-1760), met wie hij
in 1721 trouwde. Dit lied
dankt
zijnongeëvenaarde
populariteit
waarschijnlijk aan de
schitterende, gevoelige
melodie die prachtig
aansluit bij de tekst,
waarin een geliefde te
horen krijgt dat zelfs de
dood mooi is
‘zolang jij bij me
bent’. Dit
prachtige arrangementvoor
blaasorkest, geschreven
door Jacob de Haan, is
geschikt voor vele
gelegenheden.
B
ist du bei mir
schrieb Johann Sebastian
Bach für seine zweite
Frau Anna Magdalena. Die
Melodie passt
vorzüglich zum Text
eines unbekannten
Dichters, der besagt,
dass selbst der Tod
keinen Schrecken mehr
birgt, solange nur der
geliebte Mensch da ist.
Jacob de Haan schuf aus
der beliebten,
besinnlichen Melodie eine
gefühlvolle
Bearbeitung für
Blasorchester.
Nel
1721 Johann Sebastian
Bach sposa in seconde
nozze Anna Magdalena
Wilcken. Le dedica
l’aria Bist du
bei mir BWV 508. La
notoriet di questa aria
è ineguagliabile per
la sua tenerezza che si
evolve in perfetta
armonia con un testo
potente nel quale il
poeta ci regala una bella
visione
dell’amore. Jacob
de Haan ha realizzato un
superlativo arrangiamento
per banda, adatto a tutte
le occasioni.
Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208).
ISBN
9781491152287. UPC:
680160909780. Key: D
minor.
A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
Joplin! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
By Scott Joplin (1868-1917). Arranged by L.C. Harnsberger. For Concert Band. Con...(+)
By Scott Joplin
(1868-1917). Arranged by
L.C. Harnsberger. For
Concert Band. Concert
Band. Young Symphonic. 2
(Medium Easy) (grade 2).
Conductor Score and
Parts. 65 pages
Mozart! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by L.C. Harnsberger. Arr. L.C. Harnsberger. For Concert Band. Concert B...(+)
Arranged by L.C.
Harnsberger. Arr. L.C.
Harnsberger. For Concert
Band. Concert Band. Young
Symphonic. Level: Grade
2. Conductor Score &
Parts. Duration 3:20:00.
Published by Alfred
Publishing.
Celtic Bell Carol Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
By R. W. Smith. For concert band. Young Band. Command. Grade 2.5. Score and part...(+)
By R. W. Smith. For
concert band. Young Band.
Command. Grade 2.5. Score
and parts. Composed 2010.
Duration 2 minutes, 3
seconds. Published by
C.L. Barnhouse
2. Un bal Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan J...(+)
(Symphonie Fantastique).
By Hector Berlioz
(1803-1869). Arranged by
Christiaan Janssen. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 6:30.
Published by Baton Music
((de la suite No. 3)). By Johann Sebastian Bach (1685-1750). Arranged by Jack Bu...(+)
((de la suite No. 3)). By
Johann Sebastian Bach
(1685-1750). Arranged by
Jack Bullock. Concert
Band. Concert Band;
Masterworks; Part(s);
Score. Belwin Young Band.
Form: Transcription.
Baroque; Masterwork
Arrangement. Grade 2.5.
Published by Belwin Music
O Holy Night Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
Arranged by Victor Lopez. Concert Band. Concert Band; Part(s); Score. Belwin Beg...(+)
Arranged by Victor Lopez.
Concert Band. Concert
Band; Part(s); Score.
Belwin Beginning Band.
Christmas; Rock; Sacred;
Winter. Grade 1. 140
pages. Published by
Belwin Music
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor.
Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
By Miller. Arranged by Ed Huckeby. For concert band. Concert Band. Lighter. Grad...(+)
By Miller. Arranged by Ed
Huckeby. For concert
band. Concert Band.
Lighter. Grade 2.5. Score
and set of parts.
Composed 2005. Duration 4
minutes, 25 seconds.
Published by C.L.
Barnhouse
Christmas: Short and Suite (Part 1 in C - Treble Clef). Arranged by William Hime...(+)
Christmas: Short and
Suite (Part 1 in C -
Treble Clef). Arranged by
William Himes. For
Concert Band. Curnow
Music Concert Band. Grade
2-4. 12 pages. Curnow
Music #081004. Published
by Curnow Music
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496.
Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017.
El Relicario Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Jose Padilla (1889-1960). Arranged by Andy Clark. For concert band. This edit...(+)
By Jose Padilla
(1889-1960). Arranged by
Andy Clark. For concert
band. This edition:
Build-A-Band edition.
Build-A-Band Series.
Grade 3. Score and set of
parts. Composed 2010.
Duration 2 minutes, 43
seconds. Published by
C.L. Barnhouse
Featuring: Adeste Fideles / Angels We Have Heard on High / Joy to the World(+)
Featuring: Adeste
Fideles / Angels We Have
Heard on High / Joy to
the World. Arranged
by Patrick Roszell.
Concert Band; Part(s);
Score. Belwin Concert
Band. Form: Medley.
Christmas; Sacred;
Winter. 148 pages.
Published by Belwin Music
(AP.43133).
Concert Band - Grade 2 SKU: AP.49171S Composed by Douglas E. Wagner. Conc...(+)
Concert Band - Grade 2
SKU: AP.49171S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Folk. Score. 16 pages.
Duration 3:20. Belwin
Music #00-49171S.
Published by Belwin Music
(AP.49171S).
ISBN
9781470646820. UPC:
038081564999.
English.
The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20).
Concert Band - Grade 2 SKU: AP.49171 Composed by Douglas E. Wagner. Conce...(+)
Concert Band - Grade 2
SKU: AP.49171
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Score and Part(s). 78
pages. Duration 3:20.
Belwin Music #00-49171.
Published by Belwin Music
(AP.49171).
ISBN
9781470646813. UPC:
038081564982.
English.
The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20).
Una Furtiva Lagrima Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115082-140 From L'elisi...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115082-140
From L'elisir
d'amore. Composed by
Gaetano Donizetti.
Arranged by Jacob De
Haan. Great Classics.
Classical. Score Only.
Composed 2011. 12 pages.
De Haske Publications
#DHP 1115082-140.
Published by De Haske
Publications
(BT.DHP-1115082-140).
9x12 inches.
English-German-French-Dut
ch.
Una Furtiva
Lagrima is a brilliant
arrangement by Jacob de
Haan, of the aria from
Gaetano
Donizetti’s opera
L’Elisir
d’Amore (The
Elixir of Love) for
concert band. The subject
of this song is the power
of love: Nemorino, the
main character of the
opera, sings the aria as
he notices that his love
potion is starting to
take effect on his
beloved. A furtive tear
(Una Furtiva Lagrima)
betrays his
beloved’s feelings
towards him in this
emotional piece.
Uit de opera
L’elisir
d’amore van
Gaetanos Donizetti
bewerkte Jacob de Haan de
aria Una furtiva lagrima
voor blaasorkest. Het
gevoelige lied gaat over
de macht van de liefde:
over de heimelijke traan
(Una furtiva lagrima) die
eenmeisje wegveegt en
waarmee ze haar ware
gevoelens laat blijken.
Een langzaam, ontroerend
werk dat voor een heel
bijzonder moment in uw
volgende concert
zorgt..!
Jacob de
Haan bearbeitete die Arie
Una Furtiva
Lagrima aus Gaetanos
Donizettis Oper
L’Elisir
d’Amore (Das
Elixir der Liebe)
für Blasorchester.
Das gefühlvolle
Lied handelt von der
Macht der Liebe:
Nemorino, die Hauptfigur
der Oper, singt es, als
er bemerkt, dass sein
Liebestrank bei seiner
Angebeteten zu wirken
beginnt. Eine verstohlene
Träne (Una furtiva
lagrima) des Mädchens
ist es, die ihm ihre
Gefühle offenbart.
Sehr gefühlvoll und
getragen!
Jacob de Haan ha
arrangiato per banda
l’aria Una furtiva
lagrima dall’opera
L’Elisir
d’Amore di Gaetano
Donizetti. Un’aria
commovente che racconta
il potere
dell’amore: una
ragazza i cui
sentime.
Una Furtiva Lagrima Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115082-010 From L'elisi...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115082-010
From L'elisir
d'amore. Composed by
Gaetano Donizetti.
Arranged by Jacob De
Haan. Great Classics.
Classical. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115082-010. Published by
De Haske Publications
(BT.DHP-1115082-010).
9x12 inches.
English-German-French-Dut
ch.
Una Furtiva
Lagrima is a
brilliant arrangement by
Jacob de Haan, of the
aria from Gaetano
Donizetti’s opera
L’Elisir
d’Amore (The
Elixir of Love) for
concert band. The subject
of this song is the power
of love: Nemorino, the
main character of the
opera, sings the aria as
he notices that his love
potion is starting to
take effect on his
beloved. A furtive tear
(Una Furtiva Lagrima)
betrays his
beloved’s feelings
towards him in this
emotional piece.
Uit de opera
L’elisir
d’amore van
Gaetanos Donizetti
bewerkte Jacob de Haan de
aria Una furtiva lagrima
voor blaasorkest. Het
gevoelige lied gaat over
de macht van de liefde:
over de heimelijke traan
(Una furtiva lagrima) die
eenmeisje wegveegt en
waarmee ze haar ware
gevoelens laat blijken.
Een langzaam, ontroerend
werk dat voor een heel
bijzonder moment in uw
volgende concert
zorgt..!
Jacob de
Haan bearbeitete die Arie
Una Furtiva
Lagrima aus Gaetanos
Donizettis Oper
L’Elisir
d’Amore (Das
Elixir der Liebe)
für Blasorchester.
Das gefühlvolle
Lied handelt von der
Macht der Liebe:
Nemorino, die Hauptfigur
der Oper, singt es, als
er bemerkt, dass sein
Liebestrank bei seiner
Angebeteten zu wirken
beginnt. Eine verstohlene
Träne (Una furtiva
lagrima) des Mädchens
ist es, die ihm ihre
Gefühle offenbart.
Sehr gefühlvoll und
getragen!
Jacob de Haan ha
arrangiato per banda
l’aria Una furtiva
lagrima dall’opera
L’Elisir
d’Amore di Gaetano
Donizetti. Un’aria
commovente che racconta
il potere
dell’amore: una
ragazza i cui
sentime.
Midnight Carols Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 2 SKU: AP.44913S Featuring: What Child Is This? /...(+)
Concert Band - Grade 2
SKU: AP.44913S
Featuring: What Child
Is This? / It Came Upon
the Midnight Clear.
Arranged by Jerry Davis.
Concert Band; Performance
Music Ensemble; Single
Titles. Belwin Young
Band. Christmas; Sacred;
Traditional; Winter.
Score. 20 pages. Duration
3:30. Belwin Music
#00-44913S. Published by
Belwin Music (AP.44913S).
UPC: 038081519319.
English. Traditional
Carols.
Fluidly
combining two beloved
holiday carols, What
Child Is This? and It
Came Upon the Midnight
Clear, this will be a
welcomed lyrical addition
to your holiday concert.
Cast entirely in 3/4
time, the arrangement
simultaneously serves to
welcome the season and
reinforce triple meter
while engaging all
members of your band.
Stunning! (3:30).